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"Jan" Franciscus Hendrik Ingenhoes (Londen 1882 - 1948 Wenen), Een stilleven van hulst, sibaardewerk en een Delftse tegel. Gesigneerd (rechtsonder), olieverf op doek. L: 30 cm, B: 40 cm. Geschatte opbrengst: € 100 - € 200. "Jan" Franciscus Hendrik Ingenhoes (London 1882 - 1948 Vienna), A still life with holly, pottery and a Delft tile. Signed (lower right), oil on canvas. L: 30 cm, W: 40 cm. Estimate: € 100 - € 200.
Een geperste theetegel, China, mid. 20e eeuw. Met Chinese schrifttekens, 'theefabriek PFAUMENTOR', met decor van Chinese tempel geflankeerd door theebomen. Geschatte opbrengst: € 20 - € 30. A pressed so-called 'tea tile', China, mid 20th Century. Tea factory PFAUMENTOR and decor of a Chinese temple and tea trees. Estimate: € 20 - € 30.
Fragment einer Kachel des Kachelofens in der Wohnstube des 2. Stocks im Berghof, Kieslinger-Wehner-Keramik München, 1936 Eckstück aus rotbraun glasierter Keramik. Maße ca. 10,5 x 4 x 3 cm. Montiert oberhalb einer kolorierten Postkarte mit Ansicht der Wohnstube und des Kachelofens in modernem Rahmen. Rahmenmaße 25,5 x 25,5 x 4,5 cm. Dabei ausführliches Provenienzmaterial über den Fundort in einem Bombenkrater am Obersalzberg sowie eine Kopie der Rechnung der Kieslinger-Wehner-Keramik aus dem Jahr 1936, in Rechnung gestellt an das Atelier Troost und bezeichnet als "Ofen für Haus Wachenfeld - Ausführung in Schüsselkacheln 18 x 18 cm, glasiert englisch rot". Zustand: II A fragment of a tile from the tile stove in Berghof Eckstück aus rotbraun glasierter Keramik. Maße ca. 10,5 x 4 x 3 cm. Montiert oberhalb einer kolorierten Postkarte mit Ansicht der Wohnstube und des Kachelofens in modernem Rahmen. Rahmenmaße 25,5 x 25,5 x 4,5 cm. Dabei ausführliches Provenienzmaterial über den Fundort in einem Bombenkrater am Obersalzberg sowie eine Kopie der Rechnung der Kieslinger-Wehner-Keramik aus dem Jahr 1936, in Rechnung gestellt an das Atelier Troost und bezeichnet als "Ofen für Haus Wachenfeld - Ausführung in Schüsselkacheln 18 x 18 cm, glasiert englisch rot". Condition: II
Fragment einer Kachel des Kachelofens im Wohnzimmer des Hauses Wachenfeld/Berghof, Teichert-Werke, Meißen Eckstück mit Teil des kreisförmigen Innensegments und Resten der grünen Glasierung. Maße ca. 13,5 x 7,5 x 2 cm. Montiert in modernem Rahmen, Maße 22 x 22 x 3,5 cm. Rückseitig die kolorierte Hoffmann-Postkarte "Innenraum im Hause Wachenfeld - Landhaus des Reichskanzlers in Berchtesgaden (Obersalzberg)" mit Darstellung des grünen Kachelofens. Dabei ausführliches Provenienzmaterial über den Fundort in einem Bombenkrater am Obersalzberg. Die Teichert-Werke Meißen entstanden ca. 1930 durch die Zusammenlegung der Meißner Ofen- und Porzellanfabrik vorm. Carl Teichert, der Ernst Teichert GmbH sowie der Meißner Wandplattenwerke Saxonia GmbH. Zustand: II - A fragment of a tile from the tile stove in Haus Wachenfeld/Berghof Eckstück mit Teil des kreisförmigen Innensegments und Resten der grünen Glasierung. Maße ca. 13,5 x 7,5 x 2 cm. Montiert in modernem Rahmen, Maße 22 x 22 x 3,5 cm. Rückseitig die kolorierte Hoffmann-Postkarte "Innenraum im Hause Wachenfeld - Landhaus des Reichskanzlers in Berchtesgaden (Obersalzberg)" mit Darstellung des grünen Kachelofens. Dabei ausführliches Provenienzmaterial über den Fundort in einem Bombenkrater am Obersalzberg. Die Teichert-Werke Meißen entstanden ca. 1930 durch die Zusammenlegung der Meißner Ofen- und Porzellanfabrik vorm. Carl Teichert, der Ernst Teichert GmbH sowie der Meißner Wandplattenwerke Saxonia GmbH. Condition: II -
A 1910 advertising calendar for James S. Branford, Saddler and Harness Manufacturer, Blyburgate, Beccles, showing a print after Alfred W. Strutt, A Tile Off, 50 x 75cm (rolled), together with one other similar for the year 1911 and showing His Masters Daughter, after John Charlton, 75 x 52cm. (rolled) (2)
A set of eight Italian crimson ground, gilt, silvered and tooled leather wall panels, probably Venetian, late 17th/early 18th century, presented in two runs of three and one pair, each with stylised foliage, strapwork and lambrequins, each tile approximately 52 x 48cm Provenance: Allegedly acquired from the house of the Spanish Ambassador in Mexico City, by 1946Ockwells Manor, before the 1960s, when owned by Mr Patrick ChungThence by family descent to the present ownerReferred to by Sir Nikolaus Pevsner as 'the most refined and the most sophisticated timber-framed mansion in England', Ockwells Manor was built for Sir John Norreys in 1446 and much of its 15th century form survives to this day. It is renowned for its collection of heraldic stained glass, and elaborate carvings which may have been executed by the craftsmen of Eton college. The house had fallen into disrepair by the 19th century, when it was restored by Sir Edward Barry. It is said that concerns about the fate of this noted example of timber-frame architecture led to the founding of the Society for the Preservation of Ancient Buildings by William Morris.The wall tiles in the present lot were noted by the author James Wentworth Day, when he wrote about Ockwells in 'Harvest Adventures' first published by George Harrap in 1946. Wentworth Day describes tiles as follows:'A superb collection of old stamped Spanish leather wall-coverings in gold and silver on crimson was obtained from the House of the Spanish Ambassador in Mexico City.', (Chapter XIV, the Tale of a Unique English Manor House)While leather tiles are often considered to be of a Spanish or Netherlandish tradition, the ones presented here have previously been likened to panels at Schloss Moritzburg (specifically the Hunting Lodge) which are known to have been commissioned from Venetian artisans.Condition Report: Some minor wear and losses but the colours are vibrant and well preserved overall.Old restorations and strengthening to the rear of the panels.Condition Report Disclaimer
CONTINENTAL IRON AND BRASS CURULE CHAIR 19TH CENTURY with brass flattened knop finials, with a distressed red velvet cushion with tassel trim(71cm wide, 82cm high, 42cm deep)Footnote: Note: The Thrie Estaits was an emporium of wonders. Set up by Peter Powell in Edinburgh in the early 1980s, the shop in Dundas Street was a treasure trove of the eclectic, the beautiful and the quirky. It was hard to find a shop like it, and for nearly forty years it was the go-to for extraordinary works of art. Peter trained in silversmithing at Glasgow School of Art in the late 1960s and after graduating worked at Elders in Charing Cross. Elders were pioneers in Glasgow in the promotion of contemporary design, especially the Scandinavian and Italian designers, appealing to Peter’s eye for the unusual. From Elders, he graduated to the Dovecot Studios in Edinburgh to work on their range of tiles. The studio was set up by the Marquis of Bute predominantly as a studio for weaving tapestry although the tile-making offshoot was given a space in the studio. Peter continued making tiles when the Dovecot Studios closed their tile-making operation, but he also started to buy and sell antique tiles and other small objects too. He finally bought his own shop in Dundas Street Edinburgh where he was able to expand into other disciplines and where larger items could be displayed. Peter named the shop The Thrie Estaits after the 16th century satirical play of the same name by Sir David Lindsay – a commentary on the church, the state and the common man and a reflection too of the variety of the stock. Before long the shop became known around the country for its interesting and eclectic contents. One customer describes how his visits “felt like entering an antique shop in Spain or Portugal, filled with a miscellany of desirable objects, a number of which I then acquired and scattered throughout my home. Their emporium had two enticing windows set back from the street - one of the windows involved standing over a pierced cast iron grille, always hoping it wouldn’t give way, but worth the risk! A few steps down to enter another world and at the back, beyond where Peter sat, lay a further room with a window and it too was laden with treasures.……”. Certainly the shop could be described as small but absolutely packed with things, though always displayed with thoughtful care and some verve, wherever possible! Peter and his long-standing partner Walter Gordon often benefitted from the cheerful help of Roger Cave, a wizard on the internet. They dealt with clients ranging from museums and institutions to dealers such as Roger Warner at Burford and Gretchen Andersen at the Lacquer Chest in London, amongst other tastemakers drawn to the shop. More recently Peter moved The Thrie Estaits to East Lothian where he has traded successfully for a number of years at Fenton Barns. After over 40 years he has made the difficult decision to close and to turn full circle, returning to collecting, restoring and selling objects on a smaller scale.
A collection of ornamental china wares to include a USSR Lomonosov Elephant, approx 19 cm long, various Continental animal ornaments to include Bulldog, Bear, Lurcher, etc, a Beswick Pony and a painted tile tray depicting the Elizabeth II Coronation coach inscribed "June 2nd 1953", etc CONDITION REPORTS Beswick horse has had two of its legs off and re-seloptaped. Has had significant restoration to three legs as well as the ear / head. Crazing throughout. Heavy wear and tear conducive with being knocked off a shelf. See images for more detail.
Manchester Regiment Volunteer Officer’s portrait.A very fine example comprising a bust of a post 1881 Officer sporting a peaked forage cap with two part embroidered cap badge and wearing a scarlet patrol tunic with white facings bearing silvered collar badges, 2nd Lieutenant rank and silvered buttons. Coloured photograph on tile in glazed ornate gilt frame (minor cracks) recessed into further velvet lined ebonised frame. VGC (overall approx. 340 x 285 mm)
A large Persian pottery tile, Qajar, late 18th/19th century, moulded in relief with a man on horseback amongst moulded and painted plants, a crocodile below, in ebonised frame, 36cm x 27cmCondition report: The top quarter is a later restoration. The bottom left corner has been restored. The reverse shows a joined horizontal and diagonal crack which has been glued together.
A medieval encaustic tile, 13th century, decorated in off white slip on a terracotta ground, a lion passant facing left within a circular panel with a fleur de lys to each corner, 13cm.Condition report: A small chip to one corner, but otherwise intact. The white slip has decayed over the years and has a rough surface. Fleur de lys are not obvious.
Bernard LeachTiled table, circa 1945Glazed ceramic tiles, mounted in a wrought iron trivet, central tile with bird motif; together with two additional tiles.Central pictorial tile - 10 x 10 cmTable - 19.5 x 39 x 26.5 cmThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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26543 item(s)/page