We found 26544 price guide item(s) matching your search

Antique bamboo side table, with tile-set top depicting birds and reeds, H48cm

A pair of terracotta corbels in the form of Medieval knights, both stamped Maidenhead Brick & Tile Co

Maureen Minchin (b.1954) 'Exe to Estuary' a sixteen tile panel, painted with animals, birds and fish in colours, to include peregrine falcon, hobby, otter, curlew, Dartford warbler, sunfish etc, oak framed, 31.5cm x 99cm

An Iznik pottery tile, 18th/19th century. 11cm square.

Sumerian Tiles from The Palace of Kush collected in Persia circa 1917, by Captain O. Cox. Containing seven glazed pottery tile sections, mounted on a contemporary wood board and with a mounted black and white photograph beneath a card label inscribed 'Stones from Ancient Palace of Kush, Persia 1917, Capt. O. Cox ?97S NFT'. Old paper label to verso inscribed '4000 BC, Stones from the very old ruins of Kush, dating from early Sumerian time. There is still the ruins of the remains of this great Palace (from which the stairways, courtyards and pillars). They were used by the Sumerians as far back as the earliest dynasty. The bricks of this palace of Kush are cake shaped mud bricks called 'Plano Convex'. Persia i9i7. Size of wood board 31 x 30.5cm; size of largest tile 11 x 3.3cm.

A Damascus pottery tile, Syria, 17th century, Painted with arabesque medallions and flowers, 16.5 x 16.5cm.

A Kashan lustre pottery star tile, Central Persia, 13th/14th century. In the form of an eight pointed star, decorated in cobalt blue and brownish lustre with a central panel containing opposing cream parrots and floral motifs, the border with inscriptions. 21 x 21.5cm.For a similar tile featuring birds and a calligraphic border, see Christies, Indian and Islamic Works of Art including Property from The Heidi Vollmoeller and Theodore Sehmer Collections, 30th April 2004, lot 171. Good overall condition, chip on one of the pointed stars, no signs of restoration.

An Iznik pottery tile, 20th century. 20 x 20cm.Very good condition, no cracks or repairs, small chip on one corner.

A Middle Eastern tin glazed pottery tile. 19.5 x 19.5cm.

A Turkish pottery tile, circa 1920's. The front with Arabic calligraphy and floral sprays, provenance has been painted onto the reverse of the tile, bought in Mersin circa 1926, 19.5 x 19.5cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.

A tile-top coffee table, 1950s, in the manner of Arthur Boyd for Murrumbeena Pottery, fitted with fifteen chequer-painted tiles in blue and yellow, with musical instruments, signed 'Boyd', raised on a metal stand with a wood base board, 77.5cm wide 47.5cm deep30cm highArthur Boyd was born at Murrumbeena, Victoria, Australia, on 24 July 1920, the son of the potter, sculptor, and painter, Merric Boyd, and a member of a family of successive artists. He left school at the age of 14 to begin a career in painting, but after his father's studio burnt down, Boyd took night classes at the National Gallery School, Melbourne, whilst also living and painting with his grandfather, the artist Arthur Merric Boyd.With the outbreak of the Second World War, Boyd was conscripted and served in the Army Survey Corps from 1941 to 1944. After the war, he established the Arthur Merric Boyd Pottery Workshop at Murrumbeena, with John Perceval and Peter Herbst. Deeply affected by his wartime experiences, he turned to the Bible for inspiration in his work, and as a means of expressing something of the horror of conflict. During the 1950s, he travelled to Central Australia and his work turned to landscapes; in particular he painted poetic views of the luminous Wimmera landscape. In 1957, he began his milestone Half-Caste Bride series of paintings, raising contentious issues on Australia's racial divide and the treatment of indigenous peoples.He gave a large collection of paintings, drawings, prints, as well as sculptures, ceramics, and tapestries, to the National Gallery of Australia in 1975.Condition ReportFour tiles cracked and with some scuffs and chips to the paint.The vendor bought this from a property in Hampshire.

‡ J M ROLLASON (20th Century) oil on board - windmill among red and blue roofed houses, 49.5 x 37cms, and an unattributed studio pottery tile panel having a sgraffito-type depiction of a dragon, mid-20th Century, the tiles mounted on a cloth fronted board with aluminium frame, 45.5 x 84.5cms overallProvenance: private collection CheshireComments: framed

Terracotta dragon. A copy of a Chinese roof tile. Twentieth century. H.67 W.62 cm. (Old repair to neck).

Taxidermy. A stuffed Indian Peacock (Pavo cristatus), male adult, on a high carved perch with mirrored tile detailing. H.197 cm.

WEDGWOOD; a framed tile of a man

Two Tekfur Saray Separate Fragmentary Square Pottery Tiles, Ottoman Turkey, mid 18th century, of the same series, with underglaze painted blue cintamani and green clouds clasped with bole red quatrefoils, each on stand, 17 x 25cm. and 13.5 x 25cm at widest.Footnotes: Our lot's pattern is similar to the one seen on the twenty-one tile rectangular tile panel kept at the National Museum of Scotland in Edinburgh, attributed to the Tekfur Saray workshop (accession number A.1892.27). The Museum marks the provenance of the panel as the palace of the Ottoman statesman, and twice grand vizier, Mehmet Fuad Pascha, and attributes it to mid-18th century Eyyup, Istanbul, Turkey.Condition Report: Some losses. Tarnished with yellow-ish hue and discoloured in places. These two fragments would benefit form cleaning.

A polychrome moulded pottery tile, Qajar Iran, 1890-1900, of rectangular form, the depicting a turbaned horseman hawking in a floral landscape, mountains the background, floral register above, on white ground, repaired and restored, 20 x 13.5cm.Condition Report: The tile is repaired and restored form two pieces. The break affected the upper left corner and is visible on each side. The break line is not filled in to the reverse.

Property from the Estate of Prof. Michael RogersThree Islamic tiles comprising a Timurid hexagonal blue and white underglaze painted tile, Iran, 15th century, 16cm. diam.; a square moulded ochre-glazed Ghaznavid tile with four legged animal, Afghanistan, 11th-12th century, 8.5cm. diam.; and a square Hispano-Moresque geometric tile, Spain, 16th century, 13.1cm. diam. (3)

A rectangular moulded pottery tile, Qajar Iran, 19th century, The green, cobalt blue and black painted decoration consisting of a mounted hawking hunter amidst floral sprays, on white ground, framed 24.5 x 19cm.Condition Report: This tiles has been repaired form a break. The break line is visible at the lower third of the tile. Light losses to upper right corner.Please note this tile has not been taken out of its frame to prepare this condition report.

Property from the Estate of Prof. Michael RogersA Qajar pottery tile, Persia, late 19th century, underglaze decorated in yellow, turquoise and pink with central cartouche containing a floral spray and bird surrounded by a dense floral pattern in yellow on turquoise, 23.5 x 23.5cm Condition Report: Lightly sandblasted. Losses to the borders as visible in the catalogue decoration. Chipped to lower right corner.  

A square pottery tile, Qajar Ian, 19th century, the polychrome painted decoration consisting of a half medallion issuing a swaying tendril bearing serrated flowers and leaves, on yellow field, on white ground, with wooden stand

A Mughal cuerda seca border pottery tile, Lahore or Kashmir, India, 17th century, the yellow, orange and aubergine painted decoration consisting of a central lobed medallion intersected with two foliated tendrils between a thin light brown and orange bands, a wide yellow register above and below, 21.7cm. square, on standTo the centre of the tile is an orange cusped quatrefoil palmette edged with a purple border, within which the vine knots itself into a four-petalled flower.  From this central flower unfurl split-leaf palmettes as the vines join the composite half-palmettes on the right and left edges of the tile.  The arabesque is framed by horizontal multiple borders of purple, yellow and white to the top, and orange, yellow and white to the bottom.  The cool porcelain white glaze to the outer borders is an unusual colour rarely seen in Mughal tiles and provides a contrast with the warmth of the other glazes.The use of the cuerda seca technique would also have been learnt from Safavid tile-makers. In this technique, the design is outlined on the fired tile with a manganese purple pigment mixed with a greasy substance, which separates the areas to be coloured. These are then painted with a brush and the tile is fired a second time. The greasy lines disappear, leaving a dark brownish outline separating the different colours. Cuerda seca, literally meaning “dry cord” in Spanish, was developed during the latter part of the fourteenth century in Central Asia.The cuerda seca technique (kashi) was brought to northern India from Iran. Robert Skelton has made the observation that “even in recent times, the makers of glazed tiles (kashigars) have been Muslims, whereas Hindu builders (sutradhars) have restricted themselves to working with unglazed terracotta." The use of a resist application between the colours gives distinct separation between them and a clarity of line which is particularly effective in architectural decoration. The tiles combine glaze techniques learnt from Persian craftsmen with a palette that is distinctly Indian in its warmth. It is likely that Lahore was one of the principal centres of the Mughal cuerda seca tile manufacture, but tiles in the cuerda seca technique may also have been made in Kashmir for the monuments constructed there.See Robert Skelton et al, The Indian Heritage: Court Life and Arts under Mughal Rule, 1982, pp. 26-27, nos. 5, 6, 7, 8, 9 and 10, for a discussion of Mughal tiles in the collection of the Victoria and Albert Museum.Condition Report: This lot is in very good condition.

A Damascus Iznik rectangular border pottery tile, Ottoman Syria, 17th century, the blue and green painted decoration consisting of three floral sprays within palmettes, on white ground, repaired and restored from break, framed, 13.5 x 27.5cm.

A Rectangular Damascus Iznik Border Tile, Ottoman Syria, 16th century, the central stylized floral bloom amidst foliated floral scrolling tendrils, flanked with half lobed medallions, a register of plain light blue above and below, on stand, 15 x 25cmCondition Report: Some losses to the borders and glaze. Very light staining to bottom left corner. Vibrant colours.

A Square Cuerda Seca Corner Pottery Tile, Safavid Iran, 17th century, the polychrome painted decoration consisting of a large floral spray rising form a gadrooned flaring vase within black and green birders, on stand, 22.4cm.squareCondition Report: The borders are lightly fritted. Some light pitting and very minute losses.

Property from the Estate of Prof. Michael RogersAn Ilkhanid moulded pottery star tile, Sultanabad, first half 14th century, the eight-pointed star with a moulded central lotus flowerhead surrounded by and issuing leafy tendrils, the design reserved against a cobalt-blue ground with details picked out in black, in a plain black border, intact, 20cm. diam.It is rare to find moulded 14th century star tiles without the inscription border which typifies so many. One comparable blue and white example with slightly different drawing is in the Keir Collection (Ernst Grube, Islamic Pottery of the Eighth to the Fifteenth Century in the Keir Collection, London, 1976, no.200, pp.258-59). Similar designs and filler motifs are also found on a tile dated AH 729/1328 AD in the British Museum (Venetia Porter, Islamic Tiles, London, 1995, pl.50, p.54). A similar pair of tiles sold at Christie's, 29 April 2003, lot 145.

An octagonal pillar pottery tile, Multan, Western Punjab, 19th century, with repeating rising and hanging cobalt and turquoise blue cusped palmettes, on white ground, hollow, height: 30.5 cm., 12.6 cm. diam.Condition Report: The octagonal tile's borders are slightly dented and fritted resulting in some glaze losses. Scattered minimal losses to the surface. Good condition overall.

A near square Damascus pottery tile, Ottoman provinces, 18th century, the aubergine, blue and turquoise blue painted decoration consisting of a central swaying saaz leaf amidst scrolling tendrils, four large half-serrated flower blooms to each sides, on white ground, 24 x 23.5cm., 28cm. square, framed

A Square Corner Pottery Tile and Four Fragmentary Cuerda-Seca Pottery Tiles, Iran, 17th century, the first with painted decoration of cobalt blue, turquoise, yellow, green and black on white ground consisting of a scrolling foliated tendril within thin borders around the lower right corner of a landscape against white ground ; two fragments with floral decoration against blue field, the larger with the robe and sash of a courtier ; two fragments with floral decoration on brown background ; the corner tile, 24cm. square, the fragmentary tiles, on stand 

A moulded Qajar pottery tile, Qajar Iran, possibly Isfahan,19th century, d the polychrome decoration depicting a mounted prince hawking amidst large floral sprays, framed, 33 x 26.5 cm.

A nest of three G Plan tables tile top

Early 20th century oak washstand, raised tile back over rectangular marble top, fitted with single cupboard, raised on ring turned supports Dimensions: Height: 115cm  Length/Width: 92cm  Depth/Diameter: 46cm

A Delft polychrome pottery tile depicting a farmer's wife, in carved wood stand with brass feet, stand width 18cm Good condition

4 Delft blue and white pottery tiles, in oak frames, frame dimensions 15cm x 15cm Tile with 3 figures has chipped top right-hand corner, others have tiny surface chips and general glaze crazing

Set of 1930s-style PLATFORM FRIEZE TILES from Gants Hill Station on the Central Line. Designed by Charles Holden and based on the grand stations of the Moscow Métro, the station was due to open in 1941 as part of the eastern extension but WW2 delayed the opening until 1947. During WW2, the adjacent tunnels were used as a Plessey munitions factory. This set was surplus from those manufactured by H & E Smith in original style for the 1980s station refurbishment. Includes one replacement and one original (corner damaged) bullseye. Tile size: 6" (15cm) square. [1 set]

A Victorian Aesthetic Movement mahogany metamorphic library chair/step, inset with Mintons style tile

After Salvador Dali (Spanish 1904-1989): 'Le Chevalier Chretien' (The Christian Knight), mixed media textured print on tile panel 28cm x 21cm

A funky tile top mid-century occasional table

An Anbercraft mid century nest of three tile topped tables

Joseph Elliot & Sons Sheffield Trade Catalogue. John Wilsons's Sheffield trade catalogue. The Architect's Builders journal plates, Wrights of Lymm catalogue "G", Alfred Meakin Ltd Highgate Tile Works catalogue etc:- One Box

[ Spanish Football ] A ceramic wall tile "Here Lives a Fan of the Valencia", 15 x 15 cm

A hand painted Japanese blue-and-white plaque / tile depicting three ladies in a garden setting, 20th Century, 26 cm x 36 cm overall

Late Victorian/Edwardian bamboo occasional table inset Moya Smith tile, 'Sir Kenneth & The Dwarf', 31.5cm x 31.5cm x 49cm high

TWO GLASS CHEESE DISH COVERS, GLASS VASES AND A BOWL, A WROUGHT IRON MOUNTED TILE STAND AND A POTTERY ICED LEMONADE JUG

A WWII Delft tile 'Voedsel-Vrede-Vrijheid 29 April 1945 SMEI', with Delft factory mark to its back, approx 14.5 by 20cms. 

Dapol OO Gauge group of Private Owner Limited Edition Wagons consisting of Ynisgynon, Morgan Bros, Bwlch, Yeovil Gas works, SP Gunn, Edward Hammond, Ton Phillip Rhondda and other private owners, The Marley Tile Co Gunpowder wagon and other wagons. Excellent in Excellent boxes all over labelled, most handwritten and with certificates. (17)

Jean Powell of Craig Bragdy Design, Denbigh, Wales, a tiled panel, with stylised cityscape, signed along the lower edge122 x 30cmThe top panel is cracked through, although this appears to be the tile pattern, rather than damage, and it has become slightly loose from back board, otherwise in generally good condition.

Delft style 6" x 6" Tile, with a distinguished gent portrait wearing cap, came with cricket items - might be an impression of W G Grace. Made by Frederick Garrard at the Millwall Pottery, London between 1870 and c1910

Maw and Co. Benthall Works, a Victorian tile, together with eight other tiles, two bearing a label for the Blanchett Collection (9)

Gerald Scott, Abstract head, ceramic tiles, monogrammed and dated 56, mounted on wood panel, 48 x 32.5cm, together with a dancing girl by Jerry Rother, a tile panel with musical instruments, a teak cheese board inset with tiles, a geometrically decorated tile with wood surround, and a pair of four tile panels, with wood surround (7)Condition Report: The main plaque is in good condition.The small cheese board with Chianti bottles has a flaw to tile.There is a crack to the tiled panel with musical instruments.Generally others in good condition. Domestic wear.

Kenneth Clark tiles, four tiles with abstract coloured designs, printed marks to backs, 15cm square, together with a pair of tiles decorated with fish, mounted as a trivet (5)Condition Report: There is a hair line crack to the tile in the tray/trivet.One tile has glaze cracking.

H and R Johnson Ltd, a collection of fourteen tiles, to include some designed by Ann Wynn Reeves, with four circular mats or tiles (18)Condition Report: 14 tiles, square are 6inches, approx 15.3cm square.One round tile is 12cm diameterThree tiles are 8.5cm diameter.Good condition. General domestic dust.

Carters tiles, a tile of Poole Harbour, 15.5cm square, together with approximately 45 tiles, some Carters, decorated with various designs(Qty)

A glazed tileDelft faienceBlue decoration of landscape with flute playerThe Netherlands, 18th century(faults)Provenance: Collection Mathieu Hart Antiques since 187827x27 cm

Große Puppenküche. Um 1920. Holz, cremeweiß und hellgrün gefasst, Fußboden mit rotem Fliesenmuster. 50 x 87 x 42 cm. 1-Raum-Gehäuse mit 2 schmalen, verglasten Fenstern. Eingerichtet als Küche mit altem Blechherd, weißem Regal und weißem Tischchen. Ausgestattet mit diversen Küchenutensilien und Gefäßen aus Kupfer, Messing und Blech. Dazu kleine Cellba-Puppe als Köchin (L 22 cm). Bespielt, Altersspuren. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:48 Uhr (CET)Large doll kitchen. Around 1920. Wood, painted creamy white and light green, floor with red tile pattern. 50 x 87 x 42 cm. 1-room case with 2 narrow glazed windows. Furnished as a kitchen with old tin stove, white shelf and white table. Equipped with various kitchen utensils and vessels made of copper, brass and tin. In addition, small Cellba doll as a cook (L 22 cm). Played, traces of age. Call time 26 | Oct 2023 | expected 10:48 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Quantity of vintage Star Wars vehicles, creatures ,play-sets, carry case and USED backing cards including Millennium Falcon Fair EMPTY box, Imperial Attack Base, Excellent (missing one roof tile), within Fair opened box, Tauntaun, Good (split reins), within Fair to Good opened box, Mini Action Figures Collectors case, Good Plus and a selection of USED backing cards for 3 3/4" figures. (qty)

Dapol Model Railways 00 Scale Hertingfordbury Brick and Tile Company (5). Mint in box.

Dapol Model Railways 00 Scale Hertingfordbury Brick and Tile Company (5). Mint in box.

AN ASSORTMENT OF ITEMS TO INCLUDE TILE CUTTERS, FUEL CANS AND RADIOS ETC

AN ELECTRIC TILE CUTTER