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Lot 1385
Ceramics and glass including Waterford Crystal clock, Mason's tureen, Royal Worcester, large porcelain blue and white tray, Aynsley vase, shaped Chinese jardiniere stand, Karen Keir vase, Halcyon Days wine cooler, large Victorian pierced salt glazed ventilation tile possibly Doulton/Fulham, 31 x 31cm, Lorna Neale utensils jar etc, tallest 20cm
Lot 651
A Victorian Art Nouveau style cast iron fireplace, with a brass hood, and set with two five tile panels decorated with bull rushes and birds, together with a white painted wooden fire surround, aperture 39cm wide, fire surround, 137.5cm wide, 103cm high, and a slate grate, 140cm wide, 51cm deep.
Lot 193
Oval watercolour bust portrait of Edward VII 6 x 5cm, another of the young Queen Victoria seated on throne 9cm x 7cm, portrait of side profile of a lady wearing a white bonnet with label to verso painted by Robert Humphreys June 1838 signed yours etc Ellen Jones 13cm x 10cm. a Triptych alter tourist Icon in gilt frame 16cm x 15cm and Madonna portrait on tile (5)
Lot 254
A painted tile picture, late 19th centuryCoursing greyhoundssigned with artist's monogram l.l., within an oak frame97cm wide82cm highThis image is taken from the 'London Illustrated News', 1877, and depicts North End at Altcar. The windmill in the original has been omitted and substituted for a mountainous landscape, the judge is Mr T Stone, the flag standard in the original has also been omitted.Condition report: See additional image.
Lot 112
Gilbert Valentin (French, 1928-2001) for Atelier Les Archanges, Vallauris, a six-tile picture, still life of flowers in a vase painted with a black and white mask, signed, signed and inscribed verso, 59cm x 39cmCondition Report: There are a handful of tiny marks and losses to the edges and particularly the board mount, including one or two in the vicinity of the signature, though overall the lot is in perfectly presentable condition. The glaze of the background is textured, which results in some irregularities to its surface, including one larger near the neck of the vase.Condition Report Disclaimer
Lot 109
A William De Morgan Proud Lion pottery charger, painted to the well with a proud lion, standing alert on a small island, the sun rising or setting on the horizon, the rim with a frieze of stylised foliage in ruby lustre on a white ground, unsigned, restored, 35.5cm. diam. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 121 figure 851 for a variation of this design as a tile.
Lot 112
A William De Morgan Late Fulham Period Secretary Bird and Lizard tile, painted with a Secretary Bird above a lizard its tail entwined around the birds leg, in green on a white ground, impressed marks, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 127 catalogue number 928 for the original design illustrated in reverse.
Lot 113
A William De Morgan Late Fulham Period Running Ostrich tile, painted in green on a white ground, impressed factory mark, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 128 catalogue number 1045 for the original design illustrated.
Lot 114
A William De Morgan Late Fulham Period Partridge tile, painted in shades of green on a white ground, impressed factory mark, minor glaze loss, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 130 catalogue number 969 for a drawing of a comparable bird illustrated.
Lot 115
A William De Morgan Late Fulham Period Great Curassow tile, painted in shades of green on a white ground, impressed factory mark, minor glaze loss, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 127 catalogue number 930 for the original design illustrated.
Lot 116
A William De Morgan Merton Abbey Period Omnia Vanitas (Strutting Peacock) tile, painted in shades of green on a white ground, impressed factory mark, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 128 catalogue number 1051 for the original design illustrated.
Lot 117
A rare William De Morgan Late Fulham Period Partridge and Snakes tile, painted in shades of green on a white ground, impressed factory mark, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 130 catalogue number 969 for the original design of a similar bird illustrated, this design appears to be unlisted version.
Lot 118
A William De Morgan Late Fulham Period Hoopoe tile, painted in shades of green on a white ground, a similar leaping desert rat tile and fifteen green spacer tiles impressed marks, damages and restuck, 15.5cm. square (17) Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 128 catalogue number 1018 for the original design illustrated. Rob Higgins and Christopher Stolbert Robinson William De Morgan Arts and Crafts Potter, Shire Publications, page 25 for an example of the rat tile in ruby lustre.
Lot 120
A William De Morgan Late Fulham Period lustre Long-tongued Beast tile, painted in blue and silver lustre on a white ground with red lustre grasses, impressed factory mark, drilled, 15cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 125 plate 613 for this design illustrated.
Lot 121
A William De Morgan ruby lustre tile, painted with a prancing lioness and cub on a scrolling foliage ground, wedgwood blank, unsigned, damaged and re-stuck, wear, 15cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 122 catalogue number 1015 for the original design illustrated.
Lot 125
An early William De Morgan Persian Chelsea Period Roumelian tile, painted with stylised flowers and foliage in shades of blue, turquoise and green on a white ground, impressed factory mark, bottom right corner museum repaired, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis, page 137 catalogue number 619 for the original design illustrated.
Lot 126
A large William De Morgan Chelsea Period Double Rose tile, painted in shades of aubergine and green on a white ground, impressed marks, museum restored 21cm. square Literature Martin Greenwood The Designs of William De Morgan, page 143 figure 636 and 656 for the original design with variations illustrated.
Lot 127
A William De Morgan Early Fulham Period Mongolian large tile, painted with a lotus flowerhead in shades of blue, turquoise and green on a white ground impressed factory mark, 20.3cm. square Literature Martin Greenwood The Designs of William De Morgan Richard Dennis, page 149 catalogue number 592 for the two tile repeat illustrated.
Lot 128
A William De Morgan Bedford Park Anemone tile, painted with five flowers in shades of yellow, green and aubergine on a white ground impressed factory mark, 15,.5cm. square Literature Jon Catleugh William De Morgan Tiles, Trefoil books, page 62 colour plate VI for a comparable tile illustrated.
Lot 131
A William De Morgan Mongolian fifteen tile Persian panel, each tile with a single flower motif, painted in shades of blue, green and aubergine on a white ground, loosely mounted on board, old restoration 15cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 149 figure 592 for the original design illustrated.
Lot 132
A William De Morgan Late Fulham Period Galleon three tile panel, painted in shades of green with a classical long ship sailing on a calm sea, a large eagle bird attacking from the stern side and being repelled by archers, another vessel sailing on the horizon, impressed factory mark, the front tile a modern replacement by Myra MacDonnell at Froyle Tiles, middle tile museum restored, minor chips, 20.5cm. square (each tile), (3) Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 168 figure 435 the original design illustrated.
Lot 135
A mahogany and marble topped washstand inset with William De Morgan tiles, tapering square legs with casters, central cupboard with carved foliate door below rectangular grey veined white marble top, the overmantel set with two rows of five William De Morgan Persian tiles, painted with flowers and foliage in turquoise, blue, green and aubergine on a white ground, 133cm high, 91cm wide, tiles 15.5cm square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 136 figure 696 the original design for this tile illustrated.
Lot 136
A Maw & Co ruby lustre Grotesque Animal tile designed by Lewis F Day, painted with a rearing heraldic lion, in ruby lustre on a cream ground impressed marks, 15.2cm. square Literature Joan Maria Hansen Lewis Foreman Day (1845-1910) Unity in Design and Industry, ACC books, page 180 figure 6.22 for a comparable tile illustrated in a Maw & Co catalogue, 1887.
Lot 141
A large Aesthetic Movement two tile panel probably Minton's or W B Simpson & Sons, painted with a standing female classical figure, holding an artist's palette and painting a tall amphora vase, in a classical garden setting, in colours, framed, marks concealed, 66.5 x 35.5cm, 30cm square (each tile)
Lot 144
Knight Death and the Devil a large Minton's tile, after an engraving by Albrecht Durer in 1513, painted en- grisaille with a knight on horseback in a landscape, in wooden frame, painted AD 5-1513 plaque and incised painters monogram bottom right, impressed Minton mark to reverse, 22.5cm. square.
Lot 188
A Pilkington's Lancastrian Persian tile probably designed by John Chambers, painted and tubeline decorated with central flower motif in blue, turquoise and green on a white ground, and a Pilkington's Lancastrian tile plaque of a man seated at a table holding a pipe whilst a landlord pours a drink, glazed brown impressed factory mark, second tile damaged and repaired, 15.3cm square (2) Provenance The Bill Coles collection. Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 13 plate IX for comparable Persian tiles.
Lot 226
An Aesthetic Movement tile panel by W J W Nunn probably Doulton Faience, painted with a semi dressed bathing maiden standing at the side of a bath, in an exotic, eastern room, in colours, framed signed bottom right WJW Nunn, minor glaze loss, 20.5 x 14.5cm. Provenance The collection of Pam and Mark Taylor.
Lot 261
A Liberty & Co oak hallstand, rectangular with flaring over-mantel top, the back inlaid with copper and green ceramic tile panel below a mirror, with central cupboard flanked with stick stands, metal drip trays, patinated metal hooks and fittings, 91cm wide, 194cm high Provenance The collection of Pam and Mark Taylor.
Lot 33
A rare Minton & Hollins Alphabet tile designed by Godfrey Sykes, originally designed for the Refreshment Room at the V&A, modelled in low relief as the letter H, with standing boy reading book, glazed white unsigned, 30 x 26.5cm. Literature Minton 1798-1910 Victoria & Albert Museum, 1976 front cover the letter M tile plaque illustrated on the front cover. The Andrew McIntosh Patrick Collection, The Fine Art Society, page 148 catalogue 306 for the letter B plaque. Catalogue notes Henry Cole asked Godfrey Sykes, still a young man in thirties, a former pupil of Alfred Stevens to assist him with the decoration of the South Kensington Museum. The designs, although created in 1864, were produced posthumously after Sykes death in 1866.
Lot 67
A Minton's pottery moonflask probably designed by Dr Christopher Dresser, flattened disc form on four square feet, printed and painted with a blue tit perched on grasses, the reverse with stylised flowers and foliage in colours, annotated in purple 411 WRB and 821 WRB, impressed Minton's marks, indistinct date code possibly for 1867, one foot re-stuck, 15cm. high Literature Widar Halen Christopher Dresser, Phaidon/Christies, page 122 plate 128 this shape illustrated from the Minton archive, dated 1867, decorated with a stylised bird design, page 135 plate 152 for a blue tit design used for a Minton's tile which relates to the bird on this vase.
Lot 93
Melody a rare Della Robbia tile plaque by Ellen Mary Rope, rectangular, cast in low relief with children playing musical instruments around a central tree whilst others rest and listen, in shades of blue, green and brown, signed Rope bottom left corner, repaired, 48.5 x 29cm. Literature The Studio volume 13, 1898 page 190 for an example of this plaque illustrated. this example listed as designed by Miss Rope and painted by E.M. Wood. Peter Hyland The Della Robbia Pottery, Birkenhead 1894-1906, Antique Collector's Club, page 207 figure 222 for a related, smaller tile plaque by Rope decorated with children dancing around a tree. Exhibited Melody (panel) was exhibited by the Della Robbia Pottery in 1905, catalogue number 1939 priced at £3.3s.
Lot 435
An Edwardian walnut tiled backed wash stand, two short over two long drawers to base, panelled sides, raised on a bracket plinth, brown and white marble top, splashback has a walnut frame mounted with a swing dressing mirror, tiled back with a floral tile to centre flanked either side by one depicting two children, 107cm x 54cm x 150cm
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26543 item(s)/page