WILLAM DE MORGAN (1836-1917) 8-INCH 'BEDFORD PARK DAISY' TILE, MERTON ABBEY PERIOD, CIRCA 1885 glazed earthenware, 28cm square; together with a 6-INCH 'BBB' CARNATION TILE, LATE 1890S, glazed ceramic, Poole blank, 15cm square (2) Literature: Catleugh, J, William De Morgan Tiles, London, 1983, p. 60, pl. VI b. where a similar design is illustrated (Bedford Park Daisy Tile)
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WILLAM DE MORGAN (1836-1917) PAIR OF MERTON ABBEY PERIOD TILES, CIRCA 1885 decorated and glazed ceramic, impressed Merton Abbey mark (2) each 15.3cm x 23cm Provenance: Sotheby's London High Victorian Decorative Arts and Design, 12th and 13th November 1992, Lot 323 Literature: Greenwood M. The Designs of William de Morgan, Richard Dennis 2007, p. 164, pl. 479 for a comparable tile design
MARGARET E. THOMPSON (1889-1926) FOR DOULTON, LAMBETH 'THE FOUR SEASONS' TILE PANEL, CIRCA 1920 glazed earthenware, one tile signed verso M.E.T., framed, each tile 15cm square (frame size 17.5cm x 64.5cm); together with a FRENCH RELIEF TILE PANEL, glazed earthenware, framed, each tile 15cm square (frame size 18cm x 49cm) (2)
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. ROYAL LANCASTRIAN LUSTRE VASE, 1926 lustre-glazed earthenware, impressed factory mark, painted artist's mark and dated 1926, 11cm high; together with a ROYAL LANCASTRIAN LUSTRE MINIATURE VASE, 1926, lustre-glazed earthenware, impressed factory mark, painted artist's mark and dated 1926, 8.6cm high; a GORDON FORSYTH (1879–1952) FOR PILKINGTON’S TILE & POTTERY CO., LANCASTRIAN LUSTRE BOTTLE VASE, 1909, lustre-glazed earthenware, impressed factory marks, painted artist's mark, 19.2cm high (3)
COX & SON, LONDON AESTHETIC MOVEMENT DRAWING ROOM CABINET, CIRCA 1862 ebonised wood, with polychrome and gilt painted panels, gilded embellishments and glazed doors 198.5cm wide, 142cm high, 37.5cm deep Provenance: Paul Reeves, London Literature: The Building News, May 31st 1872, p. 439 where an example of this lot is illustrated in a line drawing of the Cox & Son stand (exhibit no. 2781)Note: Cox & Sons, a prominent London-based firm founded in 1837, initially specialized in church furnishings but expanded their scope in the 1860s and 1870s to include fashionable art furniture and decorative objects. This period marked the height of their success, as they embraced the growing demand for artistic, handcrafted furniture inspired by the Arts and Crafts movement. By 1870 a catalogue of Cox & Son claimed to be able to supply 800 designs of furniture, Gothic metalwork, carpets and hangings by 'eminent church designers'. The firm worked with leading designers of the time, including B.J. Talbert, S.J. Nicholls, G. Goldie, J. Moyr Smith, O.W. Davis, C. Rossiter and E.W. Godwin.Bruce Talbert, an influential designer and architect, played a significant role in shaping the firm's aesthetic. Known for his Gothic Revival designs and intricate use of ornamentation, Talbert's work for Cox & Sons helped solidify their reputation as creators of high-quality, artistic furniture. His influence is particularly evident in the detailed woodwork and decorative panels that became a hallmark of Cox & Sons’ output.John Moyr Smith also contributed to the firm's artistic offerings, particularly through his tile designs, such as The Winds series, which were incorporated into both tile collections and painted furniture panels. Charles Rossiter provided figurative designs, further enhancing Cox & Sons' reputation for merging art and utility. By the late 19th century, Cox & Sons had established themselves as leaders in Victorian art furniture design.
A late 19thC oak cased bracket clock, rectangular brass dial with cherub spandrels, circular silvered chapter ring, eight day movement with coil strike, the case with a simulated tile hood, above a carved frieze and turned columns, further frieze below, raised on an outswept base on bun feet, with pendulum and key, 52cm high.
A carved oak Delft tile mounted coat hook panel, 19th century construction, the tiles earlier; with moulded cornice above the eight inset blue and white glazed tiles, depicting figures, animals and landscapes; above four brass hooks descending from amorini; flanked by lion headed terms; 31cm high, 136cm wide
A Hornby 0-gauge train set, containing: Type 101 LNER 460 tank locomotive, guard van and two 3/1 class carriages, and various track, boxed; other boxed Hornby items including cattle van, water tank, double signal arm, and signal cabin; a Tri-ang crane, boxed; a Bayko building set; and tile picture by Spear’s Games.
A HAMADAN RUG, PERSIAN AND TWO OTHERS (3)The tile field each with a flowering plant in various colours; an indigo trailing floral border, 188 x 138cm, circa 1950, together with a Tekke Turkman the madder field with three rows of ten guls, a sunburst border, 206 x 136cm, circa 1920 and also a Hamadan rug, Persian, indigo field with rows of large madder medallions, a medallion border, 183 x 128cm, circa 1930Condition: Fair, ends and sidecords need attention, some moth damage and Poor andPoor
A GROUP OF TWENTY THREE EARTHENWARE TILES (23)Late 19th century Square or rectangular form, each painted with a birds study on a pale green ground, stamped Minton Hollins & Co; Patent Tile Works Stoke on Trent, Four tiles 20cm square, the remainder approx. 20cm by 17.5cmThe top corner of one tile has broken off. All the tiles with chips and some with cracks
A mid-20th century G-Plan tile-topped coffee Table, the rectangular top raised on 'X' shaped supports, the vendor understands that this model of table was one of only three produced before G-plan discontinued the design, W 130.5 cm x H 41 cm x D 55 cm, note, the 'X' shaped supports have been re-glued and are still unstable, these will need restoring. Provenance; From the home of a retired cabinet maker who worked for G-plan.
Selection of antique and vintage ceramics and glass to include Clarice Cliff 'Charlotte' plate, Wedgwood relief cast blocks, Titian ware hand painted fruit vase, nutmeg jar, two Palissy trios with milk jug and sugar bowl, Majolica sweetcorn jug, Stourbridge blue jug, Torquay udder pot, blue and white door handles, Rothbury crest miniature top hat, John Earl of Dumfries mug, 'The Fright' small mug, Wedgwood green jug, Branksome cat figurine, Farmers Arms 'God Speed The Plough' mug, Northern Scenery blue and white castle mug, Crown Devon handainted gilt ship plate, 'October' blue and white tile, Plichta elephant, W H Goss mini crest mugs, Burleigh ware blue bowl, Morpeth crested small candle holder, frosted glass bust, Lorna Doone vase and bowls examples etc
PABLO PICASSO (1881-1973)Tête de faune dated '14.3.61.' (upper right); dated '14.3.61.' (on the reverse)hand-painted terracotta tile15 x 15cm (5 7/8 x 5 7/8in).Executed on 14 March 1961; this work is uniqueFootnotes:The authenticity of this work was confirmed by the late Claude Picasso.ProvenanceNicholas Gallery, Belfast.Private collection, UK (acquired from the above circa 2015).ExhibitedBelfast, Nicholas Gallery, Exhibition of Pablo Picasso Ceramics, 14 February – 7 March 2015.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A LARGE GROUP OF ISLAMIC TILES 18TH AND 20TH CENTURIES Comprising: two Damascus Tiles, one with calligraphy, a Tunisian tile, a Panel of Tunisian tiles and the remainder Persian, European and Turkish, mostly 20th century 34cm x 23.5cm and smaller (18) Condition Report: some damages throughoutsee additional images for visual reference to condition and sold subject to non return Condition Report Disclaimer
A GROUP OF FOUR TIN-GLAZED EARTHENWARE BLUE AND WHITE ITEMS VARIOUS DATES 18TH CENTURY Comprising a Dutch or North German Transitional style charger decorated with panels of Chinese figures, an English delft punch bowl decorated with flowers, a Savona plate with winged putto, ducal berretto mark verso and a tile with figures in an interior the charger 39cm diameter and smaller(This lot is offered without reserve) Condition Report: Damage throughout. Please see additional images available from the Dept. upon request for clarification.Condition Report Disclaimer

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