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3 Satztische, wohl Dänemark, um 1950/60 auf 3 Spitzbeinen, flache Zarge, halbrunde Deckplatte mit floralen Fliesen, Holz, braun gebeizt, 48,5-52,5x45,5-62,5x28-37cm, Alters- und Gebrauchsspuren, 4 Fliesen mit Haarrissen Table set, poss. Denmark, ca. 1950/60 demi lune-shape, floral tile top wood, stained brown, 48,5-52,5x45,5-62,5x28-37cm, signs of age and use, 4 tiles with hairline cracks
A Persian pottery blue and white tile, 18th/19th century, decorated with a central floral spray framed by stylised flower heads, 17.7cm x 17.8cm Condition report: A very fine 10cm hairline crack (beneath the glaze) just below the top left corner. A very fine 8cm hairline crack (beneath the glaze) on the centre right rim issuing towards the centre. The glaze is pooling and bubbled on the upper half.
A late 19th century Stevenson & Hancock Derby white glazed figural table salt in the form of a gentleman in 18th-century dress holding a large shell. Bearing underglaze blue mark to base. Together with a Minton & Co patent encaustic floor tile with geometric decoration. 17cm the height of the figural salt.Condition report: Shrinkage/firing crack to the base of the salt.Some shell chips to the edge of the tile.
Two relief moulded polychrome painted tiles, Qajar type, Persia, late 19th or first half 20th century, each depicting a horseman shooting a simurgh with bow and arrow, 28cm x 23cm and 32cm x 23cm, both framed (2)Condition Report: the smaller tile with chips to two corners and some crazing to glaze and wear commensurate with age Condition Report Disclaimer
BAROCK - FLIESE "Sitzender Mann / Auf der Rast" / FAYENCE - FLIESE / HOLLÄNDISCHE FLIESE / WANDFLIESE / tegel, wohl Mitte 17. Jh., heller Scherben, Dicke ca. 1,2 cm. Staffiert in Blaumalerei. Eckmotiv: großer Ochsenkopf; zentrales Motiv: Auf einem Stein oder Baumstumpf rastender Mann. H. 12,8 x B. 12,9 cm. (Gebrauchsspuren, mehrfach bestoßen, Krakelee). Aus dem Nachlass eines passionierten Fliesensammlers. Dutch baroque tile. From the estate of a passionate tile collector. Big ox head and a man sitting on a stone.
Howard Koslow (American, 1924-2016) "Old St Louis Post Office" Original Acrylic painting on Illustration Board. Signed lower right. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting is the original painting which appeared on the Fleetwood First Day of Issue Postal Card issued September 7, 1984. The French Baroque architectural style that is so splendidly represented in the Old St. Louis Post Office has always elicited strong reaction from those who view it. People have either loved or hated the massive ornate structure. The initial construction of this vast building began in 1874, and progressed slowly, and meticulously for the next ten years. From its richly colored Missouri red granite basement walls to the majestic upper stories of sparkling gray granite, the massive exterior walls and columns rise in pristine condition through three stories and an attic level. The silhouetted profile of the Old Post Office once climaxed in a flourish against the sky with a cast iron cupola that rose sixty feet above the domed roof, a crowning feature that had to be removed in 1925. Yet, a French sculpture still decorates the crowning pediment of the central pavilion against the dome. Not as visible, but equally sound is the internal construction, with low vaulted masonry. The imprint of quality carries through the interior with solid mahogany doors with bronze hardware; richly ornamented cast iron stairways, columns, and door and window frames; imported encaustic tile floors; marble mantels, fancy plasterwork and exquisitely detailed fittings of the Post Office. Image Size: 12 x 14 in. Overall Size: 21.25 x 18 in. Unframed. (B07729)

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26543 item(s)/page