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Bea Denton Out of Darkness ii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.)   Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Bea Denton Out of Darkness iii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Cheryl Goldsleger Engulf, 2021 Watercolour on Yupo Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "My paintings, drawings and three-dimensional works are an exploration into the inescapable relationship individuals and societies have with place and location. When envisioning various sites, I imagine the myriad forces at work upon the landscape and its inhabitants. As socio-economic events and natural phenomena unfold, viewers are offered unique vantage points from which to understand the visible and invisible forces at play. Although the networks of relationships may not always be apparent, linear, or distinct, links exist and connections and possibilities can be inferred. Visualizing webs of connections between positive and negative, animate and inanimate, natural and synthetic, and tranquil and turbulent, I visually suggest that these are mutually dependent yet in constant states of flux - complex and ever-shifting. Exhibitions/Awards Cheryl Goldsleger has an extensive exhibition record both nationally and abroad including the European Cultural Centre's 2019 Venice Art Biennale (Italy), the Morris Museum of Art (GA), The National Academy of Sciences (DC), the American Academy and Institute of Arts and Letters (NY), The Museum of Contemporary Art of Georgia (GA), the Krannert Museum (IL), the Montclair Art Museum (NJ), the North Carolina Museum of Art (NC), The Institute of Contemporary Art (PA), the Israel Museum (Israel), and the High Museum (GA). Goldsleger is a 2020 recipient of a Porter Fleming Foundation Artist Grant and has been a recipient of two senior Artists Fellowships from the National Endowment for the Arts as well as other regional and state artist's grants. Her work has been discussed in an extensive list of publications including Art in America, Artforum, The Hudson Review, The New York Observer, Burnaway, and ArtNet Magazine. Her international residencies at the La Napoule Foundation, France, a US/France Exchange Fellowship in Paris, and artist residencies in Italy have provided invaluable resources for her work. Her artwork is represented in important museum collections including the Albright-Knox Gallery (NY); the Brooklyn Museum (NY); The Fogg Museum at Harvard University; the Greenville County Museum (SC); the Herbert F. Johnson Museum at Cornell University (NY); the High Museum (GA); The Israel Museum (Israel); the Museum of Modern Art, (NY); the New Orleans Museum (LA); the North Carolina Museum of Art (NC); the Tel Aviv Museum (Israel); and Yale University Art Gallery (CT); among other important public and private collections. Goldsleger's public project Crossroads is a permanent mosaic tile floor installation in Terminal A of the Hartsfield-Jackson International Airport in Atlanta, Georgia. "

2 x 1950's Birch Bros. Luxury Coash Hire ceramic tile calendars, 1953 & 1954. Both approx. 15 x 15 cm.

A pair of square painted side tables, with Delft tile-tops, W48cm, H74cm

A tile painting with heraldic images. 29 x 44

A GRAND TOUR MARBLE TILE, "Roman Emperor". 5ins.

Staffordshire figure depicting couple dancing in period costume height 20cm, together with hand painted porcelain tile depicting two cranes with dragon fly on lily pond, mounted in dark wood frame on 4 feet, dimensions 21cm x 21cm.

Wrought iron tile top coffee table

Extending tile top pedestal table and 3 slat back Chairs

Five items of furniture comprising a glass TV stand, a mahogany HiFi cabinet, a retro tile top table, a glazed corner cabinet and an open shelf.

Ten items of furniture comprising two bookcases, a teak lounge sideboard, a chest of drawers, a dressing table, a tile top coffee table, a wicker chair, a towel rail and two bedside cabinet.

A group of three vintage 20th century sewing boxes / metamorphic sewing box’s having hinged lids with fitted interiors along with a retro tile top coffee table with blue tiles. Measures 41 cm H x 54 cm W 

Two retro vintage 1970s teak wood coffee tables. One table having a rectangular shaped top with slatted undertray raised on circular tapering supports. The other is a tile top table of rectangular form raised on square supports united by a slatted magazine rackMeasures, 48 cm Hx 120 cm W x 55 cm D

A retro vintage tile topped coffee / occasional table in the manner of Merrow Associates. The rectangular coffee table having studio pottery tiles atop of chrome supports with castors beneath. Measures 35 cm H x 110 cm W x 49 cm D

A collection of retro vintage 1970s table comprising of a white mosaic tile top coffee / occasional table raised on dansette legs, a teak surfboard table raised on teak tapering legs together with a nothe tableMeasures, 42 cm H x 67 cm W x 38 cm D

A Victorian Sheffield plate tea caddy & circular Maoist covered box, 2 Chinese lacquer game tile holders

Persian Qajar polychrome painted tile, decorated with a foliate pattern, 24cm x 24cmCondition report: Chips on the edges and some old repairs but displays well.

Persian Qajar polychrome tile, painted with the head of a woman, 21.5cm x 21.5cmCondition report: Chips on the edges and back - otherwise good condition and displays well.

A small Arts & Crafts cast brass domed top casket with embossed exotic bird and further detail, 13 cm long x 8 cm wide x 8 cm high, together with a Minton's china works ceramic tile, 15 cm x 8 cm, an Art Nouveau cast gilt metal table lamp with sinus lines and adjustable fitting, 20 cm high approximately and an Art Nouveau cast brass/possibly bronze pin dish, the border in the form of an Art Nouveau recumbent lady stamped to base (4)

Three novel French provincial terracotta electric roof tile wall sconces

A pair of Antique gothic heavy cast iron fire dogs initialled S and F 38cm high together with a vintage cast iron pipe bender stamped M Glover and co Leeds and a Clarke electric 33mm electric tile cutter (3)

A coloured print of the Duke of Beaufort hunt at Hawkesbury Upton, published 1911 by Fores, 49 x 77cm, together with further pictures and prints including hunting related subjects, signed coloured limited edition print of Worcester Lodge after Kath Eamer, photographic prints, auction poster dated 1833 Petty France, Gloucestershire, various sizes, all framed, glazed tile, etc (collection)

Collection of 19th century and later tiles to include a Kutahya Iznik type tile 20 x 20 cm, two rectangle delft type tiles 30.5 x 15 cm a similar square example, two minton type Art Nouveau pink glazed tiles and one other (7)

A pair of oak table top/small cabinets, with boxwood inlay and single panelled doors, each fitted with a blue and white tile of a seated child, 31 cm high x 26 cm wide

2 framed tile pot stands, and a small suitcase containing a brass-bound oak barrel, candlesticks, leather-covered spirit flask, doll's chair etc

An oak-framed Willow pattern tile, 24cm across

An Iznik pottery tile, circa 1580, painted in bole-red, green and cobalt-blue with central flower medallion surrounded by four large red palmettes alternating with smaller blue palmettes, (a.f), 25cm square. Condition Report Restored and repaired break to one corner. Restoration to the other 3 corners. Restoration along one edge. Some overall crazing.

A Persian pottery tile, Zand or Qajar, 18th/19th century, brightly painted in the centre with a bird amongst foliage inside floral borders, 18cm square. Condition Report Some chips to rims.

A Persian pottery lustre moulded tile, late 13th/14th century, the upper band moulded with palmettes, the lower part with the upper part of upstrokes painted in blue against a lustre ground with white birds, 19.1cm x 20.2cm. Condition Report The right side and bottom edge have been trimmed. large chip to bottom left corner and smaller chip to top left corner.

A Qajar moulded pottery tile panel, comprising of six square tiles, each moulded and painted with a central floral rosette formed by interlacing cusped bands, 31cm x 46cm, mounted. Condition Report Shallow chip to lower left corner, approx. 2cm. by 1.5cm.

Arts and Crafts- Charles Francis Annesley Voysey ( 1857- 1941) A red - orange glazed tile / teapot stand ? Demon / Devil ?( really a caricature of a self portrait) made by JC Edwards of Ruabon, c.1900 ( marked verso) This image can also be found as wallpaper, bookends, architectural pieces , etc, For reference : Fired Earth 1000 years of Tiles in Europe, page 129, also see an exampke in Ironbridge Gorge Museum. Tile 6 x 6? ( 15.2?cm) Within a wall hanging wooden frame somewhat of the period.

A G-plan design tile top coffee table

Modern kitchen table with black tile effect with 4 chairs.

Erbauer electric tile cutter together with 4 boxes of tiles.

A group of decorative ceramics and collectables, comprising a Studio Pottery vase of folded edge form, decorated with swallows and script in bright colours and with inset buttons to the interior, apparently unsigned, 21cm high, a pair of ceramic seahorses, decorated in blue fishscale, 12.5cm high, a Polish Pottery bowl, 15 by 6cm high and chamberstick, 10cm high, a carved soapstone hippopotamus, piece of coral, a Royal Academy trivet tile, a plaque with an antique figure in relief and a lustre jug. (10)

A group of 20th century Studio Pottery ceramics, comprising a vase of naturalistic cylindrical form resembling tree bark, 18cm high, a three sided vase of squat form with cobweb decoration, 8cm high, a tile decorated with red berries and leaves, 9 by 9cm, and a circular tile with impressed decoration, all marked M. T., a circular shallow dish with incised decoration to a grey blue ground, 18.5cm diameter, a saucer with blue swirl decoration and inscribed G. M. T. to the base, a circular plaque decorated with an apple tree, 20cm diameter, an octagonal wooden trivet with circular studio pottery insert, and a further tile, decorated with green and red glazes, 9.5 by 9cm. (9)

RETRO NEST OF THREE TILE TOPPED TABLES, 50cm wide

An Art Deco onyx and bronze clock, Garrard and Co., shaped rectangular slab form with fretted gilt chapter ring and convex glass, on fluted bracket and tile feet, 31cm long, 16cm high

An Islamic marble tile panel, 18th century or earlier, geometric star design with Arabic script, 36cm x 31cm

An Arts and Crafts four tile panel, circa 1920, painted with a boy fishing, within a wave and dot border, each tile 10cm square (4)

An Arts and Crafts four tile panel, circa 1920, painted with a girl and lamb crossing a stream, within a wave and dot border, each tile 10cm square (4)

A George II silver mote spoon, Edward Bennett, London circa 1745, the tonge and incised back bowl pierced with crosshatch tile and foliate decoration, 13cm long, 0.30ozt

Four Art Glass vases including a very large Boda of Sweden 1960's style vase 12" high, a Riihimaen Lasi of Finland blue swirl vase, a small blue vase by Riihimaki of Finland and an Alum Bay, Isle of Wight vase together with a ceramic tile

A mahogany side table, a Victorian cottage chair and a Victorian mahogany hall chair with a tile inset back

A crate of antique blue and white plate, tile plaques, gun cleaning rod, brass lamp etc

A SELJUK KASHAN STAR SHAPED POTTERY TILE, possibly 13th century, the central panel moulded with floral spray within a stylised border, 21cm diameter.

A 19TH / 20TH CENTURY TURKISH POTTERY TILE SECTION, housed within a wooden frame with feet, decorated with floral motifs, 19cm square.

An early 20th century brass mounted hard-wood cased, mah-jong set, the case with carrying handles and a sliding front enclosing 5 drawers, with bamboo-backed bone tiles and gambling sticks, cylindrical bone 'wind' markers and small dice in a box, some tiles chipped, 24cm wide x 16.5cm deep x 19cm high; with a mah jong linen cloth and a set of 4 tile racks, two badly chipped ends, and three odd racks (9)Condition report: Case - chips, scratches and dents consistent with age and use. One drawer half of handle present but broken-off.Tiles, complete, but some with small chips and hairline cracks.Sundries - dice box chipped. Wind marker box - chipped lower edge and unable to open. Some gambling sticks chipped edges.Racks - set of 4 one with 2.5cm chip on one end of base, another with 5.5cm chip on one end of base. All with chips, dents and scratches consistent with age and use.

A Juliette Belarti chrome and tile-top coffee table, circa 1973, the top comprising 24 tiles decorated with sunburst patterns, set in a chrome bezel above a laminate rosewood effect undertier, raised on angled chrome supports, 123cm wide, 46cm deep, 40cm high.Condition report: All tiles are intact with no damage. No discernible signature. Metalwork fair with negligible signs of age and use. The support requires tightening or re-attaching to the table top and there is some stress to the plywood on one of these joints. One rubber foot tip missing. Please refer to images.

A vintage mahogany tile top nest of occasional tables, set with orange and brown tiles in a geometric cloud design, raised on U shaped end supports, comprising one long table, 51cm high, 96.5cm wide, 48cm deep., enclosing a pair of smaller square tables, 36cm high, 45.5cm wide.

A PAIR OF VICTORIAN MAHOGANY HALL CHAIRS WITH INSET TILE BACKS

A FORMICA TOP TABLE, TILE TOP TABLE AND OAK OCCASIONAL TABLE

Box of oddments to include; Delft blue and white tile, alabaster book ends in the form of parrots, silver plated cake stand etc. (B.P. 21% + VAT)

Boxed Vitrex Torque Master compact tile cutter. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

THIS IS MELWOOD wooden LFC photographic montage, from the Players and Staff Canteem at Liverpool Football Club's Melwood Training Ground,consisting of three aluminium and wood backboard plinths and approx.125 wooden tiles imprinted with b&w action scenes featuring LFC players and managers of the modern era, each tile with magnetic backing and key number for fitting to main plinths in specific location, also including THIS IS MELWOOD wooden lettering on similar blocks, boards approx.123 by 152 by 4.5cm.(2) and 123 by 182 by 4.5cm., tiles average 17.5 by 18.5 by 3.5cm., most lettering intact but small pieces may be broken or missing; sold with a certificate of authenticity issued by Liverpool Football Club

Contemporary Continental School : Children Playing Ice Hockey on a Frozen Lake with a Building Beyond, glazed art tile, indistinctly signed, 10 cm x 15 cm, together with seventeen miscellaneous paintings and prints by a variety of hands, all parts framed. (18)

A French Blue and White Faience Wall Tile with Transfer Printed Scene, 21cm Square Together with a Nanking Pattern Blue and White Plate by Ashworth (Chips to Rim)

Copeland Spode 'Italian' pattern bowl, a glass paperweight and a delft blue and white tile decorated with a dog (3) 

Depicting landscape scenes in Famille Rose enamels, 56 x 32 cm. when open, small piece of wood missing on frame, one tile with hairline and can not see if it is completely through as it is in a wood frame.