Two similar framed tiles of birds amongst lilies, possibly Minton, largest 15.5cm by 15.5cm, and a framed Craven Dunnill & Co tile decorated with a kingfisher above waterlilies 19.5cm by 14.5cm, together with a framed tile decorated with a peacock, possibly Carter's Poole pottery, no maker's marks, 14.5cm by 14.5cm (4) Provenance: From a local Private Collection
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Two early 20th century Pilkington's tiles decorated with daisies and daffodils on green glazed ground 15.5cm by 15.5cm, a framed small Pilkington's tile decorated with a cottage in a landscape, 9.5cm by 9.5cm visible inside frame, and a polychrome tile printed with a lakeside scene 15.5cm by 15.5cm (a/f) Provenance: From a local Private Collection
A framed Minton's sepia printed tile designed by William Wise decorated with a woman and two children with rabbits 15cm by 15cm, and a similar framed tile depicting a shepherd, no maker's marks 15.5cm by 15.5cm, together with a Wedgwood blue and white tile decorated with a hare 15cm by 15cm, and a sepia printed tile decorated with a large pig, 15.5cm by 15.5cm (4) Provenance: From a local Private Collection
A framed Minton Hollins & Co pair of tile panels, possibly by William Mussill, each panel of four tiles painted with herons amongst reeds on red ground each tile approx 15.5cm by 15.5cm, together with a framed Minton Hollins & Co tile decorated with a wading heron on red ground approx 19.5cm by 19.5cm (a/f) Provenance: From a local Private Collection
A collection of ceramic reference books to include The Decorated Tile An Illustrated History of English Tile-making and Design (Austwick), John Moyr Smith 1839-1912 A Victorian Designer (Stapleton), The Charlton Standard Catalogue of Royal Doulton Beswick Jugs Third Edition (Dale), and Poole Pottery (Hayward) (15) Provenance: From a local Private Collection
An early 20th century Mahjong set - bone-faced tiles and scoring chips within an Oriental three-drawer lacquered box with top carrying-handle. One scoring chip missing. (20cm wide)Condition Report: One swan neck handle is missing and the lacquered is in good general condition overall but the lacquer has dulled down significantly, there are some marks commensurate with age. It is noted that going through the tiles one scoring tile is missing but all the other pieces are present. The game has been clearly used and played with and as such the some of the bone surfaces exhibit darkening and grime. The set also includes instructions.
A Martin Brothers stoneware blue-glazed tile, late 19th century, with incised bird decoration, signature to edge and dated 1877, 15 cm square.Private collection. Ex lot 1511, Christie's Sale 4919, February 2006: https://www.christies.com/lot/lot-4666000?ldp_breadcrumb=back&intObjectID=4666000&from=salessummary&lid=1Condition report: Chips throughout, with some surface wear and probable glaze discolouration. No major structural damage evident.
JOAN ROIG SOLER (Barcelona, 1852-1909)."Sitges".Oil on canvas.Signed in the lower left corner.Measurements: 68 x 120 cm; 97 x 147 cm (frame).The church of San Bartolomé is outlined in the distance, under the wide horizon of cerulean colour and mottled with subtle mauves, in this painting by Roig Soler. The Sitges coastline, as it was at the end of the 19th century, with low, tile-roofed houses lining the beach, is portrayed with magnificent atmospheric capture and bold panoramic perspective. The whitewashed walls absorb the morning light, which reverberates on the golden sand. The fishermen's boats are waiting to set sail.Joan Roig Soler began his training with Modest Urgell and later completed his apprenticeship by travelling to the great art capitals of Paris and Rome. Closely linked to Sitges, in this town he initiated, together with Arcadi Mas i Fondevila, the informal Catalan Luminist School. Devoted to landscape, he cultivated the coastal environments of Blanes, Tossa, Cadaqués, Mallorca, etc., but also the urban landscape (Barcelona, etc.) and the Pyrenees. His work clearly shows his preoccupation with light and his desire to break with the pictorial lyricism of the time. He practised a style close to impressionism which preceded the modernism of Santiago Rusiñol and Ramón Casas, who came into contact with Sitges thanks to him. He exhibited in Barcelona, Madrid, Paris, etc. He was awarded the third medal at the National Fine Arts Exhibition of 1887, and won prizes at the Paris (1895), Barcelona (1896) and Saragossa Exhibitions. He is represented in the collections of the Museums of Modern Art in Barcelona and Madrid.
A 19th century hand painted ceramic tile, possibly by Milton Hollins, depicting an seated elderly couple, signed JS and dated 1868, diameter 14.5cm, framed.Additional InformationThe frame with losses, there is split running through the frame, we cannot give an accurate condition on the tile as it is framed and the back is covered but it appears good with minimal crazing though we cannot guarantee this.
A set of six Minton tiles inspired by Tennyson's Idylls of the King, designed by John Moyr Smith, to include Geraint, Isolt and Gwenivere, stamped to the reverse Mintons Chinaworks Stoke on Trent, 15cm wide x 15cm high (6)Condition report: One tile with large chip to front top left corner, otherwise in good condition.
A 19th century Delft tile and another later, the first painted with cattle before a lake, signed Rozenbourg, framed, 18 cm square overall, the other painted with a figure in the 17th century style Condition Report: The Delft tile painted with cattle is mounted in an oak frame and has not been inspected outside of frame. The tile appears to be signed Rozenbourg lower right. The frame is worn and with some old splitting and slight chipping. The tile is in good order. The Dutch Delft polychrome tile painted with the drummer is in good order, with some slight wear to glaze.
A Pilkington's panel of eight tiles, tube lined on a cream ground with a stylised wreath; together with a Pilkington's sgraffito vase designed by W S Mycock, another Pilkington's bowl and a Susie Cooper three-piece cruet set (6)Condition report: The tiles are framed, crazed and one tile has a hairline. Lancastrian vase is in good order. Lancastrian bowl has a hairline to rim and scratches to the inside. Susie Cooper mustard has a hairline, Salt pot has minor sratches.
~ A Victorian marble-topped oak washstand (a.f.), 108cm by 52cm by 77cm, together with a nest of three bamboo tables with glass tops, a Victorian bamboo open bookcase, 42cm by 18cm by 120cm, three bamboo and tile top plant stands, a three-tier bamboo whatnot and two other similar pieces (9)
~ A parcel-gilt ebonised table with ring turned tapering legs, 85cm by 45cm by 66cm, a parcel-gilt black painted Country chair with turned supports, a further parcel-gilt ebonised 19th century table with floral painted tile inset octagonal top, two Victorian mother-of-pearl inlaid painted and ebonised chairs, and a black painted torchere (6)
Studio pottery - a Royal Worcester Crown Ware plate, designed by Scottie Wilson, 21cm; a studio pottery dish, sgraffito incised; another stoneware plate; a Staffordshire Teutonic pattern large blue and white bowl; a reproduction Royal Academy of Arts tile, designed by William Scott RA; a speckle glazed bowl (6)

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26544 item(s)/page