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NINE GERMAN PORCELAIN PLAQUES (16)Late 19th centuryEach painted with a panel of lovers in a landscape inside gilt frames against a green scale ground, comprisiing; an oval plaque, 29cm wide, a square plaque 16.5cm wide and seven rectangular plaques, sizes 5cm by 7.5cm to 13cm by 32.5cm , oval plaque with impressed KPM and sceptre, the other plaques with some red inscriptions and numbers, with seven gilt rectangular frames of varying sizeTwo sides of the square tile have been reduces and there is a shallow chip to the bottom left corner. Otherwise in overall good condition

Y A FRENCH LOUIS XV STYLE BOULLE BRACKET CLOCK WITH WALL BRACKETTHE MOVEMENT STAMPED FOR C. KUHLING, LATE 19th CENTURYThe rectangular countwheel bell striking movement with anchor escapement regulated by sunburst mask cast pendulum and stamped 371, C, 9.10 over C. KUHLING to backplate, the 9.5 inch circular twelve-piece cartouche numeral dial with cockerel inhabited Berainesque foliate strapwork cast centre within applied blue-on-white enamel Roman numeral hour chapters and foliate cast borders within Arabic five minutes to the outer minute track, with sculpted blued steel hands, the engraved cut brass and brown shell marquetry decorated case with cast gilt standing figure of winged Fortuna to the domed concave-sided superstructure veneered with leafy scroll decoration and applied with martial trophy adorned foliate mounts to angles, the front with mask-centred leafy arched cast crest over brass-framed waisted-arch glazed door enclosing marquetry tile decorated floor and foliate back panel to interior and incorporating cast panel with twin cherubs and an hour glass to apron, the surround decorated with foliate scrollwork, the sides with recessed gilt brass framed glazed apertures within conforming marquetry borders out-swept at the base, on generous scroll-cast gilt brass feet with conforming apron mount around a lattice decorated cushion panel between, resting on a matching ogee-shaped wall bracket inlaid with Vitruvian scrollwork over foliate radial gadroons issuing leafy sprays flanked by mask terms to angles, the underside with an acanthus cast pendant mount terminating with a floral finial.The clock 87cm (34.25ins) high; including wall bracket 117.5cm (46.25ins) high overall, 47cm (18.5ins) wide, 25cm (9.75ins) deep.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. The dial has repaired/filled edge chip to the V numeral otherwise appears to be in good condition with no additional visible faults of any significance.The case is generally in sound presentable condition having been cosmetically restored at some point in the not-too-distant past. There is some slight lifting to the brass and a small few areas where brass has been lost and filled with creamy golden-yellow composition. The rear door has some lifting to the brass to the internal panel and slight shrinkage. Faults are otherwise limited to some slight blooming and movement to the shell veneers. The bracket appears to retain all the brass marquetry albeit with some pinning to the rear edge strip and there is very little lifting.Clock is complete with pendulum, case key and a winder. Condition Report Disclaimer

Late 14th century A.D. or later. A rectangular glazed ceramic tile bearing calligraphic text embellished with interlace and foliate motifs. 2.79 kg, 33 x 21 cm (13 x 8 1/4 in.). Collection Xavier Guerrand-Hermes. Artcurial, 12 May 2014, lot 246. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11342-192183. [No Reserve]

15th-16th century A.D. A rectangular glazed ceramic tile with bevelled upper edge, with part of a Qur'anic inscription; stone paste, blue and black on white. 720 grams, 24 cm (9 1/2 in.). Acquired from the UK trade, c.1990s. Ex central London gallery. Likely a section from a calligraphic frieze. [No Reserve]

France, possibly Beauvais, late 15th century A.D. A square ceramic tile stamped with a design composed of two hounds running right amongst stylised plants, framed by a plain line border. 730 grams, 12.7 x 12.8 cm (5 x 5 in.). Mark Van Veen, 2014. Ex central London gallery. [No Reserve]

France, late 15th-early 16th century A.D. A square ceramic tile with stamped, honey-glazed design composed of a huntsman sounding a horn, mounted on a horse galloping left, tree in the background. Cf. Mayer, J., Pavement Carreaux de Sol en Champagne au Moyen Age et a la Renaissance, Paris, 1999, motif no. 10, pp.100-211; cf. Norton, E.C., 'De l'Aquitaine a l'Artois: Carreaux Stannifere et Carreaux Plombiferes des XIII et XIVe siecles en France' in Rosen and Crepin-Lebrond, Images du pouvoir, pavements de faience en France du XIIIe au XVIIe siecles, Lyon, 2000, pp.24-48. 535 grams, 12.6 x 12.6 cm (5 x 5 in.). With Etude Tajan, 10 December 2013, lot 66. Ex central London gallery. Accompanied by a copy of a previous typed catalogue page. The later medieval period witnessed a renaissance in the use of tiles in the Touraine and Champagne regions. Popular motifs from the 13th century were revived, as can still be seen in the Cathedral of Bayeux, Calvados, where mounted huntsmen, running deer, boar and oak trees are dated to the 15th century. The stamp that made this tile of a galloping huntsman is not so carefully modelled and hence may be a copied design dating to the later period. [No Reserve]

France, 15th century A.D. A square ceramic tile bearing a stamped motif composed of fruiting vines winding diagonally across the face; honey-coloured glaze. 985 grams, 13.6 x 13.4 cm (5 3/8 x 5 1/4 in.). Benjamin Proust, 2015. With Bonham's, sale 17227, 17 May 2017, lot 88 (part) with label to verso. Ex central London gallery. [No Reserve]

North Eastern France, Aisne, 15th century A.D. A square ceramic tile with a design depicting a shoemaker seated on a stool, engaging in his craft; remains of honey-coloured glaze. 868 grams, 13.2 x 13 cm (5 1/8 x 5 1/8 in.). Benjamin Proust, 2015. Ex central London gallery. [No Reserve]

A 20th century ceramic tile fire screen, the tiles depicting wild animals and a central tree, with a foliate scrolling border, raised on brass feet, total size 70cm x 65cm

A mid-20th century bedroom chair upholstered in vinyl together with a wicker tile top plant table.

A nest of three mid-century Nathan teak occasional tables. With tile top, raised upon U-shaped supports and stretchers, the largest measuring L50cm x D50cm x H51cm

1st-early 4th century A.D. A large, square-shaped ceramic tile stamped to one face with a rosette bearing an inscription, likely identifying a cohort, people and location, 'COH IIII ????' in raised letters arranged in a roughly circular shape around the perimeter. 4.2 kg, 25.5 x 25 cm (10 x 9 7/8 in.). Acquired 1980s-1990s. Collection of M. Cummings, Lincolnshire, UK. Possibly a hypocaust tile. [No Reserve]

Chinese brown and green glazed pottery roof ridge tile in the form of a standing exotic bird on a carved and painted wooden base, 12.5ins high

19th Century Qajar tile depicting a seated figure, 7.5ins x 5ins approximately

A collection of 19th Century Chinese miniatures dating from the 19th Century to include a reclined gilt figure of Buddha, standing gilt metal figure of Buddha, eyes closed hand carved weeping Buddha and a stone tile lotus Buddha. Each raised on black slate bases. Measures approx; 7cm.

An Oriental ridge tile (AF)

A small selection of collectables. To include three bakelite desk lamps, Onyx egg, carved wooden cup and Dutch tile etc.

A TRAY CONTAINING THIRTY WORKSHOP BINS of various sizes and a Plasplugs Compact Plus tile cutter (PAT pass and working)

A TUB OF VINTAGE AND MODERN TOOLS to include four Record Stillson pipe wrenches a No 10, 14, 18 and 24, Silverline double suction pad, Irwin hole saw bits, Pipe bender, two security floodlights, Performance Power hammer drill, vent covers, grout saw, tile cutter etc (all electricals UNTESTED)

A MID CENTURY TEAK STEPPED MEDIA CABINET, length 133cm x depth 40cm x height 62cm, a G Plan tile top coffee table (missing glass insert) a yew wood side table with two drawers, and a mahogany revolving bookcase (4)

A MID CENTURY DANISH TEAK TILE TOP COFFEE TABLE, on square tapered legs, length 100cm x depth 53cm x height 42cm, and a rectangular slatted coffee table with recessed plastic tray, length 147cm x depth 46cm x height 40cm (condition - fluid damage and other stains) (2)

RETRO TEAK FRAMED TILE TOP COFFEE TABLE

Moroccan Octagonal table with inset tile top

Eastern treacle glazed tile plaque, 24 x 23cm

An Art Nouveau pottery draughts board and draughts, by Leeds Fireclay Co. Ltd , the square board decorated in a pale green glaze, with 'LFC' initials in a shield cast to each side, impressed factory mark to the base, 'The Leeds Fireclay Co. Ltd. Wortley Leeds', 30.5 by 20.5cm, a/f tile damaged and repaired across once corner, with twenty eight draughts pieces, each 1.7cm, in partial original box. (29)

Edwardian tile-back washstand

A Retro tile and chrome coffee table, 91cm x 46cm

A Victorian Aesthetic Movement bamboo jardiniere stand, inset with Minton tile, manner of Libertys

LATE 19TH CENTURY/EARLY 20TH CENTURY CHINESE POTTERY ROOF TILE,modelled as a standing scholar, in a Tang dynasty style, in a sancai type glaze, 37cm high, on a wood stand,

A mixed lot including a cranberry glass water jug (11cm high), and a cranberry glass footed bowl, a delft tile and a cash pot stamped Moyses Stevens London to base (4)

Mid century teak coffee table with tile inserts.

Danish style mid century coffee table with tile insert.

G- Plan teak mid century coffee table with tile inserts.

Dolls House - Chalet style, Toddy Hall, beach house, and tile effect roofed example. (4)

Studio Pottery: an Eric James Mellon 'Iris' stoneware tile, signed and inscribed, 20 x 10cm.

Studio Pottery: an Eric James Mellon 'Sarus Crane' stoneware tile, signed and inscribed, 20 x 10cm.

Studio Pottery: an Eric James Mellon 'Horse & Rider' stoneware tile, signed and inscribed, 20 x 10cm.

Studio Pottery: an Eric James Mellon 'Rhinoceros' stoneware tile, signed and inscribed, 10 x 20cm.

Studio Pottery: an Eric James Mellon 'Sleeping Maiden' stoneware tile, signed and inscribed, 10 x 20cm.

Studio Pottery: an Eric James Mellon 'Ballons' (sic) stoneware tile, signed and inscribed, 20 x 10cm.

Studio Pottery: a Yolande Beer pottery tile, painted with four nudes, signed, 9.5 x 20cm.

Studio Pottery: an Eric James Mellon 'Madonna' stoneware tile, signed and inscribed, 20 x 10cm.

Studio Pottery: an Eric James Mellon stoneware tile, painted with a female nude and a lioness, signed and inscribed, 20 x 10cm.

A pottery plaque of a mother and child, 30 x 30cm; together with another mahogany mounted pottery tile tray, 38cm wide. (2) 

A Maw & Co 3 tile majolica panel of a peacock along with two mirrors and various pictures

JOHN MOYR SMITH FOR MINTONS,two 'Music' series tiles and two Sir Walter Scott series tiles, 'Kenilworth' and 'Bride of Lammermoor', stamped marks to reverse, 20.2 x 20.2cm, together with three small tiles decorated with birds in the manner of William de Morgan (7)Image of bird tile reverses available

A CERAMIC AND MOTHER-OF-PEARL INLAID LACQUERED KIRI (PAULOWNIA) WOOD CABINET IN THE STYLE OF RITSUOIn the style of Ogawa Haritsu (Ritsuo, 1663-1747), unsignedJapan, 18th-19th century, Edo period (1615-1868)Of rectangular form with red-lacquered borders, the wood ground finely decorated in gold takamaki-e and inlays of ceramic and mother-of-pearl with blossoming flowers and neatly veined leaves, one side with six narrow drawers fitted with metal floral handles, the base of roiro.SIZE 31 x 22.6 x 18.8 cmCondition: Good condition with expected surface wear, nicks, chips, scratches, some inlays with minor cracks and small losses.Provenance: German private collection.Ogawa Haritsu (formerly often referred to outside Japan by his alternative name of Ritsuo) was among the first Japanese lacquer artists to establish an independent reputation outside of the hereditary craft dynasties of Kyoto, Edo, and Kanazawa. Following an early career as a haiku poet, he is thought to have first turned his attention to lacquer design in middle age and soon attracted a wide following thanks to his novel choice of subject matter and pioneering and imaginative use of unusual materials; at some point after 1710 he was hired by Tsugaru Nobuhisa (1669-1747), lord of a domain in northern Japan, for whom he worked until 1731.In lacquer, he introduced a vocabulary of new materials not usually associated with lacquer artists such as glazed ceramic pieces, mother-of-pearl, and lead. Haritsu also mastered the technique of making lacquer surfaces appear to resemble other materials such as bronze, tile, ink sticks, and pottery, a style of decoration which became known as Haritsu saiku.

19th Century Italian 'Grand Tour' souvenir micromosaic panel, probably a copy of a temple or villa floor tile, perhaps from Pompeii, depicting a partial face of a bearded male god, the left half with white tesserae, metal-backed, 8.8cm x 6.5cm

A blue and white Delft style tile depicting ships in a European port, 20x40cm

1960's style tile triptych panel depicting a lady with harvest, signed with 'EM' monogram, 61cm x 22cm. 

A collection of Roman & other Grand Tour objects & artifacts comprising a bronze statue of the Venus De Milo, alabaster  white marble depiction of the Leaning Tower of Pisa, carved stone pyramid, carved stone partial tetrahedron, glass faceted tetrahedron specimen stone egg on stand along with a Jasper tile. Largest measures approx; 10cm.

A collection of four 19th Century Victorian pottery tiles comprising a Minton & Co majolica example, Minton Hollins & Co example in the manner of Sir Christopher Dresser, another Minton Collins example and a thick encaustic tile in the manner of AWN Pugin. 

Various tools including pillar drill, tile cutter, electric sander, Bosch drill and bits, cordless drill, electric polisher, etc - THIS LOT IS TO BE COLLECTED BY APPOINTMENT FROM DUGGLEBY STORAGE, GREAT HILL, EASTFIELD, SCARBOROUGH, YO11 3TX

A CHINESE BLUE AND WHITE PORCELAIN GLAZED TEMPLE TILE decorated with cranes in flight and various motifs. 19.5cm square

A LARGE PERSIAN QAJAR GLAZED POTTERY TILE inset within a carved oak overmantle, the tile depicting seated figures with attendants surrounded by sprays of flora, tile 31cm square, overmantle 115cm x 50.5cm.

A 16TH CENTURY OTTOMAN IZNIK TILE, painted with foliate motifs and inset within an antique frame, overall 20cm x 18cm.

Modern Design - a mid 20th century G-Plan teak, tile, and glass-top coffee table, 45cm tall x 121cm long x 51cm wide; a nest of three teak G-Plan side tables, (2).

A mid 20th century G plan teak and tile top nest of tables.

A 1920s oak stick stand together with a metal and tile top table and a carved standard lamp.

Five pieces of furniture comprising a French style chest, a pine knee hole dressing table, a tile top nest of tables, a mahogany nest of tables and a mahogany coffee table.