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A Collection of Portmeirion Botanic Garden Pottery (18) pieces in total. To include Helleborus Niger Christmas Rose flower vase, coffee pot, milk jug, serving bowl, dinner plates, Gazania Ringens Treasure Flower 8 inch plate, Rhododendron Lepidotum Rhododendron 5 inch plate, jardiniere, Rose Canina Dog Rose square tile, open veg salad bowl etc.
A late 19th century Chinese hardwood and brass-mounted Mahjong cabinet, the swivel-handle modelled as a bat above a central Shou character and the rest of the cabinet also profusely mounted with various brass symbols including a opposing dragons to each door, the doors opening to reveal four drawers fully fitted with bamboo-backed ivory tables, the outer lower drawer with sticks, further tablets and general Mahjong accessories etc., complete with four tile stands (damage to tile stands and the top left-hand hinge away from the door), (with original brass lock and key)
A Robj Pottery Boites a Boubons box and cover, modelled in relief glazed with a crackled gold, a Royal Bonn Art Nouveau vase, a Fischer Budapest enamelled tile and a plate impressed marks, 18.5cm. high (4) Literature Vanna Brega Le Ceramiche Robj catalogue number 161 this design illustrated dated 1928.
'Henry VIII' a Powell Tiles International tile panel designed by Jean & Rhys Powell, modelled in low relief and painted in colours, framed, incised title and factory mark to front, 60cm.square Literature Chris Blanchett 20th Century British Tiles, page 478 for a comparable tile panel depicting Europa and the Bull, produced for an exhibition in 1976.
A set of six Minton's Medieval Revival encaustic tiles the design attributed to A.W.N Pugin, each decorated with medieval figures or heraldic lions, framed 15cm. square (each tile) Literature Paul Atterbury and Clive Wainwright Pugin V&A/Yale page 144 plate 261 for four tiles from this Old English Series made by Minton from 1842. Provenance British Art Pottery Woolley and Wallis Auctioneer's 30th November 2011 lot 51. Private collection.
William Morris, a 'Bough' design blue and white decorated tile, circa 1870, made in Holland for Morris Marshall Faulkner & Company (1861-1875)Note: these early examples were made in Holland on 5" Dutch blank tiles after disastrous results in trying to make tiles for themselves; an example of this tile is in the V & A Collection CONDITION REPORT: Small chip to lower right corner and 3 small chips to lower edge. Fritting to edges, otherwise good.
William Morris, a 'Bough' design blue and white decorated tile, circa 1870, made in Holland for Morris Marshall Faulkner & Company (1861-1875)Note: these early examples were made in Holland on 5" Dutch blank tiles after disastrous results in trying to make tiles for themselves; an example of this tile is in the V & A Collection CONDITION REPORT: Small chip to top left corner. Frits to edges, otherwise good
William Morris, a 'Bough' design blue and white decorated tile, circa 1870, for Morris Marshall Faulkner & Company (1861-1875)/Note: these early examples were made in Holland on 5" Dutch blank tiles after disastrous results in trying to make tiles for themselves; an example of this tile is in the V & A Collection CONDITION REPORT: Small chip to upper right corner, otherwise good
William Morris, a 'Bough' design blue and white decorated tile, circa 1870, made in Holland for Morris Marshall Faulkner & Company (1861-1875)Note: these early examples were made in Holland on 5" Dutch blank tiles after disastrous results in trying to make tiles for themselves; an example of this tile is in the V & A Collection CONDITION REPORT: Minor frits to top and left edge, otherwise good
An early delftware pomegranate tile c.1640, probably Rotherhithe, painted in blue, green, yellow and ochre with a split pomegranate within blue fleur de lys corners, 13.5cm. Cf. Betts & Weinstein, Tinglazed Tiles from London, p.5. The presence of multiple nail holes in the corners suggest an English origin rather than Dutch.
An Iznik pottery tile 2nd half 17th century, the square form brightly enamelled in blue, red and turquoise with saz leaves and chinoiserie flowers in the manner of those at the mosque of Eyüp, broken and restuck, the tile 25cm. Framed and glazed. Cf. Venetia Porter, Islamic Tiles, p.107 for tiles of a similar arrangement.
Two Delft plates c.1750-70, one of shallow pancake form, painted in blue with an allover floral design, the other with flowering plants with feathered foliage within a panelled shaped rim, mark for De Klauw (The Claw) factory, and a Delft Biblical tile painted in blue with Matthew 3:13, the Baptism of Christ, 34.5cm max. (3)
A medieval armorial encaustic tile 14th century, decorated in cream slip on a terracotta ground with the arms of the Beauchamp family, a shield with a fesse between six crosses crosslet, broken and restuck, 12.4cm. Cf. The Metropolitan Museum, Accession No. 1983.236.1 for an identical example from the collection of Reginald W. Cooper of Nottingham. The arms shown here are those of Thomas de Beauchamp, 12th Earl of Warwick (1338-1401) who was a primary opponent of Richard II and was charged with high treason in 1387. On the deposition of Richard II by Henry IV, Beauchamp was restored to his title and estates.
An unrecorded woodblock printed Liverpool delftware tile c.1750-60, printed in blue probably by John Sadler with a huntsman and his dog walking before a house with a smoking chimney, in an octagonal panel with formal scroll and diaper ground panels, broken and restored, 12.8cm. Cf. Transactions of the English Ceramic Circle, Vol. 11, Part 1, pp.36-38.
Hornby O gauge Engine Shed No.2 This is the largest tinplate Engine Shed Hornby made, fitted with twin tracks and a pair of hinged opening doors at either end, nicely litho detailed with brick, tile and windows effect, an example with no added chimneys, just smoke vent to roof. In a sturdy reproduction box. Shed GC-VGC some light age patina overall. Together with 2x No.2 Turntable, boxed. Plus a pair of sprung buffers and a plate layers hut with figure, brazier and shovel. £70-100
Eight Doulton 6" Tiles, tubelined decorated with flowers, glazed in red, blue and green, stamped DOULTONS PATENT SAFETY TILE BACK and painted 1520, 15cm square (in two oak frames); A Doulton & Co Lambeth 6" Tile, decorated with daisies, stamped PATENT DOULTON & CO LAMBETH LONDON (mounted as a teapot stand); and another (10)
Eight Victorian Tiles: Thomas Allan (1831-1915) for Josiah Wedgwood & Sons, Two 6'' Picture Tiles, blue and white transfer printed, depicting Ye Army/Ye Church and Ye Law/Medicine, stamped JOSIAH WEDGWOOD ETRURIA, 15cm square; Two Malkin Edge & Co Games 6'' Picture Tiles, medieval figures at play, croquet and leap frog, coloured transfer, unmarked, 15cm square; John Moyr Smith (1839-1912) for Minton China Works: A 6'' Picture Tile, entitled Elaine from Tennyson's Idylls of the King, brown block printed, stamped MINTON CHINA WORKS STOKE ON TRENT, 15.3cm; and Three Other Tiles (8)
A Late Victorian Oak Hall Chair, with inset Shakespear tile MALVOLIO IN THE GARDEN, solid seat, on ring turned tapering forelegs, 92.5cm high; and Another Late Victorian Mahogany Hall Chair, with arched top, inset with a repeating pattern title, on ring turned tapering forelegs, 98cm high (2)

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26543 item(s)/page