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In the style of William de Morgan; a late 19th century ruby lustre (faded) pottery tile decorated with a full shot image of an open-mouthed fantastical fish, 20.5cm square CONDITION REPORT: There is some surface crazing to the glaze which appears apparent on the front of the tile. The lustre ware has faded in places, we can't see any major cracks, chips, reparations or restorations. There is a minor edge chip to the top left hand corner of the tile and the back appears to have been fixed with some sort of lino type of material.
Three Liverpool delftware tiles c.1757-61, printed in black by John Sadler, one with a milkmaid waking her sleeping companion while a dog laps from an upended milk pail, signed 'J Sadler Liverp', another with a couple in Scottish dress dancing a reel, the last with figures in a boat on a river winding between Classical ruins, both signed 'J Sadler Liverpool', one tile slightly reduced, 12.8cm max. (3) Paper labels for Jonathan Horne. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B6-3, B4-4 and B8-1.
Nine delftware tiles mid 18th century, three Biblical and painted in blue with Christ carrying the cross, and with Judas hanging himself, another with a figure standing in a field, four with flower-shaped panels containing cows and peasant figures reserved on a sponged manganese ground, the last framed and painted with a polychrome bird, together with a modern copy of a Delft tile of a drinks vendor, 15cm max. (10)
A signed Liverpool delftware tile c.1757-61, printed in black by John Sadler with lovers seated beneath a tree, the lady draping her companion in a garland of flowers, signed 'Sadler Liverp.', and another delftware tile painted in blue with birds flanking an urn full of flowers within an octagonal panel, 12.6cm max. (2) Cf. Anthony Ray, Liverpool Printed Tiles, p.23, no.B3-6 for the former.
Small tray containing a framed Polychrome Delft tile, large Bavarian circular porcelain snuff box, North African mid century cigarette case in Aluminium, selection of small glove hooks including a folding one and one with a hard stone handle, unusual and early light bulb with pull string operation, and advertising Toms Camphor soap, ladies vanity purse mirror. etc.
19th century Tunbridge Ware Cribbage Board with Counters and Two Dice, Two Chas Stadden Pewter Military Figures ' Coldstream Guards ' and ' Grenadier Guards ', Vintage AA Membership Beehive-Style Badge (E6095), etc plus Follower of William Douglas MacLoed Black and White Etching of Sailing Boats, Vintage McDougall's Cake Competition Award and a Decorative Tile
JOHN MALTBY (born 1936); 'A Fisherman and his Wife', a stoneware tile mounted on board and framed, impressed M mark and signed and dated 2011, 21 x 19.5cm. (D)Provenance: Purchased from The Yew Tree Gallery, Penzance. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
DAVID LEACH (1911-2005) for Lowerdown Pottery; a stoneware box and cover, porcelain vase covered in pink crackle glaze and a stoneware tile with willow tree motif, impressed DL and pottery marks, tallest height 8cm (3). (D) CONDITION REPORT: Short firing crack to tile, otherwise appears good with no further obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A group of studio ceramics including a small Glyn Hugo pedestal bowl, John Christie vase, Daphne Carnegie teapot, Alan Wallwork tile and Coxwold Pottery dish, various marks, teapot height 12cm (5). CONDITION REPORT: Tile cracked and re-glued, otherwise appears good with no further obvious signs of faults, damage or restoration.
SHEILA BOYCE; 'Ripple Disc', a sculptural form made of 'Tile' material; burnished and smoke-fired, gallery label, height 49.5cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
SHEILA BOYCE; 'Simple Dimple', a sculptural form made of 'Tile' material; burnished and smoke-fired, incised SB mark, height 20cm. (D) CONDITION REPORT: Small scratch to side, otherwsie appears good with no obvious further signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
SHEILA BOYCE; 'Simple Dimple', a sculptural form made of 'Tile' material; burnished and smoke-fired, incised SB mark, height 20cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
GORDON FORSYTH (1879-1952) FOR PILKINGTON'S TILE & POTTERY CO.'APOLLO', A MONUMENTAL LANCASTRIAN LUSTRE VASE, DATED 1909 decorated with a frieze of cockerels to the neck, and to the body with the figure of Apollo riding a chariot through the clouds pulled by six horses, reserved on a blue ground, bears inscription APOLLO, painted artist’s and date cyphers to the base, impressed factory monogram and marks 2471 / IX/ ENGLAND 54cm highProvenance: The Harriman Judd Collection of British Art Pottery, Sotheby’s, New York, 22 January 2001, lot 407Note: This impressive vase is one of the largest pieces ever produced by the factory in lustre glazes. Pilkington’s Tile & Pottery Company was founded in 1891 at Clifton, near Salford, Greater Manchester. William Burton, previously a chemist with Josiah Wedgwood & Sons, was employed as manager and guided the company through its early years until 1915. He was joined by his brother Joseph, and together they developed the glazes for which the company became famous. The first large exhibition of Pilkington's Lancastrian Pottery was held at the Graves Gallery in London in 1904, and two years later the first of the lustre wares were shown at the Arts & Crafts Exhibition in London. The firm employed some of the leading designers of the day for these special wares, including Lewis F. Day, C.F.A. Voysey and Walter Crane, as well as designs from their own decorators, including Richard Joyce, Gordon Forsyth and William S. Mycock. The firm was awarded the Royal Warrant in 1913, after which the range was known as Pilkington’s Royal Lancastrian.

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26543 item(s)/page