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An unusual antique hand-decorated glazed pottery tile. 15.5 x 15 cm

An Edwardian marble top, tile back washstand and a small oak bookcase.

A framed Delft blue and white tile decorated with a girl holding her cat after Paul Hoecker and inscribed lower left, the frame. 57 x 41cms.

A retro nest of teak tile topped tables

A tile cutter, bottle jacks, shoe cleaning kit etc

Stanislas Reychan (1897-1994), four studio pottery tile plaques, circa 1980-85, potted in London, including an owl, a unicorn, a figure on horseback and one other, impressed marks to the reverse, 11.5cm x 14cm

A mid century oak and tile top occasional table, set with six yellow floral tiles, raised on turned legs, 45.5cm x 48cm x 33cm.

An oak and tile top rectangular coffee table, inset with eight Victorian floral tiles, raised on cabriole legs, 54cm x 67cm x 37cm, and a similar coffee table, inset with twelve Victorian floral tiles, 34cm x 64cm x 34cm. (2)

LE MERCIER DE LA RIVIÈRE, Paul Pierre. L'ordre naturel et essentiel des sociétés politiques. London, Nourse "& se trouvé à Paris, chez Desaint", 1767.4to, 255x200 mm.; Contemporary marbled calf; gilt tile and ornaments on spine. Red edges. Preserved in recent half-cloth slipcase. Pp. [4], vij, [1], 511, [1]. Engraved armorial bookplate on insidecover. Marbled endpapers. Slight brownings in some points, marginal tear on p. 213-214. Good copy with wide margins. Rare first edition of this treatise in quarto, published at the same time as the octavo edition in two volumes. It presents political opinions of economists, regarded as the "political chart" of the physiocrats. Written under the inspiration of Quesnay, the work was at the time considered by some contemporaries to be higher than the Esprit des Loix, provoking Voltaire's response in "Homme aux quarantine écus" and Mably's vehement criticism in his "Doutes proposed by Philosophes Economistes”.The author argued that there was a natural law of property that was based on the physical order of nature and that was the basis of all other laws. Taxation and the ruler's use of public revenues were both governed by the natural law of property.New Palgrave : « He published what many (for example Smith) considered to be the most comprehensive exposition of Physiocratic doctrine in his 'L'ordre naturel', (it) is therefore the major general treatise of Physiocratic doctrine both political and economic" ».

SIR EDWARD COLEY BURNE JONES (BRITISH 1833 - 1898) THE PASSING OF VENUS OR THE TRIUMPH OF LOVE Pencil, coloured crayon and ink on paper Inscribed 'domina Venus' and 'domina Cupido' (upper left) 36 x 62cm (14 x 24¼ in.)Drawn in 1861. Provenance: The collection of George Howard Thence by descent Literature: William Waters & Martin Harrison, Burne-Jones, 1973, ill. fig. 59, p.52 John Christian & Penelope Marcus, Burne-Jones: the paintings, graphic and decorative work of Sir Edward Burne-Jones 1833-98, Hayward Gallery, Southampton City Art Gallery, Birmingham City Museum and Art Gallery 1975-6, cat no. 68 p. 37 Richard & Hilary Myers, William Morris Tiles: The Tile Designs of Morris and His Fellow-Workers, 1996, ill. fig. 31, p. 20 Fiona MacCarthy, The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination, 2011, Illus pl. XXII between pp. 358-359 and pls. 3, 13, 14, 15, 30, 31, 32, 33 between pp. 486-487 and in the text pp. 71, 192, 203, 238, 256, 268, 329, 330, 371, 425, 439, 449, 466 pp. 1-17, 20-24, 26-44, 47-66, 68-71, 75-95, 97, 111-116, 120-122, 124-132, 134-136, 140-141, 144-145, 147-150, 153-154, 156-168, 170, 172-177, 179-203, 205, 207-214, 216-219, 220-224, 229-232, 234-235, 237-240, 242, 247-249, 251-252, 254-255, 257, 259-262, 264-276, 278-279, 281-307, 309-317, 319-321, 323-350, 353, 357-361, 363-384, 387-389, 394-395, 398-400, 402, 404-416, 418-445, 451-473, 478-481, 483, 485, 487-489, 491-501, 504-517, 522-523, 525-530, 534, 536 Dr. Philip McEvansoneya, Edward Burne-Jones, William Morris, Dante Gabriel Rossetti, Harry Ward and illuminated manuscripts, 2015, p. 599 - 601 The Burne-Jones Catalogue Raisonné Foundation (https://www.eb-j.org/browse-artwork-detail/MzA2MQ==)Exhibited: Carlisle, Tullie House Museum and Art Gallery - Carlisle Art Gallery, George Howard and his Circle, November 1968, No. 155 London, Hayward Gallery, The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones 1833-1898, November 1975 - January 1976, No. 68, p.37, touring in Southampton, Southampton City Art Gallery, January 1976 - February 1976; Birmingham, Birmingham City Museum and Art Gallery, March - April 1976 (lent by Joanna Matthews) This design for a panel of of fifteen tiles is entered on the first page of Burne-Jones's account book with Morris & Co. (no. 380), charged at £2. The composition is derived from one of the Triumphs of Petrarch. Later versions appear in the background of the painting Laus Veneris (no. 135), as an independent picture (H&W, pl. 26), and a design for tapestry. Condition Report: The colours are a little down. Some brown spots of foxing scattered throughout. Some light staining to the framing edges. There is a scuff with associated skinning to the central figure's cloak (approx. 2.5cm). Some superficial surface scratches and light handling creases throughout. There is a small pin-hole to the upper left corner. Undulation to the sheet under the glazed frame. Unexamined out of glazed frame.Condition Report Disclaimer

A Danish tile inset circular coffee table, diameter 107 cm

Victorian satin walnut washstand, marble top and tile back, frieze drawer, width 76cm, depth 46cm, height 98cm, and a modern pine washstand with three quarter gallery top, width 89cm, depth 39cm, height 90cm. Condition report:Victorian washstand. The finials and tile back are good, a couple of marks to the front corner of the marble and some browning to front corners of the top but marble intact, otherwise joints are good with only a small amount of movement. Modern washstand. Generally good, a couple of minor use related marks.Additional images have been uploaded to the lot page on our website for you to view.

A QUANTITY OF ANTIQUE CERAMICS AND OTHER ITEMSincluding Delft tile fragments, Mason's Ironstone plates, Derby urns etc (a/f)

A MID CENTURY TEAK AND CHROMED METAL COFFEE TABLEwith floral tile top, low under tier on tubular legs and casters, 40cm high x 77cm wide x 47cm deep

A WADE RINGTON'S TEA MORRIS MINOR VAN CANISTERa Morris Minor wall clock, and a tile coaster (3)

A Collection of Various Studio and Other Pottery to Comprise Hand Painted Cat Tile and Bideford Pottery Tile, Green Glazed Bowls, Studio Pottery "Needle" with Scaled Design etc (Various Condition)

A Framed Maw & Co. Tile Triptych, Geisha Girl, 60x19cm

A Japanese glazed terracotta ridge tile finial in the form of a leaping horse 7" high x 13" long

Suzanne Landcastle, watercolour study of a street scene, a framed & glazed embroidery of a sailing ship, a framed print and a mosaic tile AF

A Wickes tile cutter together with a Rally jigsaw

A pine and tile back wash stand

A TUBULAR METAL TWO TIER TROLLEY, with glass inserts, width 66cm x depth 41cm x height 74cm, a pair of three tier trolleys, two nest of three tables, and a tile top coffee table, condition report: all with imperfections, such as marks, scuffs, stains, discolouration, other wear and usage (6)

A meat plate, bowl, decorative tile, floral decorated spoon etc.

Selection of Ceramics and Glass to include Shelley vase, Ceramic Tile with family of Emperor Penguin's, Stuart Crystal Vase Boxed, Stourbridge Crystal Small Bowl, Three Silver Plated Picture Frames of various sizes, Eight Royal Worcester Legends of the Nile Plates. Etc. (1 Tray)

A G-Plan nest of three tables, with inset tile tops

A Victorian mahogany planter stand with tile inlay H104cm, shipping unavailable

A 240v electric tile cutter, shipping unavailable

A mixed lot of blue and white china To include: [a] 19th century, Two Kangxi vases [b] 18th century, A tile Dimensions: [a] 9 in. (H) x 8 in. (W) and 7 in. (H) x 6 in. (W) [b] 7 in. (H) x. 3.5 in. (W)

17th century An Iznik pottery tile Of a rectangular form, decorated on a cobalt-blue ground with a floral design Dimensions: 4.75 in. (H) x 10 in. (W)

Damascus 17th century An intact tile Dimensions: 7.5 in. (H) x 8.5 in. (W)

MOLLY E HARRIS (GUERNSEY, B.1946) “The Tile” , Signed and dated 2000, acrylic, 25cm x 37.5cm ,

DUTCH DELFT TILE, 18TH CENTURY decorated with a military pike man in a modern wooden frame, along with a 19th Century continental oblong trinket box12 cm squareQty: 2

VICTORIAN ASH WASH STAND, with mirror and tile back on a base with a marble top with door and four drawers148cm high, 130cm wide

PACKARD & ORD, OAK FRAMED TWO TILE PANEL DISPLAY, EARLY 20TH CENTURY hand painted with a stylised hound chasing a hare over a landscape setting to mottled buff glazed ground, in an oak frame34cm wide

A mid-century nest of the three Danish teak tile-top occasional tables. Largest - width 52cm, height 45cm, depth 37cm.

A Tuscan style rectangular wall mirror with painted tile decoration. Width 63cm, height 94cm.

This is a vintage "Royal Depth Control" Mah Jongg set by Jade Manufacturing Co., made in the USA. The set features 164 hand-painted non-fading Alite material tiles, ensuring vibrant and durable colors. The set comes complete with its original red faux-alligator case lined in orange fabric and includes green and amber bakelite tile racks, as well as scoring accessories. Accompanied by the original instructions and promotional leaflet, this set exemplifies mid-20th-century craftsmanship. Case: 19.75"L. Issued: c. 1970sDimensions: See DescriptionCountry of Origin: USACondition: Age related wear. The case and contents are in good vintage condition, showing minor wear consistent with age and use. The tiles are intact and well-preserved.

A large maiolica floor tile, probably 15th century Florence, the design of a long-necked bird on a ground of oak leaves outlined in manganese and filled in with a raised cobalt blue, some pitting and chipping, 19.5cm.Cf. Metropolitan Museum, New York, No. 1975.1.1061 for an apothecary jar in the same design thought to be from the workshop of Giunta di Tugio.

Tile topped kitchen table and 4 upholstered chairs 

A mixed lot of modern furniture comprising painted & oak top sideboard, tile top coffee table, two oak side tables and a painted full length mirror.

A RETRO TEAK LAMP TABLE WITH TILE TOP, 22" X 20"

Collection of items includes Librasco egg nest, Knossos hand painted plate, Bradex Russian nursery rhyme plate, Coalport Mayfield plate, ducks, clown,figurine, Arte Prima tile clock, print, D.J & Simonyx mirror etc

Wrought iron hay rack  (73cm wide & 31cm high)& a finial ridging tile in terracotta Ht 58cm

A Danish tile inset rectangular coffee table, 133 cm x 72 cm x 50 cm.

A group of Scandinavian studio pottery dishes, bowls, tile, etc.

A Danish teak tile inset lamp table, width 59 cm.

A 20th century Danish tile inset rectangular coffee table, 134 cm x 74 cm x 52 cm.

A teak and tile topped coffee table, retailed by Heals, mid-20th century; the oblong top inset with sixteen Malkin Johnson black glazed tiles with sgraffito design and gilt detailing; 39cm high, 115cm long, 39 cm wide

1960's Teak and metal two tier tea trolley with simulated tile top inscribed ' Original Ney '

A Mughal cureda-seca pottery border tile, late 17th century, with birds on a branch, with a polychrome glaze, on a yellow ground, 19.5cm square, framed 27 x 28cm overall Bonhams, Islamic and Indian Art, 2002, lot 389Provenance: The Collection of David and Sandy Fuller Condition ReportLosses, now mounted in a modern frame.

A collection of Qajar pottery late 19th century and later, comprising four tiles, including an oval example decorated with two birds, a star shaped example, another square form tile, and a hexagonal example,the largest 22cm widetogether with two vases,the largest 22cm highCondition ReportBoth vases with cracks and losses. Crazing throughout.

A double tile panel, mid 18th century, with octagonal panels depicting a hunt, each 12.8 x 13cm approx, framed 29.5 x 16.5cm overallProvenance: The Collection of David and Sandy Fuller Condition ReportFrame worn. Nibbles and flakes to the edges.

A Qajar polychrome moulded tile, c.1900, in low relief with a mounted archer hunting boar, 21 x 21cmProvenance: The Collection of David and Sandy Fuller Condition ReportCrazing, chips and a firing crack to the back.

RAM Arnhem polychrome tile tableau of 6 tiles with earthenware decorated gold-colored border depicting a man and woman with ox cart, painter W A van Ham, external dimensions are 41x56 cm. Frame is also made by W A van Ham. Origin son of the painter

Porcelain tile with blue floral decoration including willow and lotus flowers, in wooden frame China Kangxi period ca. 1720, 27x34 cm

Mahogany with oak umbrella stand with copper decorative plate with embossed floral decoration, earthenware green glazed tile back wall and iron base tray, ca. 1910, 128 cm high, 71 cm wide, 29 cm deep

Porceleyne Fles Delft cloisonné earthenware tile Wilhelmina Queen, 1898-1948, 29.5x20.5 cm

2 turquoise round porcelain tiles with landscape decoration, in rosewood bases, China 18th/19th century, 18 cm high, 33 cm diameter (1 tile cracked)

A small folding pull a long trolley and three tile chopping boards

A quantity of various workshop tools; to include handsaw crow bar, smoothing plane, two plastic tool boxes, first aid kit, tile cutter, metal brackets etc.