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Lot 50
A RARE ITALIAN RENAISSANCE TERRACOTTA TILE WITH THE CYPHER OF FEDERICO DA MONTEFELTRO, DUKE OF URBINO CIRCA 1474/1482 Moulded with San Bernardino rays quartering FE[EDERICO] DUX 33.5cm x 33.5cm Literature: https://www.umbriametu.it/museums/museo-civico-palazzo-dei-consoli-gubbio/focus-on-federico-da-montefeltro-and-gubbio-exhibition/?lang=en emblema di Federico da Montefeltro formella 1474/ 1482 Federico da Montefeltro, Duke of Urbino (1422-1482), was a significant humanist figure in the Italian Renaissance. He was instrumental in fostering learning at his court, employing copyists to amass one of the largest libraries outside of the Vatican. His patronage extended to artists such as Piero della Francesca, whose Diptych of Federico da Montefeltro and Battista Sforza remains one of the most iconic portraits of the Renaissance, (housed today in the Uffizi Gallery) This large tablet tile bearing his personal cipher and emblem, possibly designed by Francesco di Giorgio Martini, is part of a decorative series of more than 275 tiles that adorned the Palazzo Ducale in Gubbio. It is generally understood that these tiles were likely commissioned after Federico's elevation to Duke of Urbino and they served as a public display of his new rank and prestige. The Palazzo passed out of the family line and was purchased by the Balducci family of Gubbio in 1860 with most of the contents dispersed when it subsequently was sold to a silk spinning company in 1870. There are documentary reports from the late 19th/early 20th century deploring the general state of the building, singling out the neglect to the roof. It is possible that it was at this time the tile was detached and sold on. The inscription "FE DUX" and the inclusion of "tongues of fire" have been widely interpreted, with scholarly perspectives providing different readings of their possible meaning. The most likely interpretation connects the flames to the insignia worn by the Accesi, young initiates of the Venetian brotherhood Compagnia della Calza, whom Federico was associated with during his exile in Venice, 1433. This rare tile, whether interpreted as a reference to Venetian affiliations, familial heraldry, or local industry; reflects the complex interplay of personal history, economic interests, and cultural patronage that characterized Federico's rule. His contributions to art, architecture, and humanist scholarship continue to be celebrated, underscoring his enduring impact on the Italian Renaissance.At the time of cataloguing, no examples of this tile seem to have appeared on the art market with 275 still at the Palazzo and three held in the museum of the Palazzo Venezia in Rome. Condition Report: Darker than main image suggests- extra images give a better indication of colour. Wear and some rubbing to raise detailing- right hand edge with damage around what could have been a pin mounting joint. No traces of original polychrome. Surface dirt- natural firing flaws and edge wear, small chips and losses. Provenance: The estate of the late Philip Astley-Jones. No paperwork or oral history to confirm where he obtained it from or when except statement from his partner, the jeweller Johnnie Lloyd Morgan: ""I don't know where Philip found the Urbino tile but it has been in our house for ever. Certainly since the early '80s when we first met. It never seemed to find a place in the home but I know he was intrigued by it."With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 323
Mixed small furniture to include a Victorian inlaid mahogany framed fire screen with floral embroidered panel and turned finials; an oak barley twist occasional table; plant stand with circular top, having an inset Dutch Delft tile, on fluted column, and square base; along with a painted wooden child's high chair, side chair in a blue fabric, and a gilt framed oval wall mirror Location: GRIf there is no condition report shown, please request
Lot 737
Assorted ceramics to include: a set of six Victoria bone china coffee cups and saucers, pattern 298. blue ground decorated with flowers together with a Royal Doulton Duveen Mecca D5103 small jug, four various flower bouquet table decorative pieces, a 20th Century blue and white tile depicting Windmill and figures, various plates etc (1 box)
Lot 379
A late 19thC Minton Hollins & Company pottery tile, relief moulded with a pair of greyhounds and hare, against a turquoise ground, within a brown geometric border, gilt framed, tile 15cm x 15cm, and a further green glaze tile, relief moulded with hunting dogs within woodland, in an oak frame, tile 20cm x 20cm. (2)
Lot 257
Exquisite set of six Minton ceramic tiles from the renowned China Works in Stoke-on-Trent, featuring detailed transfer-printed and hand-colored depictions from the Shakespearean Series. Each tile showcases a finely rendered scene inspired by the works of William Shakespeare, framed within an intricate geometric border. The monochromatic palette with touches of sepia and gold accentuates the depth and artistry of these historical pieces. Manufactured by Minton, a leading English ceramics company known for its innovation in tile production, these tiles bear the impressed marking: "Mintons China Works, Stoke-on-Trent" alongside "Minton, Stoke upon Trent, Walbrook, London." The back exhibits characteristic ridges, a signature of 19th-century tile production. These collectible tiles were originally used for architectural applications, such as fireplaces and wall paneling, and remain highly sought after for their artistic and historical value.Issued: 19th centuryDimensions: 6"L x 6"HCountry of Origin: EnglandCondition: Age related wear. Some tiles display chipping and residue on the reverse side, consistent with their age and prior installation.
Lot 207
A Dutch delt tile. Roland Morris collection, depicting a Dutch galleon with highlighted puce decoration, 12.7cm square. Condition report, small chips to edges. Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Lot 881
Islamic Art in Yorkshire. Colonel Sir Tatton Benvenuto Mark Sykes, 6th Baronet (1879-1919), his restoration and embellishment of Sledmere House, c. 1913-19, a framed display of 5 b/w photographs of the Palladian country house embellished with Ottoman tiles during its restoration cum Islamification during the short tenure of the 6th baronet, with a foolscap of English and Arabic manuscript, the background sheet similarly inscribed, three monochrome images of calligraphic tilework numbered 1-5 are inscribed with stanzas of Ali ibn Abi Talib's teachings, the remaining two are ' [...] Too decoratively compiled to be able to transcribe into cursive script. Sir Mark Sykes's translation is:- "The Path of the Man who is truthful is free from Obstacles." ' [&] ' [...] Translation: "God is Great, is All-Powerful and above all." ', the lower margin of the sheet inscribed: ' The tile-work is an Arab inscriptions from the Koran, in Kufik (sic; Kufic) (after Kufa, on the Euphrates) character [...] These tiles were specially made for Sir Mark Sykes, by the Sultan's tiler in Constantinople. ', 55.5 x 50cm Sir Mark Sykes was an English traveller, politician, and diplomatic advisor, particularly with regard to the Middle East at the time of the First World War. He is associated with The Sykes-Picot Agreement (1916), drawn up during the war regarding the future partition of the Ottoman Empire by the Allied Powers, and was a key negotiator of the Balfour Declaration. Inheriting the title and Sledmere estate on the death of his father in 1913, he also lived the typical life of a Yorkshire grandee, even if with rather exotic interests and tastes. The house having suffered a major fire in 1911, Sykes, ensnared by Ottoman aesthetics, installed the Turk Room with 2,700 Iznik-style tiles from Kütahya and embellished the laundry, housekeeper's room and chapel (as shown in these images. Sir Mark died young, succumbing to Spanish Flu, and thus plans for a hamam were never realised. Stable condition: the images good, with slight ripple; the paper evidently browned, toned, and with some scuffs &/or small tears, the foolscap itself foxed and creased. Unexamined out of frame.
Lot 54
A COLLECTION OF POWER TOOLS including a Wickes compound mitre saw, a Black and Decker circular saw, a Wickes tile saw, a Performance power bench grinder (all PAT pass and working), a Dewalt drill and charger (no battery UNTESTED)a set of Marples chisels (rusty) a rolling toolbox, a trolley, a workmate etc
Lot 414
Bing stationary steam engine with blued boiler, chimney with 1902-07 GBN logo, boiler fittings include pressure gauge, water gauge, safety valve, clack valve and whistle, engine has dummy regulator and functional water pump, fitted to enamel base with white and green tile effect. An excellent example of an early Bing engine in very good condition (Est. plus 24% buyer's premium inc. VAT)
Lot 137
Embrechts-Genouw Torhout. An extremely rare rectangular wall tile "plaque" in Torhout pottery with an image in relief of Bruges ladies in cap coats along the rosary quay in Bruges with the Church of Our Lady of Bruges in the background. Signed EGT-37. | 32.5 x 21.5 cm. | Condition: Original good condition.
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26543 item(s)/page