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A Specialized Crossroads Sport with E-Bike / electric bike conversion - with Yose Power conversion kit with downtube type battery (with charger and key), the bike with 20in butted aluminium frame, front fork suspension, Shimano 8 speed Alivio gears, Alexrims DH19 wheels with Crossroads 700 x 38c tyres, mudguards front and rear, LED back lights and Tor Tec alloy pannier rack. (tested, battery charges and electric motor functions are working when catalogued)
A Giant Explore lady's E-Bike / electric bike - c.2019, size S (17in frame), Hybrid Cycling Technology, with Energypak 500 integral downtube battery (with charger and key, plus instruction manuals), Shimano Deore 9 speed gears with Altus shifters, Shimano disc brakes, RST front fork suspension, Giant PX-2 28in wheels with Giant Crosscut Gravel 2 tyres, Giant Contact Comfort Upright saddle, Blueline 30 LED front light, Cateye LED back light, MIK black alloy pannier rack, Giant stand, in good condition.
A pair of Edwardian silver small servers - Wakely & Wheeler, London 1904, with all over chased decoration with peacocks amidst leafy scrolls and flowers, weight 50g; together with five pieces of silver plated flatware, comprising a Stilton scoop; two pickle forks; a preserve spoon; and a bread fork with mother-of-pearl handle.
Cutlery parts ''Haags Praise'' (5), M.J. Gerritsen, Zeist 1978-1979, silver. Butter knife, meat fork, jam spoon and two sorbet spoons in the Haags Lofje model. Netherlands, Zeist, M.J. Gerritsen, 1978-1979, hallmarks: standing lion I, 999, Minerva, maker's mark, year letters s and u. 160 grams, 999/1000. Dimensions L 17 cm.
Scoop work (4), Netherlands 19th and early 20th century, silver. Beautiful lot consisting of two sugar spoons and a dessert cutlery set (fork and spoon) with an inscription. Netherlands, various makers, 1845 / 1863 / 1901, hallmarks: various - light traces of use, 1 sugar spoon with repairs and 1 sugar spoon with crack. 121 grams, 833/1000. Dimensions longest sugar spoon: L 16.5 cm, W 6.8 cm.
Sprinklers and jam fork (3), Netherlands, Germany and United Kingdom 19th and 20th century, silver. Very nice lot consisting of a sugar shaker made by Jacob Grimminger from Schwäbisch Gmünd in ca. 1925, a salt shaker made by Arthur & John Zimmerman from Birmingham in 1909 and a jam fork made in the Netherlands in the early 19th century (or late 18th century). and has an agate handle. 19th (or 18th) and 20th century, hallmarks: various - signs of wear. 211 grams. 800/1000 and 833/1000 and 925/1000.
Salt / spice scoops & jam fork (14), France / Netherlands 19th century, silver. Beautiful lot consisting of 8 spice scoops, two of which are a set of 2, a jam fork and 4 salt spoons, one of which is a set of 2. Described in order from photo 1 (top left to bottom right): François-Pamphile Jozan, Paris ca. 1835 (set of 2 ). Hendrik van der Ree, Schoonhoven 1844 (set of 2). Johannes Hendrikus Tarner, Amsterdam 1854. Allegonda van Lieshout, Amsterdam 1858. Wijnanda van Weerden, Amsterdam 1858. Anthonie & Jacobus Johannes Driesen, Schoonhoven circa 1875. François-Julien Doyen, Paris ca. 1850 (jam fork). Étienne-Henri Sanoner, Paris circa 1860 (3 different salt spoons). J.M. van Kempen & Zonen, Voorschoten circa 1895. Netherlands / France, from ca. 1835 to ca. 1895, hallmarks: various - light signs of use. 87 grams, 950/1000 and 833/1000. Dimensions (longest measured): 1.7 x 10.4 cm.
Cutlery parts (8), Netherlands 19th and 20th century, silver. Beautiful lot consisting of a set of 2 cold cuts forks, 2 olive scoops, 2 salt spoons, cream spoon and a whipped cream scoop. The makers are as follows: Jan Cornelis Takens, Scheemda (municipality of Oldambt, province of Groningen) 1855 (cream spoon), Jacobus van Steeden, Amsterdam 1854 (meat forks), Adrianus Kuijlenburg, Schoonhoven 1877 (olive scoop), J.M. van Kempen & Zonen, Voorschoten ca. 1900 (olive scoop), Jan Hendrik Eversbag, Amsterdam 1849 (salt spoon), Cornelis van Gelderen, Schoonhoven 1861 (salt spoon), J. Oosterbeek & P. ​​Baardwijk, Schoonhoven 1921 (whipped cream scoop). Hallmarks: various - light signs of use. 127 grams, 833/1000. Dimensions (measuring meat fork): 3.2 x 16.5 cm.
A canteen of Robert and Belk Ltd Furnival works, England, stainless steel service, eight settings, includes four serving spoons, teaspoons, forks, soup spoons, dessert spoons, salad forks, salad knives, carving knife and fork and knife sharpener, all in wooden compartmented box with green felt lining and key
Bulova. An 18ct gold calendar wristwatch with tuning fork movement M5, Serial number E04905, London import hallmarks for 1966 Tuning fork movement Cal: 2181, gilt dial with applied gilt baton hour markers and Bulova markers at 6 and 12, luminous filled hands with centre seconds, calendar aperture at 3, Bulova crown at 4, 18k gold with screw on case hermetic back, case, dial and movement signed 33.8mm diameter Please note that the watch straps for this lot will be removed at the time of purchaseCondition Report: In great condition on the case and dial as it's a waterproof style case. Watch is not currently running however and will likely require a service. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please note that the watch straps for this lot will be removed at the time of purchase.
An Edwardian silver sugar bowl. With repousse decoration, By Williams, Birmingham, 1905, together with a pair of Victorian silver salt spoons, a Georgian mustard spoon, and a mother of pearl handled pickle fork, weighable silver 110g. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
A Victorian canteen, comprising a silver tea and coffee service, and a twelve-place setting of Old English thread pattern flatware, comprising:coffee pot, teapot, milk jug, and sugar bowlseven-bar toast rackeighteen tablespoons, and twelve dessert spoonstwelve table forks, and twelve dessert forkstwelve teaspoons, and six egg spoonsfish fork and fish knifepair of basting spoons, and soup ladlepair of sauce ladles, butter knife, sugar tongs, and sugar ladletwelve table knives, and twelve cheese knives, each with silver handles and steel bladesEnsuite with a wooden fitted canteen, the hallmarked silver components with sponsor's mark of Stephen Smith, London circa 1882, dimensions of the canteen, 51.5 x 38 x 33cm, weight of weighable silver (excluding the knives) 7,971g/256.27ozt gross approxIvory Declaration Submission Reference Number: V5LP2FMJ
30 Circa Mid 20th C diecast models, mainly Dinky examples to include boxed Dublo 072 Bedford Articulated Truck (diecast vg, box missing end flaps), boxed 361 Galatic War Chariot (diecast vg with both figures, poor box), Dinky Rover 75, boxed 404 Conveyancer Fork Lift Truck etc, models all showing play wear unless stated
A French gold and mother-of-pearl mounted folding fork, late 18th century, with French marks, the grip mounted with mother-of-pearl and with gold diagonal stripes and rosettes between shell terminals, closed - 10.1cm long; open - 17.9cm long; together with a gold and mother-of-pearl mounted folding fruit knife, with gold handle, unmarked, the grip mounted with mother-of-pearl and with gold flowerheads, unmarked, closed - 8.5cm long; open - 15.7cm long (2) Condition Report: The fork: one side of the handle is missing a rosette. Otherwise, the fork is in very good condition with minor surface wear to the fork blade consistent with age and use. The fruit knife: the handle in very good condition with no issues. The very tip of the blade is missing. Light abrasions to the blade.
A Louis XV ormolu cartel clock, by Jean Moisy, Paris, third quarter 18th century, the rococo case surmounted by a putto sitting beneath a floral hung trellis, above flowering rose branches and scrolling acanthus leaves, the domed sides with pierced floral trellis, the base with a winged cherub holding a wreath the white enamel dial with Roman and Arabic numerals, signed MOISY A PARIS, with silvered pierced foliate hands, the twin train eight day movement with silk suspension and outside countwheel striking on a bell, signed to backplate Moisy A Paris and numbered No. 353, 84cm highLiterature: The present lot was illustrated in Connoisseur, 1965, in an article 'Some eighteen-century French Furniture in the Mr & Mrs George Farrow Collection'.Provenance: The George Farrow Collection.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece offered for sale. Footnotes: Note: Jean Moisy is recorded as working in Paris in 1753 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.544. Condition Report: Case: in good overall condition with small spots of tarnishing and general surface wear. The figure surmounting the case is lacking an attribute to her raised right hand and two of her fingers have been ground down. The winged putto beneath the dial is holding a wreath which is loosely attached and there is verdi gris around the screw. The pierced fretwork panels with some slight misshaping. The trellis fretwork to the lower section is missing a small section.Dial: chips around the winding holes and at 12 o'clock. Otherwise, minor surface scratches. Two screws missing at 25 and 55. Tarnishing to hands. The hinge to the cover is a little loose but secure when shut. The glass with minor abrasions. Two screws beneath bezel to front are replacements and sit slightly proud.Movement: Tarnishing to backplate and bell. The crutch rod is bent and with break to crutch fork. Pendulum and key missing.
A group of knives and implements, 18th - 19th centuries, comprising: a gold and mother-of-pearl mounted folding knife, 19th century, with a gold and a steel blade, the gold blade with Paris mark for 750/1000, the steel blade marked MORETTE Jne Paris, the mother-of-pearl grip with vacant gold shield cartouche and scrolling foliage terminals, closed - 8.4cm long; open - 22cm long; a gold and mother-of-pearl mounted paper knife, unmarked, 15cm long; a Georgian mother-of-pearl mounted silver folding knife and fork set, in gilt-tooled red leather case, knife - 15.2cm open; fork - 13.8cm open; a Victorian silver and mother-of-pearl mounted folding knife, Cronin & Wheeler, Birmingham, 1853, the mother-of-pearl grip engraved with flowers and foliage, the silver blade with scrolling foliate engraved decoration, open - 15.7cm long; a folding knife with mother-of-pearl handle, white metal collar and gold blade, engraved with monogram to each side, unmarked, open - 16.3cm long; a small gold-mounted tortoiseshell folding fruit knife, with unmarked blade, assumed silver, 13.6cm long; a gold-mounted tortoiseshell implement, with metal blade, assumed steel - 12.4cm long; and three associated cases (lot)Condition Report: The first described (folding fruit knife): one side with a crack to the mother-of-pearl across the width and the other side with a crack across the top of the shield. The is same side is lifting slightly. The steel blade is tarnished with some flea-bite nicks to the blade near the tip. The gold blade with light surface abrasions. The paper knife: missing a mount to one side of the handle. A flea bite dent to one side of the blade. The blade is also very slightly bent. The silver-mounted knife and fork set: one side of the fork handle with a horizontal hairline fracture to the mother-of-pearl. Typical tarnishing. The red leather case with wear and small losses, especially to the corners. Cronin & Wheeler folding knife: good condition with wear, tear and tarnishing consistent with age and use. Folding knife with mother-of-pearl handle: light ingrained dirt to the carving of the handle. The cutting edge of the blade with a tiny dent. Wear and tear consistent with age and use. The tortoiseshell handle fruit knife: some of the gold inlay is missing to the handle. The blade does not fully sit in the handle when shut. The tortoiseshell handle implement: one side of the handle with losses to the tortoiseshell around the pin by the hinge. Tiny losses in one or two other places. The blade is tarnished.
A part suite of silver flatwares in the King's pattern, by various makers, comprising six large forks, John Aldwinckle & Thomas Slater, London 1893, four dessert forks, Adam Mossman & Co, Edinburgh 1849, total fork weight 23.51toz, and twelve large and five bread knives, with stainless steel blades and silver handles, all Walker and Hall, Sheffield 1969, total knife weight 29.74toz.
Harlequin part canteen of rat tail cutlery by William Hutton & Sons Ltd with some additions by Jay, Richard Attenborough Co Ltd, comprising 12 fish knives and forks, 12 desert spoons, 15 desert forks, 12 table forks, 13 soup spoons, 6 table spoons, fish slice, bread fork, pickle fork, butter knife, 5 tea spoons and a coffee spoon, circa 1926-1930 172ozt 5350gm
A Victorian Scottish Rifle Volunteer Officer's silver mounted dirk, blade 11½" with scalloped back edge, very faint etching and maker's name "James Ferguson, Inverness", staghorn hilt with plain unmarked mounts, in its tooled leather sheath, the top mount with superimposed crown, the centre mount with "RVR" monogram, the lower mount with strung bugle, the sheath mounts bearing queen's head, thistle and "FBs" maker's mark only (no date letter), with knife and fork having staghorn handles with plain unmarked mounts. GC (blade polished, some wear, end of sheath repaired with cellotape). £350-400
A parcel lot of 19th and early 20th Century silver flatware, to include a George III sugar sifting spoon, London 1808, Richard Crossley & George Smith, a cased christening fork and spoon, London 1899, Robert Stebbings, a George III shovel shaped caddy spoon with turned bone handle, Birmingham 1811, Wardell & Kempson, some damage, a Victorian fiddle pattern caddy spoon, London 1851, Elizabeth Eaton, together with various other salt spoons, teaspoons and a pair of sugar tongs, total combined weight 7ozt. (qty)
A JAPANESE BOW AND ARROW STAND, AND THIRTEEN ARROWS with a large rectangular box quiver, lacquered black with dark brown bands and a ferrous band near the top, the stem with two cutouts for holding bows, a fold-out ferrous handle for carrying the stand on the shoulder, a further handle, a leather pouch for storing the end of the quiver, and a fork-shaped ferrous spike for setting the stand in the ground (a contemporary wire repair attaching the quiver to the stand); the arrows of various materials including wood and bamboo, the arrowheads including target points and contemporary bodkins, the flights (hane) in various styles, the quiver 90.5 cm long (2)
Hallmarked silver and silver mounted items comprising Concorde feature hallmarked photograph frame, weight 12cm, sugar caster with weighted base, cigar cutter, mother of pearl handled jam spoon, two silver topped cut glass items silver handled magnifier and similar cake fork and silver tined and handled fork

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45628 item(s)/page