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Lot 1

Lowestoft tea bowl and saucer circa 1780 painted with a fence garden, with flora and rockwork in underglaze blue and overglaze red, green and pink enamel, (crack) (2)

Lot 1

Pair of ruby glass lustres under glass domes decorated with stylised gilt and enamel flora, each with fourteen cut glass droppers 19th century (small damages) 36cm high

Lot 1

AN EARLY 19TH CENTURY SWISS MANTEL CLOCK with circular white enamel dial and blue roman numerals, signed Vallotton a Lausanne, the case with tortoiseshell and brass inlay and ormolu shell and mask mounts with visible pendulum, 22 1/2" high.

Lot 1

A REGENCY MAHOGANY AND BRASS INLAID MANTEL CLOCK with circular white enamel dial, roman numerals and carrying handle on brass ball feet, 13" high.

Lot 1

AN EARLY 19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK having a circular white enamel dial with roman numerals, the case with gadrooned and boxwood line decoration, two weights and pendulum, 80" high.

Lot 1

A LADIES 9CT GOLD WRIST WATCH the white enamel dial Arabic numerals, susiduary second hand dial and two colour mesh strap, and a further ladies gold watch by Avia.

Lot 1

A CASED SET OF SIX SILVER AND BLUE ENAMEL BUTTONS spiral design, Birmingham 1908, makers mark L & S.

Lot 1

A GEORGIAN DIAMOND SET MOURNING RING with black enamel shank, 18ct gold with inscription.

Lot 1

An Edwardian boudoir timepiece, in rectangular tortoiseshell and figured silver case, enclosing a 3cm enamel dial, in neoclassical style, swing handle and base and four bun feet, William and Comyns, London 1904, height 8cm, 3 inches. (See lot 23 for illustration).

Lot 1

A Chinese famille verte saucer dish, decorated with flowers and foliage, an enamel on biscuit bowl decorated with panels of a figure and of calligraphy, a famille verte bowl decorated with a peony spray, and a bowl decorated inside with a toad and two insects, all Kangxi, 1662-1722, 27.5cm. Max. (4) All damaged.

Lot 1

A Royal Worcester cased set of six coffee cups and saucers, decorated with stylized borders above a powder blue ground, together with six blue enamel spoons, c.1927.

Lot 1

A Chamberlain's Worcester teapot, cover and stand, decorated with a wide band of gilt and enamel foliage and stylized flowers, c.1810, 27cm. (3) A chip inside the rim.

Lot 1

A Minton teapot and cover, decorated with raised enamel and gilding with flowering prunus branches on a pale green ground, pattern No. 7631, 2nd half 19th century, 20cm. (2)

Lot 1

A spiral moulded oval sugar bowl and cover, and a matching trio, decorated with gilt and enamel scattered sprigs, no marks, c.1800. (5) Slight wear.

Lot 1

Two Staffordshire groups, each of a man and woman, one with a clock face, both 2nd half 19th century, 32cm. (2) Some enamel flaking and small chips.

Lot 1

A pearlware Lord Rodney mug, the bewigged admiral decorated with enamel colours, early 19th century, 10cm.

Lot 1

An enamel scent flask, the metal stopper formed as a bird, the sides painted with flowers on a mauve and pink ground, 18th century, 8.5cm. (2)

Lot 1

A pair of silver and enamel stem glasses by A M & Co, cast in low relief to the base with Art Nouveau foliate motif enamelled in shades of blue stamped A M & Co, Birmingham, 1906 8.5cm. high. losses to enamel.

Lot 1

A Liberty Tudric pewter and enamel box and cover model 0586, hinged rectangular form, the cover enamelled with two children sheltering under an umbrella, cedar lined stamped 0586 13cm. high.

Lot 1

An Exhibition Quality Elkington & Co Champleve Enamel and Chryselephantine Inkstand, the central vase receptacle with hinged cover and ovoid finial revealing a cut glass inkwell and funnel, supported by two bejewelled Indian elephant heads with ivory tusks, supporting taperstick sconces in their upturned trunks, upon an integral shallow shaped circular dish with eight equally spaced ogivel arched motifs, decorated overall with Indo-Persian floral motifs, applied with oval tablet to the rim underside, stamped "948 published by Elkington & Co", and engraved on the pedestal foot rim 1870.30 - 4, (19.5cm high, 27.5cm wide}.

Lot 1

A French Brass Striking and Repeating Carriage Clock, signed Bolviller a Paris, circa 1890, the highly decorated brass case depicting figures to the corners, white enamel dial with Roman numerals, movement with platform lever escapement, twin barrel with strike on bell, {15.5cm high}.

Lot 1

A Brass Striking and Repeating Carriage Clock, circa 1900, the Anglaise case with pierced decoration to the angles, enamel dial chapter ring with Arabic numerals surrounded by foliate decoration, platform lever escapement, twin barrel movement with strike on gong, {10cm high}.

Lot 1

A Brass Carriage Clock with Alarm, signed E Routley, Paris, circa 1900, the brass case with carrying handle to the top, white enamel dial with Roman numerals, subsidiary dial for alarm, platform lever escapement with strike on bell, with fitted case, {11cm high}.

Lot 1

A Gilt Brass Carriage Clock, circa 1900, the case with paste set front, cream coloured enamel dial with Arabic numerals surrounded with foliate decoration, single train movement with cylinder platform escapement, {13cm high}.

Lot 1

A French Mock Red Tortoiseshell Boulle Striking Mantel Clock, circa 1890, the case with brass inlay and brass mounts, glazed side panels, the cast dial with applied white enamel Roman cartouche chapters, twin barrel movement with countwheel strike on bell, (52cm high} .

Lot 1

A French Miniature Longcase Striking Clock, late 19th century, the mock red tortoiseshell case with arched pediment, brass moulded plinth, white enamel dial with Arabic and Roman numerals, twin barrel movement striking on bell, {59cm high}.

Lot 1

An Oak Brass Mounted Striking Mantel Clock, circa 1910, the oak case with applied brass mounts and an eagle to the top, white enamel dial with Arabic numerals, twin barrel movement with strike on gong, {61cm high}.

Lot 1

A Gilt Brass Champleve Enamel and Onyx Four-Glass Striking Mantel Clock, circa 1890, the case pediment with gilt brass columns to each corner, centred by onyx below a central urn, champleve enamel pillars above an onyx plinth, 4 inch dial with Arabic numerals, twin barrel movement striking on a gong, {40cm high}.

Lot 1

A Fine Rosewood Two-Day Marine Chronometer, signed Litherland Davies & Co, circa 1830, 3 3/4 inch white enamel dial with gold spade hands, two subsidiary dials for seconds and up/down, signed "Litherland Davies & Co", four pillar movement with Earnshaw's spring detent escapement, maintaining power, compensated balance with bluee helical hairspring, diamond endstone, the brass bowl gimbal mounted in a three-tier rosewood case with side handles, together with outer deck box, {14cm high, 14.5cm wide}.

Lot 1

A Walnut and Ebonised Vienna Wall Clock, circa 1900, the glazed case with shallow break-arch pediment and turned finials, 6 1/2 inch two piece enamel dial with subsidiary seconds, single train weight driven movement with deadbeat escapement, {122cm high} .

Lot 1

A Walnut Vienna Wall Clock, circa 1890, the walnut case with carved finials and pediment, glazed break-arch door flanked by carved corninthian fluted colours, 8 1/2 inch two piece enamel dial with subsidiary seconds, single train movement stamped "Kienzle 226", with month going duration and deadbeat escapement, {188cm high} .

Lot 1

A late 19th century brass cased carriage timepiece with lever platform escapement, the rectangular enamel dial with Roman numerals.

Lot 1

An ivory box and cover of circular form, decorated with turtles, together with a white metal and enamel decorated etui and an enamel decorated patch box, (3).

Lot 1

A Pair of Moorcroft MacIntyre Aurelian Ware Vases, of cylindrical form, decorated with three vertical floral arrangements in red enamel against a gilded ground, divided by scale pattern in underglaze blue, with a leaf band above against a dark blue ground, each with MacIntyre printed mark in brown, numbered 2943, and printed "Made for A Marks & Co, Manchester", also impressed numbers 153.10, circa 1897, {24.5cm high}.

Lot 1

A Moorcroft MacIntyre Aurelian Ware Vase, decorated with four panels of opening flowers in red enamel enriched with gilding, divided by scale patterns in underglaze blue, within horizontal dark blue bandings, the slightly flared rim with four indents, MacIntyre factory mark printed in black, numbered M2943, printed "Made for A Marks & Co, Manchester", also impressed number 26, circa 1897, {19. 2cm high, 22.2cm diameter}.

Lot 1

A Set of Eight Coalport Porcelain Dessert Plates, each of scroll moulded circular form, with apple green borders enriched in gilt, the central fields printed and painted with bouquets of flowers in vivid enamel colours, pattern N number 478 in gilt, {22.7cm diameter}.

Lot 1

A Pair of Staffordshire Pottery Flatback Equestrian Groups, circa 1860, modelled as "The Royal Children" riding side-saddle, holding garlands, an orange coated equerry standing by, on oval bases with scant enamel and gilt detail, {32.5cm high} (small chips, restorations and cracks).

Lot 1

A Pair of Royal Crown Derby Porcelain Soup Bowls, circa 1900, each of octolobed form, centrally painted with a spray of flowers including roses, tulips and speedwell, within midnight blue borders with white enamel beads to the border on band of gold, printed mark in brown, year mark for 1900 and 6445, {34cm diameter}.

Lot 1

A Staffordshire Pearlware Pottery Spill Holder, as a rustic three-branched tree upon which is perched a pheasant above applied threaded moss, two sheep and two lambs resting amongst grass on the rustic base, decorated throughout in bright enamel colours, {15cm high} (restorations).

Lot 1

A Staffordshire Pottery Figure of a Sultana, standing beside a pillar, wearing a red cap, blue short sleeve jacket and striped coat and trousers, enriched with gilt, upon a circular plinth with encircling gilt line, circa 1835, bearing "Redfern Rockingham Collection" label, {17cm high}; and A Staffordshire Pottery Standing Figure of the Chinese Goddess Guanyin, standing full length with beneficent expression, pennant in her right hand, about to grasp a dagger with her left, upon a marble effect canted rectangular plinth, circa 1835, {19.5cm high} (hat extensively restored, small enamel losses) (2).

Lot 1

An Early 19th Century Pearlware Pottery Figural Jug, possibly depicting Queen Caroline, modelled as the bust of the celebrated monarch with fruiting vines in her hair and wearing earrings and a necklace, in bright enamel overglaze colours, the rim painted and incised with leaf tips and flowers highlighted in yellow and blue, the scroll handle with hawk finial, {20.7cm high}.

Lot 1

A Pair of Duesbury Derby Porcelain Dessert Dishes, of shallow lobed circular form with turquoise bands to the borders linked by pendant swags and within gilt lines, central painted bouquets amongst scattered sprigs, D beneath a crown in blue enamel, circa 1790, {22.5cm diameter} .

Lot 1

A Pair of Derby Conical Vases, circa 1800, exceptionally painted, with oval panels, one pair containing clusters of ripe fruit at the foot of a tree, the other with a bouquet of flowers between crisply moulded borders filled in canary yellow between a pair of blue acanthus scrolls picked out in gilding crowned crossed batons and D in blue enamel, {12cm} (both lacking ?pierced flat recessed covers, scratch across one fruit panel, very minor scuffs to gilding of one rim).

Lot 1

Three Similar Spode Porcelain Graduated Spill Vases, of pedestal trumpet form, each with a frontal canted rectangular reserve painted with a bouquet of summer flowers in vivid enamel colours, within gilt frames, against a blue ground, two examples with encircling beads, enriched with foliage in gilt, two larger examples marked 234, the smaller 134, circa 1830, {11.3cm, 11cm and 8.8cm high} (gilding rubbed, especially on rims).

Lot 1

Willersley Castle: An English Porcelain Topographical Dessert Plate, circa 1840, of bracket circular shape, centrally painted with a view up a rocky gorge towards the castle, within a frame of twelve kidney shape devices enclosing vermicular motifs, against an apple green border with twelve equally spaced leaf tips in gilt, script mark in orange enamel, {26.5cm diameter} (hairline crack on rim).

Lot 1

An Early Minton Porcelain Pedestal Trumpet Vase, circa 1810, with everted rim, the frieze painted with an Oriental figure pulling a cart in a stylised landscape in enamel colours within gilt bands, circular pedestal foot, painted mark in blue enamel "M" over 539, {11.3cm high} (gilding rubbed and staining).

Lot 1

A Newhall Porcelain Teapot and Cover, circa 1790, the slightly domed cover with pierced vase finial, the lozenge section teapot painted with scattered sprigs in bright enamel colours with orange ribbon amongst foliage to the shoulders, C shape handle and panelled spout, painted pattern number 195 in puce, {15cm high}.

Lot 1

An English Porcelain Vase, possibly Derby, circa 1800, flared with a pair of double scroll handles at each upturned end, one side painted with a cluster of full-blown flowers, pseudo Chinese vessel painted in puce enamel, {14cm} (rubbing to gilding).

Lot 1

A Pair of Meissen Porcelain Dessert Baskets, circa 1870, of shaped square form with lattice pierced "woven" borders, each side with a rococo scroll panel enclosing a bouquet of flowers in vivid enamel colours, with a central Watteauesque reserve depicting amorous couples in garden settings, against dark blue grounds, the external borders with further rococo reserves enclosing bouquets, crossed swords mark in underglaze blue, impressed 96, {19.7cm wide} (one cracked on corner).

Lot 1

A Pair of French Gilt Metal Mounted Porcelain Vases and Covers, circa 1880, each with high domed cover with pineapple finials, modelled with ram masks to the shoulders, with a frontal oval reserve painted with couples seated at a table in garden settings, within gilt foliate frames and against powdered turquoise grounds, the reverse panels with sprays of roses and other flowers in vivid enamel colours, upon square bases with indented angles applied with florets, {55cm high} (one restored on body, both restored at the finial, and some white "beads" around the reserves chipped).

Lot 1

A Meissen Porcelain Figural Mantel Clock, circa 1880, as cupid holding a torch beside an altar surmounted by a pair of doves and encrusted with floral swags, 6.5cm circular enamel dial, twin barrel movement striking on a bell, decorated overall in soft colours and gilt, on a guilloche plinth base with bun feet, crossed swords in underglaze blue, {31cm}.

Lot 1

A Chinese Celadon Ground and Enamelled Porcelain Circular Plate, circa 1880, the ground carved in relief with floral patterns over which is enamelled numerous precious objects, a still life of a vase of peonies, fruits and insects in rich enamel colours and gilt, {27cm diameter} (hairline on rim); and A Chinese Blue and White Export Porcelain Circular Dish, circa 1850, centrally painted with five fully blossomed peonies connected by sweeping tendrils against a cellular repeat dense ground pattern, stylised seal mark painted on the base, {40cm diameter} (2).

Lot 1

A Samson of Paris Porcelain Circular Bowl, decorated in imitation of a piece of Chinese export armorial ware, with three blue horizontal bandings framing a frontal armorial and sprays of flowers in typical "famille rose" enamel colours and gilt, circa 1900, {30.5cm diameter}.

Lot 1

A Chinese Kangxi Famille Verte Octagonal Plate, of silver form with fluted borders painted to imitate gadrooning, the central circular reserve painted with a pair of exotic long tailed birds amongst shrubs beneath a knarled pine tree, four phoenix birds amongst peonies to the border with stippled green enamel ground, the rim underside with eight peony florets, circa 1720, {24.5cm wide} (hairline crack in rim and minor chips).

Lot 1

A Japanese Cloisonne Enamel Lobed Circular Shallow Dish, Meiji period, circa 1890, centrally worked with an ho-ho bird in flight against a dark aventurine ground, within border panels of floral and brocaded patterns, {31cm diameter}.

Lot 1

Two Similar Japanese Cloisonne Enamel Vases and Covers, Meiji, circa 1900, of compressed spherical shape, each with conforming covers with sphere finials, decorated with three registers of panels enclosing dragons, phoenix, shi-shi and other auspicious birds and animals and panels of stylised foliage, some enamels enriched with aventurine inclusions, upon three peg feet, {23cm high}; and A Chinese Cloisonne Box and Cover, of compressed circular form, worked with a dragon to the cover above waves, early 20th century, {12cm diameter} (3).

Lot 1

A Japanese Cloisonne Enamel Vase, Ando Jubei, designed by Kawade Shibataro, circa 1910, the domed cover with bulb finial over sixteen butterflies and moths, within a border of repeat petallate motifs, a similar collar to the shouldered vase, worked with two types of lily, both in flower and bud, amongst thistles against a lavender blue ground, on an outswept circular foot, the base worked with Ando circular mark centred by a gourd, {45.5cm high}.

Lot 1

A French Gold, Enamel and Diamond Box, circa 1840, oval, red guilloche enamel with two tone gold foliate borders, rose-cut diamond thumb piece {5cm wide by 2.8cm high}.

Lot 1

A George V Silver Gilt Vesta Case, oblong with cut corners, engine turned within a border of moulded leaves, {by Cooper, Pegler & Co Ltd, London 1925, 4.3cm wide, 1oz}; An Edwardian 9 Carat Gold Vesta Case, engraved vertical bands and engraved initials within disc, {maker's mark part obscured, Chester 1909, 4.8cm wide, 26gms}; and An Edwardian 9 Carat Gold and Enamel Vesta Case, oblong, blue, red and white enamelled entwined initials, {by Henry Woodward & Co Ltd, Birmingham 1903, 3.5cm wide, 21gms} (3).

Lot 1

A Continental Silver and Enamel Cigarette Case, circa 1920, oblong, the enamelled panel depicting a Capercaillie cock on a branch with snow covered mountains behind, {stamped 935, 7.5 by 9.0cm}.

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