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A Chinese famille verte saucer dish, decorated with flowers and foliage, an enamel on biscuit bowl decorated with panels of a figure and of calligraphy, a famille verte bowl decorated with a peony spray, and a bowl decorated inside with a toad and two insects, all Kangxi, 1662-1722, 27.5cm. Max. (4) All damaged.
An Exhibition Quality Elkington & Co Champleve Enamel and Chryselephantine Inkstand, the central vase receptacle with hinged cover and ovoid finial revealing a cut glass inkwell and funnel, supported by two bejewelled Indian elephant heads with ivory tusks, supporting taperstick sconces in their upturned trunks, upon an integral shallow shaped circular dish with eight equally spaced ogivel arched motifs, decorated overall with Indo-Persian floral motifs, applied with oval tablet to the rim underside, stamped "948 published by Elkington & Co", and engraved on the pedestal foot rim 1870.30 - 4, (19.5cm high, 27.5cm wide}.
A Gilt Brass Champleve Enamel and Onyx Four-Glass Striking Mantel Clock, circa 1890, the case pediment with gilt brass columns to each corner, centred by onyx below a central urn, champleve enamel pillars above an onyx plinth, 4 inch dial with Arabic numerals, twin barrel movement striking on a gong, {40cm high}.
A Fine Rosewood Two-Day Marine Chronometer, signed Litherland Davies & Co, circa 1830, 3 3/4 inch white enamel dial with gold spade hands, two subsidiary dials for seconds and up/down, signed "Litherland Davies & Co", four pillar movement with Earnshaw's spring detent escapement, maintaining power, compensated balance with bluee helical hairspring, diamond endstone, the brass bowl gimbal mounted in a three-tier rosewood case with side handles, together with outer deck box, {14cm high, 14.5cm wide}.
A Walnut Vienna Wall Clock, circa 1890, the walnut case with carved finials and pediment, glazed break-arch door flanked by carved corninthian fluted colours, 8 1/2 inch two piece enamel dial with subsidiary seconds, single train movement stamped "Kienzle 226", with month going duration and deadbeat escapement, {188cm high} .
A Pair of Moorcroft MacIntyre Aurelian Ware Vases, of cylindrical form, decorated with three vertical floral arrangements in red enamel against a gilded ground, divided by scale pattern in underglaze blue, with a leaf band above against a dark blue ground, each with MacIntyre printed mark in brown, numbered 2943, and printed "Made for A Marks & Co, Manchester", also impressed numbers 153.10, circa 1897, {24.5cm high}.
A Moorcroft MacIntyre Aurelian Ware Vase, decorated with four panels of opening flowers in red enamel enriched with gilding, divided by scale patterns in underglaze blue, within horizontal dark blue bandings, the slightly flared rim with four indents, MacIntyre factory mark printed in black, numbered M2943, printed "Made for A Marks & Co, Manchester", also impressed number 26, circa 1897, {19. 2cm high, 22.2cm diameter}.
A Pair of Royal Crown Derby Porcelain Soup Bowls, circa 1900, each of octolobed form, centrally painted with a spray of flowers including roses, tulips and speedwell, within midnight blue borders with white enamel beads to the border on band of gold, printed mark in brown, year mark for 1900 and 6445, {34cm diameter}.
A Staffordshire Pottery Figure of a Sultana, standing beside a pillar, wearing a red cap, blue short sleeve jacket and striped coat and trousers, enriched with gilt, upon a circular plinth with encircling gilt line, circa 1835, bearing "Redfern Rockingham Collection" label, {17cm high}; and A Staffordshire Pottery Standing Figure of the Chinese Goddess Guanyin, standing full length with beneficent expression, pennant in her right hand, about to grasp a dagger with her left, upon a marble effect canted rectangular plinth, circa 1835, {19.5cm high} (hat extensively restored, small enamel losses) (2).
An Early 19th Century Pearlware Pottery Figural Jug, possibly depicting Queen Caroline, modelled as the bust of the celebrated monarch with fruiting vines in her hair and wearing earrings and a necklace, in bright enamel overglaze colours, the rim painted and incised with leaf tips and flowers highlighted in yellow and blue, the scroll handle with hawk finial, {20.7cm high}.
A Pair of Derby Conical Vases, circa 1800, exceptionally painted, with oval panels, one pair containing clusters of ripe fruit at the foot of a tree, the other with a bouquet of flowers between crisply moulded borders filled in canary yellow between a pair of blue acanthus scrolls picked out in gilding crowned crossed batons and D in blue enamel, {12cm} (both lacking ?pierced flat recessed covers, scratch across one fruit panel, very minor scuffs to gilding of one rim).
Three Similar Spode Porcelain Graduated Spill Vases, of pedestal trumpet form, each with a frontal canted rectangular reserve painted with a bouquet of summer flowers in vivid enamel colours, within gilt frames, against a blue ground, two examples with encircling beads, enriched with foliage in gilt, two larger examples marked 234, the smaller 134, circa 1830, {11.3cm, 11cm and 8.8cm high} (gilding rubbed, especially on rims).
Willersley Castle: An English Porcelain Topographical Dessert Plate, circa 1840, of bracket circular shape, centrally painted with a view up a rocky gorge towards the castle, within a frame of twelve kidney shape devices enclosing vermicular motifs, against an apple green border with twelve equally spaced leaf tips in gilt, script mark in orange enamel, {26.5cm diameter} (hairline crack on rim).
An Early Minton Porcelain Pedestal Trumpet Vase, circa 1810, with everted rim, the frieze painted with an Oriental figure pulling a cart in a stylised landscape in enamel colours within gilt bands, circular pedestal foot, painted mark in blue enamel "M" over 539, {11.3cm high} (gilding rubbed and staining).
A Newhall Porcelain Teapot and Cover, circa 1790, the slightly domed cover with pierced vase finial, the lozenge section teapot painted with scattered sprigs in bright enamel colours with orange ribbon amongst foliage to the shoulders, C shape handle and panelled spout, painted pattern number 195 in puce, {15cm high}.
A Pair of Meissen Porcelain Dessert Baskets, circa 1870, of shaped square form with lattice pierced "woven" borders, each side with a rococo scroll panel enclosing a bouquet of flowers in vivid enamel colours, with a central Watteauesque reserve depicting amorous couples in garden settings, against dark blue grounds, the external borders with further rococo reserves enclosing bouquets, crossed swords mark in underglaze blue, impressed 96, {19.7cm wide} (one cracked on corner).
A Pair of French Gilt Metal Mounted Porcelain Vases and Covers, circa 1880, each with high domed cover with pineapple finials, modelled with ram masks to the shoulders, with a frontal oval reserve painted with couples seated at a table in garden settings, within gilt foliate frames and against powdered turquoise grounds, the reverse panels with sprays of roses and other flowers in vivid enamel colours, upon square bases with indented angles applied with florets, {55cm high} (one restored on body, both restored at the finial, and some white "beads" around the reserves chipped).
A Meissen Porcelain Figural Mantel Clock, circa 1880, as cupid holding a torch beside an altar surmounted by a pair of doves and encrusted with floral swags, 6.5cm circular enamel dial, twin barrel movement striking on a bell, decorated overall in soft colours and gilt, on a guilloche plinth base with bun feet, crossed swords in underglaze blue, {31cm}.
A Chinese Celadon Ground and Enamelled Porcelain Circular Plate, circa 1880, the ground carved in relief with floral patterns over which is enamelled numerous precious objects, a still life of a vase of peonies, fruits and insects in rich enamel colours and gilt, {27cm diameter} (hairline on rim); and A Chinese Blue and White Export Porcelain Circular Dish, circa 1850, centrally painted with five fully blossomed peonies connected by sweeping tendrils against a cellular repeat dense ground pattern, stylised seal mark painted on the base, {40cm diameter} (2).
A Chinese Kangxi Famille Verte Octagonal Plate, of silver form with fluted borders painted to imitate gadrooning, the central circular reserve painted with a pair of exotic long tailed birds amongst shrubs beneath a knarled pine tree, four phoenix birds amongst peonies to the border with stippled green enamel ground, the rim underside with eight peony florets, circa 1720, {24.5cm wide} (hairline crack in rim and minor chips).
Two Similar Japanese Cloisonne Enamel Vases and Covers, Meiji, circa 1900, of compressed spherical shape, each with conforming covers with sphere finials, decorated with three registers of panels enclosing dragons, phoenix, shi-shi and other auspicious birds and animals and panels of stylised foliage, some enamels enriched with aventurine inclusions, upon three peg feet, {23cm high}; and A Chinese Cloisonne Box and Cover, of compressed circular form, worked with a dragon to the cover above waves, early 20th century, {12cm diameter} (3).
A Japanese Cloisonne Enamel Vase, Ando Jubei, designed by Kawade Shibataro, circa 1910, the domed cover with bulb finial over sixteen butterflies and moths, within a border of repeat petallate motifs, a similar collar to the shouldered vase, worked with two types of lily, both in flower and bud, amongst thistles against a lavender blue ground, on an outswept circular foot, the base worked with Ando circular mark centred by a gourd, {45.5cm high}.
A George V Silver Gilt Vesta Case, oblong with cut corners, engine turned within a border of moulded leaves, {by Cooper, Pegler & Co Ltd, London 1925, 4.3cm wide, 1oz}; An Edwardian 9 Carat Gold Vesta Case, engraved vertical bands and engraved initials within disc, {maker's mark part obscured, Chester 1909, 4.8cm wide, 26gms}; and An Edwardian 9 Carat Gold and Enamel Vesta Case, oblong, blue, red and white enamelled entwined initials, {by Henry Woodward & Co Ltd, Birmingham 1903, 3.5cm wide, 21gms} (3).

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395597 item(s)/page