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Lot 673
A hallmarked silver trophy on ebonised base, Birmingham 1927 (engraved), a small plated trophy (handle detached), a boxed hammered silver replica of a late 4th century Roman silver spoon, Deakin & Francis, Birmingham 1978, a spoon with crown finial, two 800 grade spoons and three silver and enamel souvenir spoons (9).
Lot 97
An English enamel scent bottle, South Staffordshire, late 18th century, painted with a portrait of Ann Day, afterwards Lady Fenhoulet, after Joshua Reynolds, on a white ground, with gilt scrolls and white hatching, the reverse with flowers, with an urn of flowers stopper, 10.5cm (4.25in) high (cracks). Visit www.dnfa.com for condition reports.
Lot 98
A Swiss enamel zarf (Turkish coffee cup holder), indistinct control mark, 19th century, the egg shaped cup with a blue guilloche enamel ground with flower bouquets, divided by engraved motifs, the base and spreading foot with foliate bands, 6cm (2.25in) high. Visit www.dnfa.com for condition reports.
Lot 100
An English enamel necessaire, South Staffordshire, late 18th century, tapered oval, the sides painted with four reserves of classical ruin scenes, another similar to the cap top, on a white ground with white scrolls, foliage and dots, containing four implements, 9.7cm (3.75in) high (cracks). Visit www.dnfa.com for condition reports.
Lot 101
An English enamel octagonal scent bottle, South Staffordshire, late 18th century, painted with reserves of classical ruins alternating with flowers, on a white ground with gilt scrolls and foliage, with an urn of bird stopper, 8cm (3in) high (cracks); and an enamel shaped oval snuff box, South Staffordshire, early 19th century, the cover painted with flowers on a white ground, the sides turquoise, 5.7cm (2.25in) wide. Visit www.dnfa.com for condition reports.
Lot 105
Two enamel bodkin cases, probably French, late 18th century, the first painted with rococo scrolls and flower swags on a white ground, the cap end with a parrot on a basket, the base end with a pug on a cushion, 12.5cm (5in) high; the second painted with figures divided by white flowering foliage, now containing a glass scent bottle with stopper, 11.5cm (4.5in) high. Visit www.dnfa.com for condition reports.
Lot 107
A Russian silver gilt, garnet and enamel square bell push by Faberge, signed in full, workmaster Michael Perchin, Moscow, pre-1899, 88 zolotniks, with a cabochon garnet push piece on a white translucent guilloche enamel ground with foliate sprays centred by small ruby cabochons, with light green enamel spandrels with seed pearls, the sides with laurel swags and small ruby cabochons on a light green enamel ground, on turned feet, 4.7cm (1 7/8in) wide. Visit www.dnfa.com for condition reports.
Lot 108
A Russian partridge wood square bell push by Faberge, workmaster Vladimir Soloviev, 84 zolotniks, with a cabochon amethyst push piece on a light green translucent enamel ground framed by chased silver parcel gilt bound laurels with arrows at the points, the sides with conforming laurel swags, 4.2cm (1.5in) wide. See McCarthy, Kieran 'Forgotten Faberge', Antique Dealers and Collectors Guide, May-June 2004, pp. 40-42. The use of wood is in keeping with Faberge's principle of using materials for their decorative properties rather than just their intrinsic value. A surprisingly large and varied range of objects were produced in both Moscow and St Petersburg. The author suggests that the wood elements were supplied by the same workshop which made Faberge's fitted retail cases, run by the Finnish woodworkers Kaki, Kamara and Ampuja. Visit www.dnfa.com for condition reports.
Lot 112
A late 18th century enamel and paste locket pendant, circa 1790, the oval enamel plaque depicting a lady in 17th century costume mounted within a border of colourless pastes in cut down collets, with a glazed hinged locket to the reverse, mounted in gold backed silver, 4.9cm long. Visit www.dnfa.com for condition reports.
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395597 item(s)/page