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Lot 123
A CORAL GROUND PORCELAIN 'BOY' CUPChina, Qing DynastyWith reserved medallions painted with boys. The below bears an old collector label in Chinese Mandarin.D: 15 cmProvenance: > Private collection;> Maurice Chayet, a French Politician and Diplomat, who was notably the First Secretary of the French Embassy in Beijing, China, from 1920 to 1930 and who was later appointed a French Minister in the second half of the 1940s.珊瑚磨砂瓷“孩童”杯中国，清朝Condition Report: - UV / black light checked- Tiny chips- Hairlines- Losses of enamel
Lot 176
A LARGE FAMILLE ROSE PALETTE ‘EIGHT HORSES OF WANG MU’ PORCELAIN LANTERN VASE, THE DESIGN AFTER GIUSEPPE CASTIGLIONE (1688-1766) ALSO KNOWN AS LANG SHINING 郎世宁 China, 20th century The front part finely painted with eight horses in various positions amidst a landscape and below a pine tree, the back part inscribed with a poetry completed by three apocryphal red seals of Lang Shining. The below all covered in turquoise enamel but for the central square within which is an apocryphal cobalt blue six character seal / zhuanshu mark of the Emperor Qianlong. H: 33 cm Notes: 1. The story of The Eight Horses of King Mu of the Zhou Dynasty originates from a historical romance, The “Mu Tianzi Zhuan”(lit. “An Account of Emperor Mu”), which describes the journeys of the fifth emperor of the Zhou dynasty (1023-983 BC) during which he met Xi Wangmu, i.e. the Queen Mother of the West. 2. The depiction of the horses is inspired from The “Tu Cheng Bai Jun” (lit. “The One Hundred Horses Scroll”, preserved in the National Palace Museum in Taipei, Taiwan.粉彩“穆王八骏图”大花瓶中国，20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked.
Lot 56
A BEIJING ENAMEL 'EUROPEAN SUBJECT' BRONZE WINE CUP INSCRIBED WITH AN APOCRYPHAL MARK OF EMPEROR QIANLONG China, 20th centuryOf conical shape, the outer adorned with reserved medallions and lotus scrolls against a yellow ground, the medallions are painted with European subject: a woman with a water buffalo and a man (shepherd) with a dog and sheeps. The base is inscribed with an apocryphal four-character mark of Emperor Qianlong within a double square.H: 8 cm - D: 6 cmWeight: 125,3 gramsCondition Report: Condition report: Faded enamels.
Lot 153
A Continental gilt spelter mantel clock, late 19th/ early 20th century, the case with figural and scrolling foliate detail, housing an eight-day movement striking on a bell on the house and half hour, the circular enamel dial set with Roman numerals and inscribed 'Bachmann Guernsey', 33cm highCondition report: Knocks, wear and some discolouration to case. Figural detail a little loose. Some scratches to dial. Movement appears in need of a little attention. Minute hand a little bent. General wear throughout.
Lot 168
A Chinese Canton enamel box and cover, late 19th to early 20th century, decorated with scrolling floral motifs on a yellow ground, 8.5cm wide, 5cm high, together with a Cinnabar lacquer box carved with figures in a garden landscape, 9.5cm wide, 5.5cm high, a Chinese cloisonne bowl decorated with flowers and a butterfly, 10.7cm diameter, and a hardstone box with applied white metal bird and mounts, 7.7cm wideCondition report: Chips, losses and dents throughout the enamel box. Cinnabar lacquer with some knocks and losses but overall good condition. Minor pitting to cloisonne bowl.
Lot 230
A 19th Century French gilt bronze and porcelain mounted clock, with circular enamel dial, inscribed ' Rollin Paris ', the two train movement, striking on a bell, and having further ancanthus and foliate decoration, raised on ebonised stand under glass dome, 21cm wide, 24cm highCondition report: Surface scratches, scuffs, and oxidisation evident, the mechanism has not been tested, glass dome cracked.Please see additional images.
Lot 263
A Serbian Order of the White Eagle medal, the badge with a later silver bar brooch fitting, in original Huguenin Frères & Co. caseCondition report: Major losses to white enamel cross, and some losses to the red enamel roundel verso. Some chips and scratches to the remaining enamel.Some wear to the gilding.Minor surface marks/scratches/tarnish.Discolouration to the case.Ribbon deficient.
Lot 323
John Sanders Jnr (1750-1825),Portrait miniatures, double-sided, of a gentleman and lady: he, in a blue coat, peach-coloured waistcoat and white cravat; she in a blue dress with pointed white collar, lace underslip and scarf, a blue bandeau in her hair both signed and dated 'J Sanders/1790' in a gold frame, he within plaited hair belt and outer border of blue enamel set with gold-mounted split pearls; she within a gold-mounted plaited hair border and outer border set with split pearls, the whole within a later gold brooch clasp frame with blue enamel crossed ribbons, tested as approximately 15ct gold with 9ct gold pin, the reverse engraved 'Sir Belford Hinton Wilson KCB and of his Wife Catherine Randolph. Father & Mother of General Sir Robert Wilson & Grand Father & Mother of [sic]', on ivory, ovalhe: 4.6 x 3.8cm she: 4.5 x 3.5cm, overall: 7.8 x 6.7cm Provenance: Christie's London, 21 November 1967, lot 24; Bonhams London, 17 November 2004, lot 47. Literature: Daphne Foskett, 'A Dictionary of British Miniature Painters', 1972, vol. I, p.490, ill. vol. II, pl.316, no.792.The later frame describes the sitters as Sir Belford Hinton Wilson KCB (1804-1858) and his wife Catherine (née Randolph). Sir Belford Hinton Wilson, friend and supporter of the Peruvian liberator Simón Bolívar was not born until 1804 (making him an impossible candidate for a portrait dated 1790), it would appear that the later frame refers to a different miniature.Condition report: Condition appears fine - really lovely hairwork and frame.
Lot 330
John Donaldson (1737-1801)Portrait of a lady, her natural hair worn à la conseilleur, wearing a lace fichu and lace-trimmed gold and cream dressminiature on ivory, with an aquamarine enamel back with hair back enclosed by seed pearls, oval 5.5 x 4.5cmCondition report: The back is attached with sellotape. The miniature is yellowed and faded with staining at the edges. There is a flake of paint loss lower left. Some cracking to the dark paint by the left edges. Some light surface scratches, specks and dots of surface dirt. Some pale mould or dust in lower section. The glass is scratched and dirty and the case shows signs of wear. The hair verso has areas of dark sticky glue. Old sticky labels verso.
Lot 202
A MIXED LOT:- An Art Deco-mounted timepiece, decorated in translucent blue enamel, a William IV child's knife and fork in a leather case, a Dunhill lighter, a Victorian engraved card/note case, a thimble, two small boxes, four cigarette cases (three with dedications/inscriptions) and two small spoons, two small holders and a small bowl, each with the applied emblem "St. Bart'lem's Gate"; the timepiece 3.25" (8.2 cms) high
Lot 386
A LATE VICTORIAN SILVERGILT MOUNTED ENAMEL DESK SET in a lined and fitted case (with the label of William Lund, Old Broad St. EC2), to include a dip-pen, pencil, paperknife and seal (with intaglio initials "KB"), all decorated with translucent emerald green enamel on a guilloche ground with gilt shamrocks; the knife 6.6" (17 cms) long
Lot 419
AN EARLY 20TH CENTURY ITALIAN COMMEMORATIVE SILVERGILT AND BLUE ENAMEL BOX oval with a pull-off cover and a border of knotted wire around the sides, the base inscribed "Roma 8 Gennaio 1930", the cover with a dual coat of arms, by Musy of Torino, in a fitted silk-covered box with an applied coronet, the base with a label "Succession Grande-Duchess Josephine-Charlotte de Luxembourg"; 4" (10 cms) long; 7.7 oz gross
Lot 430
SEWING:- An Edwardian thimble with an agate top (cased), an ivory thimble cased), another by Charles Horner, Chester 1913 (cased), a continental example with a butterfly, and Arts & Crafts copper thimble set with a three-penny piece in the top, a gold and enamel thimble and a small quantity of non-precious thimbles/sewing items (lot)
Lot 459
A LIMOGES ENAMEL PLAQUE of a young falconer holding the bird in his right hand, the bottom panel inscribed AFR and signed I.L. The reverse inscribed "Laudin emaillieur au faubour de magnine a limoges" ( Jules Laudin fl. c.1663, Jacques Laudin 1627-95), (Figure largely intact, surrounding enamel missing); 18 x 15 cms
Lot 1425
Couaillet Frères, a French brass carriage alarm clock: the eight-day duration timepiece movement having a silvered platform lever escapement and sounding the alarm on a bell, the backplate stamped with the hand setting arrow design as found on clocks by Couaillet Frères and numbered 5027, the white enamel dial having black Roman hour numerals, alarm setting dial and retailer's name F. Rotig, Havre, with decorative blued steel hands, the Corniche case with three-bail handle, height 18cm handle up, 15cm handle down. With travelling box.* Biography Couaillet Frères were one of the most prolific of the carriage clock makers at this period with workshops in the horological town of Saint-Nicolas-d'Aliermont near Dieppe. In 1885 Armand Couaillet was employed by the prominent maker Albert Villon, but in 1892 he and his brothers Denis and Ernest set up their own workshops in the centre of the town as Couaillet frères. They increased the size of the concern when buying the house and workshops of Delépine-Barrois across the road in 1912.* Notes Reference Leigh Extence The Carriage Clock Makers of Saint-Nicolas-d'Aliermont, NAWCC 2020.
Lot 1426
Couaillet Frères, a French brass carriage clock: the eight-day duration movement having a silvered platform lever escapement and striking the hours and half-hours on a gong with a push button to repeat the last hour at will, the backplate stamped with the hand setting arrow design as found on clocks by Couaillet Frères, the white enamel dial having black Roman hour numerals and the retailer's name Rowell, Oxford, with blued steel spade hands, the Corniche case with three-bail handle, height 18cm handle up, 15cm handle down. With travelling box and winding key.*Notes For details of Couaillet Frères see lot number 1425
Lot 1428
Delépine-Barrois, an engraved carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a bell with push button repeat sounding the last hour at will, the backplate stamped with the hand setting arrow as used by the Delépine family and numbered 829, the white enamel dial having black Roman numerals, blued steel moon hands and with an engraved gilded surround, the engraved Gorge case with swing handle, height 15cms handle up, 13cms handle down.* Biography Delépine-Barrois were a partnership between Ludovic Delépine and his wife Marie Barrois, the step-daughter to the horologist Sauteur of Paris and Saint-Nicolas-d'Aliermont, the horological town where Marie met and married Ludovic Delépine in 1884. The Delépine-Barrois business became one of the finest carriage clock producers of the late-Victorian period before selling the large house and workshops to Couaillet in 1914.
Lot 1430
A French Victorian walnut cased carriage clock retailed by Thornhill, London: the eight-day duration timepiece movement having a rear-mounted lever escapement with plain steel balance and stamped with the initials WT & Co within an oval for Thornhill, the white enamel dial having black Roman numerals and signed for the retailer W. Thornhill & Co, London, the walnut case with stepped mouldings and brass carrying handle, height 19.5cm, handle up; 17.5cm handle down.
Lot 1431
Lefebvre Frères, a French brass repeating carriage clock: the eight-day duration movement having a silvered platform lever escapement and striking the hours and half-hours on a gong with the backplate stamped with the intials L.F. Paris within a shield being for the makers Lefebvre Frères, along with the serial number 4565, the white enamel dial having black Roman hour numerals, Arabic five-minute numerals and blued steel spade hands, in a brass Corniche case with three-bail handle, height 17.5 cm handle up, 14.5 cm handle down.*Notes Lefebvre Frères are recorded as working in 5 Rue Berenger, Paris in the late 20th century and were known to use blancs-roulants, rough movements, as supplied by Couaillet Frères of Saint-Nicolas-d'Aliermont as with this example.* Notes Reference Leigh Extence The Carriage Clock Makers of Paris Pub. NAWCC 2021
Lot 1432
Drocourt, Paris, a small Corniche carriage clock: the eight-day duration movement having a silvered platform lever escapement and striking the hours and half-hours on a gong, the gong block stamped with the initials F.D. for the gong maker Drury, the backplate stamped with the trademark for Drocourt of Paris and numbered 14015, giving a date of manufacture of circa 1877, the white enamel dial having black Roman hour numerals and blued steel moon hands, the brass Corniche case with three-bail handle, height 15cm handle up, 12cm handle down.* Biography Pierre Drocourt started the well-known carriage clock making business at 3 Rue Coutures St-Gervais, Paris in 1853 before moving to 8 Rue Limoges in 1856, with a name change to 28 Rue Debelleyme in 1865. His son Alfred succeeded him in 1872, taking over the workshops of their suppliers, Holingue Frères in Saint-Nicolas-d'Aliermont in 1874.* Notes Reference Leigh Extence Pierre & Alfred Drocourt, An Exhibition of Carriage Clocks, Catalogue 2014.
Lot 1433
Drocourt, Paris an engraved Gorge carriage clock: the eight-day duration movement having a replaced platform lever escapement and striking the hours and half-hours on a gong with a push button to repeat at will, the backplate stamped with the trademark of the maker Drocourt of Paris along with the serial number 14774, givng a date of manufacture of circa 1878, the white enamel dial having black Roman numerals and blued steel moon hands, the Gorge case with engraved floral decoration and folding handle, height 15cm handle up, 13cm handle down. With travelling box.*Notes For details of Drocourt see lot 1432
Lot 1434
An Art Nouveau mahogany mantel clock: the eight-day duration movement striking the hours and half-hours on a gong with the backplate stamped with the trademark for Jules Rolez Limited and numbered 5384, the round white enamel dial having black Roman Arabic numbers and blued-steel moon hands, the shaped mahogany case with inlaid decoration to the front and boxwood stringing, height 28cm, together with a French Edwardian eight-day duration timepeice mantel clock in a stylised mahogany case with Sheraton style inlaid decoration, the white enamel dial with black Roman numerals and blued steel spade hands, height 30cm.
Lot 1437
A gilt-metal and white onyx mantel clock: having an eight-day duration timepiece movement with the round white enamel dial having black Roman numerals and blued steel spade hands, the decorative gilt-metal case depicting a flower girl standing on a rock to the side of a floral arch and standing on a shaped onyx base with scroll sides and brass feet, height 32cm.
Lot 1438
A small inlaid timepiece bracket clock: having an eight-day duration, single-fusee timepiece movement, the four-inch round enamel dial having black Roman numerals with blued-steel spade hands, the curved top mahogany case with brass inlaid floral decoration to the front, brass fishscale fretwork to the sides, a gilt-brass handle to the top and standing on ball feet, height 24cm handle down, 27cm handle up.
Lot 1439
An Edwardian cartouche shaped clock: the eight-day duration timepiece movement having a platform lever escapement with the round cream enamel dial having black Roman hour numerals, red half-hour five-minute numerals and blued-steel spade hands, the tapered case with mother-of-pearl floral inlay to the front with a further walnut panel and boxwood stringing, height 27.5cm.
Lot 1447
A 'Vienna' regulator wall clock: the eight-day duration weight-driven movement striking the hours and half-hours on gong with adjustable pallets to the dead-beat escapement, maintaining power allowing for the going to continue whilst winding without time-loss, and stamped to the backplate with the serial number 175356, with a brass bob to the wood-rod pendulum, the two-piece round enamel dial with black Roman numerals, red half-hour markings, a subsidiary seconds dial and blued steel decorative hands, the walnut case with glazed front door, fluted and tapered pillars, an arched pediment with turned centre finial and moulded base with a further applied finial, height 154cm inc. finial.
Lot 1448
A 'Vienna' regulator wall clock: the eight-day duration weight-driven timepiece movement having a dead-beat escapment and maintaining power with the backplate stamped with the trademark Remember O.V.R.M. Co., being for the maker Resch Brothers, and with a brass bob to the wood rod pendulum, the two-piece round enamel dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the walnut and ebonised case having a glazed front door, decorative pediment, canted corners with fluted stops and lower finial to the base, height 118cm.* Biography Resch were founded in Vienna in 1861 before moving to larger workshops in Ebensee in circa 1871 and then sold to Junghans in 1901.
Lot 1449
Gustav Becker, a 'Vienna' regulator wall clock: the eight-day duration weight-driven movement striking the hours and half-hours on gong with adjustable pallets to the dead-beat escapement, maintaining power allowing for the going to continue whilst winding without time-loss, and stamped to the backplate with the anchor trademark and serial number for the German maker Gustav Becker, Freiburg in SchL.1314262, with a brass bob to the wood-rod pendulum, the two-piece round enamel dial stamped G.B. for Becker and with black Roman numerals, red half-hour markings, a subsidiary seconds dial and blued steel decorative hands, the walnut case with glazed front door, fluted and tapered pillars with turned capitals, an architectural pediment with turned centre finial and gadrooned base with a further applied finial, height 129cm inc. finial.
Lot 196
A late 20th century silver gilt and champlevé enamel Easter egg in the Imperial Russian style: with banded decoration of flowerheads within arabesque scrolls and eagles heads, having gilded interiors, bears pseudo Russian marks, mounted on a circular base with cloven feet, overall height 18cm.
Lot 197
A late 20th century silver gilt and champlevé enamel Easter egg in the Imperial Russian style: with banded decoration of flowerheads within arabesque scrolls and eagles heads, having gilded interiors, bears pseudo Russian marks, mounted on a circular base with three talon feet, overall height 16cm.
Lot 198
A late 20th century silver gilt and champlevé enamel Easter egg in the Imperial Russian style: with, banded decoration of swans, flowerheads arabesque scrolls, mounted with cabochons, having gilded interiors, bears pseudo Russian marks, mounted on a circular base with three talon feet, overall height 11cm high.
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360100 item(s)/page