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PABLO PICASSO (Malaga, 1881 - Mougins, France, 1973)."Pichet Têtes, 1956.White earthenware, decoration with oxidised paraffin, black and white enamel. Current print run of 500 copies.Work referenced in: Catalogue of the edited ceramic works 1947-1971, by Alain Ramié, Editions Madoura, 1988, illustrated under no.367, p.189.Presents stamp on the base Picasso edition. Madoura.Size: 13 x 14 cm (diameter).The artist produced a large production of ceramic works at the Madoura factory in Vallauris, in the south of France, from 1947 onwards, devoting himself to this technique until the end of 1948. He then returned to his usual activities as a painter, engraver and sculptor, combining them with ceramics until 1971.The creator of Cubism together with Braque, Picasso began his artistic studies in Barcelona, at the Provincial School of Fine Arts (1895). Only two years later, in 1897, Picasso held his first solo exhibition at the café "ElsQuatreGats". Paris was to become Pablo's great goal, and in 1900 he moved to the French capital for a short period of time. When he returned to Barcelona, he began to work on a series of works in which the influences of all the artists he had known or whose work he had seen could be seen. He is a sponge that absorbs everything but retains nothing; he is searching for a personal style. Between 1901 and 1907 he developed the Blue and Pink Stages, characterised by the use of these colours and by their subject matter with sordid, isolated figures, with gestures of grief and suffering. The painting of these early years of the 20th century was undergoing continuous changes and Picasso could not remain on the sidelines. He became interested in Cézanne, and based on his example he developed a new pictorial formula together with his friend Braque: Cubism. But Picasso did not stop there and in 1912 he practised collage in painting; from that moment on, anything goes, imagination became the master of art. Picasso was the great revolutionary, and when all the painters were interested in Cubism, he was preoccupied with the classicism of Ingres. The surrealist movement of 1925 did not catch him unawares and, although he did not participate openly, it served as an element of rupture with what had gone before, introducing into his work distorted figures with great force and not exempt from rage and fury. As with Goya, Picasso was also greatly influenced in his work by his personal and social situation. His often tumultuous relationships with women had a serious impact on his work. However, what had the greatest impact on Picasso was the outbreak of the Spanish Civil War and the bombing of Guernica, which led to the creation of the most famous work of contemporary art. Paris was his refuge for a long time, but the last years of his life were spent in the south of France, working in a very personal style, with vivid colours and strange forms. Picasso is represented in the most important museums around the world, such as the Metropolitan, MOMA and the Guggenheim in New York, the Hermitage in St. Petersburg, the National Gallery in London and the Reina Sofia in Madrid.
Mixed Lot: pair of Old English silver table spoons, London 1905, maker's mark Josiah Williams & Co, a Victorian silver fork and spoon with beaded edge and engraved detail, Birmingham 1876, maker's mark Thomas Prime & Son, together with a sterling Danish decorative spoon with enamel detail to finial, marked 10 June 1967 A Michelsen, g/w 270gms
First quarter of the 20th century nickel cased pocket watch with button wind, having blued steel hands to a white enamel dial with black Roman numerals, subsidiary seconds dial, (small hairline cracks), the dial inscribed 'H Williamson Ltd, London' numbered 20124F, dial diam 5cm, the back cover and bezel both stamped with Govt broad arrow and numbered 7054F
A white metal and enamel compact, the hinged case, opening to reveal a comb, with chain suspension,8 x 5cmand an Ingrid glass scent bottle, of octagonal form, moulded with a maiden and flowers, with an ivorine screw lid, 8cm high (2)Surface scratches to the compact. Small crack to the ivorine lid of the scent bottle, and a scratch to the base.
An Edwardian mahogany cased mantel clock,8-day French movement striking on a gong, the case inlaid with a conch shell to a chequered line border, on brass bracket feet, 19.25cm wide12.5cm deep24cm highThe case is lightly faded, chips to the enamel dial. Door is a little stiff.Key is present. The movement has been ticking, however, given the nature of this item, we cannot guarantee this will continue.
A collection of Eastern enamelled items,of recent manufacture, each decorated in the Iznik taste,comprising a footed bowl,26.2cm diameter15cm higha charger, 35cm diameter,and a similar larger example,in a hinged display case,49.5cm diameter (3)Footed bowl) Chip to the enamel on around the edge of the foot. Nibbles to the edge of the rim. Some scratching to the inside.General scratches, wear and minor losses to the edges throughout.
A group of three Halcyon Days enamel pillboxes,comprising the Royal Cypher Diamond Jubilee Collection, 8 x 6cm, Scully & Scully, 8 x 6cm, and Scully & Scully, 6 x 4cm, together with a Herend porcelain figure, of a crouching Oriental gentleman, 7cm high,and a Herend porcelain butterfly box and cover, 8cm long (5)Wear and blemishes commensurate with age.
A silver and enamelled compact, by Adie Brothers, Birmingham, 1932, of circular form, 10cm diameterand a silver and blue enamelled compact, the cover inset with a coronet, JW Benson, London 1939, 7.5cm diameter (2)Small chip to the enamel of the larger compact. Surface scratches and marks throughout.
A silver and enamelled compact, by Clifford Davies Ltd, Birmingham, 1939, the pink enamel with an orchid to the cover, the reverse engine turned, with a mirror to the cover, 6.5cm squareEnamel with some minor scratches. Silver in good order. Interior fitting loose. Please see additional images.
6th-7th century A.D. A bronze bowl mount comprising a discoid body, scrolled tail and arched neck; the 'head' split at the forward end to accept the rim of the vessel, of which a fragment is held in place by the stub of an integral pin; the head and neck with a panel of reserved guilloche ornament on a red enamel field; the body a gently curved discoid panel with reserved Ultimate La Tène comma-leaf decoration, symmetrically disposed on a field of red enamel, with pins to the shoulders; the integral tail a D-shaped panel with reserved scrolls on a red enamel field. Cf. Bruce-Mitford, R., The Corpus of Late Celtic Hanging Bowls, Oxford, 2005, corpus no.96 (Seagry, Wiltshire), for similar profile and decoration. 6.19 grams, 44 mm (1 3/4 in). Found while searching with a metal detector near Feltwell, Norfolk, UK, 1998. Property of a Norfolk gentleman. Accompanied by a detailed report by Anglo-Saxon specialist Stephen Pollington. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11190-187995. Bowl mounts of this type with reserved La Tène ornament are found on hanging bowls mainly in 6th-7th century Anglo-Saxon princely or royal burials. They probably formed part of the so-called 'economy of prestige' in which decorative high-status tableware and feasting equipment circulated among the leading families of the various British and Anglo-Saxon kingdoms. A number of these items have been found in 7th century burial mounds such as Sutton Hoo (Suffolk), Prittlewell (Essex) and Benty Grange (Derbyshire). The decoration and manufacturing techniques suggest an origin among the late Romano-British groups of western and northern Britain. [A video of this lot is available to view on Timeline Auctions Website] Very fine 'as found' condition. Extremely rare type of museum quality.
Early 18th century A.D. A gold memento mori ring with D-section hoop, outer face engraved with a stylised skull and dense band of flowers and foliate vines with remains of black enamel fill, the interior inscribed 'R I Arn obt 26 Nov 1713 æt 27' in script, followed by Gothic letters 'IC' in rectangular cartouche. Cf. The British Museum, museum number 1961,1202.385, for a similar design, and AF.1542 for what is possibly the same maker's mark, which the BM describes as a possible variant of the mark of John Collier of Plymouth. 5.23 grams, 19.35 mm overall, 15.97 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8) (3/4 in). Acquired on the UK antiques market between 1974-1985. Albert Ward collection (part 3), Essex, UK. Accompanied by an old handwritten title card. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website] Very fine condition, nick to interior.
Cretaceous Period, 145-65 million years B.P. A large dinosaur tooth from Carcharodontosaurus saharicus (African T-Rex), serration clearly visible and some good enamel. 57 grams, 81 mm (3 1/4 in). From Tegana formation of the Sahara Desert, Morocco. Acquired during the 1980s. From an old Lincolnshire, UK, collection. Carcharodontosaurus saharicus, often known as the African T-Rex, was one of the largest predators of all time; it was larger than its distant North American T-Rex cousin, and related to allosaurus and the South American giganotosaurus. Fine condition.
Cretaceous Period, 145-65 million years B.P. A large dinosaur tooth from Carcharodontosaurus saharicus (African T-Rex), serration clearly visible and some good enamel. 34 grams, 73 mm (3 in). Tegana formation, Sahara Desert, Morocco. Acquired during the 1980s. From an old Lincolnshire, UK, collection. Carcharodontosaurus saharicus, often known as the African T-Rex, was one of the largest predators of all time; it was larger than its distant North American T-Rex cousin, and related to allosaurus and the South American giganotosaurus. Fine condition.
An official 1966 Jules Rimet World Cup plaque presented by the Football Association to the Alderman of Middlesbrough host venue,circular gilt and enamel depicting the Jules Rimet trophy and the arms of the England team and the town of Middlesbrough, inscribed JULES RIMET WORLD CUP MIDDLESBROUGH 1966, set on a ship's wheel wooden backboard, diameter 14cm., bears minor scuffs Provenance: Sotheby's auction Lot 170 18th February 2003.
Collection of silver and gold football medals dating from 1911-12 to 1937-38,comprising Lancs & Chesam Football League silver and enamelled runner's-up medal awarded to Nuthurst A.F.C.'s S. M. Smith 1911-12; Bradford & District F.A. 9ct gold and enamelled Cup winner's medal awarded to D. Peel (capt.) C.A.F.C. 1915; Bulldog Cup competition 1919-20 9ct gold medal; silver and enamelled football medal, Birmingham 1919; Bulldog Cup competition 1920-21 9ct gold medal; Sheffield and District Premier Football League winner's 1920-21 Sandersons Sports 9ct gold and enamelled medal, in fitted case; Barton Brotherhood Football Charity Cup 1921-22 9ct gold and enamelled medal; Middlesex County F.A. Senior Cup 9ct gold medal 1922-23; Guildford Boro Schools Football League Stoughton 1926-7 silver and enamel medal awarded to E. Andrews; Surrey School's F.A. silver medal, Birmingham 1927; Surrey County F.A. Youth's Cup runners-up silver medal 1929-30; Ipswich Junior League silver and enamel medal 1929-30; United Service Football League silver and enamel medal Division One winner's 1935-36 awarded to E. Andrews; United Service Football League silver and enamel medal Senior Challenge Cup 1935-36; R.N. & R.M.F.A. Inter Port Cup 9ct gold winner's medal 1936-37; United Service Football League silver and enamel medal Division One winner's medal 1937-38; North Section Cup third division winner's 9ct gold medal, Birmingham 1938, (17)
Rangers F.C. winner's medal Glasgow Cup 1936-37 awarded to trainer A Dixon,obverse with the Scottish lion rampant in red enamel and engraved RANGERS F.C. WINNERS GLASGOW CUP 1936-7, reverse engraved A. DIXON (TRAINER), circular lobed with suspension ring, 9ct gold, Birmingham 1936 by Vaughton & Sons, weight 18gms. 38 by 34mm.
Scottish Football League championship winner's medal awarded to Celtic FC's Peter Somers, 1906,obverse with red enamelled lion rampant shield, with SCOTTISH FOOTBALL LEAGUE in blue enamel, green and white Celtic flags above, reverse engraved 1906 CHAMPIONSHIP WON BY CELTIC F.C. P. SOMERS, shield shaped with suspension ring, weight 12gms., 40 by 32mm., bears some loss to enamel in flag tips and lettering, surface scratches
Two West Bromwich Albion medals awarded to Jimmy McLean,comprising Second Division League Championship 1901-02 medal, obverse with enamelled shield and flags above a football surrounded by 2ND DIVISION CHAMPIONSHIP 1901-2, reverse engraved FROM THE WEST BROMWICH ALBION FOOTBALL CLUB J. McLEAN, 9ct gold Birmingham 1901 by Vaughton & Sons, 36 by 30mm.; and a Birmingham District and Counties FA Senior Cup runners-up medal 1902-03, obverse with enamelled decoration, reverse engraved SENIOR CUP RUNNERS-UP 1902-03 WEST BROMWICH ALBION F.C. J. McLEAN, 9ct gold Birmingham 1902 by Vaughton & Sons, 40 by 26cm., total weight 36gms., some enamel loss and wear to engraving to each medal, (2)
Manchester Senior Cup runners-up medal awarded to Manchester City's L. Langford, 1933-34,obverse with enamelled shield and lettering MANCHESTER CUP 1933-34 M.C.F.A., reverse engraved MANCHESTER CITY F.C. RUNNERS-UP L. LANGFORD, shield shaped with suspension ring, 9ct gold, Birmingham 1933 by Herbert Bushell & Son Ltd, weight 7gms., 34 by 23mm., minor enamel loss to obverse
West Ham Hospital Football Cup competition medal awarded to referee J.R. Schumacher, 19th April 1913,obverse with enamelled shield crest and lettering, reverse engraved PRESENT TO J.R. SCHUMACKER AS A SLIGHT TOKEN OF ESTEEM AND APPRECIATION OF SERVICES AS REFEREE IN SEVEN FINALS APRIL 19TH 1913, oblong shaped with suspension ring, 9ct gold Birmingham 1912 by Daniel George Collins, weight 6gms., 31 by 25mm., minor wear to enamel obverse, some pitting to enamel
The 1950 F.A. Charity Shield winner's trophy awarded to Alf Ramsey,silvered metal & enamel on a wooden backboard with easel support, inscribed THE FOOTBALL ASSOCIATION CHARITY SHIELD MATCH, ENGLAND WORLD CUP TEAM v F.A. CANADA TOUR TEAM, 20th SEPTEMBER 1950 Provenance:Acquired by Coffer Sports from Sir Alf Ramsey.
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358743 item(s)/page