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Click here to subscribeA MINIATURE SILVER AND ENAMEL BROOCH, maker Charles Horner, Chester mark, indistinct, early 20th century, of shaped open form, the central oval panel depicting a pink rose on a black ground, 1" long, together with an unmarked and untested pear shaped miniature scent flask with foliate engraving, 1 1/4" high (2)
A GENTLEMAN`S EARLY VICTORIAN 18CT GOLD KEY WIND POCKET WATCH, the white enamel dial with black Roman numerals enclosing subsidiary seconds dial, the movement by John Barraclough, Thornton and numbered 1539, with lift-off dust cover, the case engraved with scrolling foliage enclosing a small shield engraved with initials, London 1853
AN ANTWERP EBONISED TABLE CABINET, 19th century, in 17th century style, of oblong form, the pagoda top with slide action dome surmounted by a cast gilt metal cymbal player seated on a camel, over a pair of doors, hinged and opening to reveal three drawers, on a projecting base raised upon four French bracket feet, inset with twenty five Vienna enamel plaques painted in colours with classical scenes and with four similar cylindrical pillars at each corner painted with wrythen swags of flowers and with gilt metal scroll appliques, 15" high overall, base 9 3/4" x 7 1/2" (Illustrated)
A BRASS CASED CARRIAGE CLOCK, late 19th century, the single barrel movement with cylinder platform escapement striking on a bell, 1 3/4" white enamel dial with blue Roman and red Arabic numerals, calendar dial below, both set into a chased scrolling foliate ground, in corniche style case with loop handle and bracket feet, 5 3/4" to tip of handle
A FRENCH CHAMPLEVE ENAMEL AND ONYX CASED FOUR GLASS TABLE CLOCK, 20th century, the twin barrel movement stamped AI 141848, 4" enamel and gilded dial with Arabic numerals, twin mercury tube pendulum, the brass case with onyx top and base, enamelled corner, on bracket feet, 6 1/4" wide, 10 3/4" high (Illustrated)
A FRENCH MANTEL CLOCK by Japy Freres, 19th century, the twin barrel movement with outside count wheel striking on a bell, 4" gilded repousse dial inset with blue and white enamel Roman numerals, in bronzed metal Rococo style waisted case, with flower finial, on shaped oblong base with bracket feet, 14 1/2" high
A WALNUT CASED "VIENNA" WALL CLOCK, late 19th century, the weight driven two train movement with 7" two piece enamel dial having Roman numerals, the case with arched surmount and turned finials on reel banded cornice, shaped glazed door with carved fluted pilasters, on waisted base, with turned finials, 19" x 57 1/2"
A WALNUT CASED HOODED WALL CLOCK by Gustave Becker, late 19th century, the two train key wind movement chiming on the hour and half hour, 8" two piece enamel dial with Arabic numerals, the case with eagle surmount and turned finials on fluted pilasters, shaped base with turned pendants, 15 1/2" x 36"
AN EDWARDIAN CAPSTAN INKWELL, maker`s mark N & D, Birmingham 1909, the hinged cover with blue guilloche enamel scroll cartouche opening to reveal a glass well, 2 3/4" diameter, together with an Edwardian cylindrical bodkin holder, maker`s mark indistinct, Birmingham 1904, bright cut engraved with scrolling foliage, fitted to an unmarked chain and belt clip, holder 5 1/2" long (2)
A George V silver and blue enamel seven piece dressing table set with engine turned decoration, comprising hand mirror, pair of hairbrushes and two pairs of clothes brushes, Birmingham 1931 by William Neale & Son, together with a similarly decorated plated, enamel and cut glass powder jar and a silver comb (some faults).
A part set of white gold and mother-of-pearl studs and cufflinks, comprising a pair of cufflinks and four dress buttons (the pair of studs lacking), with a case, five gold and blue enamel mounted circular dress buttons with mother-of-pearl centres (the sixth button lacking), with a case, a gold dress stud, and a pair of unmarked oval cufflinks, with a case.
A Japanese Satsuma earthenware koro and cover by Hozan, Meiji period, the compressed circular body painted with opposing figural and coastal landscape panels within polychrome enamel and gilt `Y` diaper borders, beneath a pair of pierced gilt fan shaped handles, gilt signature to base, diameter approx 13cm (probably matched cover).
A pair of Sèvres style porcelain vases and covers, late 19th Century, each of spiral moulded urn shaped form with turquoise and white alternate reeding, heightened in gilt, interlaced `L`s in blue enamel to bases, height approx 31cm (one with damaged cover). Provenance: Lot 284, Toovey`s Sale of The Bolney Lodge Collection, 20th September 2006.
A Samson Sèvres style porcelain trembleuse cup, cover and saucer, early 20th Century, each piece painted with a blue and gilt trellis design filled with purple flowerheads, pseudo blue enamel interlaced `L`s mark to base, together with a Samson `Chelsea` leaf moulded sauceboat, a Samson famille rose style bowl and three Paris porcelain cups and a saucer painted with flowers (some faults).
A Paris porcelain mantel clock, mid-19th Century, with eight day movement striking on a bell via an outside countwheel, the white enamel dial inscribed `Potonié Paris`, the blue glazed case of waisted form, the front pierced and moulded with foliate scrolls picked out in puce and gilt, height approx 34cm, with pendulum (some restoration).
CAMILLE FAURÉ (1874-1956) Pot couvert ovoïde en cuivre émaillé polychrome sur base argentée, à riche décor de lys en fleurs dont les calices ouverts forment composition florale en bas-relief. Monture en laiton doré. Signature émaillée "C. Fauré - Limoges". (Quelques éclats d`émail sur le couvercle, bague supérieure à refixer). A covered spherical vase in enamelled copper on a silvered base with a rich motif of fleur-de-lis and foliage. Mounting in gilt brass. Enamelled signature "C. Fauré - Limoges". (A few chips to the enamel on the lid, the upper ring needs to be refixed). Haut. 32,7 cm / Height. 12 7⁄8 in.
A ART DECO PATINATED METAL TABLE LAMP the semi naked dancer/gymnast standing on tip toes learning backward right arm aloft holding light fitting to support orbicular shade (lacking shade) and raised on stepped square and green enamel painted base, the figure 16 1/4" (41.3cm) high 19 3/4" (50.2cm) high overall
A SET OF SIX JAPANESE EARTHEN WARE DESSERT SIZE PLATES circular with crimped edges and polychrome enamel decoration of Cranes in flight and chrysanthemums one plate only with signature/character marks and repaired, 8 1/2" (21.5cm) diameter and a 20TH CENTURY BROWN GLAZED STUDIO POTTERY CYLINDER VASE applied design of blossom tree, 9 3/4" (24.7cm) high (7)
NINETEENTH CENTURY CHINESE CANTON ENAMEL BOWL, on stand, the interior and underside of stand in turquoise, the exteriors with famille rose decoration of figures, within shaped panels reserved on a yellow ground filled with floriated scrollwork (damage to the bowl) also two small Canton enamel quatrefoil shaped pin trays decorated in famille rose enamels (both with damage) (4)
A SET OF THREE LATE 19th/EARLY 20th CENTURY VIENNA PORCELAIN CABINET PLATES, the centre well painted in enamel with Watteauesque courting couples within royal blue and gilt borders, the scalloped rims, pierced with trellisage and floral sprays picked out in colourful enamels and richly gilded, `beehive` mark in underglaze blue, 8 1/2" (21.5cm) diameter
Gentlemen's gold (9ct) open face pocket watch with Swiss fifteen jewel button-wind movement, white enamel dial with subsidiary seconds and blued steel hands, in gold 9ct) case, import hallmarks (London 1918), 48mm diameter CONDITION REPORT In very good condition. Very little signs of any wear. Dial perfect. Case in excellent condition. No inscriptions. Movement running well. In original red velvet fitted box, retailed by Sydney & Thomas, Waltham Green, London. Total gross weight approximately 64 grams
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