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Click here to subscribeA French Empire style ormolu and patinated bronze figural mantel clock Unsigned, mid 19th century The eight-day outside countwheel bell-striking movement with white enamel Roman numeral chapter ring and foliate pierced centre to dial, the case modelled as a winged classical male muse plucking the strings of a lyre, on plinth base applied with flaming torch and quiver of arrows and festoon swags to frieze, on ball feet issuing butterfly wings, 37cm high.
A French Louis XV style ormolu mantel clock Unsigned, mid 19th century The eight-day rack and bell striking movement with blue on white Roman numeral enamel dial with Arabic five minutes and blued steel hands, in finely chased waisted case cast with rococo scrollwork on integral scroll feet, 38cm high.
A French inlaid mahogany mantel clock Duval, Paris, mid 19th century The eight-day outside countwheel bell-striking movement stamped DUVAL A PARIS and numbered 48 to backplate, the similarly signed white enamel circular Roman numeral dial in rectangular case with hinged brass carrying handle and line inlaid borders to top and sides, the front decorated with foliate scrolls, on conforming plinth base with block feet, 21cm high excluding handle.
A French ormolu quarter striking skeleton clock Hatton, Paris, late 19th century The eight-day rack and bell ting-tang quarter striking movement stamped Hatton, Paris, 845 to backplate with two bells mounted above Roman numeral enamel chapter ring with under-dial work visible to centre, on baluster profile hexagonal lobed upright and rosette cast panelled plinth with marble base, 29cm high, under glass dome.
A French gilt and patinated bronze figural mantel clock Raingo Freres, Paris, late 19th century The eight-day outside countwheel bell-striking movement with white enamel Roman numeral dial signed RAINGO FRE'S, PARIS, the case with reclining female figure in classical dress above elaborate foliate scroll cast apron incorporating foliate chased feet, 35cm high.
A large French ormolu, patinated bronze and verde antico marble figural mantel clock Baltazard, Paris, mid 19th century The eight-day outside countwheel bell-striking movement with silk suspension and 5.75 inch circular blue on white enamel Roman numeral dial with Arabic five minutes and signed BALTAZARD A PARIS to centre, set into gilt break-arch case with scroll cast angles beside a patinated gilt bronze reclining figure of a classical woman reading a book, on gilt edged verde antico and Carrara marble stepped base with foliate cast gilt disc feet, 46cm high, 71cm wide.
An ebonised small bracket clock with enamel dial Late 18th century The slender four-pillar twin fusee rack and bell striking movement with verge escapement, trip repeat and foliate engraved backplate bearing signature Geo. Graham FECIT, the 5 inch circular convex white enamel Roman numeral dial with Arabic five minutes and blued steel hands, the inverted bell top case with hinged carrying handle and foliate cast brass finials above arched side windows and hinged front door with circular dial aperture, on moulded base with cast brass block feet, 31cm high excluding handle.
a Canton enamel table screen painted with 18th century European figures at a table on a terrace, with children walking a dog in the foreground, the background depicting an alpine landscape with churches, the verso with cranes and waterlilies, signed bottom left, within a moulded rosewood frame on a foliate carved trestle stand 13.5cm wide,18.5cm high (panel)
two similar Canton enamel canted square sweetmeat trays one with flowerhead and scrolling foliate border and circular panel decorated with a European woman, child and animal in a landscape setting, 10cm wide; the other with a scrolling foliate border, decorated with Shou Lao, the god of longevity, and two children with a deer in a landscape setting, 10cm wide; and a pair of Canton enamel spoons, each with bronzed bird's head handle, decorated with scrolling foliage and flowers (4) the sweetmeat trays were purchased from Spink & Sons Ltd, in June 1969. the spoons were purchased from Sydney L Moss Ltd, in June 1969.
a 19th century Austrian enamel timepiece the oval enamel top with French fusee movement, slight silvered chapter ring, hands lacking, and the interior of the case with farmyard setting raised on floral sprays and on circular base with applied winged head motifs and painted figures [damages] 18cm purchased at Gordon Lawrence, 37 Jermyn Street, St. James's, London. 1958
a Limoges enamel decorated compact of elongated octagonal form, cast gilt frame enclosing an enamel panel with black ground and floral sprays and central vignette of two figures with a distant city beyond, the rear with well engraved panel of a vase of flowers and scrolling swgas and masks 125 x 71mm wide
a 19th century silver gilt and Viennese enamel comport the oval bowl with red ground and vignettes of figures in landscapes, the exterior with a pale blue ground with trailing floral design and vignettes of classical buildings with silver gilt engraved rim and scrolling handles with enamel detail [damages to gilt metal collars] 82mm high x 105mm wide
a French boulle marquetry bracket clock, circa 1700 by Francois Rabby, Paris (c.1655-1717) the caddy top with flame finials above larger foliate finials and a balustraded frieze, the arched and glazed door enclosing a raised enamel Roman chapter ring with rococo engraved centre, single wind hole and strapwork apron inscribed with maker's signature, between corinthian columns, on a shaped apron and gadrooned toupie feet, the anchor escapement striking on a bell, the backplate boldly engraved 'Rabby Paris', the whole decorated with silvered and gilt cut and engraved brass arabesques on scarlet tortoiseshell 60cm high, 40cm wide, 18cm deep note: Rabby produced movements for many fine Boulle marquetry clocks, including one in the collection of the Duke of Marlborough at Blenheim Palace.
a late 19th century French white marble and gilt-metal mounted clock garniture in the Empire taste the circular convex enamel dial with arabic numerals with 8 day twin train movement striking the hours and half hours on a bell, indistinctly signed, the backplate stamped S.C. Paris, the twin pillar case with anthemion surmounts and central eagle finial on an engine-turned plinth draped with festoons, the dial with a pendant neo-Classical 'drape' above a stepped bowfront base with foliate mounts and beaded braces, on spreading circular engine-turned feet, with a pair of five light candelabra, on pillar supports and stepped plinth bases, en suite (3) 36 cm wide, 53.5cm high, 14cm deep
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![a Limoges enamel and gilt framed plaque pink border surrounding a vignette of a lady proffering fruit to a Putto [damages] 7](http://lot-images.atgmedia.com/SR/10121/2710261/94-67-10121_468x382.jpg)
![a 19th century Austrian enamel horn on stand the body with enamel of figures [damages] 15cm high purchased from Gordon Lawre](http://lot-images.atgmedia.com/SR/10121/2710261/101-67-10121_468x382.jpg)
