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Lot 334
A French black slate perpetual calendar clock surmounted by an ormolu figure of Napoleon. Circa 1880, the figure on horseback, the ogee edged case with two enamel dials, the clock having a visible Brocot anchor escapement, the bottom calendar dial showing the months, days, date, and moon phase, height 67.5cm.
Lot 371
GEORGE III MAHOGANY LONGCASE CLOCK, with two train eight day movement, the white enamel dial set with Roman numerals, figural scenes painted to the spandrels and luntette, the pillared hood with swan neck pediment and orb finial209cm highFace very worn. Veneer lifting in several places. Damage to brass support brackets. Lower hand not working and has replacement screw. Has had some repairs to case. Small amount of historic woodworm. Further images now online.
Lot 122
A 19th Century Minton desert plate of fluted circular form with pierced border, decorated with three cartouche landscape panels within foliate scroll borders over a blue enamel ground, width 23cm, together with a similar period landscape view plate by Coalport and another titled Warwickshire to the reverse. (3)
Lot 165
A collection of 19th Century and later china cups and saucers hand decorated with enamel flowers and botanical studies and scenic views in cartouche panels against tonal blue grounds, all with gilded scroll work and highlights, various makes to include Copeland & Garrett, Royal Crown Derby and Staffordshire. (6)
Lot 23
Still Life with Candle is a limited edition color giclee on archival wove paper of Picasso's 1945 original painting entitled Still Life with Jug, Candle, and Enamel Pot painted in a Post-Cubist style in yellow and bleu tones. Numbered in pencil on lower left: 64/500. Estate signed in pencil: Collection Domaine Picasso. Housed in a black frame with cream color mat. Sight size: 14"L x 11"H. Frame size: 19.50"L x 15.50"H x 1.60"W. Certificate of Authenticity included. Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: c. 1990Edition Number: 64 of 500 Country of Origin: SpainCondition: Age related wear.
Lot 322
Vintage French Tole style Italian chandelier. Metal with painted enamel decoration in mustard yellow and black. The six arms with shades decorated with palm leaf fans and scrollwork. The arms radiate outwards from a central element in the form of an urn. The urn is painted with baskets overflowing with floral swags. Marked "Made in Italy" along the top of the chandelier.Without Chain; height: 22 in x diameter: 29 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 457
Tiffany & Co., New York, United States. Gilt metal and champleve enamel French mantel clock. The dial marked "Tiffany & Co.," and the back of the dial stamped "H&H Made in France" for Harris & Harrington. Likely early 20th century. With a key.Height: 11 1/2 in x width: 8 in x depth: 6 3/4 in. />Condition: The metal is tarnished throughout. Some wear to the enamel dial. No major losses to the enamel decoration. There is a small area of cracks to the lower right corner of the front pane of glass. The clock winds and chimes though it has not been tested for prolonged function or accuracy. Lacking the original mercury vials. General wear throughout consistent with display, age, and use.
Lot 479
Jay Strongwater, United States. Gilt metal "Pip" trinket box in the form of a monkey. With polychrome enamel decoration and applied Swarovski crystals. Stamped along the underside. With the original packaging. Stamped along the underside.Height: 2 3/4 in x width: 3 1/2 in x depth: 3 in. />Condition: The item is in good condition with no cracks, breaks, or losses. All stones present. Light wear to the original packaging.
Lot 480
Jay Strongwater, United States. Small gilt metal octagonal picture frame. With polychrome enamel decoration and applied Swarovski crystals. Stamped along the back. With the original packaging.Height: 3 1/4 in x width: 3 in. />Condition: The item is in good condition with no cracks, bends, or breaks. There is a small loss to the gilt metal along the upper left corner, visible in the lot listing. All stones present. Light wear to the original packaging.
Lot 481
Jay Strongwater, United States. Group of two gilt metal figurines in the form of the little drummer boy and a shepherd boy. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. Each with the original packaging.(Drum) Height: 5 in x width: 2 1/4 in x depth: 2 1/4 in. (Cane) Height: 6 in x width: 2 1/2 in x depth: 1 1/4 in. />Condition: There are no breaks, losses, bends, or major wear. Light wear to the original packaging.
Lot 482
Jay Strongwater, United States. Gilt metal figurine in the form of a seated camel with a saddle for a Nativity set. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height: 4 1/2 in x width: 2 1/2 in x depth: 6 1/2 in. />Condition: There are no breaks, losses, bends, or major wear. The metal wires on two of the tassels are slightly bent and have come detached from the camel's saddle. They are included with the lot. Light wear to the original packaging.
Lot 483
Jay Strongwater, United States. Gilt metal figurine in the form of a standing donkey with a blanket for a Nativity set. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height: 4 3/4 in x width: 2 in x depth: 5 1/2 in. />Condition: There are no breaks, losses, bends, or major wear. Light wear to the original packaging.
Lot 484
Jay Strongwater, United States. Gilt metal Nativity creche with a marbled stone base. With polychrome enamel. Stamped along the underside. With the original packaging.Height: 9 1/2 in x width: 15 1/2 in x depth: 10 in. />Condition: The peak of the roof is slightly bent; there are cracks to the enamel along either side. Light wear including some scratching to the marble base. Light wear to the original packaging. All screws and screwdrivers are included.
Lot 485
Jay Strongwater, United States. Metal figurine in the form of a sheep and a lamb for a Nativity set. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height: 1 1/2 in x width: 3 1/2 in x depth: 2 in. />Condition: There are no breaks, losses, bends, or major wear. Light wear to the original packaging.
Lot 486
Jay Strongwater, United States. Gilt metal figurine in the form of a shepherd boy carrying a lamb on his back. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height: 4 3/4 in x width: 2 1/2 in x depth: 1 1/2 in. />Condition: There are no breaks, losses, bends, or major wear. One of the Swarovski crystals along the lamb is slightly loose. Light wear to the original packaging.
Lot 487
Jay Strongwater, United States. Gilt and polychromed glass ornament in the form of a nutcracker. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height: 7 in x width: 2 in x depth: 1 1/2 in. />Condition: There are no breaks, losses, bends, or major wear. Light wear to the original packaging.
Lot 488
Jay Strongwater, United States. Gilt metal figurine in the form of an ox for a Nativity set. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height: 3 1/4 in x width: 3 in x depth: 6 in. />Condition: There are no breaks, losses, bends, or major wear. Light wear to the original packaging.
Lot 489
Jay Strongwater, United States. Pair of gilt metal figurines in the form of palm trees. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. Each with the original packaging.(Each) Height: 12 in x width: 6 in x depth: 6 1/4 in />Condition: There are no breaks, losses, bends, or major wear to either tree. Light wear to the original packaging of both.
Lot 490
Jay Strongwater, United States. Set of three gilt metal figurines in the form of the three wise men or magi for a Nativity set. With polychrome enamel and applied Swarovski crystals. Included is a small gilt pewter treasure box. Stamped along the underside. With the original packaging.Height ranges from 4 in to 6 in; width ranges from 3 1/4 in to 3 1/2 in; depth ranges to 3 in to 4 1/2 in. />Condition: There are no breaks, bends, or major wear. Light wear to the original packaging. The figurine with the red robe is missing one rhinestone along the back, visible in the lot listing.
Lot 491
Jay Strongwater, United States. Set of three gilt metal figurines in the form of the Virgin Mary, Joseph, and the infant Christ in the manger for a Nativity set. With polychrome enamel and applied Swarovski crystals. Stamped along the underside. With the original packaging.Height ranges from 2 in to 6 in; width ranges from 2 1/2 in to 4 in; depth ranges from 2 3/4 in to 3 in. />Condition: There are no breaks, losses, bends, or major wear. Light wear to the original packaging.
Lot 42
The Tilly of Haarlem Goblet: an important Beilby enamelled and engraved armorial light baluster goblet, circa 1765The round funnel bowl finely decorated in polychrome with the coat of arms of the Tilly family of Haarlem, a yellow dove perched on an olive branch with a white stem and green leaves, within an ouroboros, the yellow serpent picked out in iron-red shown biting its tail, within an elaborate rococo scroll cartouche painted in shades of pale purple, inscribed 'Tilly.' in opaque white beneath, the reverse engraved with a medallion containing seven arrows emblematic of the Seven United Provinces, within the inscription 'VREEDE EN EENDRAGHT' (Peace and Unity), surmounted by a dove in white enamel, traces of gilding to the rim, on a stem with triple-annulated knop above a beaded inverted baluster and small basal knop, over a conical foot, 17cm highFootnotes:ProvenanceSotheby's, 1 July 1949, lot 16With Delomosne and SonSotheby's, 24 November 1986, lot 78With Asprey, 1987Durrington CollectionLiteratureRoger Dodsworth, The Durrington Collection (2006), no.29Stephen Pohlmann, 'The Tilly Glasses', Glass Circle News, No.139 (November 2015), p.5, fig.1ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.38Once known as 'Newcastle' light balusters, glasses of this distinctive form are now known to have been manufactured in Holland as well as England, see Catherine Ross, 'Flint glass houses on the Rivers Tyne and Wear during the eighteenth century', The Glass Circle Journal, No.5 (1986), pp.75-85. It is likely that the Beilbys imported undecorated light baluster glasses from Holland, as most surviving examples of this shape with Beilby decoration have identical stems and several have Dutch connections.Fifteen Beilby decorated light baluster wine glasses or goblets, many of similar shape, are recorded including the present lot. Eleven of these bear armorials or crests, while four are painted with vine in opaque white enamel. The latter includes one in the Victoria and Albert Museum (inv. no.c.625/1936), one in the Kunstmuseum Den Haag (inv. no.1005203), one in the Fitzwilliam Museum (inv. no.C.513-1961) and one from the Thompson-Schwab Collection sold by Bonhams on 21 June 2022, lot 102.Of the crested and armorial examples, eight have direct Dutch connections. They include the magnificent Prince William V goblet from the A C Hubbard Jr Collection sold by Bonhams on 30 November 2011, lot 142, a smaller wine glass also bearing the arms of Prince William V sold by Bonhams on 1 May 2013, lot 116, two wine glasses with the arms of Prince William V and Princess Wilhelmina accollé, including one from the Julius and Ann Kaplan Collection sold by Bonhams on 15 November 2017, lot 33 and one in Museum Rotterdam (inv. no.17) and a goblet in the World of Glass Museum in St. Helens bearing the arms of the Van Dongen family of Amsterdam. Three further glasses bear the arms and crest of the Tilly family of Haarlem, including the present lot.In 2010 a second 'Tilly' glass, with a damaged foot, was discovered in the collection of Rudy van Dobben in Halfweg, Netherlands, which had directly descended through the Tilly family. See Kiki Alpherts and Marius van Dam, Tussen Kunst en Kitsch: 101 ontdekkingen (2015), p.133, no.66. This was sold as part of the Stephen Pohlmann Collection by Bonhams on 30 November 2022, lot 40 and differs slightly from the present lot in that the reverse is enamelled with the crest of a white dove in flight above a helmet in yellow and red. Whilst it has been suggested that the engraving on the Durrington glass existed before the enamelling took place, it is plausible that the engraved medallion was later added over the original enamelled crest. A third 'Tilly' glass, in a private collection, is unpublished.The 'Tilly' set was almost certainly commissioned by Claas de Koning Tilly (1727-1814), who by 1764 owned a firm in Haarlem founded by his grandfather in 1696, which specialised in the production of a panacea known as Dutch drops (Haarlemmerolie). The firm was subsequently renamed C de Koning Tilly and was latterly owned by Rudy van Dobben until 2019, a direct descendent of this branch of the Tilly family. Interestingly, two engraved light baluster wine glasses bearing the initials 'CDKT' for Claas de Koning Tilly are discussed in detail by J R ter Molen, 'Twee gedecoreerde wijnglazen uit 1765 en 1769 met de initialen van C. de Koning Tilly', Antiek, Vol.8 (March 1982), pp.461-70, indicating that Claas was clearly commissioning other glasses at this time. The first is decorated with the arms of Haarlem, dated 1765 and inscribed ''T WELVAAREN VAN DE DIACONY' (The prosperity of the Diaconate). It is thought to commemorate the election of Claas as a deacon by the Grand Church Council on 18 March that year, a position which he held until 1769. The other is dated 1769 and decorated with a view of the Hofje van Bakenes in Haarlem, almost certainly commemorating his appointment as regent of the Bakenesser Chamber on 2 October that year, a position which he retained until 1780. It seems likely that the Beilby decorated set may also have been commissioned to celebrate one of these occasions.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 43
A very rare Beilby enamelled armorial wine glass, circa 1765-70The round funnel bowl finely painted in polychrome with a yellow rococo scrollwork cartouche heightened in iron-red, enclosing the coat of arms of Thomas impaling Clayton in black, white and gilt, flanked by foliate sprigs, the reverse with fruiting vine in white enamel pendent from the rim, set on a double-series opaque twist stem with a pair of opaque white spiral threads around a multi-ply corkscrew, over a conical foot, 15.1cm highFootnotes:ProvenanceChristie's, 16 October 1990, lot 162With Asprey, 1990Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.33ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.37The coat of arms is for the Right Reverend John Thomas (1712-1793), who was Bishop of Rochester from 1774. Born in Carlisle, he was the eldest son of John Thomas, vicar of Brampton, Cumberland. He had a remarkable and distinguished career in the church, beginning on 27 March 1737 when he was ordained a deacon before receiving priest's orders on 25 September that year. On 27 January 1738 he was instituted rector of Bletchingley in Surrey, a living in the gift of Sir William Clayton whose daughter Anne he would go on to marry. Thomas was appointed chaplain in ordinary to King George II on 18 January 1749, a post which he retained under King George III. On 23 April 1754 he was made a prebendary of Westminster and in 1762 was appointed sub-almoner to the Archbishop of York. He was instituted to the vicarage of St Bride's, Fleet Street, London on 7 January 1766 and became Dean of Westminster and of the Order of the Bath in 1768. He was consecrated Bishop of Rochester on 13 November 1774.Thomas was married twice and the arms on the present glass represent his first marriage to Anne, daughter of Sir William Clayton and widow of Sir Charles Blackwell, on 19 August 1742. Anne died on 7 July 1772 and he remarried on 12 January 1776, this time to Elizabeth, daughter of Charles Baldwin and widow of Sir Joseph Yates. It is likely that the set was commissioned prior to Anne's death in 1772, perhaps to celebrate Thomas' new position of Dean of Westminster and of the Order of the Bath in 1768. Five glasses from this set are recorded, including the present lot. One from the Chris Crabtree Collection was sold by Bonhams on 19 May 2010, lot 62 and three more were discovered in the Portsmouth area in 2011 before being sold at auction in Chichester later that year. One of those three was subsequently sold by Bonhams as part of the Darell Thompson-Schwab Collection on 30 November 2022, lot 144. For a set of four Beilby enamelled armorial wine glasses bearing the arms of the Surtees family, see that sold by Bonhams on 23 June 2021, lots 9-12.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 141
Tabatière à décor émaillé, monture en métal doré, probablement France ou Italie du milieu du XVIIIe siècleA European enamel gilt metal-mounted snuff box, mid 18th centuryProbably French or Italian, decorated with scattered polychrome flowers, the inside of the cover with a portrait of a lady with parasol 7cm (some restoration)Footnotes:Provenance: With Lukacs & Donath, Rome (paper label to the inside)For further information on this lot please visit Bonhams.com
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358743 item(s)/page