An English eight-day timepiece carriage clock in a Corniche styled case, with an eleven jewelled movement and lever platform escapement, white enamel dial with Roman numerals, minute markers and steel moon hands, bevelled glass panels to the case and a rectangular glass panel to the top of the case, dial inscribed �Angelus�. With Key.With a German �Schatz� carriage clock, eight-day movement with an integral key, three clear Perspex panels, with a white dial and visible balance, Roman numerals and minute track, steel spade hands.
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A French early 20th century eight-day Corniche timepiece carriage clock with a jewelled lever platform escapement with timing screws, white enamel dial with Roman numerals, minute markers and steel spade hands, bevelled glass panels to the case and a rectangular glass panel to the top of the case with original base plate.With Key.
清 銅胎掐絲琺瑯山水庭院及花鳥紋插屏 one side enamelled with a pair of birds perching on flowering tree issuing from rockwork amongst other plants, against a navy blue ground, the reverse with a quaint walled garden surrounded by water with hills and a pagoda afar, surrounded by gilded borders, mounted on a fitted wooden stand17.2cm x 13.2cmProvenance: Private Scottish collection; property of Anne Bennet (nee Daly) (1926 – 2004), thence by descent.With a handwritten envelope addressed with “Mr Warner, Fogg Museum, dated to 16 May 1945, "Late Ming" - 15th century”; the envelope included a handwritten letter with the following content:“This plate was originally in the Imperial palace... plunder... "loot" in 1859 by the Anglo-Franco troops. It is a fine specimen of copper enamelling, the darker shade being the so-called "lost Chinese blue" which cannot be reproduced by modern processes. It is probably many hundred years old and was originally mounted on an elaborately carved stand which has however fallen to pieces. It was sent from China by my mother's brother...in that country from 1842 to 1859 when he died there. I am afraid he took it from the Palace himself... after the loot he became the possessor of a very considerable number of beautiful and valuable articles which he sent home to Scotland... this plate being amongst them."With another handwritten note dated to 16 June 1978: "Chinese plaque, Sotheby Parke Bernet (Old Gaol Museum Com.) 300/400 (current auction value)"With a typed letter dated to 24 March 1994 from Robert S. Black, mentioning: "Barbara and I had the teakwood frame for it custom made in Tokyo, 1957."The current owner, private Scottish collection, is a child of Anne Bennet, who was gifted this plaque from her cousin Barbara Bell Black (1910/5 - 1994) and Robert S. Black (a bequest from Babara's father with a handwritten letter). Together with an envelope of Register of Probate addressed to Anne Bennet.Footnote: Note: a comparable cloisonné enamel plaque of similar size and dated to the Qing Dynasty, 17th-18th century, was offered in Bonhams New York, on 20 Sept 2021, lot 181
清 銅胎掐絲琺瑯夔龍紋菱花口大盤 supported on three tiny circular feet, the interior decorated with a large medallion further surrounded by two bands of archaic kui-dragons to the mouth rim, the exterior similarly decorated with two bands of entwined kui-dragons and lotus in scrolls38 cm wideFootnote: Note: A small cloisonné enamel plate of similar foliate rim, decorated with bats with ruyi-head cloud on the interior, is in the collection of Metropolitan Museum of Art, New York, accession number: 33.40.63; another comparable 18th century cloisonné enamel foliate plate, smaller in size and decorated with auspicious items on the interior, was sold at Bonhams London on 12 May 2016, lot 214.
民國 嘉慶款 松石綠地粉彩嬰戲紋鳳鳥耳賞瓶 the globular body finely painted with boys at play in a continuous garden setting, the neck enamelled with large lotus blossoms borne on scrolls, further flanked with a phoenix handle on either side, the interior and base applied with turquoise enamel, the base inscribed with a six-character Jiaqing mark in iron-red29.5cm high
江戶至明治 銅胎掐絲琺瑯趕珠龍紋大瓶 the globular body supported on a tall spreading foot and terminating to an everted rim, the decorative motifs divided into horizontal registers, the main decorative band with two pairs of four-clawed dragons, below a band of Buddhist lions, all between two bands of lotus flowers on the foot and the neck, a further decoration of plantain leaves below the mouth rim43cm highProvenance: Private English collection, acquired by Henry Lardner Dennys (1852 -1926) thence by descent.Henry Lardner Dennys arrived in Hong Kong in 1868 to serve his articles as a solicitor, and rose to become Crown Solicitor in 1896 and helped negotiate the Treaty for the New Territories for the colony of Hong Kong, and saved Dr Sun Yat Sen – the father of modern China - from capture at the hands of the Imperial police in 1895. The photo, illustrated in the article 'My Great-Grandfather: The Man Who Saved Dr Sun Yat Sen' in The Hong Kong Tatler, published in June 1987, p. 83, includes this cloisonne enamel vase displaying on the right corner of the Drawing Room, 'Brockhurst' house, one of the first residences on the Mount Gough, east of Victoria Peak, Hong Kong.Footnote:
十九世紀 乾隆款 蘋果綠地粉彩纏枝蓮紋螭耳賞瓶 the bulbous body enamelled with four large lotus blossoms borne on scrolls, below a pink key-fret and yellow ruyi band, the neck decorated with similar lotus blooms separated by bats suspending endless knots, further flanked with a chi-dragon handle on either side, the interior and base applied with turquoise enamel, the base inscribed with a six-character Qianlong mark in iron-red28.5cm high
A Chinese cloisonné zhadou and cover, late Ming dynasty, of cylindrical form with a flat everted rim, enamelled with scrolling lotus against a blue ground, enclosed with dragons and phoenixes to the rim, the domed cover similarly decorated, 18.2cm diameter (2)Provenance: The collection of Mr David Fredrick John Chapman-Andrews (1933-2018), inherited from his mother, Lady Sadie Chapman-Andrews, on her death in 2002. Lady Sadie had a close family connection with China at the turn of the last century.明晚期 铜胎掐丝珐琅龙凤呈祥纹带盖渣斗Condition report: Surface scratches and small dents, knocks to edges and some enamel losses consistent with age. Knop of cover possibly replaced. Cover's rim soldered.
A Chinese cloisonné bowl, late Ming dynasty, the rounded sides rising from a concave base, enamelled on a blue ground with Buddhist lions and pups playing with brocaded balls, 13.2cm diameterProvenance: The collection of Mr David Fredrick John Chapman-Andrews (1933-2018), inherited from his mother, Lady Sadie Chapman-Andrews, on her death in 2002. Lady Sadie had a close family connection with China at the turn of the last century.明晚期 铜胎掐丝珐琅太师少师纹碗Condition report: Surface scratches and dents, bowl misshaped, enamel losses, some enamel chipped near base.
A Chinese cloisonné vase and cover,19th century, of baluster form, enamelled with double xi characters surrounded by butterflies and scrolling lotus coming out of boxes, between key fret and false gadroon borders against a blue ground, the domed cover similarly decorated with a spear knop,33cm high (2)清十九世纪 铜胎掐丝珐琅缠枝莲纹囍字盖瓶Condition report: Surface scratches, minor dents and knocks to edges. Some enamel chips and losses. The cover a bit misshaped.
A Chinese cloisonné censer,the rounded sides rising to a flared flat rim with two Buddhist lion handles, supported by three elephant feet, enamelled with scrolling lotus against a blue ground, the interior with a roundel of cranes enclosed by grapes and vine, six-character Jiajing mark in a recessed rectangle, 27.7cm diameter铜胎掐丝珐琅缠枝莲纹铺首耳炉 《大明嘉靖年制》楷书模款Condition report: Surface scratches, some enamel losses. Gilt rubbed. One elephant's ear damaged, loose from base.
A Chinese export Canton painted enamel dish,Qianlong (1736-1795), the rounded sides rising from a circular foot, painted with warriors in a rocky landscape, enclosed by scrolling florets against a yellow ground, six-character Qianlong mark, 21.4cm diameter清乾隆 广东制外销铜胎画珐琅人物故事图盘 《大清乾隆年制》楷书款Condition report: Surface scratches. Enamel with losses and cracks. Underside damaged.
A pair of Chinese export Canton painted enamel saucers,18th century, of quatrefoil form, painted with chilong surrounding a shou roundel against an aubergine ground, the underside with bats amongst clouds, the base with finger citrons, 11.8cm long (2)清十八世纪 广东制外销铜胎画珐琅螭龙捧寿图碟 一对Condition report: Both damaged with losses and chips. Both restored to the enamel below rim and to the underside. Surface scratches and cracks to enamel.
A Chinese Canton painted enamel tray, late 18th century, of shaped rectangular form on four feet, painted with pine trees beside a river, a traveller with a staff crossing a bridge, the border with blue archaic chilong forming key frets against an apple-green ground, the base with peony, peach and melon, with 'J. T. Tai & Co.' trade label,20.5 x 31cm清十八世纪末 铜胎画珐琅山水图托盘 Condition report: Rim is a bit misshaped. Surface scratches. Enamel with cracks and chips, corners damaged and restored.
A Chinese Canton painted enamel dish, Qing dynasty (1644-1911), the rounded sides rising from a circular foot to a flat rim, painted with a shou roundel surrounded by Eight Buddhist Emblems and scrolling flowers, against a blue ground, 19cm diameter清 广东铜胎画珐琅缠枝花卉八吉祥纹盘Condition report: Enamel with surface scratches, cracks, chips and losses. Minor dents to rim.
A large Japanese Imari dish,Meiji period (1868-1912), of rectangular form with a raised lobed rim, painted with an attendant presenting a hand scroll to a samurai, the sides with birds and flowers in shaped panels against a diapered ground, 49.5cm longCondition report: Gilt rubbed, surface scratches, some enamel losses. Small chips and glaze bubbles to rim.
A large pair of Japanese Satsuma ware vases,Meiji period (1868-1912), of ovoid form, painted with literati with attendants in a mountainous landscape, or in a sitting room surrounded by precious objects, enclosed by a raised shaped border imitating bamboo, between panels of flowers and birds including quail, cranes, pheasants and geese, all against a diapered ground with roundels of mythical beasts, 56cm high (2)Condition report: Both with some gilt and enamel losses. One cracked to lower section of body. The other chipped to rim, both rims later painted with gilt.
A collection of Japanese Satsuma wares,Meiji period (1868-1912), comprising:a bowl, the rounded sides rising from a circular foot to an inverted rim, painted with three leaves in a roundel, 11cm diameter, and a pair of miniature vases, of ovoid form, painted with butterflies, 3cm high (3)Condition report: Bowl - surface scratches. Vases - Minor enamel losses under the rims.
A Japanese Satsuma ware plate, Meiji period (1868-1912), by Yabu Meizan (1853-1934), of circular form, painted with blossoming wisteria, signed on the underside in gilt Yabu Meizan,21.4cm diameter, and a vase, of baluster form, similarly decorated, signed on the underside in gilt Yabu Meizan,18cm high (2)Condition report: Both with gilt rubbed to rim.Vase with some enamel losses.
A Japanese cloisonné vase,Meiji period (1868-1912), of lobed globular form, enamelled with butterflies against a black ground, 15cm highCondition report: Surface scratches. Very minute knccks to rim. Small knocks to the body, some minor enamel losses. Small hairline cracks to enamel of interior.
A Japanese Ginbari wireless cloisonné vase, early 20th century, by Kumeno Teitaro (1861-1939), of ovoid form, enamelled with egrets against a red ground, signed on the underside with the stamped mark of the Kumeno workshop, silver-mounted rim and foot rim,15cm highCondition report: Surface scratches. Small knocks to rim. Very minor enamel losses. Small hairline cracks to enamel under the rim.
A Chinese Canton enamelled famille rose vase, 19th century, of ovoid form flanked by two chilong handles to the neck, painted with figures in shaped panels, surrounded by butterflies and flowers, 60cm highCondition report: Some enamel losses. Rim and neck chipped, cracked and restored. Star cracks to base.
A Chinese famille rose basin, 19th century, the rounded sides rising to an everted rim, painted with historical figures amongst precious objects and florets, 41.4cm diameterCondition report: Surface scratches, gilt and enamel losses. Footrim chipped, base with a large star crack. Fully restored.
A Chinese famille rose teapot and cover, of ovoid form, painted with scrolling lotus against a blue ground, six-character Daoguang mark to base, the domed cover similarly decorated with a spear knop, 17.5cm high (2)Condition report: Gilt and enamel losses. A hole to the side of body with star cracks, chips and restored, handle restored.
A pair of Chinese famille rose teacups, Guangxu (1875-1908), each cup with rounded sides rising from a circular foot, painted with egrets among lotus flowers and leaves, 7cm diameter, a matching saucer, 11.4cm diameter, and another saucer, similarly decorated with peony, 11.3cm diameter (4)Condition report: One cup chipped and cracked, the other cup chipped. Matching saucer cracked to rim and base, chipped to foot rim. The other saucer with a small hairline crack to rim. All with enamel losses.
Two Chinese famille rose plaques, Guangxu (1875-1908), each of square form, painted with figures in a garden, 14.8cm square, and a famille rose milk jug, 18th century, with florets in shaped panels, 9.3cm high (3)Condition report: Plaques - one with chips to edges. Milk jug - cover missing. Surface scratches, gilt and enamel losses.
A Chinese famille rose tureen and cover, Guangxu (1875-1908), of lobed oval form, painted with butterflies and sprigs of florets, flanked by two handles to each side, 23cm long, and a stand, similarly decorated, 23.7cm long (3)Condition report: Small chips to rim of cover, two handles, and rim of stand. Surface scratches and enamel losses.
A Chinese export famille rose punch bowl, Qianlong (1736-1795), painted with figures appraising birds in a garden, 28.2cm diameter, and another, with figures in a garden, 28.2cm diameter (2)Condition report: First punch bowl with birds - chipped and cracked to rim, base chipped and glued. Hairline cracks to foot rim and base. Second punch bowl - broken in pieces and glued. Firing cracks to foot rim.Both with enamel and gilt losses.
A Chinese famille rose vase, 19th century, of baluster form, painted with figures in a sitting room, in shaped panels surrounded by birds and flowers, the shoulder applied with chilong and the neck with Buddhist lion handles, 46.5cm high, and another, with peony and prunus in relief, against a turquoise ground, the handles in the shape of peach branches, 29.5cm high (2)Condition report: Vase with figures - chips in various locations. Mouth, neck and handles restored. Foot rim chipped, star cracks to base. Enamel losses. Floral vase - fully restored.
A Chinese cloisonné box and cover, 20th century, of rectangular form, each side enamelled with birds and flowers, the top with a Buddhist lion finial, 12.6cm long (2)Condition report: Surface scratches, some minor enamel losses. The cover dented with enamel chips, cracks and losses to interior. A small split to the corner rim, box with one corner dented.
A Chinese famille rose tray, 19th century, of lobed quatrefoil form, painted with fishermen having a feast on a rock by a river, 27.5cm long, and an export famille rose dish, Qianlong (1736-1795), painted with the 'lady on the lily pad' tobacco leaf design, 22.8cm diameter (2)Provenance: The Peter and Pat Crofts Collection.Condition report: Tobacco leaf dish - Some enamel losses, small chips to rim.Fishermen tray - a large circular crack to the centre, a small chip to rim. Enamel losses.
Two Chinese export famille rose chargers, 18th century, painted with cranes standing on a rock by peony in a garden, 38.8 and 39cm diameter, a large plate, 29cm diameter, and eleven smaller examples, 23cm diameter (14)Condition report: Chargers - Both with chips to rim. One with hairline cracks to the underside of rim. Large plate - rim with chips and a crack. Smaller plates - all with cracks and chips to rim. One restored. All with surface scratches and enamel losses.
A Chinese famille rose cup and saucer,Yongzheng (1723-1735), the cup with rounded sides moulded with petals in relief, rising from a circular foot to a flared lobed rim, painted with three butterflies among pomegranates, peaches and finger citrons in white enamel, 7.6cm diameter, the saucer similarly decorated, 11.9cm diameter (2)清雍正 粉彩三多蝴蝶纹茶杯 及碟Condition report: Both with surface scratches and enamel losses. Cup with minute chips to rim and small chips foot rim. Saucer with minute chips to foot rim.
A Chinese famille rose bowl,Qing dynasty (1644-1911), the rounded sides rising from a circular foot to a flared lobed rim, painted with mythical beasts among scrolling foliage against a yellow ground, six-character Daoguang mark, 15cm diameter清 黄地粉彩瑞兽穿花图花口碗 《大清道光年制》矾红篆书款Condition report: Gilt rubbed. Surface scratches. Some enamel losses to foot.
A Chinese famille verte vase,late Qing dynasty, of rouleau form, painted with literati and attendants in a rocky landscape with river, 45cm high清晚期 五彩山水人物图棒槌瓶Condition report: A large crack above base around the whole body with signs of glue. Possibly restored. Base grounded. Some enamel losses. Small chips to foot rim.
A Chinese Canton enamelled famille rose vase, 19th century, of baluster form rising to a flared lobed rim, painted with warriors in combat or figures in a courtroom in a panel surrounded by birds and flowers, applied with Buddhist lion handles to the neck and chilong to the shoulder, 62cm high清十九世纪 广东粉彩人物故事图花口瓶Condition report: Rim cracked with a large crack around neck with small chips. Some enamel losses.
A pair of Chinese export famille rose vases, 18th century, each of baluster form, painted with willow and prunus branches coming out of a vase, the reverse with precious objects, 24cm high (2)清十八世纪 外销粉彩清供图瓶 一对 Condition report: One with cracks and a small chip to rim. The other with some enamel losses.
A Chinese famille rose fishbowl, 19th century, of ovoid form with inverted rim, painted with numerous butterflies, between ruyi-shaped and petal lappet borders,47.5cm high清十九世纪 粉彩百蝶纹缸Condition report: Large cracks across body and base. Riveted. Signs of repair. Surface scratches and some enamel losses.
A Chinese doucai vase,Qing dynasty (1644-1911), of baluster form, painted with dragons among waves and clouds, between scrolling lotus and petal lappet borders, six-character Qianlong mark,46.5cm high清 斗彩云龙纹瓶 《大清乾隆年制》青花篆书款Condition report: Mouth broken off and grounded with chips and cracks. Handles missing. Surface scratches and some enamel losses. Base repaired and rivetted along the body, signs of glue.Purchased from Annick du Breton de Kergoet from France in 2002. Photos attached in the condition report.
A pair of Chinese ruby-enamelled tea bowls,each steep rounded side rising from a circular foot, the exterior covered overall with a lustrous enamel of vibrant ruby-pink tone, six-character Yongzheng mark,9cm diameter (2)胭脂水釉茶碗 《大清雍正年制》青花楷书款 一对Condition report: Surface scratches.Purchased in Beijing in the 1990s.
A Chinese famille rose vase, Republic period (1912-1949), of square form, painted with landscapes with inscriptions in rectangular panels, enclosed by scrolling florets against a ruby sgraffito ground, four-character Qianlong mark, 19.5cm high民国 胭脂红地粉彩轧道开光山水诗题图四方瓶 《乾隆年制》楷书蓝料款Condition report: Professionally restored. Some enamel losses in various locations. Surface scratches. Gilt rubbed.
A pair of Chinese famille rose lotus cups, 20th century, each modelled in the shape of a large lotus blossom, with incised overlapping petals outlined in black enamel and filled with shades of pink, the outer row of petals rising to form the gently flared wall of the vessel, the centre pierced with a small circular aperture leading up into the hollow lime-green stem that forms the handle, inscribed Daqing Guangxu jiu nian Anhui Taihu fujin qiucao jinian bei (Cup commemorating the autumn military exercises held near Taihu in Anhui in the ninth year of Guangxu reign of the Great Qing) in black enamel, 17.5cm long (2)For a similar lot, see Sotheby's, St George Street, 10 November 2017, lot 399 and Christie's, London, 20-28 March 2018, lot 283.二十世纪 粉彩秋操纪念杯 一对Condition report: One restored with chips and losses. The other with no obvious faults.
A Chinese ruby-enamelled vase,the pear-shaped body rising from a circular foot to a slim neck with a flared rim, the exterior covered overall with a slightly mottled enamel of vibrant ruby-pink tone, four-character Yongzheng mark, 16cm high胭脂水釉胆瓶 《雍正年制》蓝料楷书款Condition report: Surface scratches. Gilt rubbed.
A Chinese qianjiang vase, Republic period (1912-1949), of compressed lobed pear form, flanked by mask and tongue handles, the body painted with birds and flowers, inscribed and dated year of Renxu (1934) with signature of Xiancha, four-character Ying Lian Xuan zao mark to base,35.5cm high民国 浅绛彩花鸟图花口扁瓶 仙槎款 《映莲轩造》矾红篆书款 Condition report: Surface scratches, some enamel losses.
A Chinese iron-red meiping vase,potted with a high rounded shoulder below a short-waisted neck, and tapering elegantly towards the slightly flared foot, painted with dragons chasing flaming pearls in roundels surrounded by scrolling lotus, 43.5cm high矾红彩开光双龙抢珠纹梅瓶Condition report: Surface scratches and enamel losses.

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