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A collection of photographs, documents and photocopies relating to Stan Laurel, his father and family, including a hand written family register, an informal photograph of Stan Laurel at the Savoy, London, 1948, two photographs of Arthur Jefferson, a re-print photograph of the Theatre Royal, Blyth (owned by Stan Laurel's father), reproduction theatre bills for the theatre, and the original enamel sign for Jefferson Street, Blyth, named in honour of Stan Laurel's father. (17)
A late 19th Century French ormolu mantel clock, the eight day movement by Japy Freres, the back-plate inscribed Howell & James, Paris, the white enamel dial with roman numerals, the ornate case surmounted by a pair of birds sitting on a floral urn, painted Paris porcelain panels below on moulded bowfront base and scrolling feet, 11in. x 12in. high.
A 19th Century French red boulle mantel clock, the ornate gilt metal urn shaped finial above the circular dial inset with roman numerals in blue enamel, fitted eight day movement striking on a single gong with sunburst pendulum, the case with glazed panel and applied gilt metal motifs, together with a presentation plaque to the back, 13in. high.
A French four-glass mantel clock, the classical style case decorated with corinthian pilasters in red marble, with white enamel dial with exposed anchor escapement, fitted heavy brass pendulum, the movement inscribed to the reverse 'W. Gibson', raised on a black marble plinth base with brass bracket feet, 12in. x 20in. high.
FINE FRENCH EMPIRE STYLE GILT-BRONZE MAHOGANY FOUR-GLASS MANTEL CLOCK, LATE 19th CENTURY, the bevelled glass front panel enclosing a white enamel dial painted with floral swags and Arabic numerals, signed "M.Schnerb", the movement signed "F.Marti", with mercury compensated pendulum within a mahogany case surmounted by a bronze model of an eagle signed "Rousseau",supported on four columns, issuing from a stepped onyx plinth. 51cm
A Spode printed and enamelled earthenware oval drainer, printed in blue with the Trophies-Etruscan (or Hundred Antiques) centre within the Cracked Ice and Prunus border, with details picked out in ochre enamel, length 32, 7cm, printed and impressed upper-case marks, circa 1825-33. See Drakard & Holdway P629 for the centre and P807 for the border design

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