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A NORWEGIAN SILVER-GILT AND GUILLOCHÉ ENAMEL POWDER BOX by Marius Hammer, marked '930S', circular form with a hinged cover, enamelled to the cover and sides with powder blue guilloché enamel, with a fine white enamel border at the rim of the base. 6.3cm diameter, 2.8 troy ounces grossTwo small chips to the enamel below the hinge, very light surface wear. The lid closes properly and neatly but not tightly.
AN ELIZABETH II SILVER AND ENAMEL CIGARETTE BOX maker's mark AJ., London 1928, rectangular, the hinged cover decorated with guilloché enamel and scrolling borders, the sides engine-turned, wood lined, weighted. 11.4cm wideThe hinge works well, both front corners are upturned to prevent a flush closure, light surface wear to the enamel commensurate with age and use, otherwise in good condition.
A RARE VICTORIAN SILVER AND ENAMEL VESTA CASE by Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Birmingham 1883, rectangular, the hinged cover enamel decorated with the King of Clubs playing card. 4.8cm wideThe marks are reasonably clear. The hinge is in good condition, and the cover closes well. Some small dints and surface wear. The enamel is in good condition. Generally, in good condition commensurate with age and use.
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO, A SILVER AND ENAMEL CORONATION SPOON marked "CYMRIC", Birmingham 1901, the pointed ovoid bowl cast with celtic knotwork, the crown and the initals "AC/ER VII", with two picked out blue/green shaded enamel panels, the handle pierced and cast with a contiuation of the celtic design. 12.7cm long, 1.2 troy ouncesThe marks are clear and well-struck, no chips to the enamel, in good condition overall.
AN UNUSUAL CONTINENTAL SILVER AND ENAMEL CIGARETTE CASE import marks, Walter Henry Marks & Samuel Tobias Cohen, Birmingham 1907, rounded rectangular form, shaped for the pocket, the cover opening to reveal a large enamel plaque depicting a female nude in an interior. 9.2cm by 8cm, 4.7 troy ouncesThe marks are clear. The enamel is in good condition without damage. No personalised engraving. The cover snaps closed tightly. In generally very good condition.
OMAR RAMSDEN: A GEORGE V SILVER AND ENAMEL CADDY SPOON London 1925, spot-hammered fig-shaped bowl, the tapering handle terminating in scrolling wirework with a central red enamel cabochon. 9.2cm long, 1.2 troy ounces grossThe hallmarks are clear and well-struck, a small chip to the top left of the enamel cabochon, otherwise in good condition.
A GEORGE V SILVER-GILT, ENAMEL AND GLASS SPIRIT FLASK by Mappin & Webb Ltd, London 1927, the bayonet cap decorated with blue guilloche enamel, the facet cut glass upper body above a detachable sleeve cup. 14.5cm highThe marks on both the collar and cup are clear but some rubbing to the maker's marks. Tiny scratch to the edge of the enamel, but otherwise very good. The cover opens and closes well. The glass is in good condition without damage. In generally good condition commensurate with age and use.
A SWISS GOLD-MOUNTED ENAMELLED CARNET DE BAL, PROBABLY GENEVA, CIRCA 1780 slightly tapering rectangular étui-à-tablettes, of oblong-section, the sides of the cover and base are translucent orange enamel, obverse and reverse of cover applied with the inscription SOUVENIR / D'AMITIE, the obverse and reverse centred with an oval plaque decorated with a classical scene in enamel depicting a lady standing, within a mother-of-pearl and gold border and a foliate enamel border with opaque white enamel pellets. 8.5cm high
A FINE RUSSIAN GOLD AND ENAMEL SNUFF BOX, BY PIERRE THEREMIN, ST PETERSBURG, 1800 rectangular with cut corners, the lid painted en plein after William Beechey's Portrait of Sir Francis Ford's Children Giving a Coin to a Beggar Boy (1793), within leaf scroll paillon and taille d'épargne borders, the sides and base of opaque sky blue enamel. 8.5cm by 7cm, 114 gramsThe charitable children are Francis Ford and Mary Ford, whose father, Sir Francis Ford (1758-1801) of Ember Court, Thames Ditton, Surrey, was a wealthy politician and the owner of extensive property in the West Indies. The original painting is at Tate Britain (T06734). The portraitist Sir William Beechey (1753-1839) became Queen Charlotte's official portrait painter in 1793; his full-length portraits of her and King George III hang in the Grand Staircase at Buckingham Palace (RCIN 405422/3). His painting of George III and the Prince of Wales Reviewing Troops earned him a knighthood in 1798; it was the only painting destroyed in the Windsor Castle fire of 1992, being too large to move from the State Dining Room. Sir William was the father of 21 children by his two wives.
A FINE VIENNESE ENAMEL AND SILVER-GILT CUP AND COVER, BY HERMANN BOHM, CIRCA 1870 the lid with a finial of a scantily clad lady enamelled in blue and two cartouches of allegorical figures, on a powder blue ground, the ogee cup with with silver-gilt mounts to the base, decorated with masks and allegorical scenes, stamped on the foot rim. 20.5cm high
A FINE SWISS GOLD AND ENAMEL SCENT BOTTLE, PROBABLY GENEVA, THIRD QUARTER OF THE 19TH CENTURY probably made for the Indian market in Moghul taste, of boteh form, the curved body and chained everted cap chased with an overall design of gold flowers on a scarlet basse-taille enamel ground, apparently unmarked. 7cm long (excl. chain)Some 40 years later, the American firm Tiffany & Co. was creating scent bottles of similar form and type of overall floral decoration but in silver for the mass market; see John Loring, Tiffany’s 150 Years, New York, 1987, p. 73 for a flask with this type of decoration
A JEWELLED GOLD AND ENAMEL ROYAL PRESENTATION SNUFF BOX by C.M. Weishaupt und Söhne, Hanau, mid-19th century, the rim numbered 2751, of cartouche-form, the lid set with an oval medallion enamelled translucent blue over an engine-turned ground and applied with diamond set scrolling initial H below the Imperial Russian crown for Nicholas I (1825-1855), framed by a diamond border and flanked by six diamonds set amongst gold foliate motifs against a stippled ground, the base and sides engraved with rocaille and further foliate scrolls. 9.6cm wide, 210 grams gross
A GERMAN ENAMEL SNUFF BOX, FREDERICK THE GREAT, CIRCA 1760 the lid gilded with a royal cypher and enamelled in puce and green with the names and dates of battles of the Silesian wars, the underside of the lid with an allegorical figure, martial trophy and inscription Breslau et Schweidnitz, the sides and underside with further trophies and inscriptions, including Vivat Schlesien. 8.5cm by 6.5cm
A VIENNESE SILVER AND ENAMEL TABLE CLOCK, LAST QUARTER 19TH CENTURY the ovoid clockcase surmounted by a bird with spread wings, the reverse painted with classical figures, the interior back painted with two scantily clad maidens, on a spread-wing bird-form support and domed circular foot, movement signed. 17.5cm high
A VIENNESE ENAMEL, SILVER-GILT AND ROCK CRYSTAL PILGRIM FLASK, BY HERMANN RATZERSDORFER, CIRCA 1860 the domed screw lid opening to reveal a screw stopper, the circular body centred to the front and back by an engraved rock crystal panel, on a rock crystal domed spreading base, stamped to the foot. 17cm highThe rock crystal exhibits some fractures that do not affect the exterior surface, possibly natural flaws. The enamel remains in good condition, and the screw-top functions smoothly. The stopper is securely in place and fits snugly. Marked on the underside of the foot, it stands upright and is generally in good condition.
A RARE RUSSIAN SILVER AND BLUE ENAMEL BOX by Carl Fabergé, Moscow, c.1896-1908, square, the hinged cover centred by a pink foil-backed cabochon-cut topaz on a silver scroll and anthemion overlay on a deep blue engine-turned enamel ground, the four sides set with scroll and anthemion overlay on corresponding engine-turned enamel grounds, stamped marks on the underside of the cover and base, scratched inventory number 19870 on the underside of the base. 4cm square, 90 grams grossThe enamel is in excellent condition without damage. There is a tiny dint to the side of the cover, but generally the box is in excellent condition.
A FINE VIENNESE SILVER, ENAMEL AND LAPIS LAZULI CLOCK, BY HERMANN BOHM, VIENNA, CIRCA 1880 the arch-top surmounted by a winged, seated figure, surrounded by four further figures each capping an enamelled column to each corner, the bezel and face decorated in polychrome enamels, raised on claw feet, Austrian control and maker's mark HB. 14.5cm high
A RARE LOUIS XV PICTURE AGATE, GOLD AND ENAMEL SNUFF BOX, BY NÖEL HARDIVILLERS discharge mark of tax fermier Louis Robin (1738-1744), Z date letter for 1739, rectangular with a hinged cover, moss agate panels, and scalloped gold mounts set with enamel leaves. 6.5cm by 5cmThe agate is in good condition without damage. The box generally is in very good condition.
A FRENCH SILVER AND ENAMEL SCENT BOTTLE, MID-19TH CENTURY of round-form, the centre decorated with a courting couple within a pearl border, the stopper with a spray of flowers, suspended from a chatelaine with matching enamelling. Bottle 7cm highIn very good condition. The top closes well and tightly.
A FINE VIENNESE ENAMEL, LAPIS, SILVER AND GEM-SET MANTEL CLOCK, CIRCA 1880 in the form of a lapis vase of cascading gem-set flowers with two silver and enamel cherubs, the pendulum set with a moonstone, all held up by two silver and enamel columns with swags of emeralds on a silver and enamel lapis base, each corner with a mythological silver figure. 25cm high
A SILVER WALTHAM OPEN FACED POCKET WATCH circular white enamel dial signed Waltham U.S.A with black roman indices and outer minute track, sub seconds dial at 6 o'clock position, blued steel hands, the case with a hinged engine-turned back and escutcheon to centre, outer cover internally hallmarked sterling silver Birmingham 1912, inner cover signed Dennison Watch Case Co, keyless wound movement signed American Waltham Watch Co. Case diameter 56mmWatch is currently functioning but timekeeping not tested, case is worn and has several dents, one very fine crack to the dial at 7/8 oclock position.
A WHITE METAL OMEGA POCKET WATCH circular white enamel dial with black roman index and outer minute track, sub seconds dial at 6 o'clock position, blued steel hands, the plain case with a hinged case back signed Omega, hinged internal case back cover, keyless wound unsigned movement with lever escapement. Case diameter 60mmWatch is not currently functioning but balance is good and a new mainspring may be required, some light scratches to dial but no cracks detected.
A 9CT GOLD OPEN FACED ELGIN POCKET WATCH circular white enamel dial signed Elgin with roman indices and outer minute track, sub seconds dial at 6 o'clock position and blued steel hands, the plain case with entwined script initials engraved on the back, hinged case back internally hallmarked 9ct Gold Birmingham 1930, internal hinged case back engraved with presentation inscription dated 1932, keyless wound movement signed Elgin Natl. Watch Co USA Safety Pinion 17 Jewels Adjusted, movement number 10006524. Case diameter 48.5mm Watch is currently functioning but timekeeping not tested. Dust cover is marked for 9k. 80 grams gross.
A WALTHAM 14K GOLD KEYLESS FULL HUNTER POCKET WATCH the white enamel dial with Roman numerals, black outer minute divisions with red Arabic numeral five-minute markers, subsidiary seconds at 6 o'clock, blued steel spade hands, monogrammed engine-turned case, the dust cover presentation engraved and dated 1909, the front cover with further presentation engraving, 17 jewels adjusted movement numbered 16019849, signed to the dial, case stamped KEYSTONE 14K. Case diameter 48mm, 99 grams grossAppears to wind and run properly but not monitored for a given length of time, so unwarranted. The dial and case are in very good condition without damage. A very clean watch. The dust cover is marked for 14k.
AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT NECKLACE, BY CHARLES HORNER Chester 1909, the pierced and shaped oval mount filled with turquoise and green shaded enamels and suspending an enamel drop, connected by trace chains to an enamelled link, to a trace chain necklace. Pendant 3cm wide, 5.5cm from circular link to the bottom of the drop, chain 43.5cm longThe enamel is in excellent condition, as is the pendant as a whole.
AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT NECKLACE, BY CHARLES HORNER Chester 1911, the lozenge-shaped pendant lightly planished and with floral detail, filled with blue-purple enamel, suspending an enamelled pendant drop, connected by belcher chains to an enamelled link, to a belcher chain necklace. Pendant 3cm by 2.8cm, chain 47cm longIn very good condition. The enamel is in good condition.
AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT NECKLACE, BY CHARLES HORNER Chester 1908, the pierced scrolling mount centred by a blue enamel roundel and suspending three blue enamel drops, connected by trace chains to an enamelled link, to a trace chain necklace. Pendant 4cm wide, 6.3cm from enamel link to the bottom of the lowest drop, chain 47.5cm longThe enamel is in excellent condition, and the pendant as a whole is in excellent condition. The hallmarks are clear.
AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT NECKLACE, BY CHARLES HORNER Chester 1910, the shield-shaped pendant set with a turquoise, green and purple shaded oval enamel, suspending three enamel drops, connected by trace chains to an enamel link, to a trace chain necklace. Pendant 2.5cm wide, 6.5cm from the circular link to the bottom of the lowest drop, chain 47cm longThe marks are clear. The enamel is in excellent condition and the piece as a whole is in excellent condition.
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO, A CYMRIC SILVER AND ENAMEL BELT BUCKLE Birmingham 1903, of two-piece construction, decorated with honesty seed heads and filled with blue, green, purple and orange enamel. 7cm by 4.5cm, 1.37 troy ounces grossArchibald Knox (1864-1933) was a highly influential designer and artist of the Arts and Crafts movement, known for his distinctive contributions to the Celtic Revival and Art Nouveau styles. Hailing from the Isle of Man, Knox's designs are celebrated for their organic, flowing forms and intricate knotwork, often drawing inspiration from the natural world and Celtic motifs. His work for Liberty & Co. in London, where he spent much of his career, was pivotal in shaping the company's reputation for innovative design during the late 19th and early 20th centuries. Knox's legacy continues to captivate collectors and enthusiasts worldwide, and his pieces remain highly sought-after examples of the decorative arts of the era. This auction presents a unique opportunity to acquire rare and exquisite pieces designed by Archibald Knox, showcasing his enduring artistic influence and significance in design history.Stamped CYMRIC and with a complete set of clear hallmarks. The original enamel is in good condition, and the buckle is in excellent condition.
A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK OF REGULATOR QUALITY, BY GERRANS OF WORTLEY, CIRCA 1800 the hood with swan-neck pediment and reeded columns, the trunk with reeded canted corners, dead beat escapement and wooden pendulum rod with heavy bob, white enamel dial with calendar work. 220cm highRunning. Complete with weights and pendulum. In generally very good and clean condition.
A FRENCH GILT-BRONZE FOUR-GLASS MANTEL CLOCK, 19TH CENTURY, SIGNED E. COLIN & CIE, PARIS the case surmounted by a bird group and applied with ribbon-tied pendant foliage, the enamel dial painted with floral swags, Roman numeral hours and Arabic outer minutes, within a bezel of white "jewels", the front and sides with bevelled glass plates, raised on a white marble base with turned and beaded feet. 24cm high, 12cm wide, 8.5cm deepThe beading to the front of the plinth is loose. Not tested. The dial is in good condition.
An 18ct yellow gold open faced pocket watch, the circular white enamel dial with Roman numerals and seconds subsidiary dial to 6 o'clock, set to a plain polished case with engraved initial monogram to reverse, stamped to interior 'G Coates and Co, Christchurch NZ' hallmarked for London possibly 1881, dial 4.7cm wide, 87gms (including movement) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A Victorian 18ct yellow gold open faced pocket watch, the circular white enamel dial with Roman numerals and subsidiary dial to 6 o'clock, dial marked 'Rob Roskell, Liverpool', set to a florally engraved case, inner dust jacket florally engraved and movement marked for 'Rob Roskell, Liverpool, No.65963', stamped Chester 1861, 91gms (including movement), with key Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding. Condition report: Currently ticking. Hands complete 24h movement. One key present. Engraving to case is worn. Scratches, scuffs and minor dents are present to case, commensurate with age and use. Minor surface scratches present to glass. White dial with minor marks and residue, would benefit from a clean. Crack seen between centre of hands and top of subsidiary dial. Case 4.8mm wide.
A yellow metal Waltham pocket watch and timer, the white enamel dial with Roman numerals, subsidiary dial to 6 o'clock and outer seconds track, dial marked for 'A.W Co Waltham' inner movement stamped and with patent number, interior cover stamped '18k' 5cm wide, 129gms (including movement) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding. Inner movement numbered '2718531' The case shows signs of scratches, blemishes and minor dents, commensurate with age and use. Currently ticking. The inner jacket has knife marks present.
A pair of early 20th century enamel cloak clasps, possibly by Charles Robert Ashbee, the circular blue enamel discs within a surround of openwork flower and foliate detailed border, set with seven turquoise cabochons, open to reverse and set with bar, 5cm diameter (2) Condition report: Cloak claps without chain: Turquoise cabochons with losses and rubover mounts in need of attention. Possible replacements. Turquoise unmatched in colour, a few slightly discoloured. Enamel centre with surface scratches and blemishes. Stem to one of the cabochons has snapped and will need repair. General discolouration to metal mount, and minor scratches throughout commensurate with age and wear. Unfiled area/possible repair to rim of brooch. Reverse of enamel shows minor discolouration.Cloak clasp with chain: Turquoise cabochons with losses and rubover mounts in need of attention. Turquoise unmatched in colour, a few slightly discoloured.Possible replacements. Enamel centre with surface scratches and blemishes. A few joins to leaves and cabochons have snapped. Possible minor repair to the mount of brooch. General discolouration to metal mount, and minor scratches throughout commensurate with age and wear. Reverse of enamel shows discolouration and residue. Chain possibly later.
An untested sapphire and paste ring, the three mixed cut sapphires interspersed with paste, set within a coronet style mount leading to plain polished shank, ring size M along with a selection of costume jewellery, to include a white and red enamel necklace with associated twisted white metal chain, an Edwardian 'French' green paste set necklace, upon a trace link white metal chain, three paste set duet brooches, untested pearl stud earrings, etc. (Qty)
A group of five David Anderson brooches, including a blue guilloche leaf example, stamped 'DA 925 sterling Norway' 7cm long, with a matched orange example, a white enamel wreath brooch, stamped 'David Anderson' 3cm diameter, and two further stylised double leaf brooches, stamped to reverse (5) Condition report: Orange leaf: Loss of enamel in corners. Surface scratches throughout. Possible repair to the pin. Discolouration to the reverse. Hinge appears a little loose.Blue leaf: Minor scratches and blemishes to enamel. Possible repair to the hinge pin. Discolouration to the reverse.Purple double leaf: Minor scratches and blemishes to enamel. Possible repair and visible join to reverse. Hinge has been compressed and not functional.White double leaf: Minor scratches and blemishes to enamel. Possible repair and visible join to reverse. Hinge pin a little loose but still functional. Evidence of lead to reverse.White wreath brooch: Minor losses to the enamel. Scratches and blemishes to the surface of the enamel. Pin a little loose but still functional. Discolouration and blemishes to reverse, may benefit from a clean.
An enamel and silver brooch by Ivar T Holth, the stylised double swirl with applied blue guilloche enamel, hinge pin to reverse and marked '925 S sterling Norway' 6cm long, with a further Ivar T Holth brooch, designed as stylised double ribbon, hinge pin to reverse and stamped '925 S sterling Norway' 5cm long and a further sterling enamel flowerhead brooch, with faux pearl to centre, 3.5cm wide (at fault) (3)
A selection of enamel jewellery, including two enamel locket pendants, Thomas Russell, Chester 1914, with purple and white stylised enamel flowerhead detail to front, a rough cut green hardstone set cross pendant, 5cm long, a polished rough amethyst pendant, and further brooches (8) (at fault) Condition report: Please note two brooches are lacking hinge pinsFurther two brooches, hinge pins are loose and will need attention. The enamel to all brooches with major losses. Two enamel lockets: Would benefit from a clean. Some areas of loss.
A gold plated 'Limit' pocket watch, the white enamel dial with Arabic numerals, 5cm wide, an Omega Prestons timer division pocket watch, and a Yards pedometer (3) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A 20th century French yellow metal and enamel box, the oval hinged cover with blue enamel centre with surround of foliate detail, with gilt interior stamped indistinctly and conforming decoration to body, possible French eagle head stamp to interior, 7cm wide, within fitted box Condition report: Minor loss seen to the base of the box within the blue oval cartouche (seen with x10 loupe) Loss to gilt highlights throughout.Loss to the green, gilt and white enamel to reverse of box. Major loss to the white enamel at front of boxSurface scratches seen throughout the enamel, Interior of box with surface scratches and blemishes commensurate with use. A little discolouration is seen throughout, may benefit from a clean.Interior rim of box hand engraved '03-01-1935'
A Grand Tour style micro mosaic mounted on tortoiseshell snuff box, 19th century, 8.5cm diameter, with a French enamel on copper open salt, polychrome enameled with floral sprays, gilt highlights throughout, 6.5cm diameter (2) (at fault) Condition report: snuff box - shows minor surface scratches to the base and small loss to the rim of the base (please see photo). There are minor losses to the mosaic throughout commensurate with age, (seen with x 10 loop). Residue present on the mosaic, would benefit from a clean. Hinge has been engraved numbered 10044, and is stiff. The snuff box would benefit from a clean.
A pair of Staffordshire porcelain brass mounted candlesticks, each florally encrusted with gilt highlights throughout, 19.5cm high, and a French porcelain Rococco style mantle clock, 20th century, florally encrusted with gilt highlights, raised on four scroll feet, enamel dial with roman numerals, 39cm high (at fault) (3) Provenance: Wykey House
A Japanese cloisonne millefiori box and cover, Meiji Period (1868-1912), the kidney shaped box externally decorated with an abundance of flower heads, the removable cover opening to reveal a polished lined interior, 13.5cm wideCondition report; No obvious concerning external condition issues visible with the exception to some pitting to the black enamel and a very minor dent to the copper rim surrounding the cover. The interior lining to the cover and base is slightly loose but intact.

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395597 item(s)/page