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Click here to subscribeA George III ormolu quarter chiming and repeating table clock, by J.H.Borrell, London, surmounted by waterfall automaton feature, clock with enamel dial, twin-fusee movement, further fusee and chain powers musical and automaton work, engraved backplate, on scroll supports with gridiron pendulum, rotating on giltwood plinth, 25ins high
A George III gold and enamel triple case pocket watch, with reverse glazed green fish skin applied gilt metal outer case, enamelled mid case with raised diamond inscription 'Remembrance' on a blue ground, and plain inner case with enamelled Arabic dial and pierced gold hands, verge movement signed James Green, London, no. 6708, hallmarked London 1794
Earl Wellington: an unusual pearlware jug moulded with a half length military profile looking to dexter within a horse shoe cartouche impressed with the name Earl Wellington below, flanked by moulded vignettes of fruits and foliage, well painted in coloured enamels and lined in silver lustre, circa 1812, 120mm high, some enamel flaking, minor star crack
Diana (Princess of Wales). Halcyon Days enamel pillbox, 1990, red body with gilt-rimmed hinged lid showing a frog dressed in Father Christmas costume on skis, printed facsimile inscription 'lots of love at Christmas from Diana 1990' inside lid, orig. plush-lined box with gilt crown and monogram 'D' to upper lid, approx. 8 x 8 x 3.5 cm, together with two others similar (but without Diana inscriptions and monograms to box lids), one with a floral pattern and printed verse 'Think deeply, speak gently, Love much, laugh often, Work hard, give freely and be kind', the other an Easter Egg pillbox for 1991 with vignettes of British birds, both with orig. plush-lined boxes, plus a Make-up brush prepared by Thomas Goode, early 1990s, antique mother-of-pearl handle, modern stem (a few marks) and soft bristles, maker's business card and description, orig. cardboard box with clear plastic cover (damaged), approx. 28 x 10 x 2 cm (4).
A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood above a shaped door flanked by octagonal pilasters enclosing a 13" white painted enamel arched dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and data aperture and marked 'Josh Kerry?, Swansea', painted with castles and abbey ruins to the corners, eight-day movement striking on a bell above a crossbanded three-quarter length trunk door flanked by octagonal pilasters over a figured mahogany panel and ogive moulding and crossbanded base board and raised on shaped bracket feet, 86" high
A George III oak mahogany crossbanded and boxwood inlaid longcase clock, late 18th/early 19th century, the broken scroll pediment centred by a boxwood urn motif over an arched door flanked by reeded gilt brass pilasters and enclosing 14" white painted arched enamel dial marked 'Artinstall? Drayton' with Roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and with rolling moon phase in the arch painted with an English frigate and country cottage, eight-day movement striking on a bell over a three-quarter length trunk door with boxwood and harewood conche shell motif flanked by reeded brass capped quarter pilasters over a conforming base board and bracket feet, distressed, 83" high
An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment with brass terminals above an arched glazed door flanked by turned pilasters, enclosing a 14" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture marked Rob Morris Stone, painted with rustic housing to the corners and farm workers in the arch, eight-day movement striking on a bell above a double pointed arched top trunk door centred by a boxwood and harewood conche shell motif between fluted quarter pilasters over a raised tablet, cushion moulding and further raised tablet base board, distressed, 85" high
An oak mahogany crossbanded and inlaid longcase clock case, early 19th century, with broken scroll pediment and arched glazed door flanked by turned pilasters over a boxwood inlaid frieze of a deer amongst foliage over a shaped top, lozenge centred trunk door flanked by turned pilasters and further bird and florally decorated panel, roundel inlaid baseboard and on a plinth, 92" high and a 14" white painted enamel arched dial marked indistinctly 'Cheadle', with Roman numerals and painted with rustic housing and abbey ruins in the corners and an Italianate landscape in the arch and an eight-day movement striking on a bell
A gilt brass clock garniture, early 20th century, in rococo revival style, the 4" circular dial with enamel chapters and Roman numerals, the case surmounted by a covered urn and applied with foliate brackets, German bell striking drum movement, the cased raised on bracket feet, and a pair of matching six-light candelabra, the clock 24" high, the candelabra 23" high
A Victorian earthenware graduated pair of jugs, c.1850, each underglaze blue and enamel painted in the Imari style with pagodas and flowering shrubs, with loop handle and flared neck, 21.6cm and 19cm; a set of three Mason's Ironstone plates, c.1830, painted and printed in the Imari palette; and another with differing pattern, (6).
A late 19th century French lacquered brass repeating carriage clock with alarm, the anglaise case with silvered mask to a white enamel Roman and Arabic chapter disc signed 'Hry Marc, Paris', having an alarm disc below, the eight-day twin barrel movement with lever platform escapement striking to a gong, the back-plate numbered 3132, 17.75cm. high, together with leather travelling case.
A Fine Mid 19th Century French Wheel Barometer by Cappy Paris. The diagonally veneered case enriched with applied gilt bronze mounts of scrolling foliage. The 7 1/2 inch (19 cm) white enamel dial signed Cappy Paris and graduated in French inches with an adjustable S-shaped gilt metal pointer. The long thermometer scale also signed and framed in entwined gilt branches, 44 1/2 ins (113 cms) overall in length.
A selection of printed and coloured wares: comprising two porringer-shape cups and saucers printed in black with a fallow-deer pattern and strip border, underglaze coloured in yellow, blue, green and orange; a saucer printed in black with a farmyard scene and concentric geometric borders, underglaze coloured in yellow, orange, blue and green; a saucer printed in black with a family scene within a chinoiserie-type border with ochre rim; and an enamel-coloured pink lustre saucer featuring a bird on a branch; all unmarked, circa 1810-25 (some minor damage)
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