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Lot 10
WALTHAM - an early 20th century 9ct rose gold cushion-cased mechanical wristwatch, circa 1920s, white enamel dial with Arabic numerals, subsidiary seconds dial and blued steel hands, 15 jewel movement, serial no. 26987354, case no. 460928, hallmarks Birmingham 1929, case width 30mm, working orderMovement - currently working Dial - 1 faint hairline crack at 7Glass - light surface abrasionsHands -slight rusting on minute handCase - light surface wear and a few small dents, with personalised inscription on casebackCrown - hands adjust smoothlyBracelet - unassociated black leather strap, near newNotes – no box or papers
Lot 115
A 19th century 15ct gold black enamel and split pearl mourning ring, central marquise panel with pearl cross motif, beadwork surround and closed-back settings inscribed "In memory of my father", maker's marks WGM, hallmarks Chester 1896, setting height 16.9m, size L, 3.2gBlack enamel shoulders have a few small chips, all stones present, no other damage or repair, hallmarks clear, stamped 625
Lot 154
A 9ct gold pearl, black enamel and hair mourning ring, with inset woven hair shank and central leaf shield panel, panel height 9.3mm, size N, 2.5gFair overall condition, main enamel panel has a large chip and several surface abrasions, one portion of hair panel has slightly become unwoven and is protruding from the shank, settings lightly abraded all over, hallmarks clear, stamped 375
Lot 25
An early 20th century lady's 18ct gold mechanical bracelet watch, white enamel dial with hand painted Arabic numerals, blued steel hands, ruby and diamond set enamel bezel and 9ct rose gold expanding bracelet, import hallmarks London 1910, case no. 128460, case width 25mm, not currently working 21.1g grossMovement - not currently working Dial - cleanGlass - light surface abrasionsHands - goodCase - light surface wearCrown - slightly bent and needs attention, hands still adjusting smoothlyBracelet - general surface wearNotes – no box or papers
Lot 30
ROLEX - a lady's 9ct gold mechanical wristwatch, white enamel dial with hand painted Roman numeral hour markers, 15 jewel movement, hallmarks London 1916, case no. 803762, case width 26mm, not currently working, 15.8g grossMovement - not currently working and is rusted Dial - cleanGlass - cleanHands - rusted centre columnCase - general wear and 2 very minor dents on casebackCrown - hands extremely difficult to adjust due to rustingBracelet - quite worn Notes – no box or papers
Lot 37
An early 20th century 9ct rose gold open-face keyless pocket watch, white enamel dial with hand painted Arabic numerals, blued steel hands and subsidiary seconds dial with unmarked dust cover, import hallmarks London 1919, case no. 10471, case width 45mm, working order, 52.6g grossMovement - currently working Dial - very light specks of surface dirtGlass - cleanHands - goodCase - light surface wear and a few light dents on bezelCrown - hands adjust smoothly
Lot 388
2 Antique novelty enamel coin brooches, comprising George III crown and Victoria 1889 crown, largest diameter 38mm, 46.3g total (2)George III crown has a few tiny chips to enamel including dragon head, backing quite worn, Victoria crown has 1 edge chip near date and also a pendant loop on backing, fittings working
Lot 39
A mid-19th century silver pair-cased open-face key-wind verge pocket watch, by F & W Ballard of Cranbrook, white enamel dial with hand painted Roman numeral hour markers, pierced and engraved balance cock, and cylindrical pillars, no. 93535, hallmarks London 1860, outer case width 56mm, working orderMovement - currently workingDial - cleanGlass - general surface abrasionsHands - goodCase - outer case is quite heavily worn with dents and hole on edge of case backing, outer case lacking push-button
Lot 40
An early 19th century silver pair-cased open-face key-wind pocket watch, by J L Boorman of Gravesend, white enamel dial with hand painted Roman numeral hour markers, pierced and engraved balance cock and cylindrical pillars, no. 5109, hallmarks London 1835, outer case width 58mm, working orderMovement - currently working Dial - several heavy chips around centre column and faint hairline cracks all around edgeGlass - a few edge chips and slightly loose inside casingHands - goodCase - general wear and a few dents on outer caseback
Lot 44
A 19th century French white marble drum mantel clock, white enamel dial with Roman numeral hour markers, and gilded figural swing pendulum, case height 24cm, not currently workingMovement - not currently working Dial - slightly discolouredGlass - noneHands - goodCase - a few tiny corner and edge chips
Lot 526
An Art Deco miniature silver and lilac enamel pocket mirror, by Chrisford & Norris Ltd, diameter 4cm, and an early 20th century silver matchbook case, 6.5cm x 4.5cm (2)Mirror has 2 edge chips to enamel and hallmarks rubbed, case has 1 small dent on underside, hinge and catch working, hallmarks clear
Lot 54
GUCCI - a lady's gold plated quartz wristwatch, black dial with Roman numeral hour markers and black enamel monogram case, case width 35mm, working orderMovement – currently working Dial - a few light specks of surface dirtGlass - very light surface abrasionsHands - goodCase - some black enamel chipped and missing along with general wearCrown – hands adjust smoothlyBracelet - black lizard strap with Gucci bucket, near newNotes – no box or papers
Lot 571
An Art Deco George V silver and pink/black enamel 8-piece dressing table set, including hand mirror, manicure tools and glass jars, by Henry Matthews, hallmarks Birmingham 1925, mirror length 15cm (8)Enamel has a few minor chips mainly on black edge surround, smaller glass jar has 1 tiny base chip, hallmarks slightly rubbed
Lot 73
A Swiss silver-cased half hunter keyless pocket watch, white enamel dial with Roman numeral hour markers, blued steel hands and subsidiary seconds dial, examined by J W Benson, case no. 1179953, case width 48mm, not currently workingMovement – not currently working and in need of attentionDial - a few minor surface abrasionsGlass - noneHands - slightly rustedCase - light wearCrown – very stiff and not adjusting
Lot 336
TWO 18th CENTURY ENAMEL BOXES, comprising South Staffordshire rectangular snuff box, painted with rustic playing flute to a seated lady, other vignettes of lovers in arcadian landscapes, 8.5cm w; and oval patch box, the lid painted with grieving maiden with anchor, inset with mirror, 4.2cm w (2)Comments: both damaged with cracks & chips, one with old discoloured restoration.GROUP OF ASSORTED POTTERY, comprising Majolica jar and cover, the foot inscribed 'Theriaca', continental pineapple form majolica teapot, Staffordshire bone china ink stand and cover, Prattware pot lid, Copeland Spode Italian tyg inscribe 'Auld Lang Syne', and Edward VII commemorative porcelain plate (6)
Lot 38
ASSORTED JEWELLERY & COLLECTABLES comprising carved cameo brooch, yellow metal brooch frame, yellow metal dress brooch, wooden snuff box with plaque engraved 'Royal George Sunk 1782 Raised 1839', pill boxes, mother of pearl seal, enamel egg box (9)Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office
Lot 73
ASSORTED RINGS, SCOTTISH & OTHER HARDSTONE JEWELLERY, includimg lava cameo bracelet and brooch, nephrite jade bar brooch, yellow metal double daisy brooch, yellow metal and gem set bar brooch, yellow metal seed pearl and turquoise set curblink brooch, silver & enamel Scottish crest brooch, 11 various 9ct and other rings, gold plated chains, silver cigarette case, simulated pearl necklaces, 1951 Festival of Britain silver crown, 1965 Churchill crown etc.
Lot 369
A Champleve enamel four glass striking mantel clock, circa 1890, multi-coloured scroll decorated champleve enamel borders, silvered Arabic numeral chapter ring, twin barrel movement, the backplate stamped with the trademark of the maker Mougin à Paris, enamelled twin tube mercury pendulum, height 27.5cm- slight chip to glass at reverse angle
Lot 272
A CLOISONNE ENAMEL INCENSE STICK-HOLDER IN THE FORM OF A TOAD, MID-QING DYNASTYChina, 1750-1850. The toad seated on its hind legs, the raised head with bulging eyes and the mouth agape with a small aperture for holding incense sticks, the body enameled in emerald-green with pale green spots, the chest of a pale turquoise color, the webbed feet and wide mouth are gilt, the base with a pierced coin-shaped design at the center.Provenance: Irish trade. Condition: Very good condition with minor wear and manufacturing flaws, minuscule losses to enamels at the base, light surface scratches, few small dents and nicks.Weight: 165.6 g Dimensions: Height 8 cm清代中期掐絲琺瑯蟾蜍形香插中國，1750-1850年。蟾蜍仰頭，大眼外凸，大嘴張開，内有小孔，用以盛香；身為翠綠色，有淡綠色斑點，胸部為淡青綠色，足蹼和寬口為鎏金，底座中央為鏤空硬幣形設計。 來源：愛爾蘭古玩交易市場。 品相：品相非常好，有輕微磨損和製造缺陷，底部琺瑯質損失微乎其微，表面輕微劃痕，少量小凹痕和刻痕。 重量：165.6 克 尺寸：高8 厘米
Lot 280
A RARE RED LACQUER 'MONGOL HUNT' BOWL, ATTRIBUTED TO ZHOU ZHUChina, 16th-17th century. The deep rounded sides rising from a short straight foot to an everted rim. Deeply carved with a continuous scene of four Mongolian hunters on horseback brandishing spears, one having just killed a wolf with his weapon, riding through a rocky landscape with grass and lingzhi as well as trees including paulownia, willow, and pine, against a floral diaper ground, the interior lacquered black. Provenance: Captain W. F. Collins (1865-1948), Beijing. Bluett & Sons, London, 26 May 1926. The Parry Collection of Chinese Art, London, acquired from the above and thence by descent. The base with an old collector's label, '341', partly obscuring a label from Bluett & Sons below. A copy of the original typed, stamped, and signed invoice from Bluett & Sons, dated 26 May 1926, addressed to “E. A. Parry, Esq.”, dating the present lot to the Ming dynasty, accompanies this lot. Captain Collins (1865-1948), was Bluett's main supplier in China from February 1925 to January 1928. He also sold pieces to John Sparks and other dealers in London and Paris between the 1920s and 1940s. The Parry Collection was an important English private collection of Imperial enamel, lacquer, porcelain, and jades, started by Edward Arthur Parry (1879-1946), a barrister by trade, and his wife Angela Parry (nee Scully, 1879-1977) from as early as 1919. The collection has passed down three generations of the Parry family, with many of the pieces having been acquired from the famous London dealers Spink and Bluett's.Condition: Good condition with old wear, natural age cracks and few minuscule losses to the red lacquer, the black lacquer with several shallow losses to the rim and associated old minor touchups.Weight: 119.0 gDimensions: Diameter 10.7 cmWith a finely carved hardwood stand dating to the Qing dynasty. (2)Lacquer bowls depicting hunting are extremely rare. Although hunting was extolled by early Ming Emperors who had inherited the tradition from the Mongol Yuan as a sign of military prowess and state authority, by the mid and late Ming period it was seen by the literati as a distraction from grave matters of state. The role of hunting became a charged area of contestation, where Ming Emperors and senior court ministers staked claims about rulership, ruler-minister relations, and the role of the military in the polity. The heirless Zhengde Emperor (1505-1521) was particularly passionate about hunting, much to the consternation of his ministers, see D. M. Robinson, Martial Spectacles of the Ming Court, Cambridge MA, 2013, pp. 214-220.Expert's note: Research conducted by Hugh M. Moss of the Water, Pine and Stone Retreat, concerning a red lacquer box and cover carved with a closely related scene of five Mongolian hunters (see Auction result comparison), has found that box “to be a lacquer version of inlaid wooden boxes decorated with a hunting scene and attributed to the 16th-century artist Zhou Zhu.” For this reason, we do attribute the present bowl, identical in quality to the aforementioned box, to Zhou Zhu as well.Zhou Zhu is recorded in the writings of the Ming and Qing literati as having worked in Yangzhou in Jiangsu province during the reign of the Jiajing Emperor. He was famous for his perfection of the technique of inlaying a wide variety of precious stones and other materials onto wood and lacquer. What distinguishes Zhou's works from others is his use of a much broader range of material and the complexity of the inlay itself. By skillfully utilizing kaleidoscopic materials to depict extraordinarily vivid scenes adorning precious woods, Zhou pioneered a range of beautifully inlaid works of art distinctive for their three-dimensional quality with eye-catching effects. His work provided inspiration for numerous subsequent interpretations. Literature comparison: Compare a hardstone-inlaid box and cover, attributed to Zhou Zhu and depicting a Mongolian hunting scene, dated by inscription to 1537, at Sotheby's Hong Kong in Water, Pine and Stone Retreat Collection – Scholarly Art on 7 October 2010, lot 2192. See also two related hardstone-inlaid zitan boxes and covers, early Qing dynasty, decorated with equestrian hunting figures, illustrated in The Complete Collection of Treasures of the Palace Museum: Bamboo, Wood, Ivory and Rhinoceros Horn, Hong Kong, 2002, nos. 230-231. A similar hunting scene can be found on a two-colored lacquer tray in the Tokugawa Art Museum, Nagoya, illustrated in Karamono. Imported Lacquerwork – Chinese, Korean and Ryukyuan, Selections from the Tokugawa Art Museum, no. 2, Nagoya, 1997, pl. 95, attributed to the Yuan or Ming period.Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 7 October 2010, lot 2213Price: HKD 860,000 or approx. EUR 155,000 converted and adjusted for inflation at the time of writingDescription: A cinnabar lacquer box and cover attributed to Zhou Zhu Ming dynasty, 16th / 17th centuryExpert remark: Compare the related Mongolian hunting scene, and also attributed to Zhou Zhu.周柱風格罕見剔紅狩獵圖碗中國，十六至十七世紀。 來源：北京W. F. Collins (1865-1948) 上尉。倫敦Bluett & Sons 藝廊，1926年5月26日。倫敦Parry Collection中國藝術收藏，購於上述藝廊並保存至今。底部可見收藏老標籤“341”，Bluett & Sons 的標籤局部被遮蓋。隨附Bluett & Sons藝廊出具的蓋章發票副本，時間爲1926年5月26日，收件人地址爲 “E. A. Parry, Esq.”。發票上注明此拍品為明代。 品相：狀況良好，有舊磨損、自然老化裂縫，紅漆和黑漆的邊緣有幾處輕微的缺失，存在相關的輕微修補。 重量：119.0 克 尺寸：直徑10.7 厘米 清代硬木底座。 (2) 由於字數限制，完整中文敘述請至www.zacke.at查看。
Lot 270
A SMALL CLOISONNE ENAMEL 'SHOU' BOX AND COVER, QIANLONGChina, 1736-1795. Of domed circular form, supported on a short foot, finely enameled with a central stylized shou character encircled by lotus blossoms and foliate scroll against a turquoise ground, the rims and base gilt.Provenance: British trade. Condition: Overall good condition with some old wear and traces of use, mostly to the edges, as well as expected manufacturing flaws, such as scattered pitting, and few minuscule nicks and light scratches to the rims. Weight: 95.8 g Dimensions: Diameter 5.5 cmAuction result comparison:Type: Closely relatedAuction: Bonhams London, 6 November 2014, lot 277Price: GBP 6,875 or approx. EUR 9,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel turquoise-ground circular box and cover, Qianlong periodExpert remark: Compare the closely related form and decoration. Note the slightly larger size (6.7 cm).乾隆時期小型纏枝蓮捧壽掐絲琺瑯蓋盒中國，1736-1795年。圓蓋，短足，綠松石色地上，精美琺瑯，上下左右一隻纏枝蓮，中央有一個壽字，邊緣和底部鎏金。 來源：英國古玩交易市場。 品相：整體狀況良好，主要是邊緣有一些磨損和使用痕跡，以及製造缺陷，例如分散的黑點，以及邊沿上輕微的劃痕。 重量：95.8克 尺寸：直徑5.5厘米 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯，2014年11月6日，lot 277 價格：GBP 6,875（相當於今日EUR 9,500） 描述：清乾隆掐絲琺瑯福壽夔龍紋圓蓋小盒 專家評論：比較非常相似的外型和裝飾。請注意尺寸稍大(6.7厘米)。
Lot 277
A CLOISONNE 'LANDSCAPE' VASE, CONG, LATE QING TO REPUBLICChina, 1850-1950 or earlier. The square-sectioned body rising from a splayed foot and surmounted by a tapered neck, each facet brightly enameled with a landscape scene, variously depicting tiered pavilions nestled amongst jagged cliffs and trees below vaporous clouds, the foot and neck similarly decorated with stylized lotus scrolls against a turquoise ground, the borders covered in gilt. The base with a neatly incised four-character mark Qianlong nianzhi within an inlaid and gilt square reserve.Provenance: From the private collection of Michael B. Weisbrod, New York, USA. Michael B. Weisbrod is a noted scholar of Chinese art, who has published extensively on the subject over a time span of more than 50 years. In 1972, Michael joined his father Dr. Gerald Weisbrod's Asian art gallery in Toronto, Canada. The father-and-son team opened their New York location on Madison Avenue in 1977, and during the next 45 years the gallery held a significant number of exhibitions, selling to museums and private collectors across the globe, eventually adding further locations in Shanghai and Hong Kong. Condition: Very good condition with some old wear, shallow surface scratches overall, firing flaws including extensive pitting, few minor nicks and microscopic hairline cracks here and there.Weight: 3 kg Dimensions: Height 32.2 cmLiterature comparison:Compare a closely related cloisonne enamel 'landscape' cong, but dated to the Qianlong period (1736-1795), at Christie's Hong Kong, 29 May 2013, lot 2075.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.清末民初山水紋掐絲琺瑯瓶中國，1850-1950 年或更早。沿襲了玉琮基本形制，上下口足為圓形，短頸，方柱形長身。瓶口足、邊緣棱角均鎏金，瓶身四面開光內以藍色琺瑯釉為地，以紅、白、藍、黑等色繪製軒榭庭宇、遠山近水等紋飾，頸、足處掐絲裝飾四朵纏枝蓮花紋，色彩繽紛艷麗，工藝精湛。圈足内“乾隆年製”款。 來源：美國紐約Michael B. Weisbrod私人收藏。Michael B. Weisbrod是一位著名的中國藝術學者，他在 50 多年的時間裡就該主題發表了大量著作。 1972 年，Michael加入了他父親 Gerald Weisbrod 博士在加拿大多倫多的亞洲藝術藝廊。 這對父子團隊於 1977 年在麥迪遜大道開設了他們的紐約分館，在接下來的 45 年裡，藝廊舉辦了大量展覽，向全球的博物館和私人收藏家出售作品，最終還在上海和香港開辦分店。 品相：狀況極好，有一些舊磨損，整體表面劃痕較淺，燒製缺陷包括大範圍的點蝕，很少有輕微的劃痕和細微的細線裂紋。 重量：3 公斤 尺寸：高32.2 厘米 文獻比較： 比較一件非常相近的清乾隆山水圖掐絲琺瑯琮式瓶，見香港佳士得，2013年5月29日，lot 2075。
Lot 268
A CLOISONNE ENAMEL MINIATURE MOONFLASK, BIANHU, LATE MING DYNASTYChina, 16th-17th century. The flattened globular body supported on a tall spreading foot and rising to a short cylindrical neck. Finely decorated in bright enamels with a central roundel to each side enclosing a shou character encircled by chilong against a turquoise ground, the short sides with kui dragons against a lime-green ground, the neck and foot with different ruyi-head bands. The shoulder neatly applied with a gilt bronze handle and spout, for the vessel to function as a water dropper.Provenance: From an old private collection in Berlin, Germany, assembled before 2007 and thence by descent.Condition: Good condition with extensive old wear, some manufacturing flaws, including expected pitting, small losses to enamel with associated old fills, few nicks and light scratches. Handle and spout are possibly of a later date. Fine patina overall.Weight: 183.7 gDimensions: Height 9.2 cmLiterature comparison: See a larger example of the same type but decorated with chilong at the center from the Clague collection, published in Ronald D. Hickman and Claudia Brown, Chinese Cloisonne, the Clague Collection, Phoenix, 1980, pl. 12. Compare also a related example of larger size, included in The Minor Arts of China III, Spink & Son Ltd, London, 1987, cat. no. 89.Auction result comparison:Type: RelatedAuction: Sotheby's New York, 16 March 2016, lot 329Price: USD 15,000 or approx. EUR 17,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonne enamel moon flask, Ming dynasty, 16th centuryExpert remark: Compare the related form and decoration, though with a short foot and larger neck, and with a taiji diagram instead of a shou character. Note the slightly larger size (12.1 cm).明末掐絲琺瑯雙龍捧壽小扁壺中國，十六至十七世紀。扁壺，直頸，高足外撇。壺身開光内藍地雙龍捧壽。四周青綠色地夔龍紋。肩部鎏金執柄和流，可做硯滴。 來源：德國私人收藏，購於2007年前，保存至今。 品相：狀況良好，有大量磨損，一些製造瑕疵，琺瑯輕微缺損以及相應的舊填充物，少量劃痕。柄和流可能是較晚時候拼接。 整體光澤細膩。 重量：183.7 克 尺寸：高9.2 厘米 文獻比較：見一件較大的例子，相似形制、但飾有螭龍，收藏於Clague collection，出版於Ronald D. Hickman and Claudia Brown，《Chinese Cloisonne, the Clague Collection》，鳳凰城，1980年，圖12。比較一件也相近的例子，但尺寸較大，見《The Minor Arts of China III, Spink & Son Ltd》，倫敦， 1987年，圖錄編號89。 拍賣結果比較： 形制：相近 拍賣：紐約蘇富比，2016年3月16日，lot 329 價格：USD 15,000（相當於今日EUR 17,500） 描述：十六世紀明代掐絲琺瑯扁壺 專家評論：比較相近的外型和裝飾，但此扁壺短足和粗頸，以及飾有太極圖示。請注意尺寸稍大(12.1 厘米)。
Lot 273
A GILT COPPER ALLOY AND CLOISONNE ENAMEL 'LOTUS' BOWL, QING DYNASTYChina, 1780-1860. The deep rounded sides supported on a short and slightly tapered food, the rims gilt, the exterior finely decorated in bright enamels with stylized lotus flowerheads and scrolling vines against a turquoise ground, a band of pendent ruyi heads below the rim, the foot with a band of foliate scroll against a blue ground below a blue lappet border.Provenance: The Mobile Museum of Art, Alabama, USA, sold to benefit their Collections, Care and Acquisitions Fund. British trade, acquired from the above. Since its founding in 1963 as a public-private entity then known as the Mobile Art Gallery, the museum has a collection of over 6,400 artworks comprised of painting, sculpture, and decorative arts. The Asian Collection contains selections of works ranging from ancient Chinese bronzes and ceramics to early 20th-century works and includes the David and Inger Duberman Collection of Chinese Cloisonne from the 16th to the 19th centuries. Condition: Very good condition with some wear, particularly to gilt, and expected manufacturing flaws, such as pitting. Minor nicks, losses, crackling and light scratches.Weight: 660 g Dimensions: Diameter 17.3 cmAuction result comparison:Type: RelatedAuction: Christie's London, 5 November 2013, lot 278Price: GBP 6,250 or approx. EUR 9,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel bowl, 18th centuryExpert remark: Compare the related form and motif. Note the smaller size (12.1 cm).清代掐絲琺瑯纏枝蓮紋碗中國，1780-1860年。碗收腹，圈足。內壁施藍色琺瑯釉為地；外壁口沿下一周如意紋帶，腹部四朵纏枝蓮紋，佈局規矩對稱，紋飾絢美富麗。 來源：美國阿拉巴馬州莫比爾市美術館義賣；英國古玩交易，購於上述美術館。自 1963 年作為公私合營實體成立以來，該美術館被稱為莫比爾美術館，收藏了 6,400 多件藝術品，包括繪畫、雕塑和裝飾藝術，亞洲藏品包含從中國古代青銅器和陶瓷到二十世紀初的精選作品，其中包括十六世紀至十九世紀David 與 Inger Duberman的中國景泰藍藏品。 品相：狀況非常好，有一些磨損，尤其是鎏金，以及製造缺陷，例如點蝕、輕微劃痕、缺損和開片。 重量：660 克 尺寸：直徑 17.3 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2013年11月5日，lot 278 價格：GBP 6,250（相當於今日EUR 9,500） 描述：十八世紀掐絲琺瑯碗 專家評論：比較相近的外型和主題。請注意尺寸較小(12.1厘米)。
Lot 275
A GILT-BRONZE AND CLOISONNE ENAMEL 'CRICKET' VASE, HU, JIAQING PERIODChina, 1796-1820. The globular body rising from a splayed foot to a waisted neck, flanked by two Buddhist lion mask handles suspending loose cloisonne rings, decorated with a wide band depicting lotus, peony, and chrysanthemums sprouting amid rockwork, and a cricket perched on leaves, all on a dusky-pink wan-diaper ground that is characteristic of the period.Provenance: Austrian trade. The base with an old inscription in black ink '…800…'. The inset similarly inscribed 'c 966'. Condition: Good condition with old wear, minor encrustations and verdigris, and manufacturing irregularities including expected pitting, minuscule nicks to enamels, few minor dents to the body, a hole drilled through the base and inset. The wood base with a loss to one foot and a fine, golden-brown patina overall.Weight: 2,182 g Dimensions: Height 29.5 cm (excl. base) and 39 cm (incl. base)With a finely carved wood base dated to the later Qing dynasty. The vase with a European gilt-metal inset for flowers. (3)The foot with a band of key-fret and blossoms above the lozenge border. The neck decorated with a triangular border, and floral bands framing two rows of stylized Shou characters. Auction result comparison:Type: RelatedAuction: Sotheby's New York, 19 March 2007, lot 559Price: USD 54,000 or approx. EUR 70,000 converted and adjusted for inflation at the time of writingDescription: An impressive pair of large cloisonne enamel bottle vases, (tianqiuping) Qing dynasty, Jiaqing periodExpert remark: Compare the similar wan-diaper ground and related floral motifs. Note the lot comprises two vases of different form and significantly larger size (56 cm).Auction result comparison:Type: RelatedAuction: Sotheby's Paris, 15 December 2011, lot 146Estimate: EUR 15,000-20,000 or approx. EUR 18,000-24,500 adjusted for inflation at the time of writingDescription: Gilt bronze and cloisonne enamel basin China, Qing Dynasty, Jiaqing Period (1796-1820)Expert remark: Compare the similar wan-diaper background. Note that this vessel is significantly large than the present vase.嘉慶鎏金銅胎掐絲琺瑯蟋蟀花卉紋雙耳壺中國, 1796-1820年。壼銅胎質，盤口，束頸溜肩，垂腹，下承外撇盤口，高圈足。口沿、圈足及雙耳鎏金，頸部兩側各飾一組獅首活環耳，鏨刻工藝極為精巧。壺身朱紅地掐絲表現菊花、牡丹等花卉，花朵造型古樸典雅，枝葉線條俐落，掐絲工藝繁而不亂，鮮豔而絢麗。一隻大蟋蟀停留在花上，自然生動。 來源：奧地利古玩交易市場。底部有黑墨書寫的 '…800…'字樣，壺内有相似的字樣 'c 966'。 品相：品相良好，磨損、輕微的結殼和包漿，以及製造不規則之處，包括預期的點蝕、琺瑯上的微小刻痕和壺身上的一些輕微凹痕、底座穿孔。木質底座缺一隻腳，整體呈金棕色光澤。 重量：2,182 克 尺寸：高29.5 厘米 (不含底座) 和 39 厘米 (含底座) 木底座應來自晚清。歐洲鎏金内膽可放置花卉。 頸部黃地芭蕉紋，景泰藍地兩道壽字紋。拍賣結果比較： 形制：相近 拍賣：紐約蘇富比, 2007年3月19日, lot 559 價格：USD 54,000 （相當於今日EUR 70,000） 描述：嘉慶一對大型銅胎掐絲琺瑯天球瓶 專家評論：比較類似的萬字地和相關的花紋圖案。請注意本拍品包括兩個不同形式的花瓶，而且尺寸明顯較大 (56 厘米)。 拍賣結果比較： 形制：相近 拍賣：巴黎蘇富比， 2011年12月15日, lot 146 估價：EUR 15,000-20,000（相當於今日EUR 18,000-24,500） 描述：嘉慶(1796-1820) 銅胎掐絲琺瑯盆 專家評論：比較相似的萬字地。請注意此盆明顯大於現拍品。
Lot 274
A CLOISONNE ENAMEL 'EIGHT HORSES OF MUWANG' BOWL, QING DYNASTYChina, 19th century. The steep rounded sides rising from a splayed foot to a flaring rim, the interior enameled with four horses leaping through crashing waves backed by ruyi shaped clouds, the center with a leaping carp. The exterior mirroring the same motif.Inscriptions: A bronze plaque to the base, incised 'Fang Ming' (in Ming style).Provenance: UK trade. Condition: Fine condition with extensive wear, mostly to the inside, and minor losses to the enamels, small nicks, and light scratches.Weight: 683.4 g Dimensions: Diameter 22.7 cmExpert's note: The plaque on the base of this lot depicts a Mandarin's hat with finial and peacock feather, the most obvious sign of official rank at the Qing court, indicating that this bowl may have been intended as a gift to an official during the later Qing dynasty. Pierre Uldry notes that “The Kangxi works of “Ming style” became synonymous with cloisonne style in general, for significantly, it was again enamel pieces of this type that were copied in the second half of the nineteenth century and to which the revealing, ubiquitous 'Fang Ming' mark was added.”清代掐絲琺瑯《穆王八駿》碗中國，十九世紀。口微外撇，圓腹，圈足。碗內壁雲紋地上繪有四匹奔跑的駿馬，碗中央開光繪有一條躍起的紅鯉魚。外璧同樣可見駿馬圖。 款識：碗底可見“彷明”二字。 來源：英國古玩交易市場 品相：狀況良好，嚴重磨損，主要是碗內有磨損，琺瑯質磕損、小刻痕和輕微劃痕。 重量：683.4 克 尺寸：直徑22.7 厘米 專家注釋：此拍品底部的印款處可見一孔雀翎冠，是清廷官銜的標誌，表明此碗可能是晚清時期贈予官員的。Pierre Uldry 指出，“The Kangxi works of “Ming style” became synonymous with cloisonne style in general，for significantly，it was again enamel pieces of this type that were copied in the second half of the nineteenth century and to which the revealing，ubiquitous 'Fang Ming' mark was added.” （'明式'康熙作品已成為一般景泰藍風格的代名詞，這種類型的景泰藍器皿在十九世紀下半葉再次被複製，可從“彷明“ 款看出。）
Lot 271
A GILT-COPPER CLOISONNE QUADRILOBED CUP STAND, 18TH CENTURYChina. Finely decorated in bright enamels to the interior and exterior with stylized lotus surrounded by archaistic and foliate scroll, the long sides each with a bat in flight. The overall form, and especially that of the gilt base, is reminiscent of the crabapple (haitang), further adding to the auspicious nature of this piece.Provenance: French trade.Condition: Very good condition with some wear, particularly to gilt, and expected manufacturing flaws, such as pitting. Minor nicks, small dents, and light scratches.Weight: 140.3 cm Dimensions: Length 15.1 cmAuction result comparison:Type: RelatedAuction: Sotheby's London, 11 May 2011, lot 209APrice: GBP 6,875 or approx. EUR 11,000 converted and adjusted for inflation at the time of writingDescription: A gilt-bronze cloisonne enamel dish, Qing dynasty, Qianlong periodExpert remark: Compare the related form, and size (15.4 cm) 十八世紀銅胎掐絲琺琅盞托中國，海棠式口盞托，材質厚重，底部鎏金。上下飾以纏枝蓮紋與紅蝠紋，寓意福壽連年。托外壁同樣裝飾雙蝠纏枝蓮紋兩組。全器裝飾風格華麗，製作規整。來源: 法國古玩市場。 品相: 狀況極好，一些磨損，特別是鎏金，以及預期的製造瑕疵，如麻點。小刻痕、輕微劃痕和小凹痕。 重量: 140.3 厘米 尺寸: 長 15.1 厘米 拍賣結果比較：形制：相近拍賣：倫敦蘇富比，2011年5月11日，lot 209A價格：GBP 6,875（相當於今日EUR 11,000）描述：乾隆時期銅胎掐絲琺琅盞托專家評論：比較相近外型和尺寸(15.4厘米) 。
Lot 639
AN ETCHED AND ENAMELED GLASS 'WINTER LANDSCAPE' SNUFF BOTTLE, BY DAUM NANCY, EARLY 20TH CENTURYOpinion: The present lot, with its classic round form and short everted neck, is without a doubt a snuff bottle, as opposed to the more common perfume bottles which are always larger in size, typically varying between 12 and 18 cm. This means that the present lot was specifically designed as an export article for the Chinese market and thus must be considered extremely rare.France, circa 1910. Of flattened globular form, superbly painted in bright enamels to depict a winter landscape with bare trees and bushes against a reddish-orange ground suggestive of the evening sky. The swirled opaque glass with orange and yellow streaks, edged, cut, and finely polished. The base with an enameled mark Daum Nancy with the cross of Lorraine.Provenance: From the private collection of Tuyet Nguyet and Stephen Markbreiter. The base inscribed 'Daum & Nancy'. Tuyet Nguyet was the founder and chief editor of Arts of Asia. She married Stephen Markbreiter, an English architect, in 1959 and moved to Hong Kong to work as a journalist. Arts of Asia's first regular edition appeared in 1971. In the magazine, Nguyet sought to combine authoritative content from major experts with detailed coverage of the Asian art market. Tuyet Nguyet was an early member of The International Chinese Snuff Bottle Society, attending her first convention in 1973, and was later elected as an honorary member. Condition: Very good condition with minor old wear and possibly very light retouching to the mouth rim.Stopper: Pearl stopper with silver mountingWeight: 23.4 g Dimensions: Height 52 mm. Diameter neck 11 mm and mouth 6 mmDaum was created in 1892 by Auguste Daum (1853-1909) and Antonin Daum (1864-1930) in the French town Nancy. They developed the Art Nouveau style for which they received the 'Grand Prix' medal at the world exhibition in 1900. Daum glass works are known for their motifs of scenery and nature with mostly plants or flowers. Daum formed the Ecole de Nancy (Nancy School) together with other glass and furniture factories operating in the French city of Nancy. Acid etching was often combined with carving, enameling, and engraving on a single piece of glass to produce creative glass masterpieces. Auction result comparison:Type: RelatedAuction: Christie's New York, 23 July 2010, lot 217Price: USD 20,000 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A French etched and enameled glass 'winter landscape' vase, signed in enamel 'Daum Nancy' and with cross of Lorraine, circa 1910Expert remark: Compare the closely related decoration, the color, and the signature. Note the size of the vase (8 cm). 二十世紀初DAUM NANCY派蝕刻琺琅彩冬景鼻烟壺法國，約1910年。扁平圓形，明亮的琺瑯，描繪了一幅秀麗的冬日夕陽圖，夕陽下掉光了樹葉的樹和灌木叢以及雪地。帶有橙色和黃色條紋的漩渦狀不透明玻璃，經過磨邊、切割和精細拋光。帶有洛林十字架的琺瑯標記和 Daum Nancy款的底座。 專家注釋：本拍品具有經典的圓形、短頸和弦唇，毫無疑問是一個鼻烟壺，而不是香水瓶，後者的尺寸總是更大，通常在 12 到 18 厘米之間變化。這意味著本拍品是專門為中國市場設計的外銷商品，極為罕見。 來源：Tuyet Nguyet 和 Stephen Markbreiter 的私人收藏。底座上標注 'Daum & Nancy'。Tuyet Nguyet 是《Arts of Asia》的創始人和主編。1959 年，她與英國建築師Stephen Markbreiter結婚，並移居香港擔任記者。《Arts of Asia》第一期普通版於 1971 年問世。在該雜誌中，Nguyet 致力於將專家的權威內容與亞洲藝術市場的詳細報導相結合。Tuyet Nguyet 是國際中國鼻烟壺協會的早期會員，1973 年參加了協會的第一次大會，後來當選爲名譽會員。 品相：品相極好，有輕微的磨損，壺口有輕微修飾。 壺蓋：珍珠，鑲銀 重量：23.4 克 尺寸：高 52 毫米，頸部直徑11 毫米 及瓶口直徑6 毫米 Daum 於 1892 年由 Auguste Daum (1853-1909) 和 Antonin Daum (1864-1930) 在法國小鎮Nancy創建。他們創立了新藝術運動風格，並因此在 1900 年世界博覽會上獲得大獎。Daum 玻璃作品以其風景和自然的主題而聞名，主要是植物花卉。Daum 與在法國Nancy市運營的其他玻璃和家具工坊一起成立了 Ecole de Nancy（Nancy派）。酸蝕通常與在一塊玻璃上的雕刻和上釉相結合，以製作出富有創意的玻璃作品。
Lot 276
A PAIR OF CLOISONNE ENAMEL 'LOTUS POND' JARS, JIAQING PERIODChina, 1796-1820. Of lobed form, rising from an oval foot to a short straight neck, decorated in polychrome enamels depicting a lotus pond with butterflies and miniature cranes above a border of stylized crashing waves, the neck with a band of bats interspersed with lingzhi clouds, bordered by a band of ruyi, all above a deep coral red ground with a wan-symbol pattern. (2)Provenance: From an old Croatian private collection and thence by descent. One vase with a collector's number '62' to the base. Condition: Fine condition with some old wear, manufacturing imperfections, small nicks and losses to enamels. One jar with a ding to the shoulder, the other with an ancient repair to the interior.Weight: 1,154 g and 1,124 g Dimensions: Width 28 cm (each) Auction result comparison:Type: RelatedAuction: Bonhams London, 17 May 2020, lot 145Price: GBP 5,000 or approx. EUR 6,400 converted and adjusted for inflation at the time of writingDescription: A pair of cloisonne enamel and gilt-bronze baluster trumpet-necked vases, late Qianlong/JiaqingExpert remark: Compare the related wan-symbol ground and lotus pond decoration. Note the different form and larger size (44.5 cm).嘉慶一對掐絲琺瑯《荷塘鴨戲》罐中國，1796-1820年。橢圓形罐口，直頸，罐身呈四瓣，圈足。頸部蝙蝠如意紋帶；罐身紅地掐絲萬字紋，琺瑯荷塘鴨戲，荷花荷葉搖曳，蝴蝶飛舞，場景生動。 來源：克羅地亞私人收藏，保存至今，一個罐子底部有藏家編號“62”。 品相：狀況良好，有磨損、製造缺陷、小劃痕和琺瑯缺損。一個罐子的肩膀上有一個凹痕，另一個罐子的內部有修復。 重量：分別爲1,154 克與 1,124 克 尺寸：分別寬 28 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦邦瀚斯，2020年5月 17日，lot 145 價格：GBP 5,000（相當於今日EUR 6,400） 描述：清乾隆晚期嘉慶一對掐絲琺瑯蓮紋瓶 專家評論：比較相近的萬字地荷葉裝飾。請注意外型不同，且尺寸較大(44.5 厘米)。
Lot 72
JEAN COCTEAU (1889-1963)Couple enlacé signé Jean Cocteau; inscrit original (au revers)plat en terre blanche et engobe gris partiellement émaillédiamètre 35.5 cm. (14 in.)Exécuté en 1961. Cette œuvre est le modèle original réalisé par Cocteau pour l'édition de 15. signed Jean Cocteau; inscribed original (underneath)partially glazed white earthenware plate with engobeConceived in 1961.This work is the original model made by Cocteau for the subsequent edition of 15.Footnotes:BibliographieA. Guédras, Jean Cocteau céramiques, Paris, 1989, n° 115«Monsieur Cocteau utilise beaucoup la terre, son parti pris est de laisser un maximum de terre et il l'a très bien exprimé en disant qu'il voulait que l'émail soit un tatouage sur une peau... et la couleur de la terre qui est rouge... nous utilisons beaucoup ces couleurs rouge et rose dans nos régions... lui rappelle la peau et il cherche à tatouer avec ses dessins, qui sont magnifiques... alors cela nous a posé des problèmes assez difficiles pour réaliser des terres qui puissent convenir... nous sommes arrivés à obtenir des grains de terre qui rappellent également des fonds de papier...»'Mr. Cocteau uses clay a lot, his approach is to leave as much clay as possible and he expressed this very well by saying that he wanted the enamel to be a tattoo on skin... and the color of the earth which is red...we use those red and pink colors a lot in our local area... it reminds him of skin and he is aiming to tattoo with his designs, which are truly beautiful...so it was really quite difficult for us to create clays to suit this purpose... we managed to make a grainy clay that also evokes the texture of paper...'Philippe MadelineThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 2549
1930's cut glass dressing table jar, of squat circular form decorated with flower heads, with yellow guilloche enamel topped silver cover, hallmarked Charles S Green & Co Ltd, Birmingham 1934, H6cm D9.5cm, together with a small Edwardian embossed and pierced dish, hallmarked M Bros, Birmingham 1901, D8.4cm, (2)Condition Report:General wear commensurate with age and use, including surface scratches and nicks. Enamel to cover with some slight wear to edges. Small surface loss to rim of glass jar. Small dish with a number of knocks and indentations throughout. Hallmarks to cover clear and legible, some wear to hallmarks to dish.
Lot 2551
1920's three piece silver mounted cut glass dressing table set, comprising two jars of squat circular form with silver covers, and a globular bottle with silver collar, glass stopper and silver cover, each cover inset with hand painted enamel panels depicting the bay of Naples with Mount Vesuvius in the background, each signed App, hallmarked Daniel Manufacturing Company, Birmingham 1929, largest example H10.5cm smallest H4.5cmCondition Report:General wear commensurate with age and use, including surface scratches, nicks and small indentations.Hallmarks with some wear, particularly to makers marks, but generally still legible.Some slight wear to edges of enamel panels.Glass bodies with some surface scratches and nicks.Cut decoration to smallest bottle does not match other two examples.
Lot 2552
1920's silver mounted cut glass dressing table bottle and stopper, the silver collar with pink guilloche enamel rim, hallmarked Charles S Green & Co Ltd, Birmingham 1928, also stamped Sterling Silver, H14.5cm, together with an early 20th century cut glass hair tidy jar with silver and tortoiseshell cover, hallmarked London 1916, makers mark C&A, H7cmCondition Report:General wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Hallmarks with some wear, but generally legible.Stopper not known if original.
Lot 2553
Set of six early 20th century Norwegian silver gilt and enamel coffee spoons, the stems with guilloche enamel in red, green, white, yellow and blue, marked 925 and bearing marks for David Andersen, Oslo, also hallmarked Chester import 1924, makers mark W.C.G, possibly Wilfred Chidlaw Griffiths, L9.5cm, in fitted case, approximate gross silver weight 1.52 ozt (47.4 grams)Condition Report:General wear commensurate with age, including surface scratches and nicks.Some wear to gilt bowls.Hallmarks clear and legible.Case with general wear to exterior, and some discolouration to interior lining.
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