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AN IMPORTANT SET OF SIX LIMOGES ENAMEL PLATES, circa 1570, monogrammed 'PC' for Pierre Courteys (Courtois), enamelled en grisaille with the "Labours of the Month", and the reverse with strapwork and the signs of the Zodiac, 71/4" dia. March: decorated with a figure on horseback with a longbow hunting a stag with an attendant blowing a horn, with hounds and rabbits to the foreground and a castle and town in the distance, the border decorated with hunting horns, hounds and similar symbols, the reverse decorated with a bull in a cartouche (Taurus). May: Musicians in an arcadian landscape, the reverse with two putti in a cartouche (Gemini). June: Sheep shearing in a rural landscape, the reverse with a lobster in a cartouche (Cancer). July: Hay making by a river, the reverse with a lion in a cartouche (Leo). August: Harvesting with a village beyond, the reverse with a winged angel holding three wheatears in a cartouche (Virgo). September: Wine making and harvesting, the reverse with balance scales in a cartouche (Libra) (6).. See illustrations and front cover. Provenance: A lady of title, Dorset.. Similar calendar plates attributed to Pierre Courteys can be seen in the collections of the Louvre, Paris, the Musee des Beaux-Arts, Lyons, The Wallace Collection, Manchester Square, London and the Los Angeles County Museum of Art. The source for these images is thought to be derived from prints by Etienne de Laune.. We are grateful to the Victoria & Albert Museum, London, for their assistance with cataloguing this lot
The Mackeson Gold Cup, in silver gilt and of Neo-Classical style, engraved with a steeple chaser and inscribed the date of the race, above chased and repousse stiff leaves and pomegranates, the border with oats, barley and hops, having two cast foliage decorated loop handles, on a knopped fan fluted decorated spreading circular foot and a conforming cover with a cast acanthus finial. 14in. (35.5cm.) high. Makers Mappin and Webb. Sheffield, 1971. 53oz. (1650g.). With a mahogany plinth and fitted storage box. Together with five gilt medallions, one with yellow enamel decoration and framed with a certificate of authenticity, one framed for 20the running of the race in 1979, with three more boxed. (6).
A 9ct gold mechanical ladys wristwatch, with engine turned face and Arabic numerals, on a woven fabric strap. Cased. Together with a ladys silver fob watch, the white enamel dial with black Roman numerals and hands and a subsidiary seconds dial, the silver case with engraved decoration and a vacant cartouche, on a ladys white metal Albert chain; and an Army Services mechanical pocket watch, with white enamel dial and subsidiary seconds dial. (3).
An early 19th century Bristol cut blue glass square decanter, with side pouring lip and stopper and another blue glass decanter with stopper. Together with a green glass beer stein, with repousse white enamel decorated prancing goat and a late 19th century cut glass rummer, on a square foot. (4).
A small early 19th century mantel clock, the 8-day twin fussee movement striking and repeating on a bell, the back plate inscribed Viner and Co. 233 Regent Street. London and also inscribed on the circular white enamel dial, with a gilt engine turned brass quadrant surround, the ebonized mahogany case inlaid brass marquetry and stringing, the sloping plinth top centred a cast gilt brass flaming finial, the sides with foliage gilt brass applique ring handles above red fabric backed pierced brass frets, a pull cord for the repeat, the plinth base with a brass moulding, on turned feet. 12.75in. (32.5cm.) high.
An Edwardian tortoiseshell cased miniature boudoir timepiece, with a French lever movement, having a cracked white enamel dial with Roman numerals, inscribed with retailers name Drew and Sons. Piccadilly Circus. London W., the case with patterned silver gilt mounts, London 1902, on ball feet. (Old repair to one side). 3in. (7.5cm.) high.
An early 19th century mahogany and line inlaid longcase clock. the twin train movement with anchor escapement, the swan neck pediment with ball finials, above an arched Roman enamel dial with subsidiary seconds and calendar dials flanked by 'thistle and rose' spandrels and a coastal scene with ship and lighthouse to the arch, the chequered and crossbanded front with plain quadrant corners on shaped apron and tapering bracket feet 213cm high
A George III period mahogany longcase clock. the twin train movement with anchor escapement, striking the hours on a bell, the key fret cornice above an arched roman enamel dial painted with floral spandrels, the strike/silent dial with a female figure bidding farewell to a Man O' War to the arch, flanked by ho-ho birds, between reeded Corinthian columns, the ogee arched trunk door decorated with shell paterae between reeded quadrant corners, on inlaid plinth base, raised on bun feet 207cm high
A Persian designed champleve enamel mantle clock, early 20th century with urn finial over caddy top and 4 enamel dial with Arabic numerals, the key wound movement stamped CHLES M striking on a single bell, the case with front corner column pilasters on a stepped plinth and four short turned feet, 37 cm high
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358743 item(s)/page