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Click here to subscribeAn early 20th century French gold, enamel and diamond fob watch, with a keyless bar cylinder movement, cream dial with blue Arabic numerals, four piece hinged case, the back centred with a small rose diamond within a blue du Roi guilloche enamelled surround and a gold fan and scroll border, together with a blue enamelled ribbon tied bow fob
An 18ct gold keyless half-hunter cased pocket watch, no. 114730, quality Swiss 15 jewel movement no.232530 with screw set jewels to train, split bi-metallic balance, overcoil balance spring and micro-screw regulator, white enamel dial with black Roman numerals, subsidiary seconds and blued steel spade hands, five piece hinged case with Roman chapter, the back engraved with a crest, the cuvette with an inscription, import marks for London 1915 and a gold plated half-hunter pocket watch, circa 1920 with 7 jewel Swiss movement
J W Benson, London, a Victorian 18ct gold half-hunter cased fob watch, no.7202, keyless three quarter plate lever movement, white enamel dial with black Roman numerals and blued steel spade hands (cracked), five piece engine turned and hinged case with blue enamel Roman chapter, the back with a crest, hallmarked London 1873 (in need of attention)
Finnigans, London, a 9ct gold purse watch, circa 1920, no.71032, Swiss 15 jewel movement with split bi-metallic balance and overcoil balance spring, white enamel dial with skeleton luminous Arabic numerals and hands and subsidiary seconds dial, three piece cushion-shaped folding case and base metal movement casing, the back inscribed 'Wild Times Dec 1924', import marks for Glasgow 1924, in original gilt tooled brown leather case #100-150. Boxes, Objects and Small Silver 490. A Victorian calamander and brass bound inlaid dressing box with two short and two long drawers with brass flush handles, the case enclosing twelve hobnail cut glass bottles and jars with foliate engraved covers with monograms, and two leather bound inkwells, the mounts London 1858-60 by James Vickery, the hinged lid with a mirror, the fitted fall front with a double-ended medicine spoon, London 1870 by G W Adams, a scroll engraved propelling pencil, stamped 'Rodrigues, 21 Piccadilly', three pairs of steel scissors and various mother of pearl handled manicure and other accoutrements (lacking a pair of scissors), 39 x 21 x 20cm (15.5 x 8.25 x 8in), together with a leather carrying case with initials 'C.E.L.'
An Asprey gentleman's 9ct gold and enamel pocket necessaire with a small rectangular timepiece, a folding magnifying glass, key and knife, a propelling pencil and a perpetual calendar, and engraved with initials 'E.J.H.M', London 1937 by S Mordan & Co, 8 x 3cm (3.25 x 1.25in), in an Asprey case
A Newlyn silver and enamel napkin ring, made by Reginald Dick, of circular shape with slightly flared rims, having a pierced panel with wire-work edges and centred with a small stud enamelled in shaded blue, green and turquoise, 4.8cm diameter, marked 'R.T.D' for London 1911 also stamped 'Newlyn' and 'Newlyn Enamel'.
A Gaskin Arts and Crafts enamelled pendant brooch, having an oval plaque set with aquamarine and rock crystal amid blue enamelled leaves and florets with larger white blooms, with similar plaque and drops below, with small enamelled detail on back below signature 'G', 6cm suspended from simple chain (some small losses to enamel).
A lady's wristwatch, the 9ct gold case with white enamel dial to a Swiss Vesta 15 jewel movement (no strap), another lady's wristwatch with off white enamel dial and octagonal gold coloured case with leather strap and a Swiss wristwatch with white enamel dial and import marked silver case for London 1916 with later leather strap. (3).
An oval "Palais Royale" chalcedony desk seal , surmounted by a yellow metal head of an eagle having ruby cabochon eyes and blue enamelled plumage (enamel damaged), the matrix engraved with a crest of sailing ship, glove and cross of Lorainne with motto "Touch not the cat but a glove". 2 1/4 in. (5.5cm) high.
Henry Pierce Bone (1779-1855) after J W Wright Charles Robert Webber as a young child Enamel on copper, oval Signed, dated and inscribed fully to the counter-enamel 'Charles Robert Webber. Born/5th April 1831 Died 9th Augt. 1831/Only Son of Chas. Geo. & Louisa Webber/London. April 1835. Painted by/Henry Pierce Bone, Enaml. Painter/to her Majesty &c. From a/sketch by J W Wright.' 7cm x 5.5cm In gilt metal frame.
Henry Pierce Bone (1779-1855) after Nicholas Mignard 'Ninon de l'Enclos' - half-length portrait Enamel on copper, oval Signed, dated and inscribed fully to the counter-enamel 'Ninon de l'Enclos/ London Novr. 1842. Painted by/Henry Pierce Bone Enamel/Painter to Her Majesty & H.R.H./Prince Albert. From the Origi-/nal by Mignard in the Collec-/tion of Earl Spencer/Althorp, North-/amptonshire'. 9.7cm x 7.7cm In gilt gesso frame.
Henry Bone, RA (1755-1834) after Titian 'Montmorency, Constable of Bourbon' - half-length portrait Enamel on copper Signed, dated and fully inscribed to the counter-enamel 'Montmorency, Constable of Bourbon/from a Copy after Titian in the/possession of Lord Howard/of Effingham-/London/May-1824/Painted by Henry Bone RA/Enamel painter to His Majesty/& To His R.H. the Duke of York'. 14cm x 12.7cm.
Henry Pierce Bone (1779-1855) after Sir Thomas Lawrence His Grace the Archbishop of Canterbury - three-quarter length portrait Enamel on copper Signed and dated 1838 Signed and fully inscribed to label verso 'His Grace/the Archbishop of Canterbury/from the Original Picture in/Winchester College, Hants/painted by Sr Thos. Lawrence/Enamel/H.P.Bone/12 Percy Street/Bedford Square'. 22.5cm x 18.5cmIn gilt gesso frame The sitter is William Howley (1766-1848) who was Archbishop from 1828 to 1848 and was previously Bishop of London 1813 to 1828. He was an old boy of Winchester.
A French Gothic Revival belge noir, red and green marble eight-day mantel clock circa 1870, the bell-striking movement with two-piece white Roman numeral enamel dial with visible brocot escapement to centre, in rosette centred gable pedimented rectangular case, with gilt foliate corner spandrels flanked by pilasters to front and on shaped scroll decorated plinth base, 49cm high.
A French belge noir and verde antico marble drum-head mantel clock circa 1890, the eight-day bell-striking movement with visible brocot escapement to the two-piece Roman numeral enamel dial, the case with side scrolls supporting movement drum, on plinth base with shallow arcade apron, 32cm high.
An unusual Regency brass inlaid rosewood drum-head mantel clock case, with white enamel Roman numeral dial within a foliate inlaid octagonal surround with ring side handles and turned finial, over contrepartie inlaid shaped apron and plinth with unusual scene of horseman performing tricks with five horses, on bun feet, 54cm high.
A late 19th century French belge noir marble mantel clock retailed by Parsons & Son, Bristol, the eight-day bell-striking movement with two-piece white enamel Roman numeral dial and visible brocot escapement, in shallow arch-top case with red marble inset angles and gilt line border decoration, hairline cracks to dial, 30.5cm high.
A French month-going mantel regulator circa 1820, in later mahogany four-glass case, the circular movement with external pinwheel escapement on the backplate, outside countwheel strike and substantial grid-iron compensated pendulum, the convex Roman numeral enamel dial signed 'Gravant A Paris', with centre seconds within fine engine-turned gilt bezel, the plinth form case with ebonised mouldings and fluted uprights, on stepped plinth base, 51cm high.
A French Louis Phillipe Gothic Revival ormolu portico mantel clock, the eight-day bell-striking movement with elaborate grid-iron compensated pendulum, the bob cast as a rose window, the twelve-piece Roman numeral enamel cartouche dial with conforming cast centre, the case with leafy pointed arch centre and arcaded frieze over cluster column uprights and moulded plinth base, 44cm high.
A Paris porcelain eight-day mantel clock circa 1860, the outside countwheel bell-striking movement with blue on white enamel Roman numeral dial signed 'Hodgkins & Co, A Paris', in a plinth form scroll sided waisted case, polychrome floral painted with shaped panels on a gilt and blue fishscale and lattice ground, on integral scroll supports, 22cm high.
A French Louis XVI style small ormolu mantel timepiece circa 1880, the eight-day movement with white enamel Roman numeral dial, in break-arch case with foliate finial and tied ribbon crest over ram's head applied canted corners, with blue glazed aperture within husk borders to frieze, the sides similarly glazed, on small bun feet, 26cm high.
A French Louis XV style ormolu mantel clock signed 'Raingo Fre's, Paris', circa 1850, the bell-striking movement with silk suspension and twelve-piece enamel Roman numeral cartouche dial with gilt foliate cast centre, the waisted openwork scroll cast case with finely chiselled detail incorporating Hoho bird and a dragon beneath the dial, on integral scroll feet, the case numbered 1069 35cm high.
A 19th century French white marble and gilt metal mounted mantel clock of square tapering form with fluted sides, with bearded mask mounts to the sides and scrolling foliage and shell decoration to the feet, having a 10cm. enamel dial signed 'Raingo Fres a Paris', the circular twin drum movement with outside countwheel striking to a bell, 47cm. wide.
A late 19th century French blonde tortoiseshell mantel clock, the cushion moulded top with brass carrying handle and four finials, with arched brass fret cut panels to the sides, on a rectangular base with gilt feet, the 12cm. enamel and painted Roman dial with floral swags, having a circular twin drum movement striking to a gong, the back-plate stamped 'J. Masti', 37cm. high.
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