Lilliput Lane - A large collection of boxed Lilliput Lane ornaments to include Rainbows End L2240, All I Want For Christmas L2936, Limited Edition Number 0334, Strawberry Fields L2683, Fresh Today L2256, Goosey Goosey Gander L2527, Kiln Cottage L2124, God's Providence House L2821, Nursery Cottage 004, Stitch in Time L2512, Comfort Cottage L2127, Jingle Bells L2238, Mice Pie L2990, Dovecote L2830, Little Star L2487, Queen of Hearts L2511, Little Tea Caddy L2995 and Christmas Post. All boxed. The large majority accompanied by 'deeds'. Good condition.
We found 131341 price guide item(s) matching your search
There are 131341 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
131341 item(s)/page
Camberwick Green – Robert Harrop – a collection of x4 statues / figurines. To include; CGS05 Peter Hazel & Mrs Dingle in the post office "sorting out the letters" limited edition 1000 first edition - CGS14 The firemen for the fire engine, limited edition 400 first edition - CGYP04 Nick Fisher (bill poster) - CGYP08 The clown limited edition 800. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
Camberwick Green – Robert Harrop – a collection of x4 statues / figurines. To include; CGCS07 "Home for Christmas" limited edition 1000 - CGS05 Peter Hazel & Mrs Dingle in the post office "sorting out the letters" limited edition 1000 first edition - CG91 Cuthbert's morning off - CGMC01 Windy Miller limited edition 250. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
A French Silver-Plated Duck Press, circa 193018 x 12-1/4 x 7-1/2 inches (45.7 x 31.1 x 19.1 cm) (base 18 x 11-1/2 x 1-1/2 inches)Inscription: Jack and Charlie's '21' (with 21 Club insignia) A French silver-plated duck press possibly Christofle but unmarked, standing on a pair of flared legs with turned details at the base. The front and back of the press are hinged opening to a removeable pot with strainer, fitted with a spout. The press is a flat disk driven by a turn screw with a wheel at the top.The Duck Press bears the insignia of the renowned 21 Club, a popular New York City staple since its days as a prohibition-era speakeasy. Established by cousins Jack Kreindler and Charlie Berns in 1930, the club's name is derived from its prime location at 21 West 52nd Street where the famous façade featured its iconic wrought iron gate and ornamental jockeys. Thanks to a hidden wine cellar and the swankiest clientele in town, the club went on to store the private wine collections of Elizabeth Taylor, Frank Sinatra, Mae West, and Marilyn Monroe, and even the post-prohibition collections of John F. Kennedy, Richard Nixon, and Gerald Ford. The 21 Club enjoyed decades as the place to see and be seen by presidents, captains of industry, and celebrities until closing their doors permanently in 2020 due to New York City's shut down during the Covid Pandemic. Although American TV personality Steve Allen referenced the iconic club and restaurant in his song "This Could be the Start of Something Big" with the line, "You're lunchin' at Twenty-One and watching your diet, declining a charlotte russe, accepting a fig... this could be the start of something big," the 21 Club was celebrated for their decadent and scrumptious menu. The signature dish, the pressed duck, was a feast for the senses. After the duck was carved and its juices captured, what remained was cut into pieces and placed in the duck press, and the crank at the top turned, extracting all of the remaining juices. The ingredients were combined with butter and brandy and then flamed. The resulting sauce was poured over the sliced duck. Pressed duck is a slow meal of multiple courses, reflecting leisurely meals of a bygone era. The lot accompanied by a copy of The Iron Gate of Jack & Charlie's "21." Property from the Collection of Connie McNally, Rancho Santa Fe, California HID12701242017
A yellow metal, peridot and topaz pendant and earring set, the earrings each with a pear cut peridot in a bezel setting suspended below a square cut white topaz, with bead and post fitting, peridot dimensions each approx 7.5 x 4.9 x 2.9mm, total weight estimated as 1.42 carats, topaz dimensions each approx 3 x 2.9 x 2.05mm, total weight estimated as 0.32 carats, earring lengths 22mm, gross weight 2.4g, not marked but tested as 9ct, the matching pendant with a pear cut peridot, dimensions approx 8.15 x 5 x 3.5mm, weight estimated as 0.95 carats, the square cut white topaz dimensions approx 3.15 x 2.1mm, weight estimated as 0.18 carats, pendant length 20mm, attached to a 1.7mm wide oval tracelink chain with bolt ring clasp, chain length 406mm, gross weight 3.5g, chain hallmarked 9ct, Birmingham, sponsor SLC
A pair of yellow metal, ruby, diamond, emerald and sapphire articulated drop earrings, on post and scroll fittings, each with a triangular ruby, round brilliant cut diamond, rectangular cut emerald, and marquise shaped sapphire, all in bezel settings, ruby dimensions each approx 3.45 x 2.55 x 1.5mm, total weight estimated as 0.18 carats, diamond dimensions each approx 2.75 x 1.6mm, total weight estimated as 0.14 carats, emerald dimensions each approx 1.8 x 1.6 x 1.5mm, total weight estimated as 0.06 carats, sapphire dimensions each approx 5.5 x 2.1 x 1.8mm, total weight estimated as 0.36 carats, diamonds assessed mounted collectively colour H to I and clarity VS1 to VS2, earring lengths each 28mm, gross weight 3.9g, not marked but tested as 18ctVery good condition, no apparent faults.
An 18ct white gold diamond pendant and earring set, the pendant comprising 25 round brilliant cut diamonds in articulated bar settings, attached to a boxlink chain with bolt ring clasp, diamond diameters each approx 1.5mm, total weight estimated as 0.25 carats, assessed mounted collectively colour H to I and clarity I1 to I2, overall length including pendant 520mm, chain width 0.8mm, gross weight 3.7g, hallmarked 18ct, Birmingham, sponsor SLC, the earrings each designed as a two-strand leaf style with post and scroll fittings, each grain set with eleven melee cut diamonds, diameters each approx 1mm, total weight estimated as 0.06 carats, earring lengths each 29mm, gross weight 3.2g, not marked but tested as 18ct (one back is silver)
A 14ct yellow gold, amethyst and diamond pendant and earring set, the pendant featuring a pear cut amethyst in a claw setting surmounted by seven round brilliant cut diamonds in a V shape, with a figure of eight bale, amethyst dimensions approx 17.7 x 12.95 x 11.5mm, weight estimated as 14.23 carats, diamond diameters each approx 1.65mm, total weight estimated as 0.07 carats, pendant attached to a fine curblink chain with bolt ring clasp, length 390mm, width 0.4mm, gross weight 7g, hallmarked 14ct, London import 1992, sponsor SAG, the matching earrings each with a pear cut amethyst in a claw setting suspended below a trefoil of round brilliant cut diamonds, with post and scroll fittings, amethyst dimensions each approx 12.1 x 8.1 x 6mm, total weight estimated as 6.34 carats, diamond diameters each approx 1.65mm, total weight estimated as 0.06 carats, gross weight 3.4g, hallmarked 14ct, London import 1992, sponsor SAG
A collection of eighteen late Victorian bonds, issued by The General Expenditure Assurance Company Ltd in consideration of Coupons to the ammount of Five Pounds given to them by Peatling & Sons, together with a Post Office £3% prospectus series A.4, Royal Insurance Company Limited Ipswich Branch renewal certificate and various Westminster Bank Bury St Edmunds Branch cheques to include one example payable to Mother Superior Vatican War Enquiry Department August 29th 1945 etc.
GEORGE II 1744 & LATER MAINLY BRITISH COINAGE & COMMEMORATIVE CROWNS COLLECTION including Victoria and other pre-1947 silver, Victoria crowns, unusual 1804 George III Bank of England dollar/five shillings, cased part-set of 1937 specimen coins, 2 x 1951 boxed Festival of Britain, some modern coinage and a further 23 x Churchill and other commemorative crowns, State of Jersey 1/12th of a shilling enamelled along with a small quantity of continental coinage, OXO, GR Post Box Savings Bank, lockable tin cash box and a coin mounted wooden box, ETC
The Jacquard Puppets 'The Little White Duck',duck, beetle and snake, and'Barney the Bashful Bullfrog', in a top hat, his mate and six fireflies (6) largest 32cm high approximately (6)The Little White Duck, one of the most popular post-war acts, was first shown in 1951. The lyrics and music were written in 1950 and subsequently recorded by Danny Kaye and Burl Ives. 'There's a little white duck sitting in the water...there's a little green frog swimming in the water...there's a little black bug floating on the water...there's a little red snake playing in the water...'. The duck was regarded as extraordinarily lifelike, bending and pecking in a most realistic way.John created a dapper, but rather mournful, Barney, and a truly irresistible female frog, with tantalising net skirt and leather eyelashes.The Jacquard puppets - general condition reportThe puppets have been stored for many years, the strings have mainly gone, and those that are left are fragile and snap easily and most will need to be restrung. Some were made just before the second world war, others in the following two decades. They were made from whatever was available, pieces of wood, leather, dress and upholstery fabrics, felt, etc. The clothing and fabrics are generally in reasonable condition, with little moth or damp damage.
Three 'EA116' Aluminium Group lobby chairs, designed by Charles and Ray Eames for Herman Miller, each with a revolving seat with arms, cast marks, 62.5cm wide70cm deep89.5cm high, seat 44cm high (3)From the estate of John 'Jack' Bonnington (1929-2020), a post-war architect who joined Sir Basil Spence's studio after graduating in 1951, and worked on the planning and development of Coventry Cathedral. Under Bonnington's guidance, the studio became one of the first multidisciplinary practices, with planners, landscape designers, architects, interior and furniture designers working together in offices in London and Edinburgh. With work being undertaken worldwide, international success followed. In 1973, the office moved to Tyttenhanger House, St Albans, where this lot was present.The vinyl seats are good overall - some knocks and impressed marks.the arms and frames and stands have some scuffing and scratches - further images uploaded of the issues present.
UTAGAWA KUNIYOSHI (1798-1861) KATSUSHIKA HOKUSAI (1760-1849) WATANABE SEITEI (1851-1918) EDO PERIOD, 19TH CENTURY Four framed and glazed Japanese woodblock prints by Kuniyoshi, three from the series Tsuzoku Suikoden goketsu hyakuhachinin no hitori (108 Heroes of the Popular Water Margins, c.1827-30), each print depicting one of the eponymous characters, all approx. 37.5cm x 25.8cm; the fourth from the series Kisokaido rokujoku tsugi no uchi (Sixty-Nine Post Stations of the Kisokaido, c.1852) and depicting Princess Yaegaki with her fox friends, all approx. 31.7cm x 22.8cm; together with two printed albums, the first by Hokusai and entitled Denshin Kaishu, Hokusai Gaen (A Garden of Pictures by Hokusai, c.1820), vol.2, 22.6cm x 15.7cm; the other by Seitei, entitled Bijutsu sekai (Art World, 1892), vol.19, a publication produced to promote Japanese Art, with illustrations after Kuniyoshi, Okyo, Masanobu and others, 24.9cm x 16.1cm. (6) Provenance: from the collection of John Peter Russell (1858-1930), purchased from Siegfried Bing by repute, and thence by descent. Russell was an Australian Impressionist and a friend of Van Gogh's, painting the first oil portrait of the artist, now at the Van Gogh Museum in Amsterdam. He also painted with Claude Monet, and Henri Matisse credited Russell for introducing him to Impressionism. He married Anna Maria Antonietta Mattiocco, one of Rodin's favourite models, in 1888. Cf. W Tunnicliffe, John Russell: Australia's French Impressionist, pp.38-39 where Russell's interest for Japanese art and his print collecting are discussed. The book was published as a guide to the exhibition dedicated to John Russell held at the Art Gallery of New South Wales, Sydney, in 2018.
An Art Deco 1930's walnut wardrobe together with a Post War 1950s Art Deco chest of drawers. The wardrobe having an arched top, protruding twin doors with floral door knobs. The doors open to reveal small drawers for small garments and an open space for hanging clothes. The chest of drawers has a bank of 5, 2 are curved where the rest are straight, with floral pulls. Measures approx.
30 Corgi Classics etc vehicles. 2 French Heritage series - Berliet GLR Fruehauf Trailer, La Poste and a Peugeot D3A Poste Rurale. TEXACO series M151 A1 'Mutt' Utility Truck fire vehicle. 3x Scammell Scarab Express Dairy, Rail Freight and M&B. A Model Collector magazine Ford Transit, Royal Mail Post Bus. 2x two vehicle sets- LMS-AEC & Thornycroft and a Terry's Of York Thornycroft and Ford Model T. Bedford CA Van, Adventure Comic. Mack AC Van, MKT. Mack B Pumper, Elkridge. Ford Model T, Victrola. Bedford OB Coach, IOM. Together with a number of Thornycroft and AEC lorry's etc. All boxed, all with price labels. Contents VGC-Mint. £60-80
A made up set of Dinky 6 Motorcyclist Civilian No.37A. 4 pre-war examples with white rubber tyres, riders in grey, green, brown and blue and two with black post war tyres, both in olive green. Presented in a reproduction box with a reproduction insert. Bikes GC, minor chipping only. £100-150
A scarce Taylor & Barrett small size trolley bus hollow cast ,finished in red with black metal wheel and black roof poles. Each side applied with paper labels "use Dominion petrol", this is possibly a post war version, together with a similar version also finished in red with black tyres and roof poles and red hubs. Each side applied with small paper labels "champion Malt vinegar" both are GC-VGC. (2) £80 - £120
Post-medieval, Ca. 1600-1800 ADAn iron katar dagger or knuckleduster comprising a two-part, bulging grip with guard and leaf-shaped blade with a prominent central midrib the base of which is decorated with a raised geometric motif. Good condition.The katar or katara is characterized by its H-shaped horizontal hand grip which results in the blade sitting above the user's knuckles, allowing for maximal force to be applied through the point.Size: L:425mm / W:78mm ; 310gProvenance: Private Oxfordshire collection; Formerly acquired on the European art market from pre-2000 collections.
Andy WARHOL (1928 - 1987). 2 USD. Dollar. Signiert. Schwarz.2 USD (Thomas Jefferson)/ Seriennummer: G 18637479 A/ Abmessung: 155,955 X 66,294 Millimeter/ Jahr: 1976/ Stempel und Stempel der US-Post/ Schwarz signiert: Andy Warhol (Vorderseite) / Andy Warhol Stempel (Rückseite). Versand kann organisiert werden. 2 USD signed black and stamped. Shipping can be organized.

-
131341 item(s)/page