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Lot 1

USAF and USN Jet Aircraft Vac form: McDonnel F3 Demon, Navy, McDonnel F43 Phantom, Navy, McDonnel Douglas F15, USAF, Grumman Tomcat, F14, Navy, Grumman Panther F9F3, Navy (Korea), Douglas Skyray F4D, Navy, Douglas, Skyknight, Marine, Vought Corsair II, USAF, Vought Cutlass Prototype, Navy, wood. General Dynamics F16 USAF, Lockhead, Shooting Star P80 USAF (Korea), Lockhead T33 Trainer, USAF, North American Super Sabre F100, French Air Force, North American Sabre F86E Luftwaffe (Post War), North American Sabre Dog F86D USAF (15)

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JOHN MACE, MONOGRAMMED OIL, Shepherd with sheep by a post mill in Norfolk landscape, 5” x 7”

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A pair of garnet three stone earstuds, each in a circular design and set with circular cut garnets, the backs with later post and butterfly clip fittings.

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Small Size Character Jugs Journey Through Time Series comprising Post Man D6801, Engine Driver D6823, Policeman D6852, The Fireman D6839 with certificates [4]

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A mixed post-card album, containing topographical, humorous, and other subjects (album AF).

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Terence Cuneo: Two prints: one railway related of The Evening Star, end of an era, the other with train in background entitled Sleigh Post, both framed; along with a framed photograph of Raymond Mays (3)

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Two Shelley ashtrays with 'A clachan post office, empire exhibition 1938', a blue and white willow pattern part teaset and a Hornsea squirrel and branch spill vase.

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A Wedgwood light blue jasper pedestal urn, the centre sprigged 'CC Post Natum Conditorem Anno Viget Ars Etruriae Redintegrata', on wooden base, 16cm diameter.

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WADE - Whimsey on Why cottage, Post office and Pump cottage together with some Zoo lights

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A matched set of four post war taper candlesticks, the set all having a wide circular foot rising to a high drawn stem with ball and bell form sconce, height 12".

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A post war cased vase possibly Italian in the manner of Whitefriars, the sleeve form body detailed with a vertical rippled line to the clear over cranberry ground, height 7".

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A post war Stourbridge clear crystal vase designed by John Hammond for Thomas Webb. The vase of graduated conical form decorated with stylised weeping willow boughs, height 8", bears acid mark.

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A post war rocking chair made by Lurashell, the fibre glass body raised to teak rockers, stamped to the underside.

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an Impressive Victorian Brass Stag Head Newel Post Finial, issuing from a cup form pedestal base made up of fruiting oak leaves, 32cm high overall

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a Pair of Brass Letter Post Scales, S Mordan & Co, London, circa 1900, with scroll form platform on an oak plinth with five graduated weights, 26.5cm wide

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A Pair of Diamond Earrings, set to the centre with a cluster of brilliant-cut diamonds within a bezel of tapering baguette-cut diamonds and an outer border of brilliant-cut diamonds, post and clip fittings

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A pair of large Theodore Deck faience vases, c. 1880, of inverted baluster shape each on a cream coloured ground with scenes of birds amongst blossoming branches, stylised dragon handles, impressed T H Deck heightened in red, some faults, 56cm (2) Joseph-Theodore Deck (1823-1891) is generally regarded as the first of the studio potters. Born in the Alsatian town of Guebwiller, his first ambition was to become a sculptor but his modest background saw him apprenticed to a maitre faiencier in 1842 as a maker of ceramic stoves. Learning his trade throughout Germany, Austria and Hungary, he finally settled in Paris in 1847. By 1856 he had established his own faience workshop in partnership with members of his family. 'Atelier Deck' was popular with painters and sculptors and became a design laboratory promoting ceramics as an artistic form. Deck promoted his wares at the Paris' 1861 Exposition des Produits de l' Industrie and the following year at London's 1862 International Exhibition, where they met with great enthusiasm, three pieces being purchased by the then South Kensington Museum (Victoria and Albert Museum). William Morris described Deck as an eminent practical potter. Due to his abilities and accomplishments within the art industry Deck was made art director of the Sèvres Manufactory in 1887, the first ceramicist to hold this post. Throughout his life Deck was influenced predominately by Persian designs but is also well regarded for his Chinese flambe glazes.

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A Steiff squirrel, 'Perri', post-war in dual-plush mohair, 3.75in.

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Roger Hunt and Liverpool FC memorabilia, comprising two post cards, one from 1964 detailing a match against Brazil and England, the other mentioning a second match against Argentina, a 1963 Liverpool FC programme signed by the team, a 1965 programme, the 1972 Testimonial programme and club rules and fixtures booklets

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Two Lalique frosted glass owls, post-war, engraved marks Lalique, France, 3.25in.

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A Lalique amethyst-stained vase 'Dampiere', a continuous moulded design of birds, on pedestal base, early post-war, stencilled mark Lalique, France, 4.75in.

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A post-Regency rosewood sarcophagus tea caddy, inlaid with cut brass lozenges, flower heads and stringing, the chamfered hinged lid with tablet centre, enclosing a cut and moulded glass mixing bowl and pair of removable canisters with brass strung hinged lids, on bun feet, 30cm x 15cm, 18cm high, circa 1840

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A post-Regency mahogany bow front chest of two short and three long cockbeaded drawers, the strung crossbanded top above a frieze with brass leaf inlay, brass rosette handles, on a plinth, 108cm wide, circa 1825-30

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A boldly carved 19th Century oak bedstead, in Renaissance style, with demi-figures and arcades, melon bulb footposts, 152cm wide (probably reduced from a four-post tester bedstead)

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A post-Regency mahogany breakfront wardrobe, the sunk centre fitted four long graduated drawers with draught turned handles beneath a panelled 'Grecian' upstand, flanked by a pair of freestanding pillars, a panelled hanging cupboard to each side, 226cm wide, 183cm high, 1830's-40's

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A set of eight post-Regency rosewood dining chairs, the curved oversailing cresting rails and tie-rails carved with acanthus and lotus scrolls, slip-on seats, on turned tapering legs, circa 1835

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A post-Regency mahogany library table, the ovolo moulded rounded rectangular top with crossbanded border and leathercloth panel, frieze fitted six moulded drawers with ebonised handles, on lobed flared inverted baluster legs, brass socket castors, 182cm x 106cm, circa 1830-40

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A post-Regency rosewood music canterbury, the four divisions of pierced scrolling leafy design joined by turned rails, the rectangular base fitted with a drawer, turned handles, on toupie feet, brass socket castors, 50cm wide, 50cm high, circa 1835

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A set of six post-Regency rosewood and marquetry dining chairs, with padded rectangular backs and stuffed-over seats, the frames inlaid with shaded floral trails and stringing, lotus scroll and lunette crestings, on lobed tapering legs, circa 1830-40 (some losses)

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A post-Regency mahogany centre or dining table, the circular ovolo moulded top with radiating plain veneers above a shallow frieze, tilting on a tapering pillar and moulded socle, the flared circular platform on lotus scroll feet, brass castors, 127cm diam, circa 1830

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A set of brass post office Weighing scales marked Degrave and Co, London

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A post war Lalique deer, blue

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PONTEFRACT,Ella, 'The Charm of Yorkshire Churches' Ill. Marie HARTLEY, The Yorkshire Weekly Post, Leeds, nd. 4to. in d/w. tog.with 'Cathedrals' The Great Western Railway, 1926, 2nd edn. Plus JACKSON, Sir Thomas Graham, 'Architects' Macmillan, 1932. 4to. plus other Architectural interest. 11

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*BEECHER STOWE, Harriet, 'Uncle Tom's Cabin; or, Negro Life in The Slave States of America', Clarke & co. 1852. 40 illus. Frontis. Engd. 1/2 tp. Lge.8vo. A.e.g. Orig.glt.cl.worn & bumped. Tog.with [Dickens, Charles]'The Post-Humourous Notes of The Pickwickian Club' Ed. "Bos". The Penny Pickwick. Bound nos. 1-112. vol.2. E.LLoyd, London, nd. 1/2 marbled bds. scuffed. 2

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A early 19th Century mahogany travelling four poster double bed, the shaped headboard fabric covered, the end-post reeded, the folding canopy top gothic moulded, with sprung base, 60" wide x 80" long x 83" high

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Hornby - R.1033, Hogwart's Express Set, comprising 4-6-0 tender locomotive, No.5972 'Hogwart's Castle' and two coaches, boxed; with a matching composite coach, boxed; three Ratio wagon kits; and a Wills village Post Office kit, (6).

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[POSTAL HISTORY] a WILLIAM MULREADY pictorial printed envelope for the Penny Post folded and franked 'Leominster Ap. 4 1841', wax seal verso, printed number A154.

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[WORLD WAR I / WESTERN FRONT]. AGNEW (Rupert), envelope, addressed in pencil, franked 'Field Post Office 13 Ju [19]18', with red stamp 'Passed by Censor No. 1474', containing 2 pp. a.l.s.; 4 pp. a.l.s. to his brother Ivo, undated, post armistice, pencil written; 3 pp. a.l.s. to Miss B. Heinekey, with original envelope, franked 'Field Post Office 6. No. 17' with censorship stamp : "I see by the papers Ivo is posted as missing ... I feel very certain that he is a prisoner [see Lot 85, below] ... The Flying Officers are supposed to have a fairly good time as prisoners - I got well landed this last tour in the line ... Three weeks of it and nothing but operations .... We were next to the Canadians the account of whom you will have read in the papers. Their wonderful daring on Passchendaele Ridge. Very little of it is true and they made a terrible mess of it .... The enemy aircraft continually drop bombs here but we take little notice of them as they have very local effect. The Gas was rather uncomfortable last time and we all had to wear air respirators daily ....", dated 4.11.17; and 6 other letters or cards, in original envelopes, dated 1916 & 1917; all from the Front (9).

Lot 1

[BOER WAR] approx. 40 letters, mostly in envelopes, from the home-front (mostly post-marked Worthing 1900/1901) to Private H. Pope of the 7007 Voluntary Company Royal Sussex Regiment, contained in a soldier's waxed canvas field pouch. An interesting collection, revealing current opinion in the U.K. viz-a-viz the Boer War, recruitment, etc.; together with a small q. of ephemera, the Soldier's New Testament, 1900, etc.

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Dinky: early post-war 25K Streamlined Fire Engine with smooth hubs, VG-E, two tyres cracked

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Dinky: early post-war brown 25E Tipping Wagon with smooth hubs and white tyres, G-E, paper mark to roof

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Dinky: early post-war maroon 25A Wagon with smooth hubs, G-E, paper mark to roof

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Dinky: early post-war grey 25B Covered Wagon with tan tilt, G-E, paper mark to roof

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Dinky: early post-war green 25D Petrol Tank Wagon with smooth hubs and white tyres, E, one tyre flat

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Dinky: early post-war olive green 25F Market Gardeners Lorry with smooth hubs and white tyres, VG-E

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Dinky: early post-war 34B Royal Mail Van with black roof, open-rear windows, smooth hubs and narrow white moulded tyres, VG-E, very slight fritting to some wheel-arch areas

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Dinky: 47D and 777 Belisha Beacons - two pairs of early post-war 1st Type with white to underneath of bases, seven mid-1950s 2nd Type with black to underneath of bases and one early 1960s with all-white base, overall VG-E (12)

Lot 1

AN UNUSUAL PEEK FREAN'S "WINNING POST" BISCUIT TIN of cylindrical form, the printed paper body with cut-away window at the finish of a horse race, an internal cylinder revolving to reveal horses with biscuit-related names (Shortcake, Bourbon, Ginger Nut, Vita Wheat etc) with printed decorations to the outer cylinder, 15.2cm diameter x 13.5cm high, (6in x 5.3in), and A CARD BOX of cylindrical form with printed label "THE LUCKY PIE, one of the most exciting games or pastimes for children ever introduced", the container vacant, 16.5cm diameter x 14cm high, (6.5in x 5.5in) (2)

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Stollwerck Bros., Cologne: A RARE EARLY 20TH-CENTURY TINPLATE "POST SAVINGS BANK" CHOCOLATE DISPENSER-cum-money box, of vending machine form, the roof with printed motto "A Penny saved is a Penny earned", above banner title, the glazed front above a sloping fall with printed titles "Stollwerck Bros Chocolate Letter Box - Clearing after droping (sic) one halfpenny" above a further panel printed with children holding a sign "To the Obedient Child", the sides decorated with children in national costume, the back with a gentleman and children opening envelopes above "Pure Chocoloate Wholesome and Nutritious manufactured by Stollwerck Bros. Cologne (Germany)", the underside with maker's mark, 16.3cm, (6.4in) high

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A LARGE ROYAL WORCESTER PORCELAIN "HAND PAINTED FRUIT STUDY" MUG, post 1959, of cylindrical form, decorated with apples, black grapes, blackberries, a peach and a cherry, signed S.Weston, black printed mark, 12cm, (4.7in) high

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A mahogany four post bed, the two turned and reeded posts carved with wheat ears, on block feet, the posts 223cm high, 122cm x 189cm wide, (now painted)

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A Lalique bowl 'Jaffa no.4' pattern, post 1932, the details stained in turquoise, etched mark R Lalique France, 21cm diameter, Marcilhac no. 3277

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After Henry Alken, "Going the Pace, " and "The Winning Post at Billesdon Coplow", modern coloured Prints.

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Quantity of British Stamps consisting of 46 Mint Presentation Packs, 22 First Day Covers & 33 Post Office Stamp Postcards.

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Good Collection of Football Memorabilia & Sports Magazines, all dated to late Post War 1940's including 2 Copies of The Daily Worker Football Annual 1946 & 1949, and 7 Littlewoods Sports Magazines dated to late 1930's.

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Very Rare Semi Final FA Cup Tie Football Programme Bolton Wanderers v Charlton played on March 23rd 1946 (First Post War Semi Final).

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A CROWN DEVON FIELDINGS MUSICAL JUG of mildly bellied form, depicting 'Waddicombe Fair' moulded with gentlemen on a horse, with squared loop sign-post handle, 6 1/4" high

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A WMF electroplate basket, early 20th century, of flared form with pierced floral and beaded border above foliate ribbon and classical vase decoration, with conforming bow handle, on flared foot, stamped with ostrich mark post 1910, 35cm high.

Lot 1

Levertoff (Denise). The Double Image, 1st ed., 1946, inscribed by author on front free endpaper, 'To our dear Marga with love, Xmas 1946', orig. cloth in d.j., a little rubbed and soiled, 8vo, together with an original holograph copy of one of the published poems 'Return' (p. 33), signed presentation inscription 'Denise Levertoff' to Margaret Cornwell, the poem dated 17-18/1/45 at foot, 1 page, folio, plus Lake, Mountain, Moon, Tangram, 1990, inscribed presentation copy from the author 'Denny' to Marga with a related three-part initalled post-it note attached to the half-title, orig. handmade wrappers, slim 8vo, (one of 200 copies), plus one other Levertov first edition (White Owl and Blue Mouse) with an initalled post-it note tipped in, plus photocopies of a short story proof and a poem by Levertov (6)

Lot 1

Pound (Ezra, 1885-1972). Autograph Letter Signed ('Ez'), envelope postmarked Washington DC, 19th July 1950, to ?Andrew Finlay, in pencil, 'Yes my dear A, Paris very engaging but if anyone sends anything more into my living quarters that takes up more room than a post card... Will reserve no mural... Transfer to some anthropologist or aesthete who has a hippodrome, silo or some suitable cover or space', 2 pages on two leaves, 4to, with pencil holograph envelope (1)

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