AN EARLY SOVIET AGITLAK DESK SET OF THE GREAT POWERS OF THE STATE, N. ZINOVIEV, PALEKH, 1932-1933 a lacquered papier-mache desk set comprising: a) a rectangular base with beveled edges Gotovnost k oborone strany [Preparedness for the State`s Defense], with two ink stand indents and a pen groove, featuring the great defending forces of the Soviet Union - sophisticated aeromechanics cruising the sky above the Party leaders gathered at the Kremlin Senate in the center, with the Red Army soldiers in the foreground, proudly marching behind a line of self-propelled artillery, all flanked by two of the army`s civilian mainstays: agricultural sector on the left and industrial workers in gasmasks on the right, with four impressive battleships representing the strength of the Red Fleet, placed along the bottom edge; length: 38 cm (15 in.), width: 24.5 cm (9 5/8 in.); signed in Cyrillic N. Zinoviev, Palekh, 1932 along the bottom edge, inscribed with title along the top edge b) an ornate desktop paper holder with two divided compartments Velikiy Oktyabr [The Great October], on a raised base with beveled edges, featuring a demonstration held by Lenin in front of the Grand Kremlin Palace on a rear panel, a group of the common workers raising their red banners against capitalism on a middle panel, the row of marching peasants and the young with red standards on a front panel; length: 22 cm (8 5/8 in.), height: 18cm (7 1/8 in.); each panel signed in Cyrillic on the bottom N. Zinoviev, Palekh, dated 1932 (front panel) and 1933 (middle and rear panels), inscribed with title along the top edge of the rear panel c) a cylindrical pencil holder on a raised base Stroitelstvo tyazholoy industrii [Building-up of Heavy Industry], featuring a landscape with a multitude of Soviet factories, along with a hydroelectric power station, aeromechanics, military and farm machinery; black interior; diameter of base: 9 cm (3 1/2 in.), height: 12.5 cm (4 7/8 in.); signed and inscribed in Cyrillic on the bottom N. Zinoviev, Palekh, dated 1932, inscribed with title along the top edge d) a rocker style ink blotter with a handle Krasnaya gvardiya [The Red Guards], the top rectangular panel featuring the scene of storming of the Winter Palace by the Bolsheviks with help of the sailors of the Baltic Fleet on the 25th of October, 1917 in Petrograd; length: 17 cm (6 3/4 in.); signed in Cyrillic, inscribed and dated along bottom edge of the top panel N. Zinoviev, Palekh, dated 1932, titled along the top edge of the panel; e) a rectangular postage stamp box with five compartments Krasnaya armiya na front [The Red Army to the Front], the hinged cover with rounded corners featuring a strenuous battle between the Red and the White cavalry; crimson interior; length: 14.5 cm (5 3/4 in.), height: 3 cm (1 1/8 in.); signed and inscribed in Cyrillic along the lower edge of the coverN. Zinoviev, Palekh, dated 1932, titled along the top edge of the coverf) a pencil holder Votonovitelniy Period [Restoraiton Period] depicting post-war restoration and a celebration of the union of the country and city life; height: 6.5 cm (2 1/2 in.), diameter: 7.8 cm (3 1/8 in.); signed and inscribed in Cyrillic along the lower edge N. Zinoviev, Palekh, dated 1932, titled along the top edge
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England World Cup Winners 1966 postcard of team on balcony of hotel prior to post match banquet, acknowledging the crowd, Bobby Moore holding Jules Rimet Cup aloft, signed to front by Bobby Charlton on rear by Hurst, Hunt, Peters, Wilson, Ball, Ramsey and Bobby Moore. Limited edition of 20, this being no.17, Beejay Soccer Enterprises. Rare Item
Seventeen Lima Collection OO gauge locomotives and carriages, comprising, 204873A7 Ravel; 204703A8 Guy Fawkes; 205197 EWS 66100; 204906 EWS 66250; 205218 Clyde Iron; 204794 Prince William; 204909 Isambard Kingdon Brunel; 204645 Great Western SS Great Britain; 204978 EWS 67005; 305347A7 post 80861 (x2); 204880A7 Lady Godiva; 204881A7 20188; 205069 Eddie Stobart; 205260 Porterbrook; 204912 Marston Vale; 205230 Royal Highland Fusilier; with an E-Z Command centre (18)
Group Captain P.B. Laddie Lucas CBE DSO DFC RAF. Signature on Fighter pilot profile of WW2 ace. Commanded 249 Sqn during the siege of Malta. Post war became a successful author co-writing a string of books on the wartime RAF with Air Vice Marshal Johnnie Johnson. Plus, full Obituary.. Good condition. All signed items will come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, Overseas from £6.95.
A Swarovski Crystal figure, Wolf, 207549, and other wild animal figures, all boxed (box) Condition report Report by NGWolf, 207549- ear chippedSeal, Art 7646, NR085000- some chips to finsWalrus, Art 7620, NR100000- some chips to finsWhale, Art 7628, NR080000- tail broken and gluedRhino, Art 6722, NE070000- box is missing its platic bottomCub, 210460Kangaroo with joey, Art 7609, NR000001- limbs roughSeahorse, 168683 (?)- head and tail offsetSealion, Art 7661, NR000004Hippopotamus, no number on grey box but vendor has written 151187 on a post it noteKoala, no number on grey boxBeaver, no number on grey boxAll pieces in original boxes unless otherwise stated. All pieces free of damage or repair unless otherwise specified. Pieces also been out on display and are grubby as a result.
Bwagaoia: Small selection comprising 1911-15 1s (on piece), 1d (perf 14), 1916-31 1d and 1917 'ONE PENNY' on ½d (2) each with fine strike of the miss-spelt "BWAGOIA" (Lee 84) cds also 1911-15 2½d pair with two very fine strikes in violet dated 7 JY 21 (rare), 1901-05 (vertical wmk) 6d, 1911-15 4d, 6d (horizontal pair) and 1916-31 1½d each with fine strike of the "BWAGAOIA" (Lee 85) cds, then 1932 2d (on piece) and 1938 2d Airmail (vertical pair) both with very fine strikes of the "POST OFFICE/BWAGAOIA" (Lee 87) cds,
Gira: 1902 (c) orange piece (96 x 40mm) with posthumous strikes of "GIRA/B.N.G." cds, (Lee 57) with m/s 'Metal dates missing' and "REGISTERED/GIRA B.N.G.." h/s (Lee 58), respectively superb and fine strikes. These cancels were used at Bogi post office (late renamed Kumusi) in the second half of 1901. Ex Lee and illustrated on page 95 of his book, a very rare item
Nepa: 1907-10 'small PAPUA' 1d and 2d with fine part strikes of the rare "(blank)/BRITISH NEW GUINEA" relief cds (Lee 80) which was used for just seven months (29 Jan - 15 August 1910) at this new Post Office opened to serve the Lakekamu Goldfield, the 2d dated '4 JU 10', also 1907-10 watermark sideways, perf 11 4d black and sepia showing variety "Deformed 'd' at left" (SG 63a) pos. 4/3, superbly cancelled by "NEPA" cds (Lee 81) dated 20 JAN 16, a few short perfs
Post Marks: Selection of ten stamps comprising 1901-05 4d with part "KUMUSI" cds (Lee 66), 1907-10 2s6d (thin spots) with part strike of "IOMA" cds (Lee 75), 1910-11 1s on piece (with additional large 2d h/s of unknown origin) and 1911-15 2d and 4d all with "BUNA BAY" (Lee 77) cds, 1916-31 ½d and 1½d with large part "HISIU" cds (Lee 92), 1916-31 1½d with part "TAHIRA" cds (Lee 93), 1917 'ONE PENNY' on ½d with almost complete "POST OFFICE RIGO C.D./PAPUA" cds (Lee 83) dated '20 01 17' and 1931 9d on 2s6d with fine strike of "LOSUIA" cds (Lee 94) dated '18 DE 33', one or two small faults but nice group
Port Moresby: 1941 March 1 registered airmail cover from Post Moresby to Sydney, franked with Papua 1932 3d and 1939 5d tied by single strike of the "POST OFFICE/PORT MORESBY, PAPUA" double ring cds (Lee 23) in violet with another strike below, also black and red rouletted registration label (Lee R11) at lower left and backstamped with another strike of the Lee type 23 and arrival cds dated '3 MR 41', roughly cut open at top but unusual with this cds not normally used on stamps and covers
* JOHN DANIEL REVEL ROI RP (SCOTTISH 1884 - 1967), PORTRAIT OF A CHILD oil on canvas, signed 51cm x 42cm Framed Note: John D Revel was born in Dundee in 1884. He studied at Dundee School of Art, becoming an Art Pupil Teacher. After qualifying as a teacher he taught for two years in Shipley, Yorkshire before becoming the Principal Teacher of architecture in Preston, Lancashire. In 1906 he gained an open Scholarship to the RCA and in 1911 left the College with a degree in architecture, a degree in painting and the award of a Travelling Scholarship for painting. After a year abroad he was offered and took up the post of Headmaster at Chelsea School of Art. He also saw service in the First World War in Mesopotamia and India, becoming an official artist to the Expeditionary Force (water-colour paintings survive from this time). He specialised in portraiture and landscape. Revel was elected a member of the International Society of Painters, the Royal Portrait Society and the Royal Institute of Oil Painters. In 1925 he took up the post of Director at Glasgow School of Art. Under his directorship the Extension Building (now the Assembly Hall) was built and the School saw an upsurge in student and social events, notably the development of the Student Representative Council, the growth of the Glasgow School of Art Dramatic Club and the birth of the Kinecraft Society. Revel kept up the tradition of teacher/headmaster/director by occasionally taking the architect's drawing class. The degree course in Architecture produced its first graduates during his time as director, quite a few of whom were women. The artist has works in the collections of Glasgow and Dundee museums. Only three of Revel's paintings are recorded in UK auction records (Artnet) with the most recent being ''New Orleans Boy'', a 50 x 40cm oil on canvas, which was sold by McTear's for £1800 (hammer) as lot 1486 29th November 2012.
Roman, Imperial Period, ca. 1st to 3rd century CE. A cast bronze chariot attachment, for placement on the wheel hub, terminating in three standing, dancing bears. Comes with custom stand. Size: 1.2" L x 1.7" W x 3.7" H (3 cm x 4.3 cm x 9.4 cm); height on stand: 5.25" (13.3 cm).The bears have simple features, with wide arms outstretched almost to touch each other (two do, but that seems to be a result of post-production bending rather than intention). They stand atop a round, hollow tube with a wider central section and cast rope-like designs around the exterior marking out each of the three sections.Dancing bears were a common form of spectacle in Rome: authors like Lucian and Seneca, decrying the roughness of the Roman citizenry, describe serious plays interrupted by crowds chanting for athletic feats, tumbling, and bear dancing. Here they are playful, perhaps reflecting a personal favorite entertainment of the person who commissioned this piece. Provenance: Ex-private east coast, USA collection Condition: Slight bending to body, especially around center area. Smooth, dark green patina over surface. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #120865

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