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Lot 631

A pair of diamond set single stone earstuds, each mounted with a cushion shaped diamond, the backs with post and butterfly clip fittings.

Lot 707

A pair of diamond and calibre cut ruby set circular cluster earstuds, each mounted with the principle circular cut diamond in a surround of eight smaller circular cut diamonds, within a border of calibre cut rubies, the backs with post and butterfly clip fittings.

Lot 220

"Post Impressionism", one vol illust, "Dictionary of Painters" and other reference vols, various

Lot 1341

Ballantrae, Brigadier The Black Watch, 1974, Lt Col Pratt, The Royal Northumberland Fusiliers 1981, Digby and Harle, Toy Soldiers and Ceremonial in Post Mughal India, 1982, Warner, Army Life in the 90s, Forty, They Also Served, 1979 and Edgerton, R.B Deat

Lot 246

A pair of late Georgian candlesticks; a single brass candlestick; an early 19th century post horn; a French hunting horn and 2 wooden stands

Lot 286

A coper post horn; a hunting horn; a shot flask; an oriental scribe's pen and ink set; a copper frying pan

Lot 152

Post-1934 Spanish silver fluted ewer with acanthus handle, 13.7ins. (34.8cms.) high (see illustration).

Lot 199

Quantity of assorted military and other medals including George V Imperial Service Medal (post 1920) and two World War I British War Medals.

Lot 237

Modern Lalique frosted glass model of a Rhinoceros, on black rectangular base, post-1945 mark, 11.7ins. (29.6cms.) long (overall) (see illustration).

Lot 223

Two boxes of Picture Post magazines, together with various further books, bindings etc.

Lot 2

1840 1d black envelope, stereo A145 (Spec ME2), used with indistinct MC in red and Poulton Penny Post cancel in black on front, with Preston cds for NO 2 1840 on reverse, faults to rear from opening, cat £425

Lot 6

Useful range of eight entires and three fronts on pages annotated and identified by vendor, range of postal markings incl red and black MC cancels, London local post handstamps and Poulton Penny Post, noted one with MY 13 1840 cds and duty stamp on reverse, very mixed cond still useful

Lot 8

1840 1d plate 1a: HC three small to very large margins (just touching at left), tied to small piece by red MC and Shefford Penny Post in red cancels (Spec AS2ya), scarce, cat £2,000

Lot 12

1840 1d plate 1b: PE four good to large margins tied to small piece by black MC, with red Todmorden Penny Post cancel at left (not touching adhesive), fine

Lot 18

1840 1d plate 2: MI small at right to large margins, tied to piece by light MC cancel in red and unframed Bedlington Penny Post cancel in black (Spec AS15ya), cat £2,000

Lot 23

1840 1d plate 4: BE three very small to large margins showing portion of adjoining stamp at left but slightly cut into at top, used on piece with light indistinct red MC and additionally tied by bold Upton C Penny Post cancel in black (Spec AS23ya), vertical crease through stamp but a rare combination, cat £2,000

Lot 34

1840 1d plate 9: RL four good to large large margins, used on small piece with part black MC and red Amlwch Penny Post cancel (Spec AS56ya) 2mm cut in 'R' corner but a good strike of the cancel, cat £2,000

Lot 38

London Local Post: Small collection of sixteen entires and one piece each with 1840 1d black cancelled by black MC, arranged and indentified on pages by vendor to illustrate the early trials of the experimental black MC cancel, most of the adhesives with two or three margins, most entires with local receiving house handstamp and all with chief office date stamp, dates range from to 31 Aug 1840 to 27 Jan 1841, a very useful accumulation

Lot 51

Combination Cancel: 1841 1d red-brown lettered DD two large margins (touched at top and bottom), used on piece with indistinct black MC and additionally cancelled with 1844-type 530 numeral of Milnthorpe, backstamped with Lindal Penny Post cancel, unlisted by Danzig and Goldsmith

Lot 52

Combination Cancel: 1841 1d red-brown plate 31 lettered IE, four good to large margins used on folded cover to Exeter, cancelled by black MC cancel as well as Slough cds for NO 16 1843, front also bears Hounslow transit cds for NO 16, boxed T.P. Hanwell W.O. receiving house handstamp and red manuscript marking, reverse bears Kensington Penny Post handstamp and Exeter receiving cds, a few faults to reverse incl torn backflap, nevertheless a neat and attractive cover

Lot 81

1844-45 1d red-brown plate 45 tied to entire by Hawkshead Penny Post in blue (Spec BS26Hwb var), two good to large margins, cut into at left and right, addressed locally and dated 7 January 1845, horizontal fold to entire does not detract from this very rare cancellation, rated C (x 5 on cover) by Danzig and Goldsmith, cat £4,250+

Lot 92

1841 1d red-brown, small collection on pages showing usage of Penny Post postmarks to cancel stamps, noted Poulton, Dent, and Mottram, mainly used in conjunction with MC cancels, adhesives mostly with two or three margins, still a useful group (18 + 6 covers)

Lot 95

1841 1d red-brown, four examples (incl one on cover) each cancelled with Handsworth Penny Post postmark in blue and MC cancel in black, adhesives with two or three margins, entire with 'Handsworth' s/l handstamp in blue, useful lot

Lot 119

Book post: c1860 wrapper with embossed 'per Book Post Knight & Co. 90 Fleet Street' in red at top left, addressed to Kirbly and franked with 1858-79 1d rose red, tied by bold London 'D34' numeral, light vert fold but much above average, a rare example of this difficult Inland branch numeral believed to have been used for bulk mail, Parmenter rarity 'H'.

Lot 277

A Hagenauer silvered bronze figure of a terrier modelled chained to a post, on rectangular base stamped mark to base 15.5cm. wide

Lot 311

An Art Deco Houbigant tortoiseshell compact and lipstick two other compacts, a 'Felix The Cat' enamelled silver moneyclip, a Scandinavian post war white metal and amethyst necklace, and six other items various marks

Lot 305

A Royal Worcester Candle Snuffer modelled as a Monk reading a Bible and wearing a brown habit, post 1959, 4 ½” high

Lot 633

A Box containing a Chad Valley Tinplate Clockwork remote control Car (tube control missing) + a Mettoy Clockwork Car; a Tri-ang Minic Post Office Van; a Minic Transporter; a Ferrari Chalex Racing Car + a Tinplate Friction Jaguar (A/F)

Lot 722

A 9ct Gold Presentation Pocket Watch “Presented to Coxswain Henry G Blogg Cromer Life-Boat “H F Bailey” for Gallant Service SS “Georgia” Nov 22nd 1927”; together with a good grade yellow metal presentation Pocket Watch from the Netherlands Authorities to Henry G Blogg, re SS “Georgia” + 1929 “Cromer Post” Supplement “Cromer Life-Boat Centenary 1829-1929 100 Years of Life-Saving”, and other relevant ephemera

Lot 615

A post war Whitefriars ribbon trailed vase designed by Powell, self colour trailed with amethyst over amethyst ground, height 18cm.

Lot 642

A post war Webb Corbett crystal glass vase of fluted oval section deeply cut with vertical and horizontal panels of mitre cuts, height 27.5cm, S/D and water marks to the interior.

Lot 672

A post war textured range “Sunburst” vase designed by Geoffrey Baxter for Whitefriars, pattern number 9676 of circular form with square collar neck cased in clear over cinnamon, height 15cm, retains original label.

Lot 673

A post war textured range “TV” vase designed by Geoffrey Baxter for Whitefriars with a stepped rectangular form body cased in clear over tangerine, height 18cm.

Lot 674

A post war textured range “Coffin” vase designed by Geoffrey Baxter for Whitefriars cased in clear over pewter interior, height 13cm, together with a similar period “traffic light” example in clear over meadow green, height 12cm, S/D.

Lot 687

A post war Webb Corbett clear cut crystal glass vase designed by Irene Stevens, the ovoid body cut with repeat horizontal stylised leaf cuts, unmarked, height 26cm.

Lot 691

A post war Webb Corbett clear cut crystal glass biscuit box and cover of oval section with panels of mitre cuts with horizontal panel cuts, height 16cm.

Lot 698

A post war Whitefriars cut crystal glass vase designed by Geoffrey Baxter, the tumbler form body cut with a spiral mitre cut with engraved stars, height 20cm.

Lot 699

A small post war Webb Corbett clear cut crystal glass vase in the Harlequin pattern designed by David Queensbury, the cylindrical body cut with hollow diamonds in polished and satin finish, bears full acid mark, height 15cm.

Lot 703

A post war Stuart cut crystal glass vase designed by John Luxton, the footed ovoid body decorated with panels of mitre cuts with interwoven polish intaglio lines and mitre stars, acid marked, height 21cm.

Lot 705

A post war clear cut crystal glass vase designed by William Wilson for Whitefriars of barrel form with a mitre cut grid pattern with circular printie cuts, height 24.5cm.

Lot 706

A post war Stuart cut crystal glass vase designed by John Luxton, the barrel form body cut with vertical mitre cuts with columns of circular printie cuts, acid marked, height 18cm.

Lot 707

A post war Webb Corbett cut crystal glass vase designed by Irene Stevens, the barrel form body cut with vertical columns of large circular printie cuts joined by horizontal polished lines, unmarked, height 22.5cm.

Lot 719

A post war textured range vase designed by Geoffrey Baxter for Whitefriars of rough cast conical form cased with clear crystal over tangerine, pattern No 9717, height 18cm.

Lot 720

A post war textured range vase designed by Geoffrey Baxter for Whitefriars of swollen rectangular form, pattern number 9685 cased in clear over tangerine, height 11.5cm.

Lot 721

A post war textured range vase designed by Geoffrey Baxter for Whitefriars of square section, pattern number 9683, cased in clear over Pewter, height 17.5cm.

Lot 730

A post war Kosta vase designed by Vicke Lindstrand, the compressed ovoid body with a heavy cased clear crystal wall over an internal deep ruby aperture with white loop line detail, engraved signature, height 13.5cm.

Lot 744

A post war Nuutajarvi Notsjš Ariel vase designed by Kaj Frank, the ovoid body having internal vertical tapered tear from air trap lines within clear crystal, bears a full acid signature, height 17cm.

Lot 753

A small post war Orrefors glass vase designed by Sven Palmqvist, the conical foot rising to a compressed ovoid body engraved with a winter scene with Reindeer and Skiers, engraved signature, height 12.5cm.

Lot 768

A large post war Kosta crystal vase of compressed ovoid form designed by Vicke Lindstrand polished intaglio cut and engraved with a stylised beach scene with boat and hanging nest, engraved signature, height 30cm.

Lot 771

A post war Flygsfors vase designed by Viktor Berndt of shouldered form with a square neck relief moulded with a stylised peacock all in a cased smoke grey tint, engraved signature to the base, height 18cm.

Lot 772A

A large post war Italian novelty crystal sculpture designed by Licio Zanetti for Zanetti modelled as a performing elephant in pale lime green standing to a ball with internal air bubble detail, bears engraved signature to the base, height 44cm.

Lot 776

A post war blown glass bowl designed by Erik Hoglund for Boda, the circular bowl with deep roll rim having an air bubble ground with deep amber tint, 24cm across, retains paper label.

Lot 795

A post war novelty “milk” jar designed by Erik Hoglund for Boda in the form of a stylised female torso below slender collar neck decorated with applied blue glass prunt nipples to the clear ground, height 18cm.

Lot 796

A post war Coquille dish designed by Paul Kedelv for Flygsfors, the tear form shallow dish cased with clear over lime green and white, engraved signature with Kedelv’s name, length 26cm.

Lot 803

A post war Coquille vase designed by Paul Kedelv for Flygsfors, the drawn cylindrical body cased with clear over red, white and blue below a triform rim, engraved signature and Kedelv’s name, height 26cm.

Lot 804

A post war Coquille vase designed by Paul Kedelv for Flygsfors, the drawn cylindrical body cased with clear over white and blue below a flat rim, engraved signature and Kedelv’s name with date for 55, height 16cm.

Lot 809

A post war Coquille bowl designed by Paul Kedelv for Flygsfors, the shallow heart shaped dish in the form of a stylised “stingray” with central raised band in deep amethyst over a cased amethyst and white ground, engraved signature with date for 56, width 27.5cm.

Lot 333

A pair of single stone diamond earrings, of approximately 0.30ct claw set in white 18ct gold, with yellow gold post and butterfly fittings Note: with accompanying Anchor Cert No: 144547-002 stating that the diamonds are 0.30ct, clarity VS1, colour F, graded mounted.

Lot 335

A pair of green tourmaline cabochon set earrings, the circular cabochons within yellow metal pear shaped and bead settings, with post and butterfly fittings

Lot 250

a Pair of Modern Cultured Pearl and Diamond Cluster Stud Earrings, the single pearl surrounded by a row of eight round brilliant cut diamonds in a white claw and cage setting, post fittings for pierced ears, total diamond weight 0.96 carat approximately, each measure 1.5cm in diameter, in a Wartski case. See illustration

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