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Lot 1
A carved walnut and ebonised four post bed, in the Flemish late 17th/ early 18th century style, last quarter 19th century, the moulded frieze above four Solomonic turned columns, the arched head board with shaped pediment centred by an urn finial above a winged putto mask, the opposing end with twin mitre panels carved with acanthus, on a moulded plinth and turned bun feet, hung overall with red silk damask drapery, 275cm high, 219cm wide, 220cm deep; the conforming woven silk headboard drape, not illustrated
Lot 1
A Georg Jensen silver-coloured metal brooch, of stylised butterfly shape, post 1945 stamped marks, design 369; Bjorn Weckstrom for Lapponia, a matted silver necklet 'Galactic Peaks', of twenty one creased square links, stamped marks including convention, date code for 1994; and a Danish silver ring, stamped marks including convention
Lot 1
Gilbert Bayes (1872-1953), a master model of a devil, formed in plaster as a dragon and amber finished, 45.5cm high; and the cement sectional mould. Provenance: The Gilbert Bayes Charitable Trust. See Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p.171ff for a discussion of these washing line post finials to be made in Doulton stoneware. An example from this model and mould illustrated on p.172 top row second from right
Lot 1
Gilbert Bayes (1872-1953), three cement sectional moulds, for a Dove, Fish (incomplete) and another (unidentified). Provenance: The Gilbert Bayes Charitable Trust. See Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p.171ff for a discussion of these washing line post finials to be made in Doulton stoneware. An example from the first two moulds illustrated on p.172
Lot 401
* Postal history. Collection of franked envelopes and postcards, c.1850s-1940s,. incl. ten penny reds, carmine four penny stamp postmarked 1858, one envelope stamped Ross Penny Post and dated 1822, etc., contained in modern album, together with three early 20th century folding maps of part of Rhodesia (4)
Lot 723
* 20th-century photography. An assorted group of modern photography from the collection of Sue Davis,. both colour and b & w photos, including some large-format, many signed on photographs or mounts by sitter or photographer, including Kurt Hutton, Picture Post photographer, various subjects including portraits and art photography, various sizes, plus a group of approx. fifty-five gelatin silver prints of architecture and design interest (a folder)
Lot 827
* Waterworks. An album of over ninety corner-mounted gelatin silver prints, showing Whittleford pumping station, Boot Inn Bridge improvement, canal crossing - hilltop sewer, Avenue Road improvement, post-war houses, Blaby RDC, etc.,. some images with workers, many captioned neatly in white to mounts, images approx. 10 x 16 cm, contained in a contemp. ring binder, a little rubbed, 4to (1)
Lot 104
Wilson (W.). The Post-Chaise Companion; Or, Travellers Directory, Through Ireland... Forming an Historical and Descriptive Account of the Kingdom. To which is added, a Dictionary, or Alphabetical Tables showing the Distance of all the Principal Cities, Boroughs, Market and Seaport Towns, in Ireland from each other, pub. Dublin, 1786,. eng. frontis. and double-page eng. plan of the lakes of Killarney, some dustsoiling, contemp. tree calf, recently rebacked, 8vo (1)
Lot 1
Philip Sutton (b. 1928), Abstract bird, Limited edition screenprint, Signed and inscribed 243/250 lower right, S. 58cm x 78.5cm, David Humphries (Contemporary), 'NN74', Limited edition screenprint, Signed in pencil within the margin lower right, Inscribed with title lower centre and 77/100 lower left, S. 62.5cm x 89cm, and twenty-four other limited edition prints by various artists, all unframed (26), Philip Sutton's work is diverse, ranging from tapestry designs, paintings, tiles, Post Office greetings stamps, posters and prints.
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115349 item(s)/page