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8th King’s Royal Irish Hussars horse furniture. Two Officers charger’s ear bosses. A gilt brass strap inscribed “PRISTINAE VIRTUTIS MEMORES”; centre mounted with nickel Victorian crowned Maid of Erin harp resting in a demi-wreath of shamrock. Four shortened blades to reverse. Polished ... together with a post 1901 example on brown bridle leather backing. Minor service wear. GC (2 items)
AFTER GILBERT HOLLIDAY "Communications Trench", coloured print, signed in pencil and No'd lower left 120 together with AFTER J POLLARD "A North East View of The New General Post Office", coloured lithograph, published by S W Fores 1832 together with a further print AFTER J POLLARD "The Liverpool Umpire" CONDITION REPORTS Some fading and discolouration to the print and to the mounts. general ware and tear condusive with age and use.
Wang Nengtao (b.1962) We will Overtake America (Disty Series No. 6) Oil on canvas, 2004/2005, signed, titled, dated, inscribed in Chinese and further inscribed 'Disty Series No. 6 2004-2005 Wang Nengtao' verso in black ink, overall 1800 x 1400mm (70 3/4 x 55 1/8in) (framed) Provenance:Ex-lot 493, Post-War and Contemporary Art Day Sale, Christie's, London, 16 October 2007. Acquired directly from the artist by the previous owner.
Royal Scots Fusiliers Regiment Other Ranks Head Dress Badge for the Raccoon-skin cap post 1901 KC variant, (Die stamped Brass) two extended lugs, K&K: 950. With provenance; sold in Bosley's Postal Auctions lot number 632 April 2008 and later September 2013 lot number 619, price realised in sale £1210. A fantastic badge and extremely rare.
Three stamp albums and loose including Uruguay and punched star (double), South Africa 1942-4 1d corner block of 36, £26 face value, Canada One Cent 1890s Yellow, Hong Kong, Carinthia, German post office and states revenues and perfins, GB One Penny 1908 revenue embossed, early George Washington USA, Penny Red 'CC', 1953 Coronation Issue mint, Nicaragua and Toga mint.
TOM BOWER (BRITISH 20TH CENTURY) 'PUSHKAR FAIR, RAJASTHAN, INDIA', an Indian livestock trading post featuring camels and cattle, signed lower right, signed and titled verso, dated 1984, acrylic on canvas, framed, approximate size 60cm x 120cm (condition:- dirty marks in places, canvas stretchered near camel riders head)
A US STYLE POST WWII WATER BOTTLE, green screw top, with canvas carry strapping, selection of small ammunition shell cases some of which have been converted into cigarette lighters WWI period, WWI era rifle cleaning kit contained in it's correct tin, a South Staffordshire Cap badge, a selection of cards and ephemera relating to the Border Reg't and a cloth blazer badge to the Royal Engineers
THREE UNIFORM JACKETS IN THE STYLE OF WWII GERMAN LUFTWAFFE WITH HEADGEAR AS FOLLOWS (a) Uniform jacket, Luftwaffe shoulder and collar boards 'Overoff' buttons with an Albert Kempfe brand visor cap with cockade and Luftwaffe Eagle metal insignia (b) Uniform jacket, post WWII insignia attached hochfein buttons with a visor cap Albert Kempfe, metal eagle and cockade, no swastika (c) Uniform jacket with Luftwaffe shoulder and collar boards, Luftwaffe Eagle to right chest medal ribbon bars together with side cap
A BOX CONTAINING A NUMBER OF 3RD REICH WWII BADGES, PINS etc, to include Iron Crosses with 1939 spange all one piece, U Boat badges Luftwaffe pilots badge, Knights Cross, WWI Tank badge, Olympic Medal 1936, two NSDAP enamel badges and a Kurland cuff band, all are believed to be post WWII copies
Jon Corbino (New York, Massachusetts,1905-1964). Painting of a ballet. Signed lower right. Oil on Masonite. His work is represented in 64 U.S. museums as well as the Lotus Club, New York, NY; First National Bank of Chicago; Fine Arts Society, Sarasota, FL; Hallmark Cards, Inc., Kansas City, MO; Ringling College of Art and Design, Sarasota, FL; Georgetown University Library, Washington, D.C.; The United States Post Office, Long Beach, Long Island, NY; Town of Rockport, Massachusetts, Rockport, MA. Sight Size: 8 x 10 in. Overall Size: 19.25 x 17.25 in.
Mary Lane McMillan (Texas, New York, Florida, 1883 - 1976) Painting of a woman in a garden with hollyhocks. Signed lower right. Oil on Canvas. Previously exhibited at The Plains Art Museum and the Albin Polasek Museum. McMillan was an American illustrator and fine artist during the early to mid 20th century. She studied at the National Academy of Design in New York from 1902 to 1904 where she won the Suydam Medal for best work in her Antiques class in the 1903 Spring competition and won Honorable Mention in her Illustration class in the 1904 Spring Competition. McMillan studied illustration and pictorial composition at the Chicago Art Institute (c. 1905-1906) under Walter Marshall Clute and studied watercolors and outdoor sketching under Frederick Oswald. She attended Walter Marshall Clute's private school at his home in Park Ridge, IL, where she studied oil painting, interiors, landscapes, costumes, and plein air techniques. During this time, McMillan also associated with members of the art colony in Park Ridge. In 1914, many years after she had left Chicago, McMillan was invited to submit a painting titled, An Old Spinning Wheel, for a watercolor exhibition at the Chicago Art Institute. McMillan taught art at the Presbyterian College for Women in Milford, TX and was later head of the Art Department at Polytechnic College (now Texas Wesleyan University) in Fort Worth, TX from 1906 to 1912. McMillan began illustrating magazine covers for Holland's and The Etude during these years as well. In 1910, McMillan traveled to Florence to study with William Merritt Chase at his private villa. From 1910 to 1912, she was a popular exhibitor at the Fort Worth Public Library's art exhibitions, often displaying her Italian inspired artwork. She left Texas for New York in 1912 to devote her career to book and magazine illustration. Over one hundred of her illustrations appeared in issues of Life, McCall's, The Designer, Harper's Bazaar, Saturday Evening Post, Pictorial Review and The American Magazine, which included various cover features. She even dabbled in the world of commercial illustration by doing a Campbell's Soup advertisement for tomato soup in 1915. Sight Size: 20.5 x 16 in. Overall Size: 30 x 26 in.
Mary Lane McMillan (Texas, New York, Florida, 1883 - 1976) Watercolor of a flower garden with hollyhocks. Signed lower right. Previously exhibited at The Plains Art Museum and the Albin Polasek Museum. McMillan was an American illustrator and fine artist during the early to mid 20th century. She studied at the National Academy of Design in New York from 1902 to 1904 where she won the Suydam Medal for best work in her Antiques class in the 1903 Spring competition and won Honorable Mention in her Illustration class in the 1904 Spring Competition. McMillan studied illustration and pictorial composition at the Chicago Art Institute (c. 1905-1906) under Walter Marshall Clute and studied watercolors and outdoor sketching under Frederick Oswald. She attended Walter Marshall Clute's private school at his home in Park Ridge, IL, where she studied oil painting, interiors, landscapes, costumes, and plein air techniques. During this time, McMillan also associated with members of the art colony in Park Ridge. In 1914, many years after she had left Chicago, McMillan was invited to submit a painting titled, An Old Spinning Wheel, for a watercolor exhibition at the Chicago Art Institute. McMillan taught art at the Presbyterian College for Women in Milford, TX and was later head of the Art Department at Polytechnic College (now Texas Wesleyan University) in Fort Worth, TX from 1906 to 1912. McMillan began illustrating magazine covers for Holland's and The Etude during these years as well. In 1910, McMillan traveled to Florence to study with William Merritt Chase at his private villa. From 1910 to 1912, she was a popular exhibitor at the Fort Worth Public Library's art exhibitions, often displaying her Italian inspired artwork. She left Texas for New York in 1912 to devote her career to book and magazine illustration. Over one hundred of her illustrations appeared in issues of Life, McCall's, The Designer, Harper's Bazaar, Saturday Evening Post, Pictorial Review and The American Magazine, which included various cover features. She even dabbled in the world of commercial illustration by doing a Campbell's Soup advertisement for tomato soup in 1915. Sight Size: 16 x 11 in. Overall Size: 26 x 21.5 in. Framed behind glass.
Original vintage World War Two poster: Lend to Defend - count every penny, every penny counts - put your savings in Post Office Savings Bank, Birmingham Municipal Bank, National Savings Certificates. Great design by Charles Paine (1895-1967) featuring stylised text with an image of a row of cannons/artillery guns, the wheels as one penny coins. The 1p coin features Britannia holding a trident and an olive branch, sitting with a shield bearing the Union Jack by her side and waves by her feet. Issued by the National Savings Committee, London. Printed for HM Stationery Office by Vincent Brooks, Day and Son Ltd, London WC2. Very good condition, folds, minor repaired tears on margins. Country: UK, year of printing: 1940, designer: Charles Paine, size (cm): 76x50.5
Original vintage poster published by the Post Office Joint Production Council JPC for internal use explaining how to write telegraphs featuring an illustration against a blue background of a pen writing on the top sheet of paper marked Urgent on the side with red ink - Decide what you what to say Pick the right words Use them - only! The General Post Office GPO was founded in 1660; Royal Mail was founded in 1516. Excellent condition, small tear in margin. Country: UK , year of printing: 1950s, designer: Unknown, size (cm): 38x25
Original vintage sport advertising poster for the National Savings Bank featuring an artwork showing a young woman playing tennis with the text reading: People like me… find banking with the National Savings Bank convenient and secure. National Savings and Investments (NS&I), formerly called the Post Office Savings Bank and National Savings, is a state-owned savings bank in the United Kingdom. It is both a non-ministerial government department and an executive agency of the Chancellor of the Exchequer. The aim of NS&I has been to attract funds from individual savers in the UK for the purpose of funding the government’s deficit. NS&I attracts savers through offering savings products with tax-free elements on some products, and a 100% guarantee from HM Treasury on all deposits. Good condition, folded as issued, cracks on fold lines, small bumps in bottom part, small stains, printed on card. Country: UK, year of printing: 1960s, designer: Unknown, size (cm): 89.5x58.5
Original vintage advertising poster for the first American tour by Yascha Yushny's Russian Revue 'The Blue Bird', direct from Paris, Berlin and London, with a company of fifty, presenting singing, dancing and music. Colourful artwork showing a young man carrying an oversized young girl with street lamp post and flowers behind them and an orthodox church depicted in the background. Printed in U.S.A. by Tooker Litho Co. N.Y. Good condition, restored folds and losses, repaired tears, backed on linen. Country: USA, year of printing: 1930s, designer: Unknown, size (cm): 53.5x35.5
Original vintage propaganda poster for the post-war US sponsored European Recovery Program (1948) known as the Marshall plan - ERP Inter-European Cooperation / Cooperation Intereuropeenne. Great design by Fabien Vienne depicting four interlocked hands with the flags of European countries participating in the Marshall Plan flowing down through the gap against the blue background. This design received the 5th Prize in the Intra-European Cooperation for a Better Standard of Living poster competition on the theme of cooperation and economic recovery that was held in Europe for the Marshall Plan. Good condition, creasing in margin, tears in margin. Country: Netherlands, year of printing: 1950, designer: Fabien Vienne, size (cm): 75x55
Original vintage London travel advertising poster for Upminster featuring artwork by John Mansbridge (1901-1981) depicting a windmill at the top of a grassy hill with birds flying overhead, fields and trees in the background, the sun streaming through the clouds in the blue sky and the only text being Post Upminster Slip Here in the bottom margin. The suburban town of Upminster is located in east London in the London Borough of Havering; the windmill is probably the historic Abraham's Mill (a smock mill built in 1803), now a museum and known as Upminster Mill. Number 287 of 1000 print run. Printed by Sanders Phillips and Co, Baynard Press. Good condition, restored paper losses, restored tears, restored creases, restored pinholes, light staining, backed on linen. Country: UK , year of printing: 1927, designer: John Mansbridge, size (cm): 101.5x63
Original vintage Soviet propaganda poster featuring an illustration of a soldier in uniform with RSA (Republic of South Africa) marked on his jacket collar, making food and pouring himself a drink as he sits against a post with the bare feet of a person hanging down beside him. One of a set of illustrations by Viktor Koretsky (1909-1998), The Grin of the Yellow Devil - Merchant Killer South Africa, published by Izdatel'stvo Plakat and printed in Moscow by Izdatel'stvo Zoria. Excellent condition. Country: Russia , year of printing: 1978, designer: Viktor Koretsky, size (cm): 43x28
Original vintage poster by Vera Willoughby (1870-1939). Colourful illustration of a child carrying a lamb surrounded by the flowers in the clouds above the green countryside with text below the pink ribbon: No 1 post sticker here. Published by London Transport. Printed by The Baynard Press. Good condition, restored tears, pinholes and loss in the right top corner, backed on linen. Country: UK, year of printing: 1935, designer: Vera Willoughby, size (cm): 101x63.5

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131341 item(s)/page