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Lot 1295
A rare Park Rifle Company Ltd recoilless opposing-piston air rifle in .22 cal, this right hand version (S/No.1125) is in outstanding cosmetic condition and comes with correct sound moderator and Mikko Stirling 4x40 wide angle scope, as a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item
Lot 1296
An 'original' model 75 air rifle in .177 cal complete with target sights and in overall excellent cosmetic condition, S/No.024942 (N.B. this fine air rifle is a left hand example), as a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item
Lot 43
Derek Holland (1927-2014) mural, oil on board, 1962 'Tamar Bridge' in three sections, each panel 183 x 122 (six by four feet).Provenance - In Britain's socialist post war years, there was a determined cultural policy of taking art to the provinces and enabling large scale public artworks. Many of Britain's well-known artists such as Henry Moore, Victor Pasmore and John Piper were commissioned to create new works.In 1962 London's Victoria and Albert Museum staged an exhibition titled Mural Painting Today. Included in that exhibition was a three-panel work of the Tamar Bridge by Derek Holland. Holland had recently moved to Plymouth from London where he had studied and taught at the famous Central School of Arts and Crafts to take up a new position as Head of Fine Art at Plymouth College. His early abstract paintings were then a regular feature at London's Redfern Gallery alongside many of the famous names of British and European Art. He was selected in 1961 for an exhibition of British Art in Venice chosen by Peggy Guggenheim.Later Holland changed direction and became better known for his French landscapes which were exhibited at a solo exhibition at Plymouth Museum in the 1980s and The Newlyn Society of Artists in Penzance where he was a long-time member with his good friend Sir Terry Frost.This triptych has not been seen or exhibited since the V&A exhibition over 50 years ago. Derek Holland passed away in 2014. He was described by Turner-Prize winning sculptor Richard Deacon RA, his former pupil at Plymouth College , as 'a wonderful painter'.
Lot 689
Chair. 1957. Curved plywood and lacquered metal. Cm 45,00 x 80,00 x 53,00. Model S88, for Tecno, 1957."Fully folding chair with a matt black metal frame. All the parts rotated around a single hinge joint, always attentive to the changing needs of modern living, the folding theme was one of the most taken up by the new generations of designers present at the "RIMA" (1946) and post-war Triennial shows, it offers a synthetic proposal with this chair, which is supplied, together with the P40 armchair and the L77 bed (almost a manifesto of his idea of ​​mechanical elegance, at the XI Milan Triennale of 1957 in the "Catalog - review of individual furnishing elements" of the "International exhibition of the house". "from Bosoni G., Osvaldo Borsani architetto, designer, imprenditore, Skira, Milan, 2018, p. 475Publications: Domus, n. 1029, November 2018, p. 280-281 - Bosoni G., Osvaldo Borsani architetto, designer, imprenditore, Skira, Milan, 2018, p. 475Sitography: Osavldo Borsani online archive: http://www.osvaldoborsani.com/prodotti-industriali/s88-1956/Report: The chair, probably due to a subsequent painting, does not fold anymore.
Lot 722
Capitello. Polyurethane. Cm 116,00 x 80,00 x 110,00. "Capitello" is a column capitall, for Gufram, 70s. Structure in molded polyurethane foam.Anticipating the experimentations of post-modernists such as Robert Venturi and Hans Hollein, the Capitello model totally denies the quality of the material it is made up of; its solidity is in fact only apparent, since it is an absolutely soft object. The prototype was made by Piero Gilardi, designer of numerous Gufram products.From: Charlotte & Peter Fiell, 1000 chairs, Taschen, 2017, p. 431Publications: Domus, n. 512, July 1972, p. 160 - Gufram Catalog, May 1972 - Domus, n. 532, March 1974, p. 43 - Domus, n. 654, October 1984, p. 150 Charlotte & Peter Fiell, 1000 chairs, Taschen, 2017, p. 431
Lot 185
NO RESERVE World.- Moorehead (Alan) The White Nile, first edition, dust-jacket, 1960 § Beaton (Cecil) New York, shelf-lean, dust-jacket broken and loosely inserted, 1938 § Van der Post (Laurens) Flamingo Feather, dust-jacket, spine browned, extremities chipped, 1955 § With a Highland Regiment in Mesopotamia, later cloth, Bombay, 1918 § Adams (Elizabeth) and David Redstone. Bow Porcelain, dust-jacket, 1918, original cloth; and c.45 others, travel, topography, art and design, v.s. (c.50)
Lot 611
A 1930s British teddy bear, with blonde mohair, pronounced clipped muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs and inoperative growler —26in. (66cm.) high (hole top of right ankle and left wrist, general wear and thinning, pads recovered and missing eyes); and a post-war Chiltern Hugmee teddy bear
Lot 616
A post-war Steiff Teddy Baby, with light golden mohair, brown and black glass eyes, inset short mohair muzzle and tops of feet, open felt mouth, brown stitched nose and claws, swivel head, jointed limbs with suedette pads, inoperative squeaker and script button —15½in. (39cm.) high (balding to arms and back of heads, other bald spots, slight damage to mouth and other wear)
Lot 617
Two Hamiro (Czechoslovakia) post-war teddy bears, both with blonde mohair, glass eyes, inset short mohair muzzles and pads, swivel head and jointed limbs, on wearing ribbed cotton Edwardian coat, the other in pink bridesmaid’s dress -24in. (61cm.) high (missing three ears between them and general wear)— these bears previously sold as unknown makers have been correctly identified by Magda Farnesi Starkova.
Lot 644
Post-war Steiff animals, comprising a Whittie owl —5in. (13cm.) high, Robby seal, Mopsy dog, blue tit, Hucky crow and chick, all with chest tags, three with buttons and yellow cloth tags, a elephant with button and crisp yellow cloth tag and two others (all discoloured, probably will clean up); and a brass Golliwogg money bank
Lot 668
A Chad Valley clown teddy bear 1930s, with beige wool plush, orange and black glass eyes with beige felt behind, brown plush ears, brown stitched nose and mouth, swivel head, jointed limbs with felt pads, HM Queen and woven blue and white label on feet pads and inoperative squeaker —16in. (40.5cm) high (one ear split to make two ears with new halves, replaced pom-poms, repairs to feet pads and discoloured); and a Chiltern post-war teddy bear (dyed pink and musical mechanism added)
Lot 672
A large post-war Hermann teddy bear, with frosted brown mohair, orange and black glass eyes, inset short mohair muzzle, swivel head and jointed limbs —28in. (71cm.) high (thinning to top of head and pads recovered); and a post-war Chad Valley teddy bear with reproduction medal (worn body and recovered pads)
Lot 690
An unusual 1950s Chiltern grey mohair teddy bear, with orange and black glass eyes, white mohair muzzle and ear lining, black stitched nose and mouth, swivel head, jointed limbs with pink oil-cloth pads, inoperative squeaker and label in side seam —17in. (43cm.) high (slight fading); a small post-war Hugmee (worn); and a jointed black and white wool plush Panda with oil-cloth claws
Lot 698
A post-war Chiltern Hugmee musical teddy bear, with blonde mohair, orange and black plastic eyes, black stitched nose, mouth and claws, swivel head, jointed limbs with velvet pads and keywind mechanism in back —16in. (40.5cm.) high (mechanism lacking key, but possibly still working, slight general wear); a late Farnell teddy bear, three dog pyjama cases and two other bears
Lot 703
A post-war Merrythought teddy bear, with dark golden mohair, orange and black glass eyes, pronounced muzzle, black stitched, nose, mouth and claws, swivel head, jointed limbs with felt pads, inoperative squeaker and printed yellow label —19in. (48cm.) high (repaired tag to back, slight wear and tear to label)
Lot 704
A post-war Merrythought teddy bear, with golden mohair, orange and black glass eyes, pronounced muzzle, black stitched nose, mouth, webbed hand claws and feet claws, swivel head, jointed limbs with felt pads, inoperative squeaker and printed yellow label —18in. (46cm.) high (thinning and fading, some general wear)
Lot 706
A post-war Farnell teddy bear, with golden mohair, orange and black glass eyes, pronounced muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs with brown cloth pads and squeaker —19in. (48cm.) high (bald spot on back, thinning and general wear); and a good quality mohair penguin (missing eye)
Lot 1
Germany Postal History 1919-1925 Allied Occupation of the Rhineland British Military Field post D2 Duren censor no 2822; Postcard Bonn market place to Norwich circular field post office H6 cancel; Env cancel 31.3.1919 on SG69 x 2 & SG102 x 2 censor no155; Env cancel 26.10.1925 on SG357 & 382; Postcard Bonn Bridge colour French Army 191 cancel; Env cancel 9.1.1924 on SG354 x 2; All items fully described & displayed with full details of all cancels
Lot 101
Germany 1939 Occupation Czechoslovakia Env cancel on SG500b; b/w postcard Hitler cancel on Czech SG287a red cachet commem Hitler's visit to Prague; Env cancel on Czech SG287a-290 & SG280, 345 x 2, 346, 394; rp postcard St Vitus Church Prague cancel on Czech SG278b, Mi 2 & 24; rp Prague field post each item displayed & described with full details of all censor & transit cancels
Lot 102
Germany 1939-1942 Protectorate Mail colour Christmas postcard sent field post; Bohemia & Moravia opt SG1-9m/m, SG11-18 m/m, SG N38-46 m/m set, SG N60 used, SG D38- D40 m/m, D41-D45, D46-D47, D50-D51 used, SG20, 23, 25 m/m, SG21-22, 24, 26-30 used, SG31-36 m/m SG37 u/m, Env cancel on SG38; Env cancel on SG21 strip 3 SG27, SG38; Michel P2 unused; Michel P1 used; Personal Delivery stamp SG P38 u/m; Birth cent. Drorak SG62-63 m/m set attached labels each item displayed & described with full details of all censor & transit cancels
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131341 item(s)/page