A quantity of vintage costume jewellery, mainly late 20th Century to include a Baltic amber cross pendant on silver tone mount, a gold tone Harlequin clown pendant on rope twist chain, a rough cut green stone and mother of pearl bead necklace, an amber coloured egg shaped pendant and a Contemporary black with swirls resin disc shaped pendant on a silver mount together with an amber pipe, loose beads and amber stone and a jade effect carved netsuke pendant. Location:RAB
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A collection of Chinese and Japanese objects of vertu and collectibles, 20th century, to include a cloisonne enamel tripod censer with cover, 17cm high, an archaistic bronze water pot fragment, approx. 8.5cm high, a hardstone carving of two birds among leaves, 14 cm long, a hardstone jadeite pendant with symmetrical carving, 9cm long, a boxwood carved netsuke of an elderly man, approx. 4.5cm high, a tortoiseshell card case with decoration of cranes in flight, approx. 11cm long, a white jade calligraphy booklet, each panel approx. 15 x 7cm, a cloth bound book: N. McLeod, Illustrations to the Epitome of the Ancient History of Japan, third edition, published in Tokyo; various pieces of blue and white porcelain, some AF, various carved hardwood stands, a collection of mother of pearl gaming counters of various shapes and sizes, and others (lot)
A CHINESE CARVED RED CORAL FIGURE OF A MEIREN WITH BOYSChina, early to mid-20th century. The tall beauty is finely carved standing and reaching her arms out to one side, holding a fan as a young boy clings to her right arm and a little girl peaks out from behind her excitedly raising her arms. The skillfully carved flowing garments of the lady and children are decorated with floral designs, the meiren's finely incised hair tightly tied with a ribbon. The exquisite coral is of a beautiful and even reddish-orange hue with scattered white inclusions.Provenance: The collection of Ted Adameck, USA, and thence by descent in the same family. A copy of an old expertise from Adameck's Asian Art accompanies this lot. Ted Adameck (1924-2019) was a legendary collector of Japanese Netsuke, active for many decades, operating two antique shops in Honolulu and writing countless articles and books on the subject as well as many others on Asian art and culture. Condition: Good condition with minor wear, some small chips and minor losses to the head decoration.Weight: 380 g (excl. stand) Dimensions: Height 22.6 cm (incl. stand) With a fitted wood stand finely carved in openwork. (2)Auction result comparison: Type: Closely related Auction: Bonhams Sydney, 10 August 2022, lot 61 Price: AUD 17,220 or approx. EUR 11,500 converted and adjusted for inflation at the time of writing Description: A coral figure of a courtesan and a child, early to mid 20th century Expert remark: Note the similar size (21.2 cm).Auction result comparison: Type: Related Auction: Bonhams San Francisco, 7 June 2005, lot 2040 Price: USD 16,450 or approx. EUR 24,000 converted and adjusted for inflation at the time of writing Description: A fine carved coral figural group Expert remark: Note the size (23.5 cm).Auction result comparison: Type: Related Auction: Christies New York, 18 June 2014, lot 76 Price: USD 23,750 or approx. EUR 28,500 converted and adjusted for inflation at the time of writing Description: A Chinese carved red coral figure of a maiden with birds and flowers Expert remark: Note the larger size (26 cm).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person. 珊瑚雕夫人童子像中國,二十世紀早期至中期。美人線條流暢優美,一手持扇子,一個小男孩抱住她的右臂,一個小女孩從她身後探出,興奮地舉起雙臂。婦人與兒童的衣著精雕細刻,飾花卉紋理;婦人的頭髮刻畫分明,佩戴絲帶。珊瑚呈美麗均勻的紅橙色,帶有散落的白色紋理。 來源:美國Ted Adameck收藏,自此同一家族世代相傳。隨附一份Ted Adameck 藝廊的鑒定複印件。Ted Adameck (1924-2019) 是Netsuke的傳奇收藏家,活躍了幾十年,在檀香山經營兩家古董店,寫了無數有關該主題的文章和書籍,以及許多其他有關亞洲藝術和文化的文章。 品相:狀況良好,有輕微磨損、小刻痕、小缺口,頭部裝飾有輕微損失。 重量:380 克 (不含底座) 尺寸:高 22.6 釐米 (含底座) 鏤空雕刻木底座。(2) 拍賣結果比較: 形制:非常相近 拍賣:雪梨邦瀚斯,2022年8月10日,lot 61 價格:AUD 17,220(相當於今日EUR 11,500) 描述:二十世紀早至中期提籃仕女童子像及座、盒 專家評論:請注意相似的尺寸 (21.2 釐米)。 拍賣結果比較: 形制:相近 拍賣:舊金山邦瀚斯,2005年6月7日,lot 2040 價格:USD 16,450(相當於今日EUR 24,000) 描述:珊瑚仕女像 專家評論:請注意尺寸 (23.5 釐米)。 拍賣結果比較: 形制:相近 拍賣:紐約佳士得,2014年6月18日,lot 76 價格:USD 23,750(相當於今日EUR 28,500) 描述:珊瑚雕刻花鳥少女像 專家評論:請注意尺寸較大 (26 釐米)。
A RARE GOLD-MOUNTED JADEITE OPIUM PIPE, CHINA, c. 1900-1930The pipe is constructed from two pieces of apple-green jade, all with a smooth polish. The bowl holder is made of solid gold in the shape of a stylized leaf with engraved and incised foliate decorations. The opaque jade is of a striking apple green tone with scattered cloudy pale inclusions. Provenance: The collection of Ted Adameck, USA, and thence by descent in the same family. Ted Adameck (1924-2019) was a legendary collector of Japanese Netsuke, active for many decades, operating two galleries in Honolulu and writing countless articles and books on the subject as well as many others on Asian art and culture.Condition: Very good condition with expected old wear and minuscule nicks here and there. The bowl lost. Due to the lack of hallmarks on the gold fitting, the exact carat e.g. purity cannot be ascertained. The hollowed half of the jade pipe with traces of use including minor pockmarks due to an extended exposure to heat, and slightly loose.Weight: 381.7 g Dimensions: Length 35.5 cm Expert's note: Jadeite opium pipes of good color with gold mountings are very rare. Auction result comparison: Type: Related Auction: Galerie Zacke, Vienna, 5 March 2021, lot 21 Price: EUR 4,550 or approx. EUR 5,500 adjusted for inflation at the time of writing Description: A jade and gilt-bronze 'wufu' opium pipe, Qing dynasty Expert remark: Compare the related form. Note that the mounting is gilt-bronze, as opposed to gold on the present lot. 中國罕見包金翡翠鴉片煙槍,約1900-1930年煙槍由兩塊綠翡翠製成,素面拋光。碗架由純金製成,呈卷葉紋,帶有葉狀裝飾。不透明翡翠呈美麗的蘋果綠色,玉石内有淺色絮狀物。 來源:Ted Adameck收藏,自此同一家族世代相傳。Ted Adameck (1924-2019年) 是Netsuke的傳奇收藏家,活躍了幾十年,在檀香山經營兩家古董店,寫了無數有關該主題的文章和書籍,以及許多其他有關亞洲藝術和文化的文章。 品相:狀況非常好,有磨損,大面積微小的劃痕。碗遺失。由於金配件上沒有標記,因此精確的克拉數例如為 1 克拉。 純度無法確定。玉管的一半是空心的,有使用痕跡,包括由於長時間受熱而出現的輕微裂痕,並且略有鬆動。 重量:381.7 克 尺寸:長35.5 厘米 拍賣結果比較: 形制:相近 拍賣:Galerie Zacke,維也納,2021年3月5日,lot 21 價格:EUR 4,550(相當於今日EUR 5,500) 描述:清代鎏金玉煙槍 專家評論:比較相近的外形。請注意碗架為鎏金銅
A HORNBILL 'CAT AND BUTTERFLY' SNUFF BOTTLE, 1800-1880Opinion: The superb color and excellent polish of the present bottle suggest that it was created by using the ancient and today lost method of treating hornbill (see detailed note below), giving the material a rich translucency and protecting it from cracking over time. The carved decoration is well rendered and rare to find in such an elaborate manner on hornbill snuff bottles. China. The rounded rectangular body supported on a short foot with recessed base and rising to an oval neck. Finely carved in relief on both sides with panels, one enclosing a cat and butterfly framed by a gnarled prunus tree and the other with dynamic warriors and cavalry in front of a fortress. The short sides each carved with a dragon, retaining the characteristic deep red color of the outer sheath layer of the hornbill, creating a unique contrast to the inner layer of translucent honey-yellow to pale cream tone.Provenance: Collection of Ted Adameck, thence by descent in the same family. Ted Adameck (1924-2019) was a legendary collector of Netsuke, active for many decades, operating two antique shops in Honolulu and writing countless articles and books on the subject as well as many others on Asian art and culture.Condition: Good condition with minor wear and natural imperfections to the material, including expected age cracks. Few tiny nicks, the mouth possibly with a small chip that has been smoothened. Magnificent natural patina overall.Stopper: Hornbill (matching) Weight: 34 g Dimensions: Height including stopper 64 mm, Diameter neck 15 mm and mouth 4 mm Cats and butterflies are symbols of longevity. The cat (mao) is a homonym for 'seventy', while the butterfly (die) shares the same sound as 'eighty'. Together, they form a rebus for maodie. This term implies that one would live to be seventy or eighty - considered high age in ancient China.Hornbill was a highly valued material in China well before snuff bottles came into fashion in the Qing dynasty, after tobacco was introduced from the West in the early 18th century. The precise value is listed in the official regulations of the Ming dynasty, which set it for a single piece of 'ho-ting' (the term given to the material by Ming scholars, writing it with the characters for 'crane' and for 'head') at a thousand cash, the same amount given for half an ounce of precious coral beads, or a fifth of an ounce of rare seed pearls. This also shows that hornbill was worth far more than elephant ivory at that time, for the latter was valued at five hundred cash per pound, while it would have taken a great many pieces of ho-ting to make a pound, especially since the term was sometimes applied to the red sheathing alone.It is thought that there were once two distinct methods of treating hornbill, the solid casque with the tough red sheath that sits atop the upper beak, protecting the brain of the bird. The secret of the first method appears to have been lost but may have involved heating and perhaps permeating the material with some preservative. All known early pieces seem to have been handled this way, including snuff bottles. This treatment preserves the material very well, giving it a rich translucency and strength. We can only infer this preliminary manipulation from the finished product since no direct information about the techniques of treating hornbill ivory has been recorded. Any special methods used by Chinese craftsmen were always kept as closely guarded secrets by the guilds involved to forestall outside competition. The second method involved carving the material directly, which left the surface prone to cracking.Auction result comparison: Type: Related Auction: Bonhams San Francisco, 23 August 2010, lot 6138 Price: USD 3,965 or approx. EUR 4,500 converted and adjusted for inflation at the time of writing Description: A carved hornbill snuff bottle, 1800-1880 Expert remark: Compare the material, carving and treatment technique, as well as the characteristic deep red color of the outer sheath layer, creating a unique contrast to the inner layer of translucent honey-yellow to pale cream tone.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person. 1800-1880年鶴頂紅“貓蝶戲"鼻煙壺中國。扁平壺,直頸,溜肩,橢圓圈足。兩面分別浮雕屬下靈貓戲蝶圖與人物刀馬圖。壺兩側各雕刻一條龍,保留了鶴頂紅外鞘層特有的深紅色,與半透明的蜜黃色形成獨特的對比。 專家注釋: 本瓶的絕妙的顏色運用和極佳的拋光,説明它是使用古老但如今已失傳的處理鶴頂紅的方法製成的,賦予材料豐富的半透明性並防止其隨著時間的推移而開裂。鶴頂紅鼻煙壺上的雕工精細,實屬罕見。橢圓形壺身與常見的方形截然不同,更佳體現其稀有。 來源:Ted Adameck收藏,在同一家族保存至今。br /> 品相:狀況良好,有輕微磨損和自然缺陷,包括老化裂紋,細小的劃痕,壺口處有一個可能已經磨平的小缺口,整體包漿自然。由于平台拍品叙述的长度限制,我们移除了中文叙述,完整中文叙述请至www.zacke.at查看
A LARGE LOBED QINGBAI GLAZED PORCELAIN BOWL, SONG DYNASTYChina, 960-1279. Of conical form supported on a short straight foot rising to a gently everted rim. The rounded sides divided into six petal lobes by notches around the rim. The interior carved and combed with foliate designs, covered overall in a smooth grayish-straw glaze save for the base.Provenance: From the collection of Teddy Hahn, Darmstadt, and thence by descent to the present owner. Theodor “Teddy" Hahn (1933-2012) was a well-known and respected collector of netsuke and other Asian works of art. After spending time in museums to study the early cultures of the world, finding particular interest in their sculptures, he began collecting, remarking “I somehow knew it would have a profound influence on my life. How right I was. And how happy I have been."Condition: Very good condition with minor wear and manufacturing irregularities including pitting and dark spots. Some crackling and minor glaze lines. Few shallow chips to foot.Weight: 387.5 gDimensions: Diameter 18.1 cm Expert's note: Among the Fujian Qingbai, there is an interesting group of thinly potted bowls with more elaborately carved and combed floral or wave motifs. They usually have a straw color or grayish-white glaze and are characterized by pooling of glaze near the inner and outer rim and sometimes even the inner and outer wall. It has been argued that the glaze is intended to imitate the ivory Ding glaze with the typical pooling of teardrop-like effect. The Minqing Yi kiln has been identified as the major place that produced such bowls. Substantial quantities were recovered from the Nanhai 1, the Indonesian Java wreck, and the Philippines Breaker Shoal wreck.Literature comparison:Compare a related bowl of similar form, associated with the Tongan kilns of Fujian, dated to the 13th century, exhibited by the Southeast Asian Ceramics Society, and illustrated in Chinese Celadons And Other Related Wares in Southeast Asia, Singapore, 1979, pp. 156-157, no. 78, pls. 66-67. Compare closely related bowls from the cargo of the Nanhai no. 1 shipwreck, illustrated in the Nanhai Ship No. 1 1989-2004 Excavation Report, p. 434-436.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 26 Jun 2019, lot 6Price: USD 5,625 or approx. EUR 6,200 converted and adjusted for inflation at the time of writingDescription: A carved Qingbai bowl, Song dynastyExpert remark: Compare the closely related form and similar carving. Note the size (19.7 cm).Auction result comparison:Type: Closely relatedAuction: Christie's New York, 20 September 2013, lot 1508Price: USD 11,875 or approx. EUR 14,500 converted and adjusted for inflation at the time of writingDescription: A Qingbai carved deep conical bowl, Southern Song dynastyExpert remark: Note the size (19.7 cm). 青白釉刻花葵口碗中國,960-1279年。葵口外翻,淺弧腹,圈足。碗内暗刻卷葉紋,整體施淺灰色白釉,圈足内露胎。 來源:德國達姆施塔特Teddy Hahn收藏,並由其後裔傳承。Theodor “Teddy" Hahn 是一位著名且受人尊敬的根付和其他亞洲藝術品收藏家。他花了很多時間在博物館研究世界早期文化,對雕塑特別感興趣。之後他開始收集,並說道:“我不知何故知道這將對我的生活產生深遠的影響。我是多麼正確啊。 我是多麼高興啊。" 品相:狀況極好,有輕微磨損和製造缺陷,包括凹坑和黑點,一些裂紋和輕微的冲線,足部細微磕損。 重量:387.5 克 尺寸:直徑18.1 厘米文獻比較: 比較一件相近的十三世紀相似外形福建同安窯碗,展覽於《Southeast Asian Ceramics Society》,見《Chinese Celadons And Other Related Wares in Southeast Asia》,新加坡,1979,頁156-157,編號78,圖66-67。比較非常相近的青白瓷碗,出土於南海1號沈船,見南海1號沈船考古報告之一-1989-2004年調查,頁434-436。 拍賣結果比較: 形制:非常相近 拍賣:紐約佳士得,2019年6月26日,lot 6 價格:USD 5,625(相當於今日EUR 6,200) 描述:宋青白釉刻花盌 專家評論:比較非常相近的外形和相近的雕刻。請注意尺寸(19.7厘米)。 拍賣結果比較: 形制:非常相近 拍賣:紐約佳士得,2013年9月20日,lot 1508 價格:USD 11,875(相當於今日EUR 14,500) 描述:南宋青白釉牡丹紋笠式花口盌 專家評論:請注意尺寸(19.7厘米)。
A Chinese mutton fat jade belt hook, late Qing Dynasty, a carved soapstone ornament, a turquoise enamel jar and cover, a mother of pearl hexagonal brooch and a modern Japanese netsuke (5) Jade belt loop - 2.5cm high x 12.5cm wide x 2.5cm deep. A/f the head has been re-glued and riveted - see images. The soapstone - has natural faults. Chipping throughout with some staining on the inside well. Heavily chipped on the extremities. Netsuke - Some minor markings and scratches. Mother of pearl brooch - slightly misshapen and the metal work coming away from the front. Small piece missing from the reverse?Turquiose jar and cover - marking and staining throughout with various areas with enamel punches which have removed the glaze - see images
A good Japanese tsuishu (carved red lacquer) four case inro, by Yosei, and a similar manju netsuke, 19th century, carved in high relief with immortals in a garden, the reverse with ladies playing Go beneath a pine tree, on a brocaded ground, with tsuishu and tsuio (red and yellow lacquer) scrollwork borders and a seal script signature ‘Yosei saku’ to one end, black lacquer interior, 8.8cm, the manju carved in high relief with irises on a brocade ground, unsigned, 4.2cm, together with a silver ojime cast in relief with rocks, fungus and irises, engraved three character maker’s mark, 1.9cm***CONDITION REPORT***The inro and manju are in good condition, with no chips, cracks or restoration. Later cord.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
wood and LacquerJapan Meiji Period ( 1868 - 1912 ) Dimensions: Height 5 cm to 7 cmWeight: 283 grams Collection of six inro, a case for storing small objects and suspended from the sash when wearing a kimono. The stack of boxes is held together by a cord that is laced down one side, under the bottom, and up the opposite side. The ends of the cord are secured to a netsuke, a kind of toggle that is passed between the sash and pants and then hooked over the top of the sash to suspend the inro. An ojime bead is provided on the cords between the inro and netsuke to hold the boxes together. This bead is slid down the two suspension cords to the top of the inro to hold the stack together while the inro is worn, and slid up to the netsuke when the boxes need to be unstacked to access their contents, which were usually medicine.
2 Diverse Teile japanisches Silber: Inrô mit sparsamer Gravur "Prunus Blüten Mon" an violetter Seidenkordel mit Malachit Ojime und gefärbtem Bein Netsuke in quadratischer Form "Daruma, Hossu Fliegenwedel, Teequirl Chasen und Männerkopf" (sign., H. 5,3/22,5cm) sowie kleine Sake Schale auf hohem Standfuß mit Gravur im Spiegel "Herbstgräser umrahmen christliches Kreuz (sign., Ø 9,2cm)
Kenzan, Ogata (1663-1743) Inrô in Buchform mit Szenen und 2 Gedichten aus "Hyakunin isshû" (100 Gedichte von 100 Dichtern), vorne Nr. 9 "Die Frau" der Dichterin Ono no Komachi: "Hana no iro wa | itsurinikeri na | itazura ni | wa ga mi yo ni furu | nagame seshi mani" (Die Blume ist verwelkt im langen Frühlingsregen | so wie meine Schönheit in den |einsamen Jahren in dieser Welt) und verso Nr. 17 des Dichters Ariwara no Narihira: "Chi haya buru | kami yo mo kikazu | Tatsuta yawa | kara-kurenai ni | mizu kuguru to wo" (Nie haben die leidenschaftslosen Götter gesehen | das Purpur, das im Tatsuta Fluss liegt), sign. Kenzan, Ojime und Netsuke an Seidenkordel, Weichporzellan farbig bemalt, 8,2x5,2x2,2cm, Gebrauchsspuren, min. best.
12 NETSUKE, Asien / Japan, 20. Jh., Resin, partiell farbig akzentuiert, alle Figuren seitlich oder unter dem Stand signiert. Insgesamt 12 vollplastische Figuren in Schatulle. 1) Stehende Figur mit drehbarem Gesicht, ein Seil haltend (Kabuki-Spieler?), davor ein großes Gesicht; H. 5,3 cm. 2) Sitzender Mann, H. 4,5. 3) Zwei Kinder auf den Schultern eines Mannes (Glücksgott?) sitzend, in den Händen Pfirsiche und eine Ratte haltend, H. 5 cm. 4) Stehender, lachender Hotei mit Fächer und Beutel, H. 5,5 cm. 5) Hockender, lachender Hotei mit Fächer und Kind auf einem Hocker, H. 5,5 cm. 6) Stehender junger Mann (Mönch?) mit Pfirsich, Stab und Kalebasse; 5,6 cm. 7) Stehende Figur mit drehbarem Gesicht, einen Affen und einen Fächer haltend (Kabuki-Spieler?), H. 5,2 cm. 8) Stehender bärtiger Mann mit zwei Pfirsichen (Shou Xing ?), H. 5,5 cm. 9) Hockender, lachender Hotei mit Kind auf seinem Schoß, einen Wedel haltend; H. 5 cm. 10) Mann mit großem Fisch, H. 4,5 cm. 11) Sitzender, lachender Mann mit Fächer, H. 4,5 cm. 12) Auf einem Sack sitzender Hotei mit einem Affen auf seiner Schulter, H. 5,7 cm. (Schatulle mit geringen Gebrauchsspuren; Figuren mit leichten Gebrauchsspuren).
FIVE 20TH CENTURY REPRODUCTION CARVED TREEN NETSUKE AND A SIMILAR COBRA OKIMONO, the netsuke comprising a tortoise with two terrapins on its back, a dragon headed fish, a goldfish, two frogs wrestling on a turtle shell and a sumo wrestler toad standing on a gourd, three inset with mother of pearl disc signatures the other three with carved incised signatures, height of tallest 4.5cm (6) (Condition Report: in good condition overall)
Christoph Ruckhäberle (Pfaffenhofen 1972 – lebt in Leipzig). „Netsuke #21“. 2015Lack auf Leinwand. 40 × 60 cm (15 ¾ × 23 ⅝ in.). Auf dem Leinwandüberspann mit Filzstift in Schwarz signiert, datiert und betitelt: RUCKHÄBERLE 2015 NETSUKE #21.[3069] Gerahmt.Provenienz: Privatsammlung, RheinlandZustandsbericht: In gutem Zustand. Die Farben frisch und leuchtend. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen (originale Aufspannung). Vereinzelt mit winzigen Absplitterungen des Lacks (technikbedingt). Mittig an einer Stelle mit hauchfeinen Bereibungsspuren. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.
A 19th century Japanese Edo Period carved wood netsuke of a rat naturalistically carved tightly coil into a ball, it wrapped round its body and its nose tucked behind its right foot, eyes inlaid with dark horn, bearing oval reserve with signaturelength 4cm.Condition: Old chips to both ears. Tail with knocks. old marks and scratches

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