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A MIXED LOT:- A late 19th century Japanese brass flintlock tinder striker netsuke with patinated leaves on the cover, an Irish wine funnel stand, a George III patch box, a Dutch snuff box, four various small "coin" boxes, two small brushes, three napkin rings (with dedications), a small heart-shaped frame, a patent bookmark by Asprey, a gilt-metal desk lighter in the form of a 12"/30 cms rule, by Dunhill, (cased) and a Chinese nickel and cloisonne enamelled opium pipe; the latter 11" (28 cms) high; 9.1 oz weighable silver (lot)
A Japanese Ivory Netsuke, 19th century, as an Oni carrying a mask and a bag, signed, 3.5cm high; A Netsuke, Meiji period, as a standing monk, 6cm high; A Similar Netsuke, as a figure knotting the hair of a seated figure, 4.5cm high; and A Manju Netsuke, carved with scrolls and a dragon, 5cm diameter (4). Oni: element lacking from the flap of the bag, otherwise ok. Monk: hairline crack to top of head and soles of feet, some other minor age related hairlines and staining. Seated Figure: possible elements lacking to the seated figure by the hip and shell, also some staining. Manju: a large element (2.5cm) broken off but present, dirty
A Meiji ivory and treen okimono of a street vendor, red seal mark underneath, 17cm high, lacking implement in right hand and sword in left broken, with glue residue, another of a seated calligrapher, 8cm wide, red seal mark underneath, lacking pen and some glue residue on left hand side, a netsuke of a man tilting a bench, 3.5cm and three further okimonos, one with badly chipped paint, another of a sage, repaired base and glued and one of a vendor, lacking big toe (6)
A 19th Century Japanese Meji Period carved ivory erotic netsuke as two lovers signed to base and another similar 4.5 cm high CONDITION REPORTS The first piece with the couple facing each other appears to be in good condition though has bleaching / fading to the top conducive with age and use. Noticeable more when turned upside down as the base is more of an original yellow colour. See images for detail and signature. Condition basically good.The second piece basically same condition though feet at front appear to be broken. See images for further detail.
Group of seven (7) Asian carved animal figurals of various materials, including one (1) carved celadon jade duck with stand, one (1) celadon jade rabbit (with inset eyes), one (1) carved hardstone rabbit and one (1) kangaroo, both with inset eyes, one (1) carved green glass or quartz elephant, one (1) carved glass frog with inset eyes, and one (1) carved wood rabbit, possibly Japanese, snuff bottle and netsuke, signed on the base. Ranging in size from 1 1/8" to 3 1/4" H. All 20th century. CONDITION: All overall good condition.
Japanese Meiji period (1868-1912) carved and stained ivory netsuke, by Yasuaki (Homei), of a crawling infant wearing a red bib tied with green ribbons, signed 保明, 1¼" (3cm) high. Provenance: 1926-1936 purchased from the collection of a British magistrate in Ceylon (now Sri Lanka) and brought to Ireland in 1936 by the father-in-law of the current owner.
Japanese Meiji period (1868-1912) carved ivory netsuke, by Hiromitsu, of a scholar reading a scroll while an oni, or demon, steals from a basket beside him, signed, 広光, 1¼" (3.4cm) high.Provenance: 1926-1936 purchased from the collection of a British magistrate in Ceylon (now Sri Lanka) and brought to Ireland in 1936 by the father-in-law of the current owner.
THREE JAPANESE CARD CASES MEIJI PERIOD, 19TH CENTURY Two in ivory decorated in Shibayama style with inlays in mother of pearl, coral, stained ivory and metal, one depicting three fish to one side and a sponge gourd to the other, the other case with figures in luxuriant gardens to both sides, the third in lacquer decorated in gold and silver hiramaki-e and nashiji with two shojo drinking out of a large sake jar and with a flowering prunus to the reverse, signed to the side, together with two small circular lacquer boxes and covers decorated with flowers, 12cm x 7cm max. (10) Provenance: from the collection of Anne Hull-Grundy (1926-1984) and thence by descent. Hull-Grundy was an important art collector whose bequests of jewellery and netsuke to the British Museum and the Fitzwilliam Museum, Cambridge, include some of the finest pieces in the museums' collections. Her principle for acquiring new artworks was: "if you don't fall in love, don't buy it!" and she saw herself as "a large spider sitting at the centre of a web of dealers, salesrooms and museums". She was hoping that through their collection, which also included important Martinware, she and her husband would get "a ticket to life eternal".
A COLLECTION OF TWENTY-THREE WOOD AND LACQUER NETSUKE EDO PERIOD AND LATER, 18TH CENTURY AND LATER Some in negoro style and others in polychrome, variously depicting animals, figures, mythical creatures and objects from daily life, one with a movable ivory head, some with signatures including Gyokusai, 6.1cm max. (23) Provenance: from the collection of a lady of title, and thence by descent.
NINE JAPANESE HIRADO PORCELAIN NETSUKE MEIJI PERIOD, 19TH CENTURY One depicting Shoki the Demon Queller, another Hotei, others animals, Buddhist emblems and various objects, together with a pottery mokugyo bell-shaped netsuke, signed and with a long inscription, 5cm max. (10) Provenance: from the collection of a lady of title, and thence by descent.
A COLLECTION OF THIRTEEN WOOD AND LACQUER NETSUKE EDO PERIOD AND LATER, 18TH AND 19TH CENTURY Most in negoro style, variously depicting animals, figures, mythical creatures and objects from daily life, some in abstract forms, one a small dragon on an upturned bowl, possibly an ashtray, another a tengu no tamago signed Yomin, 5cm max. (13) Provenance: from the collection of a lady of title, and thence by descent.
FOUR JAPANESE MASK NETSUKE MEIJI PERIOD, 19TH CENTURY Two in metal and two in wood, variously depicting Okame, Hannya and other characters, together with a wood netsuke of a boy with a lion mask for the shishi-mai dance beating on a small drum before him, signed Mokusai and "aged sixty-five", 6cm max. (5)
SEVEN JAPANESE NETSUKE MEIJI PERIOD, 19TH CENTURY One made of the lacquered jaw of a small carnivorous animal, possibly a dog; the others in wood, variously depicting a large tengu no tamago, the winged creature beating on a drum; another a kneeling figure wearing a square mask; the third a large oni trying to hide under a shield on Setsubun; the fourth a skeleton sumo wrestling an oni; the fifth a grimacing South Sea Islander holding a large jar and the last carved as a bakemono climbing on the back of a mokugyo bell with bat wings, some with signatures including Kokuho and Shunsai, 6cm max. (7) Provenance: from the collection of a lady of title, and thence by descent.

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24840 item(s)/page