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TWO JAPANESE SMOKING SETS EDO OR MEIJI PERIOD, 18TH OR 19TH CENTURY Both with stag antler kiseruzutsu of otoshi-zutsu form, the first pipe case carved with a sennin sat on the back of a giant catfish leaping amongst crashing waves, attached to a wood ashtray netsuke with a copper bowl, and a leather pouch with bone rings for fastening; the other kiseruzutsu carved with a panel depicting pomegranates under a reticulated shippo-tsunagi cash pattern, with a rattan and leather tonkotsu, the tobacco container embellished with a rectangular mae-kanagu featuring two quails, signed, the pipe cases 20.8cm and 17.5cm. (2) The pipe case with the fish may be an illustration of the myth of the Namazu or Onamazu, a giant catfish that lives underneath the islands of Japan. The figure may represent the deity Takemikazuchi who controls the monster. When the beast escapes its divine keeper, its movements are said to cause earthquakes. Provenance: an English private collection, Somerset.
A JAPANESE WOOD NETSUKE OF A TORTOISE MEIJI PERIOD, 19TH CENTURY The reptile almost completely withdrawn into its shell, its head out, the eyes inlaid in light and dark horn, the top of its carapace opening to reveal the himotoshi, the underside inscribed Seki-shu Enokawa Seiyodo Tomiharu chôkoku (carved by the Eno River in Iwami Province by Seiyodo Tomiharu 1733-1810), 5.2cm.
A JAPANESE BLACK AND GOLD LACQUER FIVE CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated with an elegant design of feathers rendered in gold, silver and red lacquer takamaki-e on a black roiro ground, each side depicting a large peacock feather and smaller ones from other bird species, inscribed with two characters for Zeshin after Shibata Zeshin (1807-91) in gold lacquer to the base, together with an ivory netsuke of the cut-tongue sparrow, the suzume with eyes inlaid in dark horn, 8.5cm and 4.8cm. (2) Provenance: formerly from a Swiss private collection.
A JAPANESE WOOD NETSUKE OF A TIGER EDO PERIOD, 18TH CENTURY Seated on its haunches and with its head turned to the left, baring its fangs in a snarl, its long tail curling around its body, with details of the fur finely rendered and stained, signed Masanao underneath, 2.8cm. Provenance: an American private collection, purchased 1990s-2010s. Cf. N Davey, Netsuke, p.221 no.674 for a comparable netsuke of a tiger signed Masanao.
A JAPANESE WOOD NETSUKE OF A SHISHI MEIJI PERIOD, 19TH CENTURY The lion dog depicted with both front legs resting on a brocade ball whilst it tries to gnaw at it, with a smaller movable ball inside, the mythical creature with a long mane, a spiralling tail and its eyes inlaid with small dark beads, the base signed Masamitsu in a rectangular cartouche, 4.2cm. Provenance: an American private collection, purchased 1990s-2010s.
A JAPANESE GOLD AND BLACK LACQUER THREE-CASE INRO EDO OR MEIJI PERIOD, 19TH CENTURY Decorated with a continuous design of flowers issuing from a rocky outcrop, with small chrysanthemums to one side and large white blossoms made of mother of pearl inlays, the rest of the decoration rendered in gold takamaki-e and hiramaki-e, with a glass ojime, a wood bead and a manju netsuke carved with a dense design of leafy tendrils, the inro 7.4cm.
A JAPANESE WOOD NETSUKE OF A COCKEREL MEIJI PERIOD, 19TH CENTURY The bird depicted resting on a war drum, its eyes and the drum studs inlaid with minute black beads, the chicken's feathers and the surface of the instrument realistically carved, with a single character inscribed to the top, possibly for Yoshi, and a seven-character inscription underneath, 3.2cm. Provenance: an American private collection, purchased 1990s-2010s. The characters on the drum refer to writings by the Chinese Tang Dynasty poet Wang Wei (699-759). In this verse, he longs for a peaceful time when the moss would grow undisturbed on the forest floor, and the muffled beating of the drum wouldn't startle the birds. In Japanese lore, a chicken on a drum is a symbol of peace as a war drum fallen into disuse, becomes a perch for a cockerel.
A LARGE JAPANESE WOOD NETSUKE OF A WOLF OR A YAMA-INU (WILD DOG) EDO PERIOD, 18TH CENTURY The emaciated beast seated on its haunches with its mouth wide open, its front paw resting on a leg of venison before it, the eyes inlaid, its tail tucked underneath forming the himotoshi and signed Tomotada in an oblong reserve, 5.5cm. Provenance: from the collection of a lady of title, and thence by descent. See Japanese Works of Art, 1st July 2020, for the first part of this private collection of netsuke sold in these rooms.
A LARGE JAPANESE STAG ANTLER KOGATANA NETSUKE MEIJI PERIOD, 19TH CENTURY Of curved form and hiding a short blade, the surface decorated with a dense design of a writhing dragon amongst clouds, with two tama (grant-wishing jewels), leafy tendrils, flowers, key frets, and the extremities with monsters' heads, attached to a bamboo tonkotsu, the tobacco box carved with a three-clawed dragon emerging from clouds whilst grasping a tiger with its scaly tail, on a dense ground of cross designs, the lid with clouds and bamboo leaves; together with a wood tonkotsu decorated with many insects in a variety of inlays including mother of pearl, lacquer, horn and bone, the kogatana netsuke 36.2cm. (3)
TWO JAPANESE WOOD NETSUKE EDO OR MEIJI PERIOD, 18TH OR 19TH CENTURY The first boxwood and carved as a cluster of mushrooms, the fungi of different sizes and the stalk of one forming the himotoshi, signed Masanao underneath; the other in darker wood and depicting a small plump rabbit, its eyes inlaid with minute pink beads, 3.6cm and 3.7cm. (2)
FOUR JAPANESE LACQUERED WOOD NETSUKE EDO PERIOD AND LATER, 18TH CENTURY AND LATER One a negoro-style seal netsuke depicting two lion dogs standing on their hind legs and holding a brocade ball, raised on a rectangular plinth carved to the underside with three characters; two others carved as seated figures, the last depicting an elderly man with a small turtle, possibly Urashima Taro, in black lacquer with remnants of red, yellow and silver, a two-character signature underneath, 4cm max. (4)
A JAPANESE UMIMATSU (SEA-PINE) NETSUKE OF A FROG EDO PERIOD, 18TH CENTURY The large amphibian clambering upon a rocky outcrop, its bulging eyes inlaid in light and dark horn, the umimatsu of variegated colours, unsigned, 3.5cm. Provenance: an American private collection, purchased 1990s-2010s.
A JAPANESE WOOD NETSUKE OF MONKEYS MEIJI PERIOD, 19TH CENTURY Carved as an adult and its young, the larger primate delousing the other whilst the infant eats a fruit, their eyes inlaid with small black beads, the base signed Tomokazu in an oval reserve, 3.6cm. Provenance: an American private collection, purchased 1990s-2010s.

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24840 item(s)/page