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A Japanese ivory netsuke of a man holding a bag on his shoulder, Meiji period, height 3.5cm, width 2.5cm.

A Japanese ivory netsuke of two figures with a flask and cup, Meiji period, height 3cm, width 4cm, depth 3.5cm.

A Japanese ivory netsuke of a seated figure with basket, Meiji period, signed, height 3cm, width 3cm.

A Japanese ivory / stag antler netsuke of a standing figure, 19th century, height 5cm, width 2cm.

A Japanese ivory netsuke of a rat catcher, Meiji period, signed, with a rat on his shoulder, height 3cm, width 5cm.

A Japanese ivory netsuke of Momotaro the peach boy, Meiji period, height 4cm, width 4.5cm.

A small Japanese ivory netsuke of a seated boy, Meiji period, height 2.5cm and a Japanese okimono of a standing figure with a palm leaf fan, Meiji period, height 6.5cm.

A Japanese ivory netsuke of a bear and cub, Meiji period, signed, height 2.5cm, width 4cm.

A Japanese ivory netsuke of a seated bearded man, Meiji period, signed, height 3.8cm, width 2.5cm.

A Japanese ivory netsuke, Meiji period, signed, height 3cm, width 2.2cm.

A Japanese stained ivory netsuke, Meiji period, height 3.5cm and another ivory netsuke, Meiji period, height 4.5cm. (2)

A Japanese ivory netsuke of a possum beneath a leaf, Meiji period, signed, height 4cm, width 3cm, depth 4cm.

A Japanese ivory netsuke of two figures and a basket, Meiji period, height 3.5cm, width 4.5cm.

A Japanese ivory netsuke group, early 20th century, signed, height 5.5cm, width 5cm.

H. L. JOLY. 'Netsuke Carvers Signatures', two volumes. (2)

An ivory netsuke, Edo or Meiji Period, Japanese, in the form of a samurai sat upon a helmet, 4cm wide3cm deep4cm hightogether with another example and two okimonos, one walrus ivory (4)IMPORTANT NOTEThis lot contains ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.If you are a UK buyer, we request that you collect your purchase as soon as possible following the sale due to ongoing changes to ivory regulations.Condition report: The former with deep patination. General surface wear, scratches and discolouration to all.

A Japanese carved bone netsuke - Village elder holding a staff.

A Japanese carved bone netsuke - Village elder with a basket at his feet.

A Japanese carved bone netsuke - Village elder holding a scroll.

A Japanese carved fruitwood netsuke - Rats on a pumpkin.

A Japanese carved fruitwood netsuke - Rats on a barrel.

A Japanese carved fruitwood netsuke - Swan.

Three Japanese Meiji period ivory netsuke, one with crab and frogs signed.

Chinese carved boxwood netsuke in the form of a seated dog, together with a carved boxwood figure of a boy

A carved ivory Netsuke of Immortal and one other

A carved bone Netsuke

A carved bone Netsuke decorated with faces

A Japanese ivory netsuke of Daikoku, Meiji period,3 cms high.

A Japanese ivory Netsuke of a bathing couple, Meiji period,3.5 cms high.

A Japanese ivory netsuke monkey group, 19th century, signed, 5cm wide.

A Japanese ivory netsuke of Daikoku or Ebisu, Meiji period,4 cms high.

NetsukeJapan, um 1900. - Nilpferd - Bein, geschnitzt; eingelegte schwarze Augen. 4,5 x 2,5 x 2,5 cm. Unterseitig sign. Altersspuren. Die Zunge im Inneren des aufgerissenen Mauls leicht rötlich gefasst.

An erotic bone netsuke. 3.5 cm high.

A wooden netsuke formed as a monkey. 4.5 cm high.

A netsuke

Elfenbein-Netsuke in Form eines Komainu-Wächterlöwen mit seinen 4 Jungen, Japan um 1900, aus einem Stück fein geschnitzt, im Boden signiert, schöne Patina, L 3 cm, Gewicht 14 g, Provenienz: ehem. Sammlung der Freiherren von Madroux, Grafen von Leiningen-Westerburg. CITES regulations and import - export restrictions might apply! 3081-001

Elfenbein-Netsuke in Katzenform, Japan Anfang 20. Jh., sich in eine Decke kuschelndes Kätzchen, aus einem Stück geschnitzt, im Boden signiert, L 4,6 cm, Gewicht 22,8 g, CITES regulations and import - export restrictions might apply! 3061-010

Netsuke "Fischer" (Japan), Elfenbeinschnitzarbeit, arbeitender Mann m. Reuse u.Fischernetz, an Füßen angedeutete Wellen, Unterbodenritzsign., H. ca. 5 cm.

Netsuke "Badender Mann" (Japan), Elfenbeinschnitzarbeit, Unterbodenritzsign., H. ca. 3,5cm.

Netsuke "Fischer" (Japan), Elfenbeinschnitzarbeit, alter Mann m. Stock u. Trinkbeutel, H.ca. 5 cm. Rs. kl. Fehlstellen.

VIER NETSUKE, Holz, Radmacher (H 3, sign.), Lotus mit beweglichen Samen (H 3,5), Sanjuku (H 4,5, besch., sign.) und der Shozuka Baba (H 4, minst.best.), JAPAN, Edo-/Meiji-Periode Group of four netsuke, wood, Japan, Edo/Meiji period Provenienz: Aus der Sammlung Tsuba und Schwertschmuck aus der Sammlung Dr. Karl Florenz (1865-1939). Der in Erfurt geborene Karl Adolf Florenz (1865 - 1939) war ein Begründer der deutschen Japanologie und Übersetzer wichtiger japanischer Klassiker. Bekannt wurde er auch durch sein Werk zur japanischen Literaturgeschichte. Von 1888 bis zum Ausbruch des ersten Weltkrieges 1914 lebte Florenz in Japan. 1889 wurde er Lektor für Deutsche Sprache und Literatur an der Kaiserlichen Universität Tokio, 1891 Ordentlicher Professor für Deutsche Literatur und Vergleichende Sprachwissenschaft. Für seine Übersetzung des Nihon shoki wurde ihm 1899 als erstem Ausländer der höchste japanische Gelehrtengrad (Bungaku-Hakushi) verliehen. Ebenfalls als erster in Europa erhielt Florenz 1914 eine Professur für Japanologie am Seminar für Sprache und Kultur Japans am Hamburgischen Kolonialinstitut. Sein Hamburger Wohnhaus brannte im Juli 1943 aus. Dabei verbrannten seine Manuskripte. Die in Zeitungen verpackte Schwertschmucksammlung überstand den Brand.

DREI NETSUKE, a) großes Manju, Holz gelackt, im durchbrochenem Relief Landschaft mit zwei Shishi aus Buntmetall (Dm 5, minst.besch., sign.); b) aufgeplatzter Granatapfel mit Stiel und drei Blättern (L 3,5, besch.); Kürbis, Holz, Lack und Perlmutt, (L 4,2, min.besch.), JAPAN, Edo-/Meiji-Periode Group of one manju and two netsuke, wood, lacquered, manju signed, JAPAN, Edo/Meiji period Provenienz: Aus der Sammlung Tsuba und Schwertschmuck aus der Sammlung Dr. Karl Florenz (1865-1939). Der in Erfurt geborene Karl Adolf Florenz (1865 - 1939) war ein Begründer der deutschen Japanologie und Übersetzer wichtiger japanischer Klassiker. Bekannt wurde er auch durch sein Werk zur japanischen Literaturgeschichte. Von 1888 bis zum Ausbruch des ersten Weltkrieges 1914 lebte Florenz in Japan. 1889 wurde er Lektor für Deutsche Sprache und Literatur an der Kaiserlichen Universität Tokio, 1891 Ordentlicher Professor für Deutsche Literatur und Vergleichende Sprachwissenschaft. Für seine Übersetzung des Nihon shoki wurde ihm 1899 als erstem Ausländer der höchste japanische Gelehrtengrad (Bungaku-Hakushi) verliehen. Ebenfalls als erster in Europa erhielt Florenz 1914 eine Professur für Japanologie am Seminar für Sprache und Kultur Japans am Hamburgischen Kolonialinstitut. Sein Hamburger Wohnhaus brannte im Juli 1943 aus. Dabei verbrannten seine Manuskripte. Die in Zeitungen verpackte Schwertschmucksammlung überstand den Brand.

Netsuke China, Bein, "Frau mit Laute", geschnitzt, signiert, h ca 5 cm,

A signed carved fruitwood Netsuke of a mouse sitting on an apple with black onyx eyes, H. 5cm.

A collection of novelty corkscrews, and a Satsuma style long stemmed flagon with hallmarked silver stopper, bone netsuke

A Japanese carved bone netsuke - Village elder holding a scroll.

A Japanese carved bone netsuke - Village elder with a sack at his feet.

A Japanese carved bone netsuke - Village elder with a basket at his feet.

A Japanese carved fruitwood netsuke - Two turtles on a barrel.

A Japanese carved fruitwood netsuke - Rats on a barrel.

A Japanese carved fruitwood netsuke - Rats on a pumpkin.

A Japanese ivory netsuke, a carved ivory buckle and one further carving.

Three Japanese boxwood netsuke, 19th century,the first in the form of a rat eating a seedpod, engraved two character signature to base, the second of a seated man howling, engraved two character mark to base and the last of a dancing man, engraved two character mark to his robes,3.5–6.5 cmAll of the netsuke have some minor wear to the high points and some occasional tiny nicks and dents to the carving otherwise of pleasing colour and in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 3.5–6.5 cm

Japanese Art A Sashi ivory netzuke Japan, Meiji period (1868-1912), 19th century . . Cm 15,50. Honey-colored patina, carved in the form of two aubergine berries with leaves and branches. The sinuous elongated shape places this artifact among the so-called sashi netsuke identified precisely by this specific form. The theme of the aubergine, which in Japanese is pronounced "nasu", is traditionally associated, by homophony, with the expression "may this come true" thus investing this fruit with important auspicious values, so much so that it is one of the three themes, together with the mountain Fuji and the hawk, of Hatsuyme (first dream of the year) in which, according to tradition, the wish of luck and happiness for the coming year is realized.

Japanese Art A snake shaped netsuke Japan, Meiji period (1868-1912), 19th century . . Cm 6,00 x 3,00. Natural patina ivory carving depicting a lifelike wrapped snake, with engraved scales highlighted by black pigment and obsidian inlaid eyes. This type of netsuke, known as katabori, is characterized by the pleasant roundness of the shapes and by the choice of subjects, which are often linked to the fauna.Two character mark incised.

A collection of Japanese ivory and wood netsuke and okimono

A carved Japanese netsuke of a monkey, signed

Various interesting items including three Chinese wooden automation figures (all as found with loose parts), a cold painted pair of dachshunds (as found), an ivory netsuke with inset red plaque (as found) etc

A Japanese Hirado porcelain netsuke, Meiji period, 1868-1912, in the form of a clam with internal diorama, width 5.5cm

λ A Japanese ivory netsuke, 19th Century or earlier, carved as a recumbent beast, width 3cm