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Two Japanese ivory okimono and a wood netsuke, the first ivory okimono of a warrior holding a star, engraved two character signature to a red lacquer seal, 7cm, the second a sectional figure of a street vendor, 4.8cm, the last a modern wood netsuke of two fighting tigers, engraved signature to a mother of pearl seal, 4.5cm
A Japanese ivory netsuke and two similar okimono, Meiji period, the netsuke carved as an elderly man holding a guinea pig? with two boys reaching for the animal, lacking seal to base, 5.5cm, the first okimono of a woman playing with two cats, 5cm and the last of a man selling ivory carvings, 4.5cm
A Japanese carved amber netsuke modelled as a bearded gent reclining on two ceramic vessels, length 6cm. CONDITION REPORT: Damage to left hand and small hairline crack to rear hole, otherwise appears good with no obvious signs of faults, damage or restoration. Fingers are missing on the damaged hand - it was possibly holding something no longer there.
A good Japanese five compartment lacquered inro decorated with samurai beneath trees and clouds, pink coral bead and two part ivory toggle terminal, shibayama decorated with an elephant, inro case 8.5cm x 6cm, signed Kakosai 可交斎, 19th Century The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular with gently curving sides. Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive. On this example, the gold lacquer is inlaid with fishes in shell, horn and stained ivory in a style typical of the late 1800s. From the 1700s onwards, many artists signed the inro they made. This example is signed Kakosai, who is known to have worked in the late 1800s.
A box containing a 19th Century tortoiseshell mounted needle case in the form of a knife box, together with a tortoiseshell mounted lace worker's needle case, agate seal, serpentine lidded box, a cold painted bronze of a lizard, various Halcyon Days enamelled boxes, and a kidney shaped tortoiseshell dressing table box with silver gilt mounts and inscribed "Lund London EC" to base, a netsuke of a scholar with a deer, a hardstone bracelet, reverse painted glass scent bottle, etc CONDITION REPORTS All general wear and tear, small jug dented. Some lids off on pots.

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24840 item(s)/page