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* Netsuke. A Japanese ivory netsuke, Meiji period 1868-1912, carved as an elder wearing a cloak with swastika symbols, 5cm high, together with a boxwood netsuke carved as a man with a pot on his head, 5cm high, plus another probably carved boneQty: (3)NOTESProvenance: Collection of Jack Webb (1923-2019), London.
A multicolour-lacquer four-case inroBy Tatsuke Takamasu, late 18th centuryThe inro of faceted octagonal section, decorated with a design of chequered panels in cut silver foil and black lacquer alternating with panels of floral and geometric designs in gold, silver and red togidashi, the interior of nashiji, signed Tatsuke Takamasu saku (made by Tatsuke Takamasu); with a faceted aventurine ojime and a lacquered wood manju netsuke decorated with a formal design, signed Kiko. 6.8cm (2 5/8in).Footnotes:Provenance:W. L. Behrems Collection, no.115.Michael Tonkinson Collection, no.152.Sold at Glendining & Co. Ltd., London, December 1921, lot 645, pl.X.W. W. Winkworth Collection.Ralph Harari Collection.Sold at Sotheby's, London, 28 March 1974, lot 129.Charles A. Greenfield Collection, no.192.Sold at Sotheby's, New York, 25 March 1998, lot 1.Published: Henri L. Joly, W. L. Behrens Collection, vol.2, London, Glendining & Co. Ltd., 1912, no.115, pl.XXII.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A guri-lacquer four-case inroBy Jirozaemon, 18th centuryThe inro bearing a roiro ground, deeply carved with undulating scrolls, revealing numerous layers of red and black lacquer, the interior of nashiji, signed tsuishu Jirozaemon kore o saku (carved red-lacquer made by Jirozaemon); with a guri-lacquer ojime and simulated guri-lacquer netsuke of double-gourd form, with a metal ring himotoshi and stopper, unsigned. 6cm (2 3/8in).Footnotes:Provenance:Gretchen Kroch Kelsche Collection.Sold at Sotheby's, New York, 26 March 1982, lot 87.Charles A. Greenfield Collection, no.270.Sold at Sotheby's, New York, 25 March 1998, lot 109.Jirozaemon is recorded by E. A. Wrangham, The Index of Inro Artists, Harehope Publications, Alnwick, Northumberland, 1995, p.96, who notes that he was a specialist in tsuishu and worked in Kyoto during the early part of the 18th century.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A black lacquer four-case inroKajikawa family, Edo period (1615-1868), 19th centuryBearing a mura-nashiji ground, decorated with robes draped over a kimono rack, in gold lacquer, embellished with mon in takamaki-e, hiramaki-e, tsuishu and mother of pearl, the interior of nashiji, signed Kajikawa saku (made by Kajikawa) with red pot seal; with a bead ojime and black lacquered manju netsuke decorated in gold takamaki-e with a peony bloom, unsigned. 7.3cm (2 7/8in).Footnotes:Provenance: Charles A. Greenfield Collection, no.136.Sold at Sotheby's, New York, 25 March 1998, lot 73.Published: Ishikawa Masao, catalogue to the Netsuke Exhibition, published by Nihon Keizai Shinbun, 1981.Arakawa Hirokazu, Inro and Netsuke, Nihon no Bijutsu (Arts of Japan), supervised by the Bunkacho, Tokyo, Kyoto and Nara National Museums, no.195, August 1981, no.126, colour plate 1.Exhibited: Shinjuku Keio Department Store, Tokyo, 1981.Umeda Hankyu Department Store, Osaka, 1981.The motif of the inro, derived from folding screens is referred to as Tagasode (Whose sleeves?) which is found frequently in ancient poetry, suggesting the absence of a beautiful woman who is missed.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An early gold-lacquer four-case inro17th CenturyThe inro of upright form, bearing a fundame ground, decorated in takamaki-e and hiramaki-e, depicting two monkeys climbing a vine covered persimmon tree laden with ripe fruit, the interior of nashiji, unsigned; with a peach stone ojime in the form of a monkey clasping a leafy peach and a lacquered wood netsuke of a seated monkey struggling to remove a crab clinging to the back of its head, unsigned. 8cm (3 1/8in).Footnotes:Provenance:Raymond Koecklin Collection.Sold at the Hotel Drouot, Paris, 9-11 June 1926, lot 187.Marianne Densmore Collection, Paris.Demaree and Dorothy Bess collection.Charles A. Greenfield Collection, no.12.Sold at Sotheby's, New York, 25 March 1998, lot 19.Published:Harold P. Stern, The Magnificent Three, Lacquer, Netsuke and Tsuba, Selections from the Charles A. Greenfield Collection, New York, Japan House Gallery, 1972, no.8.Exhibited: Japan House Gallery, Japan Society, New York, 1972, no.8.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A black-lacquer four-case inroBy Shiomi Masakage (1681-1764), 18th centuryThe inro bearing a roiro ground and decorated with an asymmetric arrangement of scattered Chinese coins in coloured lacquer simulating the original metals, the interior of roiro, signed Shiomi Masakage with a seal; with a metal ojime in the form of a coin and a wood netsuke in the form of a string of coins with one coin rotatable, unsigned. 6.9cm (2 11/16in).Footnotes:Provenance:Rogers Collection, no.67.Sold at Parke-Bernet Galleries, New York, 1947.Charles A. Greenfield collection, no.67.Sold at Sotheby's, New York, 25 March 1998, lot 51.Published:Harold P.Stern, The Magnificent Three, Lacquer, Netsuke and Tsuba, Selections from the Charles A. Greenfield collection, Japan House Gallery, Japan Society, New York, 1972, no.91.Ishikawa Masao, the catalogue to the Netsuke Exhibition sponsored and published by Nihon Keizai Shinbun, Tokyo, 1981, no.251.Exhibited:Japan House Gallery, New York, 1972.Shinjuku Keio Department Store, Tokyo, 1981.Umeda Hankyu Department Store, Osaka, 1981.The coins depicted on the inro are Chinese, dating from the 6th to the 18th century. The coin represented on the ojime is Japanese, from the Kanei era (1624-1644). Two of the coins represented on the netsuke are identifiable as examples produced in China during the Yongle period (402-1421) and a provincial 18th century coin.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Group of item to include a snuff box, 8.5 cm wide, collapsible travel cup in leather case, mother-of-pearl gaming counters, an ivory netsuke and a small soapstone figure two circular metal plaques, a compass and a tape measure PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
A mid 19th century Japanese netsuke from Edo period. Signed Shigyoku on the base. In carved ivory depicting a standing "Ebisu" carrying a carp with horn eyes over his left shoulder and a closed umbrella on his right hand, 6,20 cm. high. With an expert's report issued by the Spanish Federation of Antique dealers attached.
A late 19th century Japanese netsuke okimono from Meiji period. Signed Kiogyoko (the Kanji is lost). In carved elephant ivory depicting a group of characters formed by a fruit dealer, a lady and a child seated on the floor, 4 cm. high. With an expert's report issued by the Spanish Federation of Antique dealers attached.

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