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Lot 119
CARVED EMERALD AND DIAMOND NECKLACEThe carved emerald of floral design, with brilliant and marquise-cut diamonds, and a pear-shaped emerald drop, diamonds approx. 8.10cts total, one pendent tassel loose, lengths: pendant 8.3cm, necklace chain approx. 44.0cmFor further information on this lot please visit Bonhams.com
Lot 248
EMERALD AND DIAMOND CLUSTER RINGStep-cut emerald and brilliant-cut diamonds, mounted in 18 carat gold, diamonds approx. 0.95ct total, emerald approx. 3.10cts, UK hallmark, ring size approx. M½ Footnotes:GCS: Colombian origin, indications of moderate clarity enhancement, report number 5783-3473, 24 July 2023.For further information on this lot please visit Bonhams.com
Lot 144
ANANYA: EMERALD AND DIAMOND DRESS RINGStep-cut emerald and brilliant and baguette-cut diamonds, mounted in 18 carat white gold, emerald approx. 1.40cts, diamonds approx. 1.10cts total, maker's mark, London hallmark, ring size approx. N (sizing spring), maker's caseFor further information on this lot please visit Bonhams.com
Lot 286
EMERALD AND DIAMOND RINGStep-cut emerald and brilliant-cut diamonds, emerald very approx. 2.50cts, diamonds approx. 0.55ct total, ring size approx. O½ Footnotes:The Gem & Pearl Laboratory: Colombian origin, evidence of negligible clarity enhancement, report number 23176, 19 May 2023.For further information on this lot please visit Bonhams.com
Lot 233
TWO PEARL AND GEM-SET RINGS, MID - LATE 19TH CENTURY1st: Cushion-shaped diamonds and seed pearls, 2nd: Cushion-shaped ruby, square-cut emerald and seed pearls, pearls untested, ring sizes approx.: 1st L, 2nd M, cased (2)Footnotes:Please note this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on the Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 192
EMERALD AND DIAMOND RINGStep-cut emerald, fancy and baguette-cut diamonds, emerald approx. 3.75cts, diamonds very approx. 0.70ct total, ring size approx. K½ Footnotes:The Gem & Pearl Laboratory: Colombian origin, evidence of moderate clarity enhancement, report number 23693, 9 September 2023.For further information on this lot please visit Bonhams.com
Lot 130
EMERALD AND DIAMOND RING, 1989Step-cut emerald, brilliant-cut diamonds, mounted in 18 carat gold, emerald approx. 3.65cts, UK hallmark, ring size approx. K½ Footnotes:The Gem & Pearl Laboratory: Colombian origin, moderate clarity enhancement, report number 23673, 8th September 2023.For further information on this lot please visit Bonhams.com
Lot 141
AN EXCEPTIONALLY LARGE AND MASSIVE BRONZE RITUAL TRIPOD WINE VESSEL, JIA, WITH A CLAN MARK, SHANG DYNASTYChina, 13th century BC. Raised on three blade-form supports, the sides flat-cast with two bands of taotie masks, each composed of three masks positioned between the supports and with rounded eyes and slender dividing flange, with a simple strap handle and a pair of rectangular posts with large conical caps cast with comma motifs. The interior with a clan sign in the form of a single pictogram.Provenance: A private collection in Kansai, Japan, acquired before 1960. A Japanese private collection, acquired 2005. Christie's New York, 19 March 2008, lot 487, sold for USD 97,000 or approx. EUR 127,000 (converted and adjusted for inflation at the time of writing). A prominent North American private collection, acquired from the above. Condition: Superb condition, commensurate with age. Old wear, signs of weathering and erosion, encrustations, few small nicks to edges. A clean, natural fatigue crack below one post, as shown in the X-ray images, with three small staples. No losses whatsoever. A rich, emerald-green patina, with distinct patches of azurite, malachite and pale sea-green. Displaying exceptionally well, and exceedingly rare in this magnificent size and condition.X-Ray Images: Available online at www.zacke.at.Weight: 5.9 kg Dimensions: Height 37 cm With an old Japanese wood storage box. (2)Expert's note: Jia of this type, with the decoration arranged in two registers, appeared shortly before the Anyang period (c. 1300-1030 BC). The main decoration was usually that of taotie masks, either cast in relief or flat cast as on the present jia, and on the very similar jia of slightly smaller size (35.2 cm), illustrated in Shang Ritual Bronzes in the National Palace Museum Collection, Taipei, 1998, pp. 152-7, no. 9, also illustrated on the National Palace Museum's website, image number C1A000405N000000000PAD.Literature comparison:Compare a related bronze jia, 45 cm high, dated 13th-12th century BC, illustrated by R.W. Bagley, Shang Ritual Bronzes in the Arthur M. Sackler Collections, Cambridge, Massachusetts, 1987, pp. 164-5, no. 7. Compare two related jia vessels illustrated in Shang Ritual Bronzes in the National Palace Museum Collection Taipei, 1998, p. 156, excavated in 1968 at Xiao chuan, Anyang prefecture, Henan province, the first from Tomb M388 and the second from Tomb 331. Compare a related jia vessel illustrated by Bernhard Karlgren, Some Characteristics of the Yin Art, in the Roehss Museum, no. 34, 1962, pl. 31a. Also compare an example in the Lippens collection of ancient Chinese bronzes, published by Christian Deydier, Paris, France, lot 12.Auction result comparison: Type: Closely related Auction: Sotheby's New York, 11 September 2012, lot 97 Price: USD 170,500 or approx. EUR 204,000 converted and adjusted for inflation at the time of writing Description: A rare archaic bronze ritual tripod vessel, jia, late Shang dynasty, 13th-11th century BC Expert remark: Compare the closely related form, two-register taotie decoration, and patina. Note the inscription 'Shang' on this jia. Auction result comparison: Type: Closely related Auction: Christie's New York, 21 March 2014, lot 2034 Price: USD 149,000 or approx. EUR 175,000 converted and adjusted for inflation at the time of writing Description: A rare large bronze ritual tripod wine vessel, jia, late Shang dynasty, 13th-12th century BC Expert remark: Compare the closely related form, two-register taotie decoration, and patina. Note the much smaller size (29.8 cm) and absence of a clan mark.Auction result comparison: Type: Closely related Auction: Christie's New York, 25 September 2020, lot 1502 Price: USD 137,500 or approx. EUR 146,000 converted and adjusted for inflation at the time of writing Description: A bronze ritual tripod wine vessel, jia, mid-Shang dynasty, 13th century BC Expert remark: Compare the closely related form, two-register taotie decoration, and patina. Note the much smaller size (30.5 cm) and absence of a clan mark. 商代青銅斝中國，公元前十三世紀。由于平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看
Lot 209
A GOLD REPOUSSE PECTORAL PENDANT DEPICTING TWO GARUDA, VIETNAM, FORMER KINGDOMS OF CHAMPA, CIRCA 10TH CENTURYPublished: The Zelnik Istvan Southeast Asian Gold Museum, Budapest, 2013, page 49.The crescent-shaped pectoral is finely chased, embossed, and incised, with a band of lotus petals along the upper rim above two mirroring Garuda flanking a neatly inlaid, central chalcedony intaglio depicting a four-armed deity, all surrounded by repeating stylized sword designs. Provenance: Ex-Collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Very good condition, commensurate with age. Some old wear, small manufacturing irregularities, very minor old repairs, and light tarnishing, all as to be expected for a gold object more than a thousand years old.Weight: 24.6 g Dimensions: Length 14.9 cm Garuda is a half-bird, half-human creature that appears in both Hinduism and Buddhism. The mythological account of Garuda's birth in the Mahabharata identifies him as the younger brother of Aruna, the charioteer of the sun god, Surya. Garuda's mother, Vinata, mother of the birds, was tricked into becoming the slave of her sister and co-wife, Kadru, mother of the nagas (serpents). The lasting enmity between the birds, particularly Garuda, and the serpents, is attributed to this. The nagas agreed to release Vinata if Garuda could obtain for them a drink of the elixir of immortality, the amrita, or soma. Garuda performed that feat, thus giving the snakes the ability to slough off their old skins, and, on his way back from the heavens, Garuda met Vishnu and agreed to serve him as his vehicle and also as his emblem. Garuda is described in one text as emerald in color, with the beak of a hawk, roundish eyes, golden wings, and four arms and with a breast, knees, and legs like those of a hawk. He is also depicted anthropomorphically, with wings and hawk-like features. Sometimes Images of Garuda are used by devotees of Vishnu to designate their affiliations; such images appear on coins throughout various periods and on ritual vessels and jewelry, like this lot. Garuda, also referred to as Garula, are golden-winged birds in Buddhist texts. Under the Buddhist concept of samsara, they are one of the Aṣṭagatyaḥ, the eight classes of inhuman beings.Auction result comparison: Type: Related Auction: Galerie Zacke, Vienna, 4 December 2020, lot 22 Price: EUR 13,904 or approx. EUR 16,500 converted and adjusted for inflation at the time of writing Description: An extremely rare and fine Cham gemstone-set gold repousse crown with Garudas Expert remark: Compare the closely related material, repousse decoration, and Garuda motif. Note the different form and the size (14.5 cm). Note this crown was also previously in The Zelnik Istvan Southeast Asian Gold Museum.
Lot 210
AN IMPORTANT SILVER-INLAID GOLD REPOUSSE BOWL DEPICTING GARUDA, VIETNAM, FORMER KINGDOMS OF CHAMPA, CIRCA 10TH CENTURYSuperbly worked, the deep rounded sides supported on a tall faceted foot and flaring to a beaded rim, finely decorated to the exterior with overlapping trefoil-arched panels enclosing rosettes and scrolling foliage, below interlocking scrolling vines. The foot with square panels and indented corners enclosing rosettes, all against ring-punched grounds. The interior with a circular silver-inlaid base depicting a winged Garuda with human face, wearing a richly incised dhoti, foliate crown, and fine jewelry, his arms raised as if about to take flight, surrounded by leafy lotus blossoms, enclosed by a beaded border. Provenance: Ex-Collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: Good condition, commensurate with age, with old wear and casting flaws, small losses, some tarnishing, and dents, all exactly as expected of a gold object more than a thousand years old.Weight: 243.9 g Dimensions: Diameter 18.8 cm Garuda is a half-bird, half-human creature that appears in both Hinduism and Buddhism. The mythological account of Garuda's birth in the Mahabharata identifies him as the younger brother of Aruna, the charioteer of the sun god, Surya. Garuda's mother, Vinata, mother of the birds, was tricked into becoming the slave of her sister and co-wife, Kadru, mother of the nagas (serpents). The lasting enmity between the birds, particularly Garuda, and the serpents is attributed to this. The nagas agreed to release Vinata if Garuda could obtain for them a drink of the elixir of immortality, the amrita or soma. Garuda performed the feat, thus giving the snakes the ability to slough off their old skins, and on his return Garuda met Vishnu, agreeing to serve him as his vehicle. Garuda is described in one text as emerald in color, with the beak of a hawk, roundish eyes, golden wings, and four arms and with a breast, knees, and legs like those of a hawk. He is also depicted anthropomorphically, with wings and hawk-like features. Sometimes images of Garuda are used by devotees of Vishnu to designate their affiliations; such images appear on coins throughout various periods and on jewelry and ritual vessels, like this lot. Garuda, also known as Garula, are golden-winged birds in Buddhist religious texts. Under the Buddhist concept of samsara, they are one of the Aṣṭagatyaḥ, the eight classes of inhuman beings.Expert's note: Depictions of Garuda with a human face like on the present lot are considerably rarer than their bird-faced counterparts, but are found across different cultures and materials. Compare an ivory relief depicting Garuda from Nepal, 10 cm high, dated to the 14th century, in the Victoria & Albert Museum, accession number IS.124-1999. Compare a bronze plaque depicting Garuda from East Java, 12.7 cm high, dated c. 1300, in the Norton Simon Museum, accession number P.2003.01.10. Compare a terracotta sculpture of Garuda from Western Thailand, 48 cm high, dated to the first half of the 7th century, excavated from site 40, Khu Bua, Ratchaburi Province, by the Fine Arts Department, Thailand, in 1962, and now in the National Museum, Bangkok, exhibited by the Metropolitan Museum of Art, Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century, 14 April-27 July 2014. Compare a granite figure of Garuda from India, Tamil Nadu, 137.8 cm high, dated second half of the 8th to early 9th century, in the Metropolitan Museum of Art, accession number 1983.518. Compare a gray schist turban ornament with Garuda from Gandhara, 11.4 cm high, dated 2nd-3rd century, at Christie's New York, 18 March 2015, lot 4009.
Lot 350
A WHITE AND EMERALD-GREEN JADEITE 'PHOENIX' TABLE SCREEN, CHINA, 19TH CENTURYOf rectangular form, carved in low relief to one side with a phoenix standing on a rocky outpost beside a towering tree, the other with a river landscape with some villagers on the coast as a fisherman makes his way to the shore, the calm scenery detailed with pine and willow trees, imposing rockwork, and a modest bridge. The translucent stone of white, pale gray and emerald-green hue with distinct icy inclusions. The fitted hardwood stand carved in openwork with scrolling foliage.Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. Q.2.1. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was no doubt fortuitous that Dr. Wou's years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou's drive to collect was a burning desire to preserve the relics of China's rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived of the idea to create a place to house his collection, but in 1968 he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years the Museum became a 'must see' destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China's glorious history.Condition: Very good condition with minor wear and manufacturing irregularities, light scratches, and tiny nicks.Dimensions: Size 18.3 x 10.2 cm (excl. stand) and 24.5 x 11.4 cm (incl. stand)Weight: 406.8 g (excl. stand) and 459 g (incl. stand) Auction result comparison: Type: Closely relatedAuction: Sotheby's Paris, 10 December 2019, lot 108Price: EUR 12,500 or approx. EUR 13,500 adjusted for inflation at the time of writingDescription: A pair of jadeite table screens, Qing Dynasty, 19th centuryExpert remark: Note the size (15.1 cm) and that the lot comprises a pair. 十九世紀翡翠雕刻鳳凰紋硯屏長方形，一面淺浮雕一隻鳳凰站在一棵樹下，另一面為山間小橋流水人家，岸上有一些村民與鬆樹和柳樹，還有一座小橋。白中飄翠半透明玉石，帶有明顯的絮狀物。硬木支架雕刻有卷葉紋。 來源：吳權博士收藏；吳蓮伯美術館，館藏編號 Q.2.1.。吳權(1910-1997)博士 曾是一位中國外交家以及知名中國藝術收藏家。他的父親吳蓮伯 (1873-1944)先生曾是二十世紀初中國重要政治人物，因在民國動蕩歲月中擔任國會議員及議長而聞名。1952 年，吳博士在外交領域走上了輝煌之路，直到他退休後定居倫敦，並將餘生奉獻給了對中國藝術的研究。毫無疑問，吳權博士多年的收藏，與大量中國藝術珍品現身倫敦藝術市場上時間點相呼應，這無疑是幸運的。從 1950 年代中期到 1960 年代後期，他收集了 1,000 多件藏品，涵蓋了中國藝術的每一個門類。吳博士之所以收藏，其原因主要是爲保護散落歐洲各地的中國文物與推廣中國藝術與文化。尚不清楚吳博士何時想到創建一個美術館來歸置他的收藏的，但在 1968 年，他打開了以他父親的名字命名的 吳蓮伯美術館的大門。多年來，美術館已成為收藏家、學者和來訪政要的必經之地，而吳博士總是很樂意給參觀者介紹美術館，講述中國光輝歷史的故事。 品相：狀況極好，有輕微磨損和製造不規則、輕微劃痕和微小刻痕。 尺寸：18.3 x 10.2 厘米 (不含底座) ，24.5 x 11.4 厘米 (含底座) 重量：406.8 克 (不含底座)，459 克 (含底座) 拍賣結果比較： 形制：非常相近 拍賣：巴黎蘇富比，2019年12月10日，lot 108 價格：EUR 12,500（相當於今日EUR 13,500） 描述：清十九世紀翠玉雕山水紋硯屏一對 專家評論：請注意尺寸 (15.1厘米) ，以及此為一對。
Lot 374
AN AVENTURINE-SPLASHED AMBER GLASS SNUFF BOTTLE, ATTRIBUTED TO THE PALACE WORKSHOPSChina, Beijing, 1750-1800. Of slightly flattened form, the globular body supported on a flat oval foot rising to a short gently flared neck, the surface displaying the richness of the transparent brown-toned glass with dispersed copper-colored splashes.Provenance: From the collection of Cynthia G. Locke. Cynthia Graser Locke (1923-2019) was an American collector of snuff bottles who lived in Duxbury, Massachusetts. She was an active member of the International Chinese Snuff Bottle Society which allowed her to travel the world, attending many of the Society's conventions.Condition: Very good condition with minor old wear and expected manufacturing irregularities, little nibbling to the mouth and neck, possibly very slightly smoothened around the rim.Stopper: Tiger's eyeWeight: 56.8Dimensions: Height including stopper 62 mm. Diameter neck 18 mm and mouth 8 mm. Expert's note: Aventurine, or golden-star glass, is one of the colors listed in the imperial archives relating to items ordered by the Zaobanchu. In 1773, the Archives list an order for the Paint and Wood workshop to make a stand for a glass vase of 'blue golden-star color,' indicating that this was already an established court favorite at this time.Auction result comparison: Type: Related Auction: Bonhams New York, 21 March 2023, lot 335 Price: USD 7,012 or approx. EUR 6,500 converted at the time of writing Description: An emerald-green glass snuff bottle with aventurine splashes, Imperial, attributed to the Palace Workshops, Beijing, 1750-1800 砂金石斑紋琥珀色料器鼻煙壺，或爲清宮造辦處製作中國，北京，1750-1800年。壺體呈微扁平狀，短頸，橢圓形平足，表面顯示出透明料器顔色的豐富性，並散佈著銅色斑點。 來源：Cynthia G. Locke私人收藏。Cynthia Graser Locke (1923-2019年) 是一位住在美國馬薩諸塞州達克斯伯裡的鼻煙壺收藏家。她是國際中國鼻煙壺協會的活躍成員，她曾環遊世界，參加協會的許多會議。 品相：狀況極好，有輕微磨損和製造不規則性，壺口和頸部有輕微磕損，邊緣周圍磕損已經稍微平滑。 壺蓋：虎眼石 重量：56.8 克 尺寸：含壺蓋高62 毫米. 頸部直徑18 毫米 and 壺口直徑 8 毫米. 專家注釋：砂金石或金星玻璃是清宮檔案中列出的造辦處製作的物品顏色之一。檔案館列出了 1773 年繪畫和木質器具造辦處的一份訂單，要求為“藍色金星顏色"的玻璃花瓶製作一個支架，這表明在當時清宮中極受歡迎。 拍賣結果比較： 形制：相近 拍賣：紐約邦瀚斯，2023年3月21日，lot 335 價格：USD 7,012（相當於今日EUR 6,500） 描述：1750-1800 寶石綠料胎灑金鼻煙壺一件
Lot 488
A SANCAI-GLAZED 'ELEPHANT' CANDLEHOLDER, MING DYNASTYChina 15th-17th century. Standing foursquare on a rectangular base, the pachyderms trunk swung to one side, a flowing saddle blanket draping downward, its back supporting a central cylindrical candleholder extending as part of the caparison. The animal detailed with almond-shaped eyes, large ears, curved tusks, a long tail, and subtly carved wrinkles. The elephant's skin is glazed in a creamy gray with hues of pale green, its inner ears in amber, while its caparison, decorated with flanking lappets, is glazed emerald-green and amber.Provenance: From the private estate of Roland de la Moussaye, Paris, France. An old label to the base. Roland de la Moussaye (1932-2022) was a French scholar with broad interests and vast expertise. He studied ornithology and lepidopterology, writing several books on the subjects, and worked as a professor of French literature in Japan. He studied Chinese, Indonesian, and Malay, receiving a degree in Chinese from the Ecole des langues orientales, and was an avid collector of Chinese art. Condition: Good condition with old wear, weathering and expected firing irregularities, minor glaze flaking, small chips, tiny nicks, and light scratches.Weight: 7 kg Dimensions: Length 39 cm Auction result comparison: Type: Related Auction: Christie's New York, 19 September 2006, lot 249 Price: USD 11,400 or approx. EUR 15,500 converted and adjusted for inflation at the time of writing Description: A pair of green and amber-glazed figures of elephants, Ming dynasty, 15th-17th century Expert remark: Compare the closely related glazes and modeling, with similar pose, caparison, base and near identical size (38.7 cm). Note this lot comprises a pair of elephants. 明代三彩太平有象燭臺中國，十五至十七世紀。太平有像燭台，造型秀美大方。主體為像形，背馱造型別緻精美的燭台，下置長方形底座。大象體態渾圓，大耳朵、彎曲的獠牙、長尾巴。神色平和寧靜，身配瓔珞、綰具，背上搭一錦袱。大象的皮膚呈乳灰色，帶有淡綠色的光澤，內耳呈琥珀色，而其衣著的側面裝飾著翠綠色和琥珀色的垂飾。來源：法國巴黎 Roland de la Moussaye 的私人莊園。底座上有舊標籤。Roland de la Moussaye（1932-2022年）是一位興趣廣泛、專業知識豐富的法國學者。他研究鳥類學和鱗翅目學，寫了幾本相關的書，並在日本擔任法國文學教授。 他學習了中文、印度尼西亞語和馬來語，並獲得了東方語言學院的中文學位，是一位熱心的中國藝術品收藏家。 品相：狀況良好，有磨損、風化、輕微的釉料剝落、小缺口和輕微的劃痕。 重量：7 公斤 尺寸：長39 厘米 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2006年9月19日，lot 249 價格：USD 11,400（相當於今日EUR 15,500） 描述：十五至十七世紀明代綠和琥珀象燭台 專家評論：比較非常相近的釉面、模板、相似的姿勢、底座，以及幾乎相同尺寸(38.7 厘米)。請注意此為一對。
Lot 493
A COLLECTION OF SIX DIFFERENT SANCAI-GLAZED CERAMIC PARROTS, EARLY QING DYNASTYChina, late 17th to mid-18th century. Each bird accurately modeled with its wings tucked to the side and perched on an openwork rock base, all covered in emerald green, dark brown, and ochre glazes. The parrots decorated with neatly incised swirls and lines to denote their feathers, some with their head slightly bowed, the round white eyes with black pupils. (6)Provenance: From the collection of David C. Lindeman, and thence by descent in the same family. Several of the figurines have the remnants of old Chinese export seals. David C. Lindeman (1944-2022) was an American economist, serving as a senior pension specialist at the World Bank in the US between 1995 and 2001. He was an avid collector with a special fondness for Chinese pottery and art.Condition: Overall very good condition with minor old wear and expected firing flaws including kiln grit, fritting, and firing cracks. Few small nicks, tiny chips, and light scratches. One parrot with minor glaze touchups to the head.Weight: 2,590 g (total)Dimensions: Height 22.6 cm (tallest) and 14.5 cm (smallest) 清初一組六件三彩陶鸚鵡中國，十七世紀末至十八世紀中葉。每隻鸚鵡的造型都十分精細，翅膀收起，站立在岩石上。岩石底座通體覆蓋著翠綠、深棕色和赭石色的釉。鸚鵡細節生動，有些鸚鵡還微微低頭，圓圓的眼睛和黑色的瞳孔，十分神采。(6) 來源：David C. Lindeman私人收藏，在同一家族保存至今。David C. Lindeman (1944-2022年) 是一位美國經濟學家，1995年至2001年擔任美國世界銀行高級養老金專家。他是一位收藏家，對中國陶器和藝術品情有獨鍾。 品相：總體狀況良好，有輕微的磨損和燒製缺陷，包括窯砂、燒結和燒製裂紋。輕微小缺口和輕微劃痕。一隻鸚鵡的頭部有輕微的小修。 重量：總2,590克 尺寸：最高的鸚鵡22.6 厘米，最小的鸚鵡14.5 厘米
Lot 530
A FAMILLE VERTE BISCUIT FIGURE OF BUDDHA, QING DYNASTYExpert's note: While the enamels on the Buddha's robe and legwear are quite finely worked, the craftsman paid special attention to the unglazed face, hands and feet. The fingernails and wrinkles of the toes for example show the high level of skill which normally is expected only from 18th century wares.China, 18th-19th century. Finely modeled and seated in padmasana on a single lotus pedestal with the leaves pointing upwards, Buddha holds a miniature seven-tiered pagoda, and is glazed in aubergine, emerald-green, and pale yellow. He wears a beaded necklace and a famille noire robe with a lotus design hem, painted with butterflies, peony, prunus, aster, and hibiscus flowers. The trousers show a soaring crane amidst swirling clouds. The snail-curled hair of the Buddha is glazed in a vibrant blue while the unglaze biscuit face has a serene expression set with heavy-lidded, downcast eyes, subtly smiling lips, and elongated lobes.Provenance: From a private collection in central California, U.S.A. Condition: Superb condition with some old wear, minor firing irregularities, glaze recesses, pitting. Small surface scratches and a minor loss to the top of the miniature pagoda. Overall presenting remarkably well.Weight: 910 g Dimensions: Height 23.6 cm Literature comparison:Compare a related figure of Guanyin, 40.6 cm high, dated to the Kangxi period, in the Metropolitan Museum of Art, accession number 64.279.9a, b. A related but earlier Buddha is in the V&A, London, Nr. C.129-1939.Auction result comparison: Type: Related Auction: Bonhams London, 7 November 2016, lot 316 Price: GBP 4,000 or approx. EUR 6,500 converted and adjusted for inflation at the time of writing Description: A famille verte figure of Buddha, 18th/19th century Expert remark: Note the smaller size (19.5 cm).Auction result comparison: Type: Related Auction: Zacke, Sept 29, 2022, lot 113 Price: EUR 9,100 Description: An Exceedingly Rare Famille Verte Biscuit Figure of Buddha, Kangxi PeriodExpert remark: Note the larger size (27.8 cm). 清代素三彩佛像中國，十八至十九世紀。佛祖結跏趺坐於蓮花座上，青粓色螺髮髻，披蓋兩肩的黑地蓮花紋袍服，敞前胸，佩戴瓔珞，兩手交疊在腹前共作法界定印，持一座小七層寶塔。三彩釉色為紫紅色、翠綠色和淺黃色。黃地袍褲上飾祥雲中飛翔的仙鶴。表情安詳，兩眼微閉，微露笑容，長耳垂。專家注釋：雖然袈裟和腿褲上的琺瑯相當精細，未上釉的臉部、手腳，例如指甲和腳趾的皺紋，都顯示了極高的水準。來源：美國加利福尼亞中部私人收藏。 品相：品相極佳，有一些磨損、輕微的燒製不規則、釉面凹陷、麻點。微型寶塔的表面有小劃痕，頂部有輕微缺損。 重量：910 克 尺寸：高 23.6 釐米 文獻比較： 比較一件相近的康熙觀音像，高40.6 釐米，收藏於明尼亞波利斯藝術博物館，館藏編號64.279.9a，b。一件相近但較早期的佛像，收藏於維多利亞和亞伯特博物館，倫敦，編號C.129-1939。 拍賣結果比較： 形制：相近 拍賣：倫敦邦瀚斯，2016年11月7日，lot 316 價格：GBP 4,000（相當於今日EUR 6,500） 描述：十八至十九世紀硬彩佛像 專家評論：請注意尺寸較小 (19.5 釐米)。 拍賣結果比較： 形制：相近 拍賣：Zacke，2022年9月29日，lot 113 價格：EUR 9,100 描述：康熙素三彩佛陀坐像 專家評論：請注意尺寸較大 (27.8 釐米)。
Lot 30
WILLIAM BURGES (1827-1881) BOWL, 1870 archaic Chinese gui-form carved jade censor, inset with coloured glass and gemstone cabochons including emerald, garnet, ruby and turquoise, applied gilt metal mounts, inscribed in coloured enamels WIL’ BURGES: ME: F: F: EX: HONORARIIS: PPTER DOSSALE: EDINBURG'NSE: COLLATIS: MDCCCLXXDimensions:rim 9.4cm diameter, body 11.1cm diameter, height 8.3cmProvenance:Provenance: William Burges, Tower House, London Felix Emile Andrews (1888-1975) Philip AndrewsDreweatts, Newbury, 12 September 2012, lot 34 Daniel Katz Gallery, London Sotheby’s, London, 12 November 2013, lot 235 Harris Lindsay, London, until 2016John Gilbert Getty (1968-2020) with Paul ShutlerOn loan to the National Museum of Wales from 1931 to 1953Note:The abbreviated Latin inscription-WIL’ BURGES: ME: F: F: EX: HONORARIIS: PPTER DOSSALE: EDINBURG'NSE: COLLATIS: MDCCCLXXTranslates as -WILLIAM BURGES HAD ME MADE FROM THE FEES EARNED FOR THE EDINBURGH DOSSAL 1870Note: William Burges's only commission in Edinburgh was for a carved stone reredos or dossal for the high altar (though moved around 1900 to the lady chapel) of St Michael and All Saints Episcopal Church depicting the Annunciation flanked by Moses and Gideon. It was modelled by Thomas Nicholls and coloured and gilt by Charles Campbell of Harland and Fisher. This bowl was commissioned by Burges for his own collection using the funds he received for the work. Exotic antique works of art, such as the present example, mounted with precious metals and coloured enamels are typical illustrations of Burges's enthusiasm for collecting and his antiquarian tastes. Burges commemorated his projects by having archaic items mounted and inscribed in this fashion. Another example of this, now in The Bute Collection, is his Cat Cup of 1867, an elaborately mounted Chinese crystal beaker which Burges had made for himself after his failed competition entry for the Law Courts, eventually won by G.E. Street. It is inscribed around the foot WILLIAM:BURGES:IN:REMEMBRANCE:OF:THE:LAW:COURTS:COMPETITION:AD:MDCCCLXVII.
Lot 437
AN 18K WHITE GOLD EMERALD AND DIAMOND LINE BRACELET lasered stone weights and '750' to clasp, twenty-six oval mixed-cut emeralds with double diamond spacers, estimated total emerald weight 6.90ct, estimated total diamond weight 0.46ct, 17cm long, 8.51 gramsGood condition, little sign of wear, all stones and settings intact
Lot 113
STARUKH, PETRO (Ukrainian, b. 1961), still life of blue and yellow flowers in vase, green leaves and blue vase, watercolour on paper, signed lower right, framed and glazed, Image size 41 x 59 cms, framed 56 x 75 cms Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 117
STARUKH, PETRO (Ukrainian, b. 1961), still life of flowers, black stems with flash of red, yellow central background, watercolour on paper, signed lower right, Image 40 x 49, Framed 56 x 74.5 Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 5
STARUKH, PETRO (Ukrainian, b.1961), 'Microcosm Diptych', two framed and glazed abstract paintings to form a comment on Microcosm, Signed and dated bottom right, watercolour. Diptych of two complementary panels, size 65 x 85 cms, total size 65 x 170 cms, each of which can be as a separate picture. Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka. Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv;1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv;.... CONDITION: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka. Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv;1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv;2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus, 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk ... 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION", 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 115
STARUKH, PETRO (Ukrainian, b. 1961),Highly stylised still life of flowers in vase, red, yellow and green, watercolour on paper, signed lower right, Image size 33 x 49 cms, Framed 48 x 65 cms Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 118
STARUKH, PETRO (Ukrainian b. 1961), Still life, expressionistic explosion of colour emanating from a pot, with fine back stems, red, yellow and green with vivid Ukrainian blue highlights, watercolour on paper, signed lower right, Framed 48 x 65 cms, Image 33 x 49 cms. Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 3
STARUKH, PETRO (Ukrainian, b. 1961), 'Musical', a sculpture constructed from interlocking and suspended circular black steel discs abstractly representing music, applied signature to convex circular base. Height 77 cms, base diameter 21 cms. Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka. Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv;1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; 2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus, 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk ... 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION", 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting. CONDITION: Further Information:Petro Starukh, was born on August 25, 1961 in the village of Shershenivka. Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv;1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; 2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus, 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk ... 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION", 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 112
STARUKH, PETRO (Ukrainian, b. 1961), still life of blue and yellow flowers in vase,, watercolour on paper, signed lower right, framed and glazed, Image size 41 x 59 cms, framed 56 x 75 cms Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.
Lot 2626
14K White gold design ring set with approx. 2.98 ct emerald and approx. 1.46 ct. diamond Large ring with a emerald cut emerald (treated) of approx. 2.98 ct. (8.11x 8.10 x 7.13 mm) in a cross-shaped decor of 146 pavé-set brilliant cut diamonds of approx. 1.46 ct. in total (SI-P / G-H) . In good condition. Hallmarks: 585 Dutch assay mark. Ring Size: 17.25mm / 54mm. width middle part 1.5 cm. Weight: 18.15 grams.
Lot 2701
18K Yellow gold painter's palette ring set with emerald and diamond. Hallmark: 750 Dutch assay mark. Set with a pear cut emerald of approx. 0.22 ct. and a round cut emerald of approx. 0.02 ct. and a brilliant cut diamond of approx. 0.12 ct. (SI1 / I-J). In good condition. Ring size: 18 mm / 57 mm, width centre 1.7 cm. Weight: 9.02 grams.
Lot 2707
18K White gold entourage ring set with emerald and diamond. Hallmark: 750 Dutch assay mark. Set with rectangular step cut synthetic emerald of approx. 0.08 ct. (6.2 x 5.9 x 0.31 mm) and 8 brilliant cut diamonds of approx. 0.95 ct. in total (VS / E-F). In good condition. Ring size: 16.75 mm / 53 mm. Centerpiece: 1.3 cm. Weight: 6.34 grams.
Lot 2710
18K Yellow gold 'triple cord' earrings set with approx. 0.50 ct. natural emerald. Set with ten calibrated natural emeralds of approx. 0.50 ct. (approx. 2.2 x 2.3 mm). Hallmarks: 750 Dutch assay mark, import mark Pe+ Parome b.v., Rotterdam, 1969 - . In good condition. LxW: 2.3 x 1.2 cm. Weight: 13.81 grams.
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