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Lot 1155
PAIR OF CERTIFICATED EMERALD AND DIAMOND EARRINGS, set with oval emeralds totalling approximately 2.15 carats, with evidence of oiling, within a halo of round brilliant and baguette cut diamonds totalling approximately 0.95 carats, with accompanying WGI report number WGI9624128175, the butterflies marked 750, 5.5g
![An 9ct yellow gold ladies ring set with a single emerald and two single diamonds [Ring size L] [2.44Grams]](https://cdn.globalauctionplatform.com/aaf75cc1-1708-4005-a65d-ae2000b06981/d753cc96-4479-4ea1-a9d5-ae3500974fef/468x382.jpg)
![A Silver dog brooch with ruby eye and emerald platform . [3.2cm in length]](https://cdn.globalauctionplatform.com/aaf75cc1-1708-4005-a65d-ae2000b06981/0fe4e927-31e5-4003-a9c4-ae34017baf65/468x382.jpg)
Lot 101
Italian school of the early seventeenth century. Follower of FEDERICO BAROCCI (Urbino, 1528-1612)."The Virgin of the cherries".Oil on canvas. Re-drawn in the XVIII century.Size: 123 x 87,5 cm; 142 x 96 cm. (frame).In this painting, of important dimensions and remarkable workmanship, the biblical episode of the return to Israel after the Flight to Egypt is represented: the Holy Family rests in a forest clearing, sheltered by bushes and holly trees of red fruits. The Child Jesus offers Joseph a bouquet of cherries, whose fruit symbolically alludes to the blood of Christ's passion and the sweetness of Paradise, while Mary remains pensive, withdrawn in her thoughts. The donkey occupies the background, and in the distance the horizon is tinged with glaucous lights. The work follows the model of the one created by Federico Barocci for his friend and art collector Simonetto Anastagi of Perugia around 1573, now in the Pinacoteca Vaticana. The thematic treatment shows several influences, especially from Correggio, although softened by the gentle gestures and harmonious simplicity that characterized Barocci's painting. Joseph's red cloak, with its broken folds, undulating between soft shadings, lets us guess affinities with the Venetian school, especially with Titian. The expressive, gray-bearded face of the male figure contrasts with the Marian idealization, of clear Raffaelean roots. The softness of the Virgin's face, modeled with a nuanced illumination, is also applied in the idealization of the Christ Child, with a volumetric body, sculpted by the skillful use of cold lights. The vegetation that embraces them absorbs rich emerald shades, which in turn enhance the sensual work of the feminine tunic and mantle, in its canonical combination of red and blue, with satin reflections. The proportions of the bodies, almost monumental but without losing their graceful tenderness, is typical of Mannerist art.
Lot 483
A modern 9ct gold diamond and emerald cluster pendant, the central marquise cut emerald measuring 0.10ct spread approximately, and surrounded by eight chip diamonds and sixteen circular cut emeralds of 0.03ct spread each approximately and further surrounded by twelve chip diamonds, the suspension loop set with two small diamonds, length including loop 30mm, weight 3.9g approximately.
Lot 169
JOHN DONALD: EMERALD AND DIAMOND EARCLIPS, 1967Of polished and textured abstract design, set with cabochon emeralds and brilliant-cut diamonds, maker's mark JAD, London hallmarks, length 3.0cmFootnotes:This lot is part of a large private collection of 20th century jewellery that was formed over several decades. The collection represents the breadth of innovation and creativity of jewels made during the second half of the 20th century as well as the collectors' eye for superior design and appreciation of jewellery as an art form.For further information on this lot please visit Bonhams.com
Lot 191
CARTIER: GEM-SET AND DIAMOND 'TUTTI FRUTTI' RING, CIRCA 1960Set with carved sapphires, rubies and an emerald with brilliant-cut diamond accents, on a textured band, signed Cartier, numbered, French assay mark, ring size approx. JFootnotes:This lot is part of a large private collection of 20th century jewellery that was formed over several decades. The collection represents the breadth of innovation and creativity of jewels made during the second half of the 20th century as well as the collectors' eye for superior design and appreciation of jewellery as an art form.For further information on this lot please visit Bonhams.com
Lot 73
EMERALD, DIAMOND AND CULTURED PEARL NECKLACE AND BRACELET SUITESet to the front with a cabochon emerald and brilliant-cut diamond floral pendant, suspending a 9.0mm cultured pearl drop, on a necklace set with 8-8.5mm cultured pearls with polished spacers, the bracelet of matching design, diamonds approx. 7.15cts total, lengths: necklace 49.5cm, bracelet 17.3cm (2)For further information on this lot please visit Bonhams.com
Lot 207
A gold sapphire, ruby, emerald and diamond ring, a bombé form head channel set with rows of square step cut sapphires, emeralds and rubies, with brilliant cut diamonds grain set to each side, to tapered shoulders and a plain shank, tested as approximately 18ct gold, 5.27g.Finger size OCondition report: Surface reaching inclusions to some of the gemstones.Corundum are possibly synthetic.One of the emeralds chipped.Surface marks/scratches to mount.
Lot 228
A pair of gold emerald and diamond cluster earrings, with a rectangular step cut emerald, approximately 6 x 3mm, claw set, to surround of brilliant cut diamonds, with posts and rubber backs, marked 18k, tested as approximately 18ct gold, 1.62g (2)Condition report: Surface reaching inclusions to the emerald and some of the diamonds.
Lot 229
A gold emerald and diamond cluster ring, with two rectangular step cut emeralds, to surround of eight cut diamonds milligrain set to a scalloped edge, with tapered shoulders and a plain shank, tested as approximately 18ct gold, 2.59g.Finger size RCondition report: Surface reaching inclusions to the emeralds.Solder joins visible at base of shank.Minor surface marks/scratches to mount.Head measures approximately 12.0 x 8.5mm.
Lot 230
A 14ct gold emerald and diamond wishbone ring, with alternating marquise cut emeralds and pairs of brilliant cut diamonds claw set to the wishbone head, to a flat section shank, London, 2.24g.Finger size MCondition report: Surface reaching inclusions to the emeralds and some of the diamonds.Surface marks/scratches to mount.
Lot 231
A pair of silver single stone emerald stud earrings, with an oval mixed cut emerald, approximately 8 x 6mm, claw set to post and butterfly fittings, 1.52g (2)Condition report: One of the emeralds set at a slight angle in the collet.Surface reaching inclusions to the emeralds, possibly fracture filled.
Lot 232
A white gold emerald and diamond fingerline cluster ring, with a row of graduated round mixed cut emeralds, to surround of graduated brilliant cut diamonds, all claw set to a wire basket, with tapered open shoulders and a plain shank, tested as approximately 18ct gold, cluster 24.0 x 11.5mm, 4.93g.Finger size LCondition report: Surface reaching inclusions to the emeralds.Some wear to the wire basket.Surface marks/scratches to mount.Head of ring a little dirty, would benefit from being cleaned.
Lot 283
A white gold blue topaz and diamond three stone ring, with an emerald cut blue topaz, approximately 6 x 4mm, claw set, with a brilliant cut diamond grain set to an illusion collet at each side, to a flat section shank, marked 375, 2.84g.Finger size PCondition report: Some very minor facet junction wear to the blue topaz.
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