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An 18ct white gold, emerald and diamond-set bracelet, the central rectangular cut-cornered step-cut emerald weighing approximately 0.95ct, between alternating links of collet-set circular-cut and baguette-cut diamonds, approximate total diamond weight 2.75ct, detailed 18ct,15g gross, in a fitted case (2).Illustrated
A pair of yellow precious metal, emerald and diamond set pendant earrings, Indian, early 20th century, composed of circular cut diamond set ear hooks, suspending two rows of five rows of collet-set diamonds to geometric pendants, set with central circular-cut emeralds to an alternating ground of circular-cut diamonds and calibre-cut emeralds, the whole further suspending collet-set diamond and emerald drops, 7cm x 3cm, 17.6g gross.Illustrated
An emerald and diamond brooch, of openwork bow design, set in white precious metal, 2.5cm wide, 4g gross; and a small collection of jewellery comprising: an amber brooch; a gilt metal mourning pendant; a silver brooch of circular design; a silver and hardstone brooch in the form of a stylised butterfly; a paste-set brooch of flower spray design and two further brooches (8).
A pair of 18ct white gold, emerald and diamond pendant earrings, the collet-set circular-cut diamonds, suspending baton links, further suspending square-cut emeralds to a surround of circular-cut diamonds, with screw thread fittings, detailed '18ct', 3g gross, in a fitted box (2).Illustrated
An Art Nouveau design amethyst and diamond pendant, with tiered design of ten diamonds and eight amethyst stones, the amethysts a mix of pear and emerald cut stones, each in rubover setting, totalling approx 1.98cts overall, the ten round brilliant cut diamonds each approx 0.01cts, totalling approx 0.10cts, on fine link 9ct gold chain, 7.4g all in, with past insurance valuation for new replacement value of 775.
A SELECTION OF INDICOLITE TOURMALINES, various shapes and sizes, to include a round mix cut, measuring approximately 21mm in diameter, weighing 5.77ct, a mix cut oval measuring approximately 14mm x 10mm, weighing 5.5ct, an emerald cut measuring approximately 9.1mm x 8mm, weighing 2.98ct, two small rounds ranging between 1.09ct - 2.30ct
AN ASSORTMENT OF BERYLS, to include heliodor and morganite, large cushion mix cut morganite measuring 17.00mm x 15.00mm, weighing 11.75ct, a round mix cut morganite 7.8mm in diameter, weighing 1.73ct, a pear mix cut morganite measuring 11.01mm x 5.4mm, weighing 1.15ct, a large rectangle cut heliodor measuring approximately 14.03mm x 12.00mm, weighing 11.41ct, an elongated cushion mix cut heliodor measuring approximately 12.06mm x 8.4mm, weighing 4.75ct, emerald cut heliodor measuring approximately 8.1mm x 6.1mm, weighing 1.40ct
A SELECTION OF FACETED LOOSE GEMSTONES, to include a circular aquamarine weighing 0.45ct, a circular peridot weighing 0.22ct, a small rectangular emerald, two small circular emeralds and three small square emeralds, weighing a total of 0.50ct, six small circular rubies weighing a total of 0.45ct, three oval blue sapphires measuring between 6mm and 6.2mm, weighing a total of 1.7cts, two small square sapphires weighing a total of 0.23ct and a packet of small calibre sapphires measuring approximately 1.5mm, weighing a total of 1.09cts
A SELECTION OF RUBIES, various shapes and sizes, to include an elongated mix cut oval measuring approximately 8.1mm x 6.1mm, weighing 1.70ct, two cushion mix cut measuring approximately 4.9mm x 4.3mm, combined weight 1.11ct, mix cut cushion measuring approximately 5.5mm x 4.9mm, weighing approximately 0.42ct, two emerald cut, one with conchoidal fracture, measuring approximately 4.1mm x 2.1mm, combined weight 0.36ct
Pair of Victorian emerald and gold pendant earrings, circa 1890, pear cut emeralds estimated as approx. 1ct each, being 8mm x 6mm, set within a petalled, stepped mount in unmarked yellow gold and suspended beneath a small round cut emerald, the drop 25mm, unmarked, gross weight approx. 5.8g NB: Purchased from Lowe & Sons, Chester, 2004 at a cost of £520
Emerald and diamond cluster ring, in the manner of Andrew Grima, probably mid 1970s, set with ten round cut emeralds and six similar sized round cut diamonds, total diamond weight estimated as 0.35ct, asymmetrically set in a naturalistic yellow gold openwork setting, marked '18ct', size U, gross weight 11.8g
Emerald and diamond pendant necklace, in 18ct yellow gold, the pendant centred with an oval cut emerald of approx. 0.5ct, bordered with ten small brilliant cut diamonds in a stepped claw mount, with loop for suspension, on a fine flat curb link chain necklace with ring clasp, length 45cm, gross weight approx. 5g
AN EMERALD AND DIAMOND BALLERINA RING, CIRCA 1965The square cut-cornered step-cut emerald weighing 4.93cts within an undulating surround of tapered baguette and brilliant-cut diamonds, to a trifurcated hoop, mounted in platinum, diamonds approximately 3.50ctscts, French assay marks, ring size L (adjustable)Accompanied by a report from The Gem & Solid Phase laboratory in France, stating that the emerald weighing 4.93cts is of Colombian origin, with minor oil enhancement. Report number 20190603-273, dated June 3rd 2019Columbian Emeralds:Columbian emeralds are said to be the purest in the world, possessing a depth of colour which is unfound and inimitable elsewhere. These have been extracted from Columbia for thousands of years, particularly in the region of Muzo, an area that known as the ‘Emerald Belt,’ made up of the Fura and Tena mountain peaks. The first to extract emeralds from Muzo were the native indigenous groups who interpreted their magnificent colour to be symbolic of fertility, water, and strength. This tribe, known as the Muiscans, were amongst the four most advanced civilisations of the Americas during the period of conquest. They personified the Fura and Tena mountains in their legends, respectively being the first woman and man, granted knowledge and eternal youth by their deities under a codified set of rules. Their legend concludes dramatically, with Tena dying as a result of the devastation he experienced when Fura broke the rule of fidelity for love. Stricken with grief, Fura wept for centuries in mourning. Her tears are said to have become transformed into the devastatingly exquisite emeralds of the mountains that we see today. Columbian emeralds owe their stunning green colour to their composition which is predominantly made up of beryllium, chromium and vanadium. The reactions between this elemental triad results in the rich grass green tone which Columbian emeralds are so renowned for, made purer in this region by their crystallisation within fissures of sedimentary rock formations. Internationally, emeralds have long been representative of one’s wealth, status and place in society, favoured by Cleopatra in the final century BCE. Beyond this, they were considered to possess talismanic properties throughout antiquity, specifically believed to protect marriages. Perhaps this significant duality of an emerald’s meaning influenced Napoleon Bonaparte’s 1806 gift of an emerald and diamond parure to his adopted daughter, Stéphanie, on the occasion of her marriage. Known as the Beauharnais Emeralds, now held at the Victoria & Albert Museum in London, this parure thrust emeralds into the spotlight where they have remained since. A 19.77 carat Columbian emerald designed by Cartier would later become the focal piece of Wallis, Duchess of Windsor’s 1936 engagement ring in her betrothal to Edward VIII. The precious stone was similarly used in the setting of Jacqueline Kennedy’s 1953 Van Cleef & Arpels engagement ring, further adding to the emerald’s unwavering preferential use throughout history.
AN IMPORTANT ART DECO DIAMOND AND EMERALD BRACELET, CIRCA 1925Of geometric openwork design, centring a rectangular-cut diamond weighing approximately 1.15cts, embellished by European-cut diamonds throughout with baguette-cut diamond highlights, enhanced with two square cut-cornered emeralds, within millegrain setting throughout, mounted in platinum and gold, remaining diamonds approximately 18.50cts total, length 17.3cm
A GOLD AND EMERALD CHARM BRACELET, BY CARTIERThe bracelet suspending eight detachable charms including an elephant with emerald-set eyes, a 'tank' mini watch, a trinity ring, and five further charms, bracelet in 18K gold, with maker's mark & numbered, seven charms signed, numbered, with French marks, one charm attributed to Cartier but marks rubbed off, bracelet length 20cm, bracelet with maker's case, five charms with maker's pouch
An early Victorian mourning brooch the floral motif set pearls and a small diamond to a black enamel ground within a scrolling border, woven hair panel to reverse and inscribed 'Cha's James Smart Obt 7 Nov 1841 aet 24/Cha's James Smart Obt 8 March 1842 aet 16 months', 4.5cm wide, a child's emerald and diamond bar brooch, a scarab beetle set pendant and four gem set rings
A Royal Worcester figure, Flower Girl, modelled by Phoebe G Stabler, painted and printed marks below, no. 2850, 21cm high, a small ceramic figure, Madame Butterfly, inscribed below Potted by Plant, M 080, 12.5cm high, a Doulton Lambeth saucer dish with matt black glaze to the interior incised stylised waves, 15cm diameter and a ceramic flower display, 9cm high and a Royal Worcester emerald green Flower Girl, 21cm high CONDITION REPORT: Flower Girl with a tiny rim chip; Madame Butterfly broken and glued through parasol; flower vase with repairs and chipping; bowl in good condition.
A gold five stone emerald cut emerald ring, with pairs of rose cut diamond points (two emeralds and five diamonds deficient) , tested as approximately 15ct gold, size L, a cabochon turquoise knot ring with hand engraved shank, tested as approximately 15ct gold, size N, a seven stone cabochon turquoise ring (one turquoise deficient), tested as approximately 18ct gold, size K, an engraved lapis lazuli ring, tested as approximately 18ct gold (shank out of shape), 15ct gold - 4.80g total, 18ct gold - 3.60g total
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66002 item(s)/page