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Click here to subscribeA Victorian diamond, emerald and half-pearl set pendant, designed as a six pointed starburst, mounted with the cushion cut diamond at the centre, unmarked, weight 3.7g, length 4cm, with a box.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold emerald and diamond cluster ring. The ring having a central marquise cut emerald surrounded by a halo of eight illusion set diamonds and a further halo of twelve round cut emeralds. Principle stone measures approximately 5mm x 3mm. Head measures 20mm x 11mm. Ring size L. Total weight 2.2g.
A 9ct white gold pendant necklace having a 14ct white gold pendant set with a rectangular cut purple CZ and white accent stones to the bale, on a fine link necklace chain with a spring ring clasp. Marked 375 to the jump link. Chain measures 18 inches. Weight 3.0g. Together with a pair of silver stud earrings set emerald cut amethysts. Measures 1.7cm.
A pair of 18ct yellow gold emerald and diamond cluster earrings, each earring set with oval mixed cut pale emerald, total emerald weight approx 1.50ct, with a surround of twelve round brilliant cut diamonds, approx diamond weight 0.674ct. CONDITION REPORT The emeralds have quite a few heavy inclusions in them, the clarity of the diamonds is VS-SI, and the colour is G/H
A rare cloisonné enamel tripod incense burner15th centuryOf curved cylindrical form supported on three legs, expertly enamelled around the exterior with large lotus blooms in yellow, white and purple borne on leafy scrolls, all on a dark lapis-blue ground, the mouth with a further floral band on an emerald-green ground. 11.1cm (4 1/2in) diam. Footnotes:十五世紀 銅胎掐絲琺瑯蓮紋三足爐Provenance: Mrs Gret Hasler (1895-1971), Winterthur, Switzerland, and thence by descentA trip to New York, Chicago and Washington in 1937 was the starting point for Mrs Gret Hasler's interest in Chinese art. This she continued until the Second World War by acquiring objects from dealers in Paris, Sweden and New York.來源：瑞士溫特圖爾Gret Hasler夫人（1895-1971）舊藏，並由後人保存迄今Gret Hasler夫人對中國藝術的興趣始於1937年的紐約、芝加哥和華盛頓之行。此後，她持續自巴黎、瑞典和紐約的古董商處購藏藝術品，直至第二次世界大戰後。See a related cylindrical cloisonné enamel brush holder on three feet, decorated with grape vines, second half 15th century, illustrated by H.Brinker and A.Lutz, Chinese Cloisonné: The Pierre Uldry Collection, New York and London, 1989, no.31. Compare also with a cloisonné enamel tripod incense burner, early Ming dynasty, illustrated by B.Quette, ed., Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties, New York, 2011, p.231, no.14.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A HAN CHINESE WOMAN'S MULTI-TASSELLED FESTIVAL SKIRT, QUN19th century Finely tailored with multi-coloured concertina-pleated bands of crimson, green, lime green, orange lilac, peach, sky blue and bright blue silk damask, the front and back panels in lilac and deep red bordered with cream satin embroidered with flowers and birds and woven emerald green satin, the sides of the skirt further decorated with slender pendent chevrons of blue, green and pink silk bordered with slender ribbons and decorated with multi-coloured silk tassels, with original cotton waistband, partially lined with green silk. 97.5cm (38 3/8in) long.Footnotes:十九世紀 雜色緞地流蘇繡花鳥紋裙Provenance: Linda Wrigglesworth, London, 1982來源：1982年，倫敦Linda WrigglesworthPleated skirts such as the present example were often worn in conjunction with mid-calf-length robes and over leggings or trousers, which made the outfit more formal. They allowed ease of movement because of the many narrow pleats widening towards the hem. These garments typically had a pair of pleated or gored aprons with front and back panels. They wrapped around the body and were attached to a wide waistband, which was secured with ties or loops and buttons. The cotton waistband prevented the skirt from slipping down. Compare with a related multi-tasselled pleated skirt, mid-19th century, in the Minneapolis Institute of Art, illustrated by J.Vollmer, Imperial Silks. Ch'ing Dynasty Textiles in the Minneapolis Institute of Arts, Minneapolis MS, 2000, p.669, no.300.For further information on this lot please visit Bonhams.com
A FINE GROUP OF SIX SILK BROCADE SUTRA COVERS16th to 18th centuryThe first with a profusion of multi-coloured double gourds issuing from leafy vines and florets, all on a vibrant emerald-green ground; the second with a flying phoenix amidst blossoming lotus and foaming waves, all on a coral-red ground; the third with flying cranes interspersed with flowering shrubs on a deep-green ground; the fourth with seven dragon roundels alternating with cruciform clusters of ruyi clouds on a rich orange ground; the fifth with gilt designs of five-clawed dragons striding amidst vaporous ruyi clouds on a red ground; the sixth with blossoming lotus interspersed with flowering branches on a dark blue ground.34cm (13 3/8in) long x 13.5cm (5 2/8in) wide. (6).Footnotes:十六至十八世紀 織錦經面 一組六件Provenance: a distinguished New York private collection, 1990's來源：紐約顯赫私人收藏，於二十世紀九十年代入藏Elegant covers composed of paperboard wrapped in decorative silk protected Buddhist scriptures, sutras, which were bound accordion-style. The covers thus protected the sacred words and presented the sutras in beautiful envelopes that signalled the importance of the contents within. The use of silk for sutras covers dates back to at least the Tang dynasty, but most extant examples are from the Ming dynasty and later, when the printing industry grew in China. Sutra covers were typically made of lustrous silk, often highlighted by metallic thread, which made possible a wide array of patterns and designs including floral scrolls, Buddhist emblems, traditional Chinese symbols of blessings, and Chinese auspicious characters with auspicious meanings.Compare with a related plain-weave silk sutra cover, 16th century, decorated with gilded designs of dragons and clusters of ruyi clouds, from the Metropolitan Museum of Art, New York, acc.no. 2011.221.36. See also eight further related silk sutra covers, 16th/17th century, decorated with various designs, illustrated by Xu Zheng and Zhao Feng, A Study of the Collection of Sutra Covers at the Philadelphia Museum of Art, Shanghai, 2019, pp.136-139.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A PRS CE 22 Electric Guitar In Emerald Green With Set Neck, Mahogany Body With Maple Top , Maple Neck With Rosewood Fret Board And Two Humbucker Pick Ups . Comes With Protective Hard Body Carry CaseSerial Number: 941278Production Year 1999The Guitar Is In Good Overall Condition, With A Few Minor Light Scratches To The Back
FIVE HARDSTONE AND GLASS SNUFF BOTTLES19th/early 20th centuryComprising a green-overlay white glass snuff bottle, with gnarled and blossoming prunus branches extending around the body, with hardstone stopper, 6.1cm (2 3/8in) high; a smokey rock crystal snuff bottle, carved in low relief with bearded sages, the reverse with poetic inscription in xingshu calligraphy with glass stopper and wood stand, 5.5cm (2 2/8in) high; a malachite snuff bottle and stopper, expertly carved around the exterior with a deer, crane and peacock amidst various trees, the stone of lustrous emerald-green tone, with wood stand, with stopper, 7.6cm (3in) high; a lavender agate snuff bottle and stopper, carved around the exterior with a female Immortal and boy attendant, amidst flowers and trees, with stopper, 7.4cm (3in) high; and a turquoise snuff bottle and stopper, the flattened body carved with leafy sprays and birds, with wood stand, with stopper, 7.8cm (3 1/8in) high. (13).Footnotes:十九世紀至二十世紀早期 硬石及玻璃制鼻煙壺 一組五件Provenance:Parry Collection, London, and thence by descent來源：倫敦Parry家族收藏，並由後人保存迄今The range of materials illustrated in this group of snuff bottles is reflective of the skill and ingenuity utilised by the Chinese artisans to create a wealth and variety of snuff bottles in almost every conceivable material. Snuff bottles were initially made for the Emperor and the Court. Through the 19th century snuff bottles were produced in greater quantities for a public which not only admired Imperial tastes but enjoyed the functionality of these finely-crafted miniatures.本組拍品足可展示中國工匠使用各類材質作為胎體豐富鼻煙壺創作場域的匠心獨運、巧奪天工。鼻煙最初傳入之時，僅於宮廷與王公貴族間流通。至十九世紀已廣泛普及，鼻煙壺的製作也由順應宮廷審美而擴大到為人們日常使用增添情趣。This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A diamond three stone ring, one brilliant cut diamond and two 8 cut diamonds illusion set in a traditional yellow and white metal three stone mount marked 18ct Plat, ring size N, gross weight 2.6g, a cluster ring claw set with an oval emerald to the centre and surrounded by ten eight cut diamonds in a 9 carat yellow and white gold mount ring size R, gross weight 1.4g.
An emerald and diamond cross and chain, fifteen emeralds and four small 8 cut diamonds set in a 9 carat yellow gold cross 25x18mm, on a filed oval curb link chain 40cm, total weight 3.6g; a yellow metal ring set with three green stones in closed back settings and four small rose cut diamonds, scroll engraved decoration to shank and pierced shoulders, ring size M, 2g.
FOUR ITEMS, to include a pair of scroll design drop earrings, approximate total gross weight 1.2 grams, an emerald and diamond ring, stamped 925 Dia, ring size M, a gentleman's onyx ring, stamped 925 Avanti, ring size Z plus, and a small silver pocket watch (glass and one hand missing) approximate total gross weight of silver items 37.7 grams
A CHINESE EXPORT SILVER DRUM MUSTARD POT Property from an Emerald Hill shophouse, the home of the interior designer behind ‘Galerie Cho Lon' By Wang Hing, c.1900 Decorated with bamboo and birds, blue glass liner 6cm high 57g excluding liner Condition: For a condition report or further images, please contact the saleroom via hello@hotlotz.com
A PAIR OF LARGE CHINESE SANCAI GLAZED COURT FIGURES Property from an Emerald Hill shophouse, the home of the interior designer behind ‘Galerie Cho Lon' Modelled standing, dressed in robes, raised on plinth base 85cm high Condition: For a condition report or further images, please contact the saleroom via hello@hotlotz.com Provenance: Acquired in Macau in the mid-1990s
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