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Lot 1213
A Continental 18ct white gold emerald and diamond cluster ring, set with oval mixed-cut emerald and modern round brilliant-cut diamonds, setting height 15.4mm, size M, 4.3gNo damage or repairs, all stones present, emerald has typical inclusions, diamonds have some glue evident on table facets, settings slightly worn, marks rubbed, engraved 750
Lot 1256
A modern 18ct white gold three stone diamond ring, set with emerald and modern round brilliant-cut diamonds, total diamond content approx 0.5ct, size K, 2.6gNo damage or repairs, all stones present, diamonds bright and fiery and free from obvious inclusions under a loupe, hallmarks extremely rubbed
Lot 1111
An Antique gem set crest brooch, unmarked yellow metal settings with gemstones including ruby emerald amethyst garnet etc, brooch height 32mm, 5.3gNo damage or repairs, all stones present, stones quite heavily rubbed and abraded, a few are replacements with evidence of glue, brooch fitting working, unmarked
Lot 1163
A synthetic sapphire and diamond octagonal cluster ring, unmarked gold settings with emerald-cut sapphire and rose-cut diamonds, setting height 14.5mm, size N, 3.2gNo damage or repairs, all stones present, sapphire has no internal inclusions with slightly abraded table facet edges and 1 tiny keel chip, diamonds relatively bright and white, settings lightly abraded, marks extremely rubbed
Lot 1179
A large Art Deco gem set leaf brooch, unmarked gold and silver settings, gemstones include emerald ruby sapphire diamond citrine and blue topaz, unsigned, brooch length 72.5mm, 14.5gNo damage or repair, all stones present, some minor abrasions on facet edges, settings lightly abraded, brooch fitting is slightly bent but still working, unmarked
Lot 48
SANTIAGO RUSIÑOL (1861-1931)"Girona antiga", ca.1908.Oil on canvas.Signed in the lower right corner.Bibliography:-COLL, Isabel, "Rusiñol". Sabadell: Ausa, 1992 (repr. p. 376). LAPLANA, Josep de C., Santiago Rusiñol. El pintor, l'home. Barcelona: L'Abadia de Montserrat, 1995 (no. 14.9).-LAPLANA, Josep de C., The painting of Santiago Rusiñol. Obra completa. Catàleg sistemàtic. Barcelona: Mediterrània, 2004 (cat. no. 14.1.12, p. 118, repr.).Exhibitions:-1981 - "Pintors de Fama", Sala Parés, Barcelona (cat.núm.18: Girona antiga).-2021 - "Travellers", Sala Parés, Barcelona (cat. no. 18: Girona antiga).Size: 76,5 x 72,5 cm; 89 x 85 cm (frame).The city of Girona and the villages of the region made a deep impression on Santiago Rusiñol. He painted the city from various perspectives, giving priority to its gardens and side views of the cathedral, as in the magnificent painting shown here. The solemn stone architecture and the foliage that meanders between the parapets and grows in groves of pines and cypresses form an autumnal scene of deep emotion. The low evening light subtly toasts the leaves, unfurling wide shades of emerald green to sienna. The cathedral is silhouetted in the distance, culminating a scene. Rusiñol gave pre-eminence to the area of the city walls, or to the old quarter and the old houses on its perimeter. This type of painting was a brilliant correlate of the articles Rusiñol published as a writer (for example, in "Girona de piedra", 1912).A painter, writer and playwright in Catalan, Rusiñol was one of the main ideologists of the Catalan modernist movement. He trained as a disciple of Tomás Moragas and frequented the Centre of Watercolourists, of which he was one of the founders. He made his debut in 1884 at the Sala Parés in Barcelona, together with his friends Ramón Casas and Enric Clarasó. In those years he made a carriage trip around Catalonia with Casas, taking sketches of types and landscapes. The year 1888 marked a turning point in his career, as he began three new activities: he published some writings in "La Vanguardia", took part in the Paris Salon and held his first individual exhibition at the Sala Parés. The following year, 1889, Rusiñol settled in Paris, in the Montmartre district, with Utrillo, Clarasó and Canudas. He attended the academy of the painter Henri Gervex, and completed his training with Puvis de Chavannes and Carrière. The ruralism he had adopted in Barcelona disappeared and his style evolved towards naturalism. He also came closer to the thematic, but not technical, approaches of the Impressionists, as well as to their desire to capture a fleeting snapshot. In 1890 he established a relationship with Sitges, where he painted some of his first courtyards and gardens, a theme that would define his later style. That same year he held his first exhibition at the Sala Parés, together with Casas and Clarasó. In 1890 he returned to Paris with Casas and Utrillo. At this time he concentrated on depicting the entertainment venues of the area, such as the Moulin de la Galette, which featured in many of his paintings. However, in 1893 he left his studio in Montmartre and moved to the Ile Saint-Louis. On his return he exhibited the paintings he produced on this trip in what was to be his first one-man show at the Salle Parés. In 1908 he was awarded the medal at the National Exhibition of Fine Arts. He is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo Camón Aznar in Zaragoza and the Thyssen-Bornemisza, among others.
Lot 172
An emerald and diamond carved ring, square faceted emerald, approximate diameter 4.7mm, estimated approximate weight 0.55ct, flanked by two round brilliant cut diamonds, approximate diameter 4.4mm, pierced gallery and shoulders set with round brilliant and single cut diamonds, estimated approximate total diamond weight 0.70ct, 'D' shaped shank, size M, unhallmarked, stamped 'PLATINUM', weight 3.6g, casedOverall condition: Fair to goodAll stones presentEmerald is heavily abraded/chippedWear to settings, consistent with ageMinor chipping to smaller diamonds Heavy wear/scratches to shankVisible solder join, possible re-size
Lot 175
A suite of emerald and diamond jewellery, first, a cluster style ring set with an oval faceted emerald, estimated approximate weight 1.00ct, surrounded by eight tapered baguette cut and twelve round brilliant cut diamonds (one tipped on its side), estimated approximate total diamond weight 0.25ct, size M, unhallmarked, stamped '14K'; second, a pair of matching ear studs, unhallmarked, stamped '14K'; third, a bracelet with eleven claw set oval faceted emeralds, estimated approximate total weight 3.60ct, length 16½cm, unhallmarked, stamped '585, gross weight 17.6g (3)
Lot 179
A late 20th century three stone emerald and diamond ring, claw set octagonal emerald, 4.2 x 3.7mm, estimated approximate weight 0.33ct, flanked by two round brilliant cut diamonds, estimated approximate total diamond weight 0.20ct, hallmark worn, tested as 18ct gold with platinum settings, stamped 'PLAT', weight 3.3g
Lot 180
A pair of pearl, emerald and diamond ear pendants, each with four articulated sections set with a rectangular faceted emerald surrounded by a halo of diamonds, known stamped total emerald weight 0.48ct, known stamped total diamond weight 0.27ct, terminating in a cultured pearl, approximate diameter 9.8mm, post and scroll fittings, unhallmarked, stamped '750', weight 6.9g
Lot 249
An emerald and diamond necklace, sixty eight slightly graduating and articulated clusters, each with a central round faceted emerald, surrounded by round brilliant cut diamonds, stated total emerald weight 8.40ct, stated total diamond weight 34.83ct, push-in clasp fitting, length 42cm, width graduating from 1.2cm to 1.8cm, unhallmarked, stamped '18K', weight 76.3gOverall condition: GoodMinor abrasion and chipping to emeralds, only seen with a 10X loupeGeneral wear to reverseClasp opens and closes positivelyAssessed colour ranged from G-I, assessed clarity from SI1-I1
Lot 250
An emerald and diamond cluster ring, claw set octagonal emerald, approximately 10.9 x 7.4 x 3.9mm, estimated approximate weight 2.50ct, surrounded by sixteen round brilliant cut diamonds, diamond set shoulders, estimated approximate total diamond weight 1.40ct, 'D' shaped shank, size M½, unhallmarked, stamped '18K', weight 5.5g
Lot 88
A 19th Century emerald and pearl memorial cluster ring, central cushion shaped foil backed emerald, approximate diameter 3mm, surrounded by eight split pearls, verso, a vacant glazed compartment, split carved shoulders each set with a split pearl, grooved shank, size L, engraved 'JANE L HOLBROOK OB. 5TH NOV 1832 ABT. 45', unmarked, tested as 18ct gold, weight 1.9gOverall condition: GoodMinor abrasion and chipping to emerald, visible with a 10X loupeMinor surface wear to pearlsWear to settings, consistent with ageWear to engraving consistent with ageHeavy wear/scratches/denting to mount
Lot 256
Lucy Q Designer Russian Diopside Earrings, large oval stud earrings with scrolling filigree work, each set with four round cut, emerald green colour, Russian diopsides, in gold overlaid on silver; presented in the original box from the contemporary, young British designer, Lucy Quartermaine; never worn, an ideal gift, for pierced ears
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66009 item(s)/page