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Click here to subscribeINGEBORG RUTH BRATMAN - AN 18 CARAT GOLD EMERALD AND DIAMOND RING, a round-cut emerald and three round brilliant-cut diamonds within a heavily textured openwork shank. Estimated total diamond weight 0.60ct, hallmarked London 1999, ring size O1/2,12.9 gramsCONDITION REPORTSlight abrasion to the emerald. Shank width up to 16mm. Estimated G/H. VS1/VS2. Accompanied by letters from Bratman to the owner regarding the replacement of stones.
AN 18 CARAT GOLD EMERALD AND DIAMOND CLUSTER RING, an oval-cut emerald within a border of round brilliant-cut diamonds, to diamond set shoulders. Estimated total diamond weight 0.30ct, hallmarked London 1995, ring size S1/2, 4.3 gramsCONDITION REPORTGood condition. The emerald measures 6.00mm x 5.00mm x 2.83mm approximately. Estimated diamond colour: H/I; estimated clarity: VS2/SI1.
A 9 carat gold diamond and emerald three stone ring, finger size P; a ruby and diamond three stone ring, stamped 18', finger size M1/2; a diamond solitaire ring, unmarked, finger size M1/2; and a 9 carat gold yellowish-orange paste ring, finger size P1/2Condition report: Emerald and diamond ring - 2.6 grams. Ruby and diamond ring - 2.4 grams. Diamond ring - 2.1 grams. Paste ring - 1.5 grams.
AN INDIAN MINIATURE PAINTING OF A MUGHAL COURTIERMughal India, 17th-18th century. Ink, watercolors, and gold on wasli. The courtier standing in a palace terrace, wearing a white jama with gold hems and details, adorned with beaded and emerald-set jewelry, holding his cane in one hand and a flower in the other, the elaborate headdress crowned by a feather, the face with a fine expression. The lower margin with an old inscription.Provenance: From the collection of Karl Stirner, and thence by descent. Karl Stirner (1923-2016) was a German-born American sculptor known internationally for his metalwork. His art has been shown at the Museum of Modern Art in New York, the Pennsylvania Academy of Fine Arts, the Philadelphia Museum of Art, the Corcoran Gallery, the La Jolla Museum of Contemporary Art, the James A. Michener Art Museum, the Grounds for Sculpture in Hamilton, New Jersey, and the Delaware Art Museum, among other places.Condition: Good condition with minor wear, soiling, water stains, possibly microscopic touchups.Dimensions: Image size 20.5 x 13 cm, total size 33.5 x 23.5 cm (including frame). Framed behind glass.Auction result comparison: Compare a related Mughal portrait of Baqir Khan, dated circa 1635, at Sotheby's London in The Khosrovani-Diba Collection on 19 October 2016, lot 6, sold for GBP 50,000. Compare also a related Mughal portrait of a nobleman, dated circa 1780, at Christie's New York in Indian and Southeast Asian Art on 17 September 2003, lot 128, sold for USD 5,975.
Lee Bender at Bus Stop dark grey crepe patterned blouse with an overall Deco style pattern, peplum waist, coloured rounded buttons, leg of mutton sleeves together with an early Mary Quant grey flannel pin tuck pleat tailored jacket lined in emerald green silk, and a "hippy chic" peasant style floral cotton dress
A Bronté Candle Crown Collections porcelain set of eight Wizard of Oz figural candle snuffers, limited editions 45 of 2500, comprising Dorothy, Cowardly Lion, Scarecrow, Tin Man, Wicked Witch of the West, Glinda the Good Witch, Wizard of Oz and Munchkin Mayor, together with a Bronté Candle Crown Collections Wizard of Oz stand Road to Emerald City, limited edition 45 of 2500, modelled as the yellow brick road and thatched buildings amongst trees and flowers, height 23cm, all with printed factory marks.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Emerald and diamond ring, the step cut stone approximately 15.1mm x 10.9mm x 6.5mm deep, with a trio of small brilliant cuts to either side, the white metal mount stamped '750', size Q, 7.3g gross approxCondition report: The stone has most likely been treated to enhance its colour and/or hide inclusions. The stone is a vibrant green and appears more bluey/green in the photos. Very few visible inclusions even with a 10 x loupe. No chips or abrasions. The mount is in good condition. We would highly recommend viewing in person. **General condition consistent with age and use.
a collection of jewellery to include, a cornelian ring tested as 9ct gold, a 1776 watch key tested as 9ct gold, a purple paste ring tested as 9ct gold, a hallmarked 9ct gold ring, a cameo ring stamped '10K', a synthetic ruby ring tested as 9ct gold, gross weight 15.1g, a diamond and sapphire ring tested as platinum, a synthetic emerald ring tested as platinum, an engraved ring tested as platinum, gross weight 19g, a bar brooch stamped '14K' 1.1g, a synthetic ruby ring tested as base metal, three strings of pearls, one with a synthetic sapphire, and an 18ct gold Longines wristwatch
Emerald and Diamond Ring. An art deco emerald and diamond cluster ring, set in platinum with square-cut emerald (6mm x 5mm) bordered by 10 small diamonds and a larger diamond to each corner with calibre cut emerald shoulders, size O, gross weight 3.4gQty: (1)Footnote: An insurance valuation dated 1999 accompanies the lot (£6900).
Gemstones. A collection of semi-precious gemstones, including white sapphires, aquamarine, citrine, smoky quartz, two moonstones, orange topaz, garnet, turquoise, tigers eye, fire opal, peridot, emerald and agates, various forms and sizes, together with a small box of mixed hardstone including an amethyst coloured egg, 40mm, a similar string of beads, tigers eye egg, 30mm, agate slice and other itemsQty: (two small boxes )
AN 18CT GOLD DIAMOND AND EMERALD COCKTAIL RING the octagonal plaque measuring 1.9cm by 1.6cm and comprising a step cut emerald measuring 1cm x 0.7cm and surrounded by fourteen single cut diamonds, each measuring 0.3cm, the shoulders fitted with three tiny diamonds, each side on a ridged outer shank, the shank with rubbed 750 hallmark, maker RSC, ring size M ½ weight 10grams
A BISCUIT PORCELAIN FIGURE OF GUANYIN WITH CHILD, KANGXI PERIODChina, 1662-1722. The goddess of mercy modeled seated at ease in long robes, the right knee raised to support a young boy holding a lotus stem, the serene face topped with a high chignon hairstyle and cowl. Covered with fine glazes of emerald-green, lemon-yellow and aubergine.Provenance: From a French private collection.Condition: Fine appearance with some firing flaws, wear, few small chips, losses and associated old repairs. Residues of brown and black varnish. The wood base with some repair, nicks and cracks.Weight: 303 g (excl. stand)Dimensions: Height 18.1 cm (excl. stand) and 23 cm (incl. stand)With an associated, finely carved and open-worked hardwood base supported on five feet, which is mounted to a later wood plinth. (2)Auction result comparison: Compare a related sancai-glazed biscuit group of Guanyin and child, of larger size (32.4 cm high), also dated to the Kangxi period, at Sotheby's New York in The Hundred Antiques: Fine & Decorative Asian Art on 30 September 2020, lot 1099, sold for USD 2,772.康熙時期素燒瓷胎送子觀音 中國，1662-1722年。觀音身著長袍，顯得自在休閑；右膝托著一個手持蓮藕的少年，安詳的臉龐，梳高髻戴頭帔。覆蓋著翠綠色、檸黃色和茄紫色的釉料。 來源：法國私人收藏。 品相：外觀精美，有一些燒製瑕疵、磨損、少量小磕損、缺損和相關的維修。 棕色和黑色清漆的餘留。木底座有一些修復、刻痕和裂縫。 重量：303 克 (不含底座) 尺寸：高18.1 厘米 (不含底座) 與 23 厘米 (含底座) 有一個鏤空雕刻的硬木底座，安裝在後來的木底座上。(2) 拍賣結果比較：比較一件相近的康熙時期三彩送子觀音 (高32.4 厘米)，見紐約蘇富比The Hundred Antiques: Fine & Decorative Asian 2020年9月30日 lot 1099, 售價USD 2,772。
A FOUR-COLOR OVERLAY 'SNOWFLAKE' GROUND GLASS SNUFF BOTTLE, 18TH-19TH CENTURYChina. Of compressed circular form, with an oval foot, recessed base, and straight cylindrical neck. The bubble-suffused 'snowflake' ground overlayed in ruby red, sapphire blue, emerald green and lemon yellow to depict a crane flying over a pavilion, the reverse with a pavilion emerging from clouds, both atop a circumferential wave border, all in high relief and with fine incision work.Provenance: From an English private collection. Condition: Good condition with manufacturing irregularities such as open bubbles, small chips to the carving, minor nibbling to the lip and foot rim. Stopper: Ruby red glass stopper Weight: 84 g Dimensions: Height including stopper 80 mm. Diameter neck 18 mm and mouth 11 mm.Literature comparison: For a full explanation of the symbolism of the subject matter of this bottle, which in general expresses good birthday wishes and longevity, see Hugh Moss, Victor Graham and Ka Bo Tsang, 'A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection', Vol. 5, Part 2, Hong Kong, 2002, p. 522, no. 921, where a similarly carved blue overlay bottle is discussed. 十八至十九世紀雪花地四色套料鼻烟壺中國。扁圓形，圓柱形直頸，橢圓形圈足，雪花地套寶石紅、寶藍、翠綠和檸檬黃色料，一面描繪了一隻仙鶴高飛，一旁祥雲寶珠，下面水上亭台 ；另一面水中祥雲托升起一座樓閣。來源：英國私人收藏。 品相：狀況良好，製造瑕疵，例如開放的氣泡、小磕損，唇部和足緣的輕微磕損。 壺蓋: 寶石紅玻璃壺蓋 重量：84 克 尺寸：含蓋高80 毫米；頸部直徑18 毫米，及口部直徑11 毫米
A SANCAI-GLAZED 'DUCK' CERAMIC EWER, LIAO DYNASTYChina, 916-1125. The ewer is sturdily potted, yet subtly modeled into the shape of a Mandarin duck, the neatly incised feathers elegantly glazed in tones of emerald green and pale ochre. The funnel with an overlapping petal border in relief. The spout integrated into the beak of the bird. The unglazed areas revealing the buff ware.Inscriptions: To the base, 'M.M.D.'Provenance: From the estate of Sarah Belk Gambrell, who was the Chairman Emeritus of The Gambrell Foundation. She held numerous positions at Belk Stores during her lifelong career including the Board of Directors. In 2020, the Queen's University named the Sarah Belk Gambrell Center for Arts and Civic Engagement in her honor.Condition: Good condition commensurate with age and as expected for authentic pottery from this period. Some firing flaws, including pitting, glaze recesses, and firing cracks. Extensive wear, traces of use, fritting, and minor losses, especially to the base.Weight: 109 gDimensions: Length 16.5 cm, Height 9.6 cmLiterature comparison: A closely related sancai ewer, excavated at Lingyuanxian is now in the Liaoning Provincial Museum and illustrated in A Selection of the Treasures of Archaeological Finds of the People's Republic of China, Beijing, 1987, no. 62. See also an example formed as two intertwined ducks illustrated in Gems of Chinese Art, Tsui Art Foundation, Hong Kong, 1992, no. 35. Another Liao sancai 'mandarin duck' ewer was sold at Christie's London, 19th June 2001, lot 21.Auction result comparison: Compare a near-identical duck-shaped ewer, dated to the Liao dynasty, 20.5 cm, at Sotheby's Hong Kong in Chinese Art on 18 December 2020, lot 1016, sold for HKD 107,100.遼代三彩鴛鴦形水壺中國，916-1125年。厚胎，巧妙地塑造成鴛鴦的形狀，整齊的羽毛，施翠綠色和淡赭色釉。壺口邊緣有花瓣紋。鴨嘴為壺口。未上釉區域露出淺黃色胎。 款識：底部可見"M.M.D." 字樣 來源： Sarah Belk Gambrell遺產，他是 Gambrell 基金會的名譽主席。在她的畢生職業生涯中，她在 Belk Stores 擔任過多個職位，包括在董事會。2020 年，Queen's University以她的名字命名了 Sarah Belk Gambrell 藝術與公民參與中心。 品相：與年齡相稱的良好狀況，符合這一時期陶器的狀況。一些燒製瑕疵，包括點蝕、釉面凹陷和燒製裂紋。廣泛磨損、使用痕跡、熔結和輕微缺損失，尤其是底座。 重量：109 克 尺寸：長16.5 厘米，高9.6 厘米 拍賣結果比較: 比較一件幾乎一模一樣的遼代鴛鴦水壺，高 20.5 厘米，見香港蘇富比Chinese Art 2020年12月18日 lot 1016, 售價HKD 107,100。
A FINE JADEITE 'CHILONG' AMPHORA VASE, QING DYNASTYChina, 19th century. Masterfully carved, the shoulder in openwork with a clambering chilong and pearl, flanked by two movable foliate handles suspending loose rings. The translucent stone is of a white tone tinged with lavender in some areas, and with shadings of apple and emerald-green color overall. The vessel is carved from a single piece of stone, including the handles and rings, and shows a superb, unctuous feel overall.Provenance: French private collection. Gros & Delettrez, Paris, 12 June 2019, lot 193, pictured on the catalog cover, sold for EUR 9,975. A noted French private collection, acquired from the above. A copy of a stamped provenance confirmation letter by Gros & Delettrez, Paris, dated 1 September 2020, and certifying that the present vase came from a French private collection, accompanies this lot.Condition: Excellent condition with only minor wear.The reverse incised with an apocryphal seal mark Qianlong yuzhi as well as a poem relating to the magnificent color of the vase.Weight: 156.1 gDimensions: Height 13.3 cmAuction result comparison: Compare a pair of related jadeite vases, 32.5 cm high, also with Qianlong yuzhi marks and dated to the 19th century, at Sotheby's Paris in Asian Art on 16 December 2010, lot 253, sold for EUR 39,150.清代翡翠螭龍啣環淨瓶中國，十九世紀。淨瓶修長，口外撇，削肩，頸部雕刻了一條攀爬的螭龍與一顆珍珠，肩部葉狀活動雙耳啣環。翡翠白中飄紫，並帶有翠綠色紋理。表面光滑，通體晶瑩光潤。 來源: 法國私人收藏，巴黎Gros & Delettrez藝廊，2019年6月12 日Lot 193, 封面圖片，售價EUR 9,975。法國知名私人收藏, 購於上述收藏。隨附一份Gros & Delettrez2020年9月1日出具的蓋了章的確認信副本，上面確認了此瓶來自法國私人收藏。 品相: 狀況極好，只有輕微磨損。 瓶身可見"乾隆御製"四字款與體現玉料美麗綠色紋理的詩句。 重量: 156.1 克 尺寸: 高13.3 厘米 拍賣結果比較: 比較一對相近的乾隆款但為十九世紀的翡翠瓶子，高32.5 厘米，見巴黎蘇富比Asian Art 2010年12月16日lot 253, 售價EUR 39,150。
A FAHUA STONEWARE BOWL, MING DYNASTYChina, 15th to 16th century. The globular sides rising to a lipped rim and carved in relief with bold, leafy lotus sprays, the interior and lip glazed turquoise, the lotus covered in glassy white, aubergine and turquoise glazes on a rich emerald green ground, the base glazed in aubergine.Provenance: Compagnie de la Chine et des Indes, Paris 1986, inventory number 3373634, a French private collector acquired from the above at the price of 40,800 francs, which in today's currency amounts to c. EUR 15,800 after inflation. A copy of the original invoice, dated 24 March 1986, describing the present piece as a 'Coupe fahua ornee d'un decor floral stylise. Chine, epoque Ming 17eme siecle', accompanies this lot. The Compagnie de la Chine et des Indes (China and India Company) in Paris was founded in the early 20th century by the Blazy brothers, acquired in 1935 by Robert Rousset and later run by his grandnephews Mike Winter-Rousset and Herve du Peuty. With his sister Suzanne in charge of the porcelain, Robert Rousset developed the business, and the company became one of the most important dealers for Asian art in France, selling pieces to the greatest museums, including the Guimet and the Metropolitan Museum of Art. Condition: Good condition with old wear, extensive glaze flaking on the inside with associated ancient touchups. Chipping to the foot rim, mostly likely from the manufacturing process, a hairline crack at the lip, some manufacturing irregularities such as pitting, and glaze recesses.Weight: 1,418 gDimensions: Height 12.4 cm, Diameter 22.9 cmLiterature comparison: For similar stoneware bowls with fahua-type decoration see 'Ming Ceramics In The British Museum', Jessica Harrison-Hall, British Museum Press, 2001, p.424, nos. 13:29 and 13:30. Compare a closely related fahua bowl, also dated to the Ming dynasty, in the collection of the Metropolitan Museum of Art, registration number Franks.196.+.Auction result comparison: Compare a very similar fahua stoneware bowl, also dated 15th to 16th century, at Christie's Hong Kong in Important Chinese Ceramics and Works of Art on 27 November 2007, lot 1758, sold for HKD 343,500.明代法華蓮紋碗中國，十五至十六世紀。唇沿，斜圓腹。外壁卷葉蓮紋。勾勒成凸線的紋飾輪廓，然後分別以黃、綠、紫釉料，色澤濃艷。 來源：巴黎Compagnie de la Chine et des Indes中印公司，1986年, 編號 3373634；一個法國私人藏家購於上述公司，40,800 法郎，相當於現在的 EUR 15,800 。隨附一份1986年3月24日出具的原始發票副本，上面把此拍品描述為"中國明代法華彩釉花卉紋"。巴黎的中印公司由 Blazy 兄弟於 20 世紀初創立，1935 年由 Robert Rousset 收購，後來由他的外甥 Mike Winter-Rousset 和 Herve du Peuty 經營。Robert Rousset的妹妹 Suzanne 負責瓷器，他發展業務，該公司成為法國最重要的亞洲藝術品經銷商之一，向大型博物館出售作品，包括Guimet和大都會藝術博物館。 品相：狀況良好，舊磨損，內部有大量釉料剝落，曾經修補過。足部有磕損，很可能來自製造過程，唇部有細裂紋，一些製造瑕疵，如麻點和釉面凹陷。 重量：1418 克 尺寸：高12.4 厘米, 直徑22.9 厘米 拍賣結果比較：比較一件相近的十五至十六世紀法華碗，見香港佳士得Important Chinese Ceramics and Works of Art 2007年11月27日 lot 1758, 售價HKD 343,500。
AN EMERALD-GREEN AND WHITE 'PINES IN THE SNOW' JADEITE SNUFF BOTTLE, 1770-1850China. Smoothly polished and well hollowed, the flattened rectangular body rising from a short oval foot to a cylindrical neck. The semi-translucent icy white stone with vivid emerald-green inclusions, creating the legendary 'pine trees in the snow' effect.Provenance: From a UK private collection, acquired from Robert Kleiner & Co. Ltd., London. A copy of the original invoice dated 20 November 2000 and confirming the dating and description above accompanies this lot. Robert Kleiner (1948-2014) was an important expert on and dealer of Chinese snuff bottles, beginning his long career at Sotheby's Chinese Art department in London. Along with Hugh Moss and Bob Hall, Robert Kleiner became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles. Condition: Excellent condition with only minor wear and tiny nibbles to neck. With a fine, unctuous feel overall.The Chinese have traditionally taken a subjective and often poetic approach to the appreciation of art, including towards the materials with which they work. The name given to jadeite is feicui and refers to the brilliance of a kingfisher's plumage. Jadeite, itself, however, does not appear in exactly the colors of the feathers or, indeed, with their iridescence. The type of jadeite shown in the present example is known as 'pine trees in the snow' since the markings resemble the idea of a pine tree-filled snowy landscape. Stopper: Green glass and carved spoon Weight: 86.7 g Dimensions: Height including stopper 65 mm. Diameter neck 18 mm and mouth 6 mm. Auction result comparison: Compare a 'pine trees in the snow' jadeite bottle at Sotheby's New York in The Joe Grimberg Collection Of Chinese Snuff Bottles on 14 September 2010, lot 85, sold for USD 15,000.1770-1850年翡翠松雪紋鼻烟壺中國。掏膛良好，表面光滑，圓柱形頸，扁平長方削肩膀，橢圓形圈足。半透明的冰白色玉料，帶有生動的翠綠色紋理，如雪中松一般。 來源：英國私人收藏，購於倫敦Robert Kleiner & Co. Ltd.藝廊。隨附一份2000年11月20日開具的發票副本，確認了相關描述和斷代。Robert Kleiner (1948-2014) 是一位重要的中國鼻煙壺專家和古玩商，在倫敦蘇富比中國藝術部開始了他的職業生涯。Robert Kleiner與 Hugh Moss 和 Bob Hall 一起，成為 Mary 和 George Bloch 收藏的重要顧問，他編寫並製作了他們的第一個鼻烟壺目錄。 品相：狀況極好，只有輕微磨損和頸部微小的磕損，整體光滑瑩潤。 壺蓋: 綠色玻璃，雕刻小勺 重量：86.7 克 尺寸：含蓋高65 毫米；頸部直徑18 毫米及口部直徑6 毫米 拍賣結果比較：比較一件松雪紋翡翠鼻烟壺，見紐約蘇富比The Joe Grimberg Collection Of Chinese Snuff Bottles 2010年9月14日 lot 85, 售價 USD 15,000。
A JADEITE 'LEAF AND GRAPES' BRUSH WASHER, LATE QING TO REPUBLIC PERIODChina, 1840-1940. Carved as young grapes on a vine leaf, the front and reverse with finely incised veins. The translucent jadeite is of a fine, grayish-white tone with distinct emerald-green streaks and faint russet veining. The raised grapes were likely designed to serve as a brush rest.Provenance: From a reputed French private collection.Condition: Superb condition with a few minuscule nicks to the rim. The stone with natural fissures.Weight: 76 g (excl. stand)Dimensions: Length 18.1 cm With a fitted wooden base, most likely of the same period. (2) 清末民初翡翠葡萄筆洗中國，1840-1940年。小葡萄掛藤上，正面和背面雕刻都非常精緻，紋理清晰。翡翠半透明，呈細膩的灰白色，帶有明顯的翠綠色紋理和輕微的赤褐色脈紋。凸起的葡萄很可能可以用作筆擱。來源：法國私人收藏。 品相：狀況良好，邊緣有一些微小的刻痕。玉料有天然裂縫。 重量：76 克 (不含底座) 尺寸：長 18.1 厘米木底座，可能來自同一時期。(2)
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