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Lot 280
1991 Nissan Figaro Transmission: automaticMileage:65649The Nissan Figaro is a front engine, front wheel drive, two door, 2+2 convertible manufactured for model year 1991, and marketed in Japan at Nissan Cherry Stores. Initially a production run of only 8,000 units was planned, however demand was exceedingly high and after two increases in production schedules a total of 20,073 Figaros were manufactured, all in right hand drive format as they were intended solely for the Japanese market. Even with the greatly increased production numbers, demand was so high that potential purchasers had to enter a lottery to win the chance to buy one. Based on the Nissan Micra K10 platform, the Figaro features a turbocharged 980cc engine, mated to a three-speed automatic gearbox. As a fixed profile convertible, the upper side elements of the Figaro's bodywork remain fixed, while its fabric soft top retracts in conjunction with a solid panel with a glass heated rear window.This retro classic is presented in Emerald Green, being one of only four colours in which they were produced. It has ivory coloured seats with contrasting piping, air conditioning, CD player, chrome and Bakelite-style knobs, soft-feel paint on the dashboard top, chrome-trimmed speedometer with smaller inset gauges for fuel and engine temperature; and chrome-trimmed tachometer with inset clock. This super little car from the Japanese manufacturer is offered to auction with a V5C registration document, various bills and receipts and a fresh MoT test certificate and offers fantastic open top summer fun. Consigned by Dominic Lake.
Lot 115
1959 Lambretta 150 Transmission: manualMileage:261Before World War II, Ferdinando Innocenti founded a successful engineering company making steel pipes and joints still used today for scaffolding and named it 'Tubi Innocenti'. Just after the war he saw the potential for an economic means of transport and created the Lambretta, so called because its factory was in the east suburb of Milan, Lambrate. Lambretta had a tubular frame, to which the body panels were fixed and the engine was a small single cylinder two stroker. In 1957, the Lambretta, which up to then was always grey, was enriched with a two-tone finish: the two rear lids, the front and the handlebar nacelle could be painted in Light Blue, Emerald Green, English Blue or Deep Red. The scooter we are offering comes somewhat reluctantly from Lady McAlpine who has fond memories of careering about the country behind her first love (whom she married) on an identical Lambretta, known as the Gremlin as it was constantly in need of attention. This one has never caused trouble but has now been more or less on display for several years. Restored some years ago, it is painted in the attractive two-tone colours of blue and cream with matching seats. Powered by a two-stroke 150cc engine, this iconic and rare motorcycle would grace any collection or would look great as a 'prop' for a café or restaurant and although running and driving, may need some further recommissioning should you wish to use it on the road. Very chic and retro with charm to boot! Lady McAlpine is only parting with it because she feels it should be driven and she feels happier in a car these days. Consignor Mathew Priddy Guide Price £3,500-£4,000 *Interested parties should note that this Lambretta will require recommissioning and is currently not running
Lot 278
A group of four 9ct gold and diamond rings, comprising a 9ct gold and green oval emerald stone ring with four pairs of small diamonds, size N, a 9ct gold ring set with four purple amethysts and four small diamonds, maker RG, marked 9ct /375, size N, a 9ct gold ring with oval blue stone flanked by two diamond chips, maker CG size M, and 9ct gold ring set with four oval pink stones and diamond chips, size N. (4)
Lot 326
An 18ct white gold emerald and diamond cluster ring, with 18ct white gold band and platinum setting, the central old cut diamond with 2.8mm diameter, with four baguette cut emeralds, measuring approximately 3.2 by 2.3mm, 3.2 by 2.6mm, 3.3 by 2.6mm, 3.4 by 2.6mm, surrounded by thirty illusion set diamonds, ranging in size from approximately 1.4mm and 1.7mm in diameter, ring size V, 10.7g overall.
Lot 177
A MASSIVE SANCAI-GLAZED FIGURE OF A MONK, LATE MING DYNASTY TO KANGXI PERIOD 明末至康熙朝三彩僧人像Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 17th to early 18th century. Well modeled standing on a rectangular base with canted corners decorated to the sides with a band of key-fret. The monk is holding prayer beads in his lowered right and a ghanta bell in his raised left hand, and wearing a long flowing robe tied with a sash over his left shoulder, further detailed with finely carved folds. The face with almond-shaped eyes, thick brows, and full lips forming a calm smile showing teeth, flanked by thick pendulous earlobes. The figure is covered in splashed glazes of aubergine, emerald green, amber, and cream.Provenance: From an old Belgian estate.Condition: Good condition with minor wear and firing irregularities including firing cracks, dark spots, glaze crackles and recesses. A few minor nicks, the base and the handle of the bell with minor losses. Displaying magnificently.Weight: 16.5 kgDimensions: Height 75.3 cm Auction result comparison: Type: Related Auction: Christie’s New York, 20 September 2005, lot 307 Price: USD 36,000 or approx. EUR 50,000 converted and adjusted for inflation at the time of writing Description: Three unusual glazed figures of luohan, Kangxi period Expert remark: Compare the related glazes. Note that the lot comprises three figures of smaller size (41.2 cm).Auction result comparison: Type: Related Auction: Christie’s Paris, 12 June 2019, lot 181 Price: EUR 30,000 or approx. EUR 33,500 adjusted for inflation at the time of writing Description: A large Sancai-glazed stoneware figure of a bodhisattva, China, late Ming dynasty Expert remark: Compare the related glazes and size (72 cm). Auction result comparison: Type: Related Auction: Christie’s New York, 15 September 2011, lot 1655Price: USD 30,000 or approx. EUR 37,500 converted and adjusted for inflation at the time of writing Description: A large turquoise and aubergine-glazed figure of Bodhidharma, 18th/19th century Expert remark: Compare the related Buddhist subject and modeling with similar robes. Note the different glaze and the size (55.2 cm). 明末至康熙朝三彩僧人像中國，十七至十八世紀初。僧人立於矩形雷紋底座上。僧人右手低垂持念珠，左手舉起甘塔鈴，身著袈裟，衣紋流暢。濃眉、大眼微垂，唇微張，露出牙齒，平靜微笑，兩側是厚實下垂的耳垂。通體施紫紅色、翠綠色、琥珀色和白色釉料。來源：比利時舊藏。 品相：狀況良好，有輕微磨損和燒製不規則現象，包括燒製裂紋、黑點、釉面裂紋和凹陷。 一些輕微的刻痕，鐘的底座和手柄有輕微的損失。 重量：16.5 公斤 尺寸：高 75.3厘米拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2005年9月20日，lot 307 價格：USD 36,000（相當於今日EUR 50,000） 描述：康熙時期三件三彩羅漢像 專家評論：比較相近的釉面。請注意尺寸較小 (41.2 釐米)。 拍賣結果比較： 形制：相近 拍賣：巴黎佳士得，2019年6月12日，lot 181 價格：EUR 30,000（相當於今日EUR 33,500） 描述：明末三彩菩薩坐像 專家評論：比較相近的釉面和尺寸 (72 釐米)。拍賣結果比較：形制：相近拍賣：紐約佳士得，2011年9月15日，lot 1655價格：USD 30,000（相當於今日EUR 37,500 ）描述：清十八/十九世紀孔雀綠紫彩達摩立像專家評論：比較相近的達摩主題，相似的長袍。請注意不同的釉面和尺寸 (55.2 釐米)。
Lot 127
A JADEITE SNUFF BOTTLE DEPICTING A CARP TRANSFORMING INTO A DRAGON, CHINA, 1770-1850 1770-1850年翡翠鯉魚躍龍門鼻煙壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: This bottle is perhaps one of the most exciting of all carved jadeite examples. The shape has a perfect formal integrity which is greatly enhanced by the tall, flared neck with a lipped rim. The carved decoration stands in unusually high relief and in the undulating rhythms of the dragon's back, shows a confident line of which an accomplished painter with a brush would be proud of. The entire composition, however, is truly brought to life by the exceptionally fine hollowing, which allows the light to be transmitted through the body, revealing the icy texture of the stone. This adds enormously to the energy of the piece, creating the appearance of a raging storm through which the dragons are scything unmoved. The fashion for extreme hollowing was probably inspired by the advent of Mughal jades into China in the 1750s and may have played some part in the conception of this bottle. However, most bottles of this ultra-hollowed group are uncarved and rely solely on their hollowing for their impact, whereas on the present bottle the hollowing actually adds to the impact of the carving.Of flattened globular form, exceptionally well hollowed, finely carved in high relief with a continuous scene depicting a carp emerging from the waves to transform into a dragon chasing a flaming pearl, with cloud billows on the shoulders. The well-polished translucent stone is of an apple-green hue with emerald-green patches, paler shadings, and icy inclusions.Provenance: Collection of Gerry P. Mack. Robert Kleiner & Co. Ltd., London, United Kingdom, 2010. Private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 30 June 2010, confirming the dating above, and stating a purchase price for this present lot of GBP 5,000 or approx. EUR 10,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. According to Robert Kleiner’s foreword to the catalog of his single owner sale at Christie's, he “was one of the great snuff bottle collectors of the twentieth century. The bottles for which Gerry had a weakness have stood the test of time and, more remarkably, of our increased knowledge of the subject. Gerry's achievement was to align on bottles which he liked and which are still highly sought after and in many cases among the finest of their type.” Condition: Superb condition with minor old wear and occasional light scratches. The stone with natural inclusions and fissures.Stopper: Agate with bronze collarWeight: 87 gDimensions: Height incl. stopper 74 mm, Diameter neck 22 mm and mouth 7 mm The depiction of a carp turning into a dragon alludes to the path of the scholar who must leap like a carp across the Longmen Falls in order to transform into a dragon, meaning to pass his examinations. Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 31 May 2015, lot 192 Price: HKD 150,000 or approx. EUR 20,500 converted and adjusted for inflation at the time of writing Description: A rectangular jadeite ‘dragon and flaming pearl’ snuff bottle, Qing dynasty, 18th/19th century Expert remark: Compare the related color of the jadeite, manner of carving, and subject (albeit depicting only a dragon). Note the different form. Note that this bottle was also previously in the collection of Gerry P. Mack and subsequently with Robert Kleiner.
Lot 158
A GREEN-GLAZED POTTERY FLASK, LIAO DYNASTY 遼代綠釉陶壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 907-1125. Of saddle shape with stiff, seamed edges, a short cylindrical neck, the top flap is notched and pierced with two hanging holes and applied with two small figures facing forward towards the spout, the body incised with floral motifs on each side, all under an intentionally crackled emerald-green glaze.Provenance: From the collection of André Dubreuil. André Dubreuil (1951-2022) was a French designer and craftsman. At the age of eighteen he moved to England to study drawing at the Inchbald School of Design, while exploring the London underground nightlife scene. After graduating, he started working for a decorating agency and designed flats with trompe l'oeil paintings. He learned the art of ironwork with Tom Dixon and Mark Brazier-Jones, and they quickly became the reference for 1980s English avant-garde design. As a collector, Dubreuil was particularly interested in metalwork, and his collection included a wide range of objects, such as 18th-century French candelabras, medieval ironwork, and contemporary metal sculptures. He was known for his eclectic taste and his ability to appreciate the beauty and craftsmanship of objects from different periods and cultures. His collection was a reflection of his passion for art, as well as his interest in history and cultural heritage.Condition: Fine condition, commensurate with age. Old wear as expected, the spout with a small old repair, some flaking and minor losses to glaze, and firing irregularities including scattered glaze recesses. The head of one figure lost.Weight: 1,447 gDimensions: Height 27 cm Traditionally known as a pilgrim's flask, the shape of these containers derived from leather prototypes and has retained many features of the originals such as the seam and the hanging lug. It is quite rare to find two applied figures on the flask.Literature comparison: Compare an example in the Museum of Fine Arts Boston, Charles B. Hoyt Collection, accession no. 50.1747. A flask and cover with very similar designs and also with two applied figures in the Museum of Fine Arts, Boston, is illustrated in Hai-wai Yi-chen Chinese Art in Overseas Collections Pottery and Porcelain (II), p. 88, no. 86; another flask with two figures on the rim but slightly different decoration on the body from the Chang Foundation, Taipei, is illustrated in Selected Chinese Ceramics from Han to Qing Dynasties, p. 78, col. pl. 20. An example with one figure is in the Fengtian Museum, illustrated in Koyama Fujio ed., Sekai Toji Zenshu, 1961, vol. 10, p. 244, fig. 148.Auction result comparison: Type: Closely related Auction: Christie’s New York, 20-21 March 2014, lot 2078 Price: USD 8,750 or approx. EUR 10,500 adjusted for inflation at the time of writing Description: A rare olive-green glazed pottery flask and cover, Liao dynastyExpert remark: Compare the closely related form and glaze. Note the similar size (30.5 cm).Auction result comparison: Type: Closely related Auction: Christie’s London, 17 June 2003, lot 10 Price: GBP 4,541 or approx. EUR 7,700 adjusted for inflation at the time of writing Description: A very large green-glazed flask.Expert remark: Compare the closely related form and glaze. Note the smaller size (24.8 cm).
Lot 109
A MUGHAL GILT AND ‘GEM’-INLAID JADE STEM CUP, INDIA, 18TH CENTURY 印度十八世紀蒙兀兒鎏金嵌寳高足杯Please note this Lot is to be sold at No Reserve. 本拍品不設底價The deep flared sides raised on a tall slender foot with a wide flat base, intricately incised with floral motifs. The body with a central bulbous section in gilt bronze with carved decorations and fine enamels, framed by beaded bands inlaid with ruby-red and emerald-green glass beads. The base is further embellished with gilt bronze and turquoise enamel bowstrings.Provenance: From an old Danish private collection.Condition: Good condition overall, with a minute nibble on the rim, natural fissures, a natural hairline crack on the foot with traces of adhesive, minor losses to the inlays. The stone with natural inclusions and fissures, some of which have developed into small hairline cracks over time.Weight: 124 gDimensions: Height 10.5 cm Auction result comparison: Type: Related Auction: Christie’s New York, 19 September 2006, lot 22 Price: USD 28,800 or approx. EUR 40,000 adjusted for inflation at the time of writing Description: A rare Mughal pale greenish-white jade ‘gem’-inlaid ewer and cover, 17th/18th centuryExpert remark: Compare the closely related style of inlay. Note the larger size (22.5 cm).Auction result comparison: Type: Related Auction: Sotheby’s London, 24 October 2007, lot 203 Price: GBP 13,700 or approx. EUR 28,500 adjusted for inflation at the time of writing Description: A Mughal enameled and gold-wire inlaid jade mirror, India, 19th centuryExpert remark: Compare the closely related style of inlay. 印度十八世紀蒙兀兒鎏金嵌寳高足杯高足杯外壁雕刻的花卉圖案繁複精美。杯體中央是鎏金銅，飾有精美琺瑯，四周鑲嵌紅寶石和翠綠色玻璃珠。 底座鎏金銅和松石綠色琺瑯。 來源：丹麥私人舊藏。 品相：整體狀況良好，邊緣有輕微磕損，自然裂痕，足部自然細微裂紋，有粘合劑痕跡；鑲嵌物有輕微缺損。帶有天然内沁和裂隙的玉料，隨著時間的推移，其中一些已經發展成細小的裂紋。 重量：124 克 尺寸：高10.5 厘米 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2006年9月19日，lot 22 價格：USD 28,800（相當於今日EUR 40,000） 描述：十七至十八世紀蒙兀兒青白玉杯和蓋 專家評論：比較非常相近的內嵌設計。請注意尺寸較大 (22.5厘米)。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2007年10月24日，lot 203 價格：GBP 13,700（相當於今日EUR 28,500） 描述：十九世紀印度蒙兀兒嵌金琺瑯玉鏡 專家評論：比較非常相近的內嵌設計。
Lot 131
A CAMEO AGATE ‘NOBLE PROFESSIONS’ SNUFF BOTTLE, ZHITING SCHOOL, SUZHOU, CHINA, 1760-1850 1760-1850年蘇作芝亭派瑪瑙人物鼻煙壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價Well hollowed, the ovoid body supported on a flat foot rising to a tall neck with a flat lip. Superbly carved, cleverly utilizing the darker brown markings in the stone, to one side with a farmer sitting with his goat under a pine tree and to the other with a scholar and his boy attendant by a pond with two ducks, all amid neatly detailed serrated rockwork, a hallmark of the Suzhou school. The shoulders carved with beast mask handles suspending mock rings.Provenance: The VWS Collection, acquired by the previous owner’s father (1890-1977) in China during the 1930s and thence by descent within the family. The VWS collection tells the extraordinary story of a family fleeing the Tsarist Empire in Russia. Their journey began in 1903 as the Chinese Eastern Railway, the eastern branch of the Trans-Siberian Railway, was completed. Fleeing, like others, a climate of political persecution and anti-Semitism, the family settled in Harbin, the northernmost city in China and started to develop its businesses from 1906 onwards. Like many others, they were attracted to this cosmopolitan place, then a major economic and cultural center in Manchuria, because of its large Jewish community. In Harbin, the father, a cultured, open-minded and multilingual man, felt at home and his early successes in business earned him respect. By 1932, he and his family were forced to flee again, following the Japanese invasion of Manchuria, and found a new home in Shanghai. From there, his businesses took him to Hong Kong, North America, and other Asian countries, where the family would remain for many years. They began collecting art in China during the 1930s and these artworks have remained with the family heirs ever since.Condition: Very good condition with only minor wear and few tiny nicks.Stopper: Apple and emerald-green jadeite stopper Weight: 64.7 g Dimensions: Height including stopper 74 mm. Diameter neck 11 mm and mouth 7 mm Expert’s note: The present lot belongs to a group of masterfully carved and rare Suzhou snuff bottles depicting the popular subject of the ‘Four Noble Professions’: scholar, farmer, woodcutter, and fisherman. The present bottle depicts two of these professions, namely the scholar and the farmer.Auction comparison: Type: Closely relatedAuction: Christie’s New York, 21 March 2013, lot 1092Price: USD 37,500 or approx. EUR 44,500 converted and adjusted for inflation at the time of writingDescription: A finely carved cameo agate snuff bottle, Zhiting School, Suzhou, 1760-1850Expert remark: Compare the closely related subject, also depicting the Four Noble Professions, color with similar dark inclusions, and manner of carving with similar serrated rockwork. Note the size (4.8 cm).Auction comparison: Type: RelatedAuction: Christie’s New York, 20 Sep 2005, lot 442Price: USD 33,600 or approx. EUR 47,500 converted and adjusted for inflation at the time of writingDescription: A fine and unusual cameo agate snuff bottle, school of Zhiting, Suzhou, 1750-1850Expert remark: Compare the related form, manner of carving, and color with similar dark inclusions. Note the size (5.4 cm).
Lot 235
A FAMILLE NOIRE ‘MAGPIE AND PRUNUS’ BRUSHPOT, BITONG, QING DYNASTY 清代墨地喜上眉梢筆筒Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 18th - 19th century. Exquisitely painted in delicate tones of violet-blue, coral, and emerald green on a black ground, depicting an Oriental magpie perched on a flowering prunus tree, surrounded by peony blossoms, and with small butterflies fluttering about the composition.Provenance: From a private collection in Paris, France, Rue des Petites Écuries. Condition: Very good condition with some old wear and firing irregularities, rubbing to enamels, traces of use to the interior.Weight: 736.5 gDimensions: Diameter 10.4 cm, Height 12.8 cm Expert’s note:The present lot was certainly not created for export, as the concept of the Bitong was not common in the west during the later 19th century. It is one of the interesting study examples, where it is rather difficult to say if it was made during the Kangxi reign or later in the Qing period. Either way, the quality of the artwork is superb, and the enameling palette corresponds to the patterns described by Sullivan (see literature comparison below).The 19th century witnessed a ‘Famille Noire frenzy’ prompted by a surge of interest amongst the newly minted millionaires in England and America who vied with one another to acquire the best art to fill the enormous rooms of their grand estates. Famille Noire wares comprised many of the most expensive porcelains sold at the time, with some examples selling for tens of thousands of pounds. Clients and dealers, from John D. Rockefeller to J.P. Morgan, competed vigorously for fine examples, the intensity resulting in ruptured friendships and even legal battles.The issue of supply became paramount. Two elements facilitated the production in China in the 19th century. The first resulted from the political and social turmoil that defined China in the last years of the Qing dynasty. Commissions were disappearing for the potters of Jingdezhen and they certainly would have welcomed requests for Kangxi-style wares, including large-scale Famille Noire pieces. Secondly, black was the natal color of Empress Dowager Cixi (1835-1908), and it is reputed that the palace eunuchs added black grounds to some wares to please her (see Gerald Reihinger, Economics of Taste, volume 2, London, 1970, page 212).Both genuine Kangxi pieces, with bodies scraped and re-enameled, and entirely new wares were sold to the West as Kangxi period during that time, an attribution that was not seriously questioned until 1974 with John Alexander Pope’s catalog of the Frick Collections porcelains. Pope put forth a convincing argument about the Famille Noire wares, observing that most large-scale objects in the collection were late 19th century (see John Alexander Pope, The Frick Collection: An Illustrated Catalogue. Volume 7, Porcelains, Oriental and French, Washington, 1974, pp. 87-90).The pairing of prunus with magpie in Chinese culture sounds similar to the phrase ‘mei xi que’, which can be interpreted as ‘may happiness and joy arrive’. This association is often used in artistic imagery to symbolize the welcoming of spring and the renewal of the landscape. Tradition also holds that if a magpie lands near your house, it is a sign of good luck and positive opportunities approaching.Literature comparison: For a description of Kangxi-period famille noire wares that match the current lot, see Michael Sullivan, The Arts of China, 1977, p. 248. Sullivan discusses the “violet-blue” and “jewel-like green” hues of the Kangxi period famille noire enamels, and further talks about how the “black background” should be “almost iridescent” like “being washed over with a transparent green glaze”. Compare a related famille noire vase with a closely related violet-blue enamel, dated to the Kangxi period, in the Victoria & Albert Museum, accession number C.1310-1910.
Lot 156
A SANCAI-GLAZED ‘CHRYSANTHEMUM’ SQUARE DISH, LIAO DYNASTY 遼代三彩團花紋Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 907-1125. Well potted with everted sides rising from a flat base to a foliate rim, the interior delicately molded in shallow relief with a large chrysanthemum bloom wreathed in trefoil leaves, the sides with flowerheads and scrolling vines, all in amber and emerald-green glazes reserved on a cream ground and pooling nicely in the recesses. The exterior applied with an amber glaze stopping above the base to reveal the reddish-buff colored body.Provenance: British trade. Condition: Very good condition with some old wear, minor glaze flaking, minuscule nicks and manufacturing flaws such as scattered glaze spots. Three distinct spur marks inside the well.Weight: 122.7 g Dimensions: Size 11.6 x 11.6 cmAuction result comparison:Type: Closely relatedAuction: Sotheby’s Hong Kong, 29 May 2019, lot 4Price: HKD 125,000 or approx. EUR 15,500 converted and adjusted for inflation at the time of writingDescription: A sancai 'chrysanthemum' square dish, Liao dynastyExpert remark: Compare the closely related form, glaze, decoration, and size (12.5 cm).遼代三彩團花紋中國，907-1125年。盤四方花口，口微敞，平底。盤內四面立壁均分飾，內飾花卉兩朵，花卉兩側對稱飾卷雲紋。盤內底四角飾葉紋，底心模印團菊一朵。盤內施黃，綠，白三色釉彩，盤外施半釉。 來源：英國古玩交易市場。 品相：狀況非常好，有一些磨損、輕微的釉層剝落、微小的劃痕和製造瑕疵，如散落的釉點。盤內三個明顯的點痕。 重量：122.7克 尺寸：11.6 x 11.6厘米 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2019年5月29日，lot 4 價格：HKD 125,000（相當於今日EUR 15,500） 描述：遼代三彩團花紋方盤 專家評論：比較非常相近的外型、釉面、裝飾和尺寸 (12.5厘米)。
Lot 151
A SANCAI-GLAZED POTTERY TEA SET, TANG DYNASTY 唐代三彩陶茶具一套Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 618-906. As part of funerary rituals, the seven cups and central jar are fixed to the circular tray having been fired together in the kiln. The glaze stops just above the short base of the tray. The emerald-green and yellow glazes are generously applied overall and are finely crackled.Provenance: From the estate of a notable Hong Kong family, who brought a substantial collection of ceramics, porcelains, and other Chinese works of art with them when they immigrated to Canada in the 1950s. Thence by descent within the family to the last owner.Condition: Good condition commensurate with age, with some firing irregularities and signs of weathering. Soil encrustations typical of objects buried for a prolonged period, chips, glaze drippings, pitting, and glaze recesses. Weight: 1,168 g Dimensions: Diameter 23.4 cm (tray), 6.3 cm (cups), 6.6 cm (jar) Literature comparison:Compare a related sancai-glazed jar, 7.6 cm in diameter, dated to the Tang dynasty, in the Ashmolean Museum, Oxford University, accession number EAX.1967. Compare a related sancai-glazed jar, 9.2 cm in diameter, dated to the Tang dynasty, in the Metropolitan Museum of Art, accession number 18.57.5. Compare a closely related tea set with six cups in the Palace Museum, Beijing, illustrated in Lu Chenglong’s Ceramics Gallery of Palace Museum: The Neolithic Period to Five Dynasties, Beijing, 2021, pl. 158. Compare a similar tea set without a central jar with nine cups, in the Idemitsu Museum of Art, illustrated in The 15th Anniversary Catalogue of the Idemitsu Museum of Art, Tokyo, 1981, no. 616.Auction result comparison: Type: Closely related Auction: Sotheby’s Hong Kong 16 December 2021, lot 5001 Price: HKD 60,480 or approx. EUR 7,300 converted and adjusted for inflation at the time of writing Description: A sancai-glazed pottery tea set, Tang dynasty Expert remark: Note the thickly applied glaze. Note the size (22.7 cm tray, 6.6 cm cups, 8.4 cm jar). 唐代三彩陶茶具一套中國，618-906年。作為喪葬儀式的一部分，七個杯子和中間的罐子被固定在圓形托盤上，在窯中一起燒製。釉料停在托盤短底座上方。通體施翠綠、黃釉，釉色細膩開片。 來源：香港一個著名家族的遺產，該家族在二十世紀五十年代移居加拿大時，隨身攜帶了大量陶器、瓷器和其他中國藝術品。從那時起，藏品在同一家族一直傳承到如今的最後一位主人。 品相：狀況良好，有一些燒製不規則和風化跡象，因爲長期埋藏所特有的土壤結殼，碎片、釉滴、凹坑和釉槽。 重量：1,168 克 尺寸：直徑 23.4 厘米 (盤)，6.3 厘米 (杯)，6.6 厘米 (罐) 文獻比較： 比較一件相近的唐代三彩罐，直徑7.6 厘米，牛津大學Ashmolean博物館，館藏編號EAX.1967。比較一件相近的唐代三彩罐，直徑9.2 厘米，收藏於大都會藝術博物館，館藏編號18.57.5。比較一件非常相近的茶具組，收藏於北京故宮博物院，見《Lu Chenglong’s Ceramics Gallery of Palace Museum: The Neolithic Period to Five Dynasties》，北京，2021年，圖158。比較一件相似的茶具組，收藏於 Idemitsu Museum of Art，見《The 15th Anniversary Catalogue of the Idemitsu Museum of Art》，東京，1981年，編號616。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2021年12月16日， lot 5001 價格：HKD 60,480（相當於今日EUR 7,300） 描述：唐三彩茶器一組七件 專家評論：請注意厚重釉面。請注意尺寸(托盤22.7 厘米，杯6.6 厘米，壺8.4 厘米)。
Lot 293
Box has great full color graphics from the movie of the Lion, Dorothy, Tin Man, and Scarecrow. Board included has full color illustrations of the movie with the Good Queen, The Wizard, The Emerald City, and The Evil Witch. Game spinner also included. Original box measures 19"L x 2"W x 9.75"H. Issued: 1974Manufacturer: MGMCountry of Origin: USACondition: Age related wear. Game pieces missing.
Lot 409
New in original packaging. Intricately designed with black hair adorned with beads and feathers. Dressed in emerald, green tasseled microsuede dress with matching moccasins. Matching faux fur jacket. Wood base included. This item has its original box: 10"L x 5.75"W x 28"H. Issued: c. 1990Dimensions: 9.5"L x 4"W x 24"HManufacturer: Timeless CollectionCountry of Origin: United StatesCondition: Age related wear. New in original packaging.
Lot 2007
Art Deco platinum milgrain set diamond, emerald and sapphire flower basket pendant necklace, the basket set with old cut diamonds, calibre cut sapphires and emeralds, diamonds approx 2.00 carat, suspending a single pear cut diamond of approx 2.05 carat, on a platinum trace link chain necklace, stamped Plat, circa 1915-1920, in fitted box by Licht & Morrison, LondonCondition Report:Approx 12.5gm, setting and chain both tested platinum, very well presented in good condition (the clasp has a dent but functioning and secure), the basket diamonds bright, white VS - SI clarity, the pear cut diamond = 10mm x 7.5mm x depth 4.35mm (discrepancy in our carat weight calculation to the insurance valuation), slight yellow hue very approx L-M, eye clean approx SI clarity very light vanilla feathers, very bright diamond with good movement, overall length from top diamond to bottom pear diamond = 63mm, max width = 29mm, very well presented, photocopy of receipt and insurance valuation only
Lot 2009
18ct gold single stone emerald cut aquamarine ring, with four channel set diamonds set either side, aquamarine approx 11.15 caratCondition Report:Approx 6.35gm, size very approx L (shank split at base - needs re-soldering - thinning also at base), aquamarine good colour and condition, dimensions = 15.7mm x 12.2mm x depth 8.48mm
Lot 133
A collection of 15ct and 9ct gold jewellery. The jewellery to include a 9ct white gold ring set with an emerald cut synthetic sapphire flanked by two baguette cut white spinel. An 15ct yellow gold twisted link chain necklace. A 9ct yellow gold belcher chain necklace. All marked 9CT and 15CT. Ring measures K.5. Belcher chain measures 53cm. Twisted link chain measures 43cm. Total weight 15.2g. All weights, measurements and sizes are approximate.
Lot 411
A collection of hallmarked 9ct gold and gem set rings. The rings to include a hallmarked 9ct gold, emerald and diamond half hoop ring, hallmarked for Sheffield. A hallmarked 9ct gold and garnet cluster ring, hallmarked for London. A hallmarked 9ct gold, synthetic ruby and diamond half hoop ring, hallmarked for London. Missing one synthetic ruby stone. Various sizes. Emerald and diamond size N. Garnet size J.5. Ruby and diamond size N. Combined weight 4.5g. All weights, measurements and sizes are approximate.
Lot 208
An Italian emerald and CZ half eternity ring. The ring having three round cut emerald with CZ in the channel setting head to tapering shank. Visible repair / resizing to shank. Italian marks to band, surface tests indicate 18ct gold. Total weight approx 2.4g. Approx size R. Head measures approx 0.4cm.
Lot 34
A hallmarked Swedish 18ct white gold, tourmaline and diamond cluster ring. The ring set with an emerald cut tourmaline surrounded by a halo of round cut diamonds. Hallmarked with the Swedish national control mark. Marked 18K. Estimated diamond weight 0.36cts. Sponsor's mark JP. Size M. Weighs 3.7g. All weights, measurements and sizes are approximate.
Lot 5
An early 20th century 18ct gold emerald and diamond three stone ring. The antique ring set with a central claw mounted emerald flanked by two old cut diamonds to stylised shoulders. Shank marked 18 rubbed. Tests indicate 18ct gold. Estimated total diamond weight 0.60ct. Emerald measures 7.5 x 6 x 7.2 x 3.2mm. Estimated emerald weight 1ct. Size J.5. Total weight 2.8g. All weights, measurements and sizes are approximate.
Lot 225
A 19th century gold, green paste and pearl three stone ring. The ring having a central emerald cut green paste stone flanked by two pearl cabochons to scrolling shoulders. Unmarked, however tests indicate gold. Evidence of repair/resizing to the shank. Size N. Weighs 1.2g. All weights, measurements and sizes are approximate.
Lot 288
A hallmarked 9ct yellow gold ring and yellow metal stone set ring. The crossover ring having three round cut rubies in a halo of accent diamonds to a straight shank, hallmarked for Birmingham. The second ring having a pierced head with bezel set marquise cut sapphire, rubies and an emerald to a diamond border, marked dia, tests indicate 9ct gold. Total weight approx 4.3g. Approx sizes O and Q.
Lot 501
A hallmarked 18ct white gold diamond and emerald wrap around ring. The ring being set with a pear cut diamond and a pear cut emerald with further calibre cut diamonds to the shoulders. Hallmarked London. Also French makers lozenge to outside of shank. Weight 3.5g. Size O.5. All weights, measurements and sizes are approximate.
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