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A fine 18ct white gold Art Deco style ring set with a central emerald cut Aquamarine, approx. 2.50 carats, with a baguette cut diamond to each side, total weight approx. 0.14 carats and surrounded by cut diamonds, approx total weight 0.30 carats, 4.41gm, size O 1/2.

An 18ct white gold ring set with an emerald cut aquamarine, approx. 1.65 carats, set either side with one round brilliant cut diamond, total weight approx. 0.16 carats, 5.48gm, size L 1/2 to M.

Three: Chief Petty Officer J. Banks, Royal Navy 1914-15 Star (227623, J. Banks, L.S., R.N.); British War and Victory Medals (227623 J. Banks. P.O. R.N.) contact marks, nearly very fine Three: Ordinary Telegrapher R. Stell, Royal Navy, who was present in H.M.S. Russell when she struck two mines laid by U-73, and was sunk off Malta 1914-15 Star (J.37287, R. Stell, Boy. 1., R.N.); British War and Victory Medals (J.37287 R. Stell. O. Tel. R.N.) good very fine (6) £70-£90 --- John Banks was born at Magheramourne, Co. Antrim, on 18 November 1887 and joined the Royal Navy as a Boy Second Class in H.M.S. Black Prince on 23 July 1903. He was advanced to Boy First Class, H.M.S. Emerald, on 25 February 1904, and to Ordinary Seaman, H.M.S. Russell, on 18 November 1905. Promoted Able Seaman on 21 December 1906, he was posted to H.M.S. Devonshire in June 1911, and was advanced to Leading Seaman. He served during the Great War in H.M.S. Vivid I, and was further promoted to Petty Officer on 1 January 1917, and was awarded his Long Service and Good Conduct Medal in December 1920. Promoted Chief Petty Officer, H.M.S. Delhi, on 5 March 1925, he was shore pensioned in November 1927, and joined the Royal Fleet Reserve. Recalled for was service in November 1939, he served in H.M.S. Drake I, H.M.S. Royal Arthur, and H.M.S. Glendower. He was invalided out of the service in August 1945. Reginald Stell was born at Morecambe, Lancashire, in April 1899 and joined the Royal Navy as a Boy Second Class in H.M.S. Powerful on 31 March 1915. He subsequently served in H.M.S. Russell and H.M.S. Pembroke I, being appointed Boy Telegrapher on 29 November 1916, and Ordinary Telegrapher, H.M.S. Dreadnaught, on 26 April 1917. He also served in H.M.S. Queen Elizabeth, H.M.S. Erin and H.M.S. Cyclops. He was demobilised on 25 April 1919. He would have been serving in H.M.S. Russell when she struck two naval mines off Malta that had been laid by the German submarine U-73, and sank early on the morning of 27 April 1916.

A 925 silver ring set with an emerald cut aquamarine, (N).

A 14ct yellow gold (stamped 14K) cluster ring set with an oval cut emeralds surrounded by diamonds and emerald set shoulders, (N)

Pair of 18ct emerald and diamond oval cluster earrings, post backs with butterflies, the emeralds each 0.50ct approx, 3gm, 9mm x 8mm   

Impressive 18ct emerald and diamond three stone ring, the rub-over set emerald 2.80ct approx, with two round brilliant-cut diamonds to either side, 0.55ct approx in total, hallmark for London 1961, width 11mm, 4.7gm, ring size N

Attractive 9ct opal and emerald ring, with four cabouchon opals, width 12mm, 3.3gm, ring size O/P

Good 18ct yellow gold oval emerald and diamond cluster ring, the emerald 1.20ct approx, the diamonds 1.00ct approx in total, clarity SI, colour I/J, 15mm x 12mm, 5gm, ring size N

Pair of 9ct emerald and diamond earrings, 1.7gm, 11mm diameter

18ct emerald and diamond three stone ring, width 6mm, 1.5gm, ring size O-small chip to the emerald 

14ct white gold emerald and diamond cluster ring, the emerald 2.00ct approx, width 15mm,  5.5gm, ring size K (721)

NGUYEN PHUOC (VIETNAM, B. 1943) SAIGON SCHOOL OF APPLIED ARTS (1960) THE NATIONAL UNIVERSITY OF FINE ARTS OF HO CHI MINH CITY ‘Autumn Evening’ 2002 Oil on canvas Signed on the lower left Bears an artist seal on the lower left Dated on the lower left: ‘02’ Framed 81 x 77 cm Provenance: A private collection of Vietnamese Art, French Riviera, France. NOTICE TO BIDDERS: This work has been authenticated by the artist himself (www.nguyenphuoc.com). The successful bidder will be provided with a certificate of authenticity with the serial #US-02-032 matching that which is on the stretcher, on the back of the painting. Notes: 1. Born in Saigon, Vietnam, Nguyen Phuoc began to paint as a teenager and later on graduated from the School of Applied Arts of Saigon (1960) and from the National University of Fine Arts (also in Saigon, 1965). He later settled in Minnesota, USA. 2. A thoughtful and attentive artist, Nguyen Phuoc always devotes a great deal of care to his compositions, meticulously executed on large formats by an unfailing hand. His works are profuse in their themes, using a rich chromatic palette. The artist is deliberately neglecting the rules of classical perspective. Amidst his main subjects are depictions of women and still lives. Our painting is the perfect combination of the two. Two beautiful Vietnamese ladies dressed in áo dài are resting outside on a terrace overlooking a river. On the first ground is a flowered antique blue and white porcelain vase with a fruit dish next to it. On the second and third grounds are the two ladies, the first one resting against an opium bed, the second one against a garden stool. In the background is a river with sampan boats. They are enjoying a quiet autumn evening outdoors. They are similar both by the color of their clothes and by their positions in the composition with the two women depicted by the same artist on a painting sold at SOTHEBY’S Singapore, 2004-04-04, lot 193. 3. Currently, his works are preserved in several public collections such as the Singapore Museum of Arts, the Singapore Vietnam Heritage Foundation and the Singapore Emerald Hill Gallery. His record price at auction was achieved by SOTHEBY’S Hong Kong, China, 2020-10-06, lot 264, sold for €35,060. NGUYỄN PHƯỚC (VIỆT NAM, SINH NĂM 1943) TRƯỜNG MỸ THUẬT ỨNG DỤNG SÀI GÒN (1960) TRƯỜNG ĐẠI HỌC MỸ THUẬT QUỐC GIA CỦA THÀNH PHỐ HỒ CHÍ MINH “Buổi tối mùa thu” 2002 Tranh vải dầu Được ký ở góc dưới bên trái Có con dấu họa sĩ ở góc dưới bên trái Đề ngày ở góc dưới bên trái: “02” Được đóng khung 81 x 77 cm Xuất xứ: Một bộ sưu tập tư nhân của Nghệ thuật Việt Nam, French Riviera, Pháp. Lưu ý quan trọng đối với các nhà đấu giá tiềm năng: Tác phẩm này đã được chứng thực bởi chính họa sĩ (www.nguyenphuoc.com. Người đấu giá thành công sẽ được cung cấp một giấy chứng nhận tranh thật có số sê-ri #US-02-032 trùng khớp với số ghi trên khung căng vải, mặt sau của bức tranh. Ghi chú: 1. Sinh ra tại Sài Gòn, Việt Nam, Nguyễn Phước bắt đầu vẽ tranh từ khi còn là một thiếu niên và sau đó tốt nghiệp Trường Mỹ thuật Ứng dụng Sài Gòn (1960) và Đại học Mỹ thuật Quốc gia (cũng tại Sài Gòn, 1965). Sau đó ông đã định cư tại Minnesota, Hoa Kỳ. 2. Là một nghệ sĩ sâu sắc và tận tâm, Nguyễn Phước luôn dành nhiều tâm huyết cho những tác phẩm của ông, được thực hiện một cách tỉ mỉ trên khổ lớn bởi một bàn tay bền bỉ. Các tác phẩm của ông có chủ đề phong phú, sử dụng một bảng màu phong phú. Người nghệ sĩ cố tình bỏ qua các quy tắc của phối cảnh cổ điển. Đối tượng chính trong những bức tranh của ông bao gồm miêu tả phụ nữ và tĩnh vật. Bức tranh của chúng tôi là sự kết hợp hoàn hảo của cả hai. Hai người phụ nữ Việt Nam xinh đẹp mặc áo dài đang nằm nghỉ ngơi trên sân thượng nhìn ra sông. Ở tầng một là một chiếc bình sứ cổ màu xanh trắng in hình hoa với một đĩa hoa quả bên cạnh. Ở tầng hai và ba là hai người phụ nữ, người đầu tiên nằm nghỉ dựa vào giường thuốc phiện, người thứ hai tựa vào chiếc ghế đẩu. Ở cảnh nền là một dòng sông với những chiếc thuyền tam bản. Họ đang tận hưởng một buổi tối mùa thu yên tĩnh ngoài trời. Họ giống nhau cả về màu sắc quần áo và vị trí của họ trong bố cục với hai người phụ nữ được miêu tả bởi cùng một họa sĩ trong một bức tranh được bán tại SOTHEBY'S Singapore, 04-04-2004, lô số 193. 3. Hiện tại, các tác phẩm của ông được lưu giữ trong một số bộ sưu tập công cộng như Bảo tàng Nghệ thuật Singapore, Quỹ Di sản Việt Nam Singapore và Nhà Triển lãm Emerald Hill Singapore. Giá kỷ lục của ông tại cuộc đấu giá là €35.060 đạt được bởi SOTHEBY'S Hồng Kông, Trung Quốc, 06-10-2020, lô 264. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

AN ENAMELLED 'BLOSSOM TREE' DISH, 18TH CENTURYChina. Painted in emerald green, apple green, aubergine, blue, and lemon yellow, with iron-red and gilt details, depicting a tree with magnolia and peony blossoms, the rim with an underglaze blue line and the lip glazed in cafe au lait, two flower branches to the exterior. Provenance: From the collection of Karl Emil Strømstad. Old label to base, 'Strømstad 451'. Karl Emil Strømstad was an important Norwegian collector of Chinese ceramics. He has written numerous articles on the subject, including 'Fifty Shades of Green. Den fascinerende celadonkeramikken', and co-founded the Oriental Ceramic Society of Norway (NSOK). A large part of his collection, which he built from the 1960s onwards, was acquired in London. Condition: Good condition with only minor old wear, shallow surface scratches, mostly to the gilt, some manufacturing irregularities such as kiln grit, pitting, and dark spots. The dish slightly warped.Weight: 834 g Dimensions: Diameter 30.2 cm十八世紀琺琅彩花卉紋盤中國。盤中開光精美描繪一棵鮮花盛開的樹，木蘭與牡丹，釉彩鮮亮，不同綠色以及藍色、黃色、汎紅以及描金。盤邊沿醬色釉。 來源: Karl Emil Strømstad收藏，底部可見一個標籤 “Strømstad 451“。Karl Emil Strømstad是挪威重要的中國陶瓷收藏家。他寫了許多關於中國陶瓷的文章，如《Fifty Shades of Green-Den fascinerende celadonkeramikken》，並協助創立了挪威東方陶瓷協會 (NSOK)。他1960 年代開始收集的大部分藏品收購於倫敦。 品相: 狀況良好，輕微磨損，表面劃痕較淺，主要在鎏金部分，部分製造不規則如窯砂與黑點等。盤子微微翹曲。 重量: 834 克 尺寸: 直徑30.2 厘米

A JADEITE 'LOTUS' BRUSH WASHER, REPUBLIC PERIODChina, 1912-1949. Carved as a single lotus leaf resting on its stem, a branch with buds to the interior. The translucent stone of cloudy white color with subtle pale lavender tones and emerald-green inclusions as well as an opaque ochre patch.Condition: Good with minor wear, three tiny chips to exposed areas. Provenance: French private collection. Weight: 142 g Dimensions: Length 14.5 cm

A FIVE-COLOR OVERLAY SNUFF BOTTLE, QINGChina, Qing dynasty (1644-1912). The flattened ovoid sides rising from a short foot to a waisted neck, the opaque white glass bottle is carved through layers of pale yellow, dusky pink, ruby red, sapphire blue, and emerald green, depicting blossoming branches.Provenance: English private collection.Condition: Good condition, nibbling to the upper rim, a chip to the overlay, and manufacturing flaws.Weight: 58.1 gDimensions: Height 5.8 cm

AN INDIAN MINIATURE PAINTING OF A MUGHAL COURTIERMughal India, 17th-18th century. Ink, watercolors, and gold on wasli. The courtier standing in a palace terrace, wearing a white jama with gold hems and details, adorned with beaded and emerald-set jewelry, holding his cane in one hand and a flower in the other, the elaborate headdress crowned by a feather, the face with a fine expression. The lower margin with an old inscription.Provenance: From the collection of Karl Stirner, and thence by descent. Karl Stirner (1923-2016) was a German-born American sculptor known internationally for his metalwork. His art has been shown at the Museum of Modern Art in New York, the Pennsylvania Academy of Fine Arts, the Philadelphia Museum of Art, the Corcoran Gallery, the La Jolla Museum of Contemporary Art, the James A. Michener Art Museum, the Grounds for Sculpture in Hamilton, New Jersey, and the Delaware Art Museum, among other places.Condition: Good condition with minor wear, soiling, water stains, possibly microscopic touchups.Dimensions: Image size 20.5 x 13 cm, total size 33.5 x 23.5 cm (including frame). Framed behind glass.Auction result comparison: Compare a related Mughal portrait of Baqir Khan, dated circa 1635, at Sotheby's London in The Khosrovani-Diba Collection on 19 October 2016, lot 6, sold for GBP 50,000. Compare also a related Mughal portrait of a nobleman, dated circa 1780, at Christie's New York in Indian and Southeast Asian Art on 17 September 2003, lot 128, sold for USD 5,975.

An early 20th century emerald and diamond ring, the central rectangular step cut emerald measuring 5mm x 3.5mm, with a border surround of single cut diamonds, continuing to diamond set split shoulders, all set in white metal with a plain polished yellow metal band (unmarked), ring size O 1/2, weight 3.8gmsCR: Central emerald in good order, no cracks, chips or losses. General scratching and wear commensurate with age and use. All diamonds are present - a few have small chips and nibbles, but the majority are in goo order, showing general scratching and wear commensurate with age and use. Some splitting to the gallery, some denting, scratching and wear commensurate with age and use to the gallery and setting - see pictures for illustration. Shank shows minor thinning, heavy scratching and wear to the exterior base, but no signs of splitting or repair. See pictures for illustration.  

A two-colour 9ct gold line bracelet, 19cm long, together with an Edwardian style diamond and emerald pendant, 45mm long, gross weight 5.6gms (2)

A Tahitian pearl and emerald 18ct gold cocktail ring, the central spherical pearl measuring 12.5cm diameter, set to stepped shoulders set with emerald cabochons, continuing to a reeded shank, applied pad to interior stamped '18ct', ring size H, weight 11.3gms

An Italian emerald and diamond 18ct gold ring, designed as a central rectangular step cut emerald measuring 7mm x 4.5mm, bezel set to an oval panel milgrain set with diamonds, continuing to a plain polished tapering 18ct gold shank, size O, weight 9.2gms

A COLLECTION OF NINE EMERALDSIndia, 20th century. Comprising of six rectangular cut stones with truncated corners in larger and smaller sizes, and three ovoid cut stones. One emerald of deep green tone, the others of lighter emerald-green hue.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Good condition, two stones with a minuscule chip to the rim, general wear, one stone with a natural fissure.Weight: 70 g (total)Dimensions: Length from 1.8 cm to 3.5 cm

A JADEITE 'LEAF AND GRAPES' BRUSH WASHER, LATE QING TO REPUBLIC PERIODChina, 1840-1940. Carved as young grapes on a vine leaf, the front and reverse with finely incised veins. The translucent jadeite is of a fine, grayish-white tone with distinct emerald-green streaks and faint russet veining. The raised grapes were likely designed to serve as a brush rest.Provenance: From a reputed French private collection.Condition: Superb condition with a few minuscule nicks to the rim. The stone with natural fissures.Weight: 76 g (excl. stand)Dimensions: Length 18.1 cm With a fitted wooden base, most likely of the same period. (2)清末民初翡翠葡萄筆洗中國，1840-1940年。小葡萄掛藤上，正面和背面雕刻都非常精緻，紋理清晰。翡翠半透明，呈細膩的灰白色，帶有明顯的翠綠色紋理和輕微的赤褐色脈紋。凸起的葡萄很可能可以用作筆擱。來源：法國私人收藏。 品相：狀況良好，邊緣有一些微小的刻痕。玉料有天然裂縫。 重量：76 克 (不含底座) 尺寸：長 18.1 厘米木底座，可能來自同一時期。(2)

Modern 9ct gold emerald and diamond cluster ring set with 17 small round cut emeralds and highlighted between with small single cut diamonds, size N

9ct gold, emerald and diamond ring, the centre oval emerald bezel set between small diamond set shoulders (4), size K

Emerald and diamond three stone ring, the square cut emerald 6mm square, flanked by two small diamonds, each in illusion settings, stamped 18ct and Pt, size K/L

9ct gold hallmarked emerald and diamond brooch/pendant, a floral garland open work design featuring seven graduated round cut emeralds and highlighted with 32 small diamonds, 30 x 25mm overall

Modern 9ct gold emerald and diamond cross over ring, the oval faceted emerald set between diamond set shoulders, stamped QVC, size L

Emerald and diamond three stone ring, the step cut emerald flanked by two round brilliant cut diamonds 0.15ct each approx, size O

An Austro-Hungarian silver gilt gemstone and enamel brooch, c.1900,with foiled quartz cabochon rub set to the centre of a white enamel quatrefoil with black dot decoration. Dispersed foiled cabochon emerald and foiled rubies and pearls to a pierced ground. 44 x 32mm, 17.65g, together with an Austro-Hungarian silver gilt brooch, set with foiled backed emeralds and baroque pearls with pendant drop, and purple and white enamel, 46 x 54mm, 16.89g (2) Later brooch fittings to both.Soft solder present.Scratches and marks consistent with their age. Visible inclusions to the naked eye.Surface reaching inclusion.Nacre damage.

An Arts & Crafts silver citrine and paste brooch, attributed to Bernard Instone, with an emerald cut citrine claw set to a silver wreath surround, with incised leaves, and an outer border of green baguette cut paste, with pin and safety catch. Tested as approximately silver with metal pin. 50 x 28mm, 20.44gMinor scratches to the citrine.Surface marks/scratches/tarnish to silver.A chip to one of the paste, and some nibbles/abrasions to some of the others.Pin very slightly bent.

A pair of seed pearl, emerald and diamond earrings, c.1930,with a seed pearl and rose cut diamond flower head cluster top. An articulated drop below, with three graduated old eight cut diamonds, all individually rub set in articulated collets, to an emerald cut emerald, suspended below, milligrain set in a yellow collet, to later post and butterfly fittings. Tested as approximately 9ct gold, 18ct gold and platinum. 24mm long, 2.52g (2)Condition ReportTarnished.Very dark to the post solder point. Gemstones bright and lively.One emerald abraded/scratched.The emeralds are set in 18ct yellow gold.The diamonds are set in platinum.The posts and butterflies are later replacements and are 9ct gold. 

A pair of emerald and diamond drop earrings, c.1930,with an emerald and diamond daisy cluster terminal. An octagonal step cut emerald, four claw set to a border of old brilliant cut diamonds, all milligrain set in white to a yellow gallery. The daisy cluster suspended from an articulated row of six graduated old brilliant cut diamonds, all milligrain set in white to yellow collets, to later post and French backs. Tested as approximately 18ct gold faced with platinum. 42mm long, cluster 15mm approximately, 8.53g (2)Later fittings.Diamonds bright and lively.Gemstones bright and lively.Surface reaching inclusions to the emeralds.

A two colour gold emerald, seed pearl and diamond brooch, c.1915-1925,with a square step cut emerald, milligrain set in a yellow collet at the centre. A lozenge shaped frame, milligrain set with rose cut diamonds, to an outer oval blade edge bar frame, peg set with seed pearls between old eight cut and old Swiss cut diamonds, with a pin and lever catch. Tested as approximately 18ct gold. 30 x 25mm, 5.69gThe milligrain setting very worn on the diamond to the outer hoop.Glue very yellow.Pin does not release very easily.

An Art Deco style sapphire and emerald plaque ring,mounted by Cartier. Three graduated oval mixed cut sapphires, rub set in a horizontal row, with three graduated, emerald cut and square cut emeralds, rub set above and below. A straight wire gallery to open shoulders with a plain shank. Signed Mtd Cartier. Tested as approximately 18ct gold. A Cartier case. Head 17.10 x 15.30mm, 4.69g.Finger size LCondition ReportLight surface marks commensurate with its age. DirtyMinor marks to the table or crown facet edges under 10x magnification.Gemstones bright and lively.It would be possible for a very good workship to size this ring up to size O.This would have been commissioned from Cartier, using the vendor's own gemstones, so mounted by Cartier, not by Cartier.Please view additional images. 

An odeonesque rose gold single stone citrine clip brooch, c.1940,with an emerald cut citrine, four claw set to a pierced collet. Arched, stepped ends, with a double pin. Tested as approximately 18ct gold. 45 x 26mm, 35.52gSlight bend to both pins.Light surface marks commensurate with its age. Gemstone moves in teh setting.

A pair of cabochon emerald and ruby spray earrings, c.1940,with a cushion shaped cabochon emerald, four claw set to a flower head border. A spray of flowers to one side, with faceted mixed cut rubies, claw set to the top, with clip fittings. Tested as approximately 14ct gold. 25mm wide, 19.85gLight surface marks to the mounts.Natural surface reaching inclusions to the emeralds.Obvious inclusions.

A graduated garnet set fringe necklace and garnet bracelet, c.1930,with a series of graduated emerald cut garnets, all four claw set in shallow collets, forming the centrepiece. Trace chain to each side with a bolt ring clasp and a matching bracelet with a concealed box clasp. Tested as approximately 9ct gold. Bracelet 183mm long, necklace 405mm long, 17.50gSome deficiencies in the dimensions and proportions of the cuts. There was possibly a figure of eight safety catch on the bracelet clasp.Minor marks to the table or crown facet edges under 10x magnification. Fairly rose gold in colour, the chain less so.

A pair of late Georgian, foiled emerald and diamond drop earrings,with an oval foiled, mixed cut emerald, surrounded by old eight cut diamonds to the top. A pair of old European cut diamonds in cut down collets suspended below, with a foil backed pear cut emerald surrounded by graduated cushion shaped old eight cut diamonds, in silver cut down collets, to a pierced and dome back settings. Later post and butterfly fittings. 35mm long, 7.43g (2)Tarnished.Soft solder to the later cup and post fittings.Later post and butterfly fittings.Under 10x magnification, some facet edge wear to the emeralds. Some surface reaching inclusions.Soft solder to the replacement fittings.

A Regency emerald and diamond cannetille gold cross,with six graduated emerald cut emeralds, spitch set in plain collets, with milled borders. Old Swiss cut diamonds, grain set between to fine twisted wire and cannetille bead and scroll clusters, with a moving bale. Tested as approximately 18ct gold. 43 x 29mm, 4.15gDirty.Minor deficiencies in the symmetrical aspect of the twisted wires.Jump ring slightly open.

A gold single stone green tourmaline ring, by Astral Gemstone Talismans, an emerald cut green tourmaline, approximately 9.50 x 7.70 x 5.70mm, rub set, to tapering shoulders with stepped ridged decoration, and a flat section shank with raised bars at the base. Marked RSB 1782, tested as approximately 18ct gold, 13.76g.Finger size LMinor surface marks/scratches to mount.

A white gold aquamarine, pink sapphire and diamond ring, a central cushion mixed cut aquamarine with a cheque cut crown and brilliant cut pavilion, approximately 8.15mm, claw set, to a hallow surround of round brilliant cut diamonds. An emerald cut pink sapphire claw set to each shoulder, to a plain polished shank. Marked K18WG, tested as approximately 18ct gold, 3.48g.Finger size L¼Surface reaching inclusions to some of the diamonds, and to one of the pink sapphires.No apparent damage or repairs.

An aquamarine and diamond rectangular cluster ring,with a central emerald cut aquamarine, four claw set at the cut corners. A border of brilliant cut diamond, in white cut down style collets, to a yellow pierced petal basket, chenier shoulders and a plain shank. Shank beads fitted. Marked 18ct. Head 17.74 x 15.10mm, 7.17g.Finger size N-O approximatelyDiamonds bright and lively.Mount - light surface marks commensurate with its age. Claw secure although very small amount of movement to the aquamarine.Minor nibble below the girdle.

A single stone aquamarine ring,with diamond set shoulders, with an emerald cut aquamarine, with a stated weight of 2.00ct, four claw set at the corners. The collet milligrain set with rows of brilliant cut diamonds, with split scroll shoulders, similarly set with diamonds, with pairs of diamonds, rub set to the scroll ends. A stated diamond weight of 0.27ct. Marked 18K. 4.84g.Finger size N½ LEUnworn condition.

A seven row graduated faceted sapphire, ruby and emerald bead necklace,2.80 to 5.00mm in size, strung plain to an adjustable, multi coloured cord back. 76.32gCondition ReportSurface reaching inclusions to some of the beads.Some of the stringing at the back is loose - please see additional images now on our website.

An 18ct white gold two stone emerald cut diamond crossover ring,with diamond set shoulders. Two emerald cut diamonds, each one four claw set in a plain collet, diagonally opposite each other, with a row of graduated brilliant cut diamonds claw set to one shoulder, and graduated baguette cut diamonds to the other, to a plain shank, London 1990. Head 9.80mm wide, 3.23g.Finger size I½Condition ReportLight surface marks commensurate with its age. Diamond bright and lively.The rhodium is slightly worn under 10x magnifcation and the underlying gold looks creamy/yelllow. Would benefit from re-rhodium plating.

A diamond and emerald spray style cocktail ring,with a brilliant cut diamond, four claw set at the centre. A spray of pear cut emeralds, all claw set to yellow collets, with white ribbon ties between, grain set with eight cut diamonds. Scattered brilliant cut and baguette cut diamonds, claw set in white between diamond set leaves. A stepped wire basket with split shoulders and a concave shank. Tested as approximately 18ct gold. Head 19.30 x 17.50mm, 6.22g.Finger size MLight surface marks commensurate with its age.Visible inclusions to the naked eye to the emerald. Surface reaching inclusions.Diamonds bright and lively.The of the settings feel sharp.

A diamond and emerald pear shaped cluster ring,with a kite cut diamond, with an estimated weight of approximately 0.70ct, claw set to the centre. A border of circular mixed cut emeralds, to an outer row of brilliant cut diamonds, all claw set to a straight wire gallery and open chenier shoulders to a plain shank. Marked PLAT. Head 14.35 x 13.80mm, 5.70g.Finger size NLight surface marks commensurate with its age.Diamonds bright and lively.Gemstones bright and lively.Kite slightly asymmetrical.

A white gold emerald and diamond cluster ring, an emerald cut emerald, claw set, to a diamond halo with pairs of brilliant cut diamonds at the corners and baguette cut diamonds bar set at the sides. Tapering shoulders with a row of graduated baguette cut diamonds at the centre, and row of brilliant cut diamonds above and below. To a tapered flat section shank. Marked 750, tested as approximately 18ct gold, 5.65g.Accompanied by a report from World Gemological Institute, with stated weights of: emerald 3.49ct, diamond 0.94ct totalFinger size OCondition ReportSurface reaching inclusions to the emerald.Diamonds are generally bright and lively. Surface reaching inclusions to some of the brilliant cut diamonds on the shoulders.No apparent damage or repairs.This is a modern ring, probably less than 10 years old.Does not appear to have been worn very often.

A pair of 18ct white gold emerald and diamond cluster earrings,an oval mixed cut emerald, with a stated total weight of 3.49ct, claw set to a halo surround of brilliant cut diamonds, with a stated total weight of 0.74ct. All claw set to a wire basket, with post and butterfly fittings. London. Cluster 12.80 x 10.90mm, 4.44g (2)Surface reaching inclusions to the emeralds.Diamonds are bright and lively. The colour varies.No apparent damage or repairs.

A single stone emerald ring with diamond set shoulders, by Colombian Emeralds International, c.2005,with an emerald cut emerald, with an estimated weight of approximately 2.33ct end set to a plain solid collet. Arched shoulders, each one end set with three baguette cut diamonds to ridged shoulders and a plain shank, with a brilliant cut diamond, Swiss set, to one side of the shank. Marked 18KT. Signed CEI, no. 8094. Head 14.70 x 9.80mm, 6.91g.The original receipt from Colombian Emeralds International and an appraisal available to view.Finger size NLight surface marks commensurate with its age.Gemstone bright and lively. Minor marks to the emerald under 10x magnification. Scratched to the side of the collet.

A pair of gold emerald and diamond drop earrings, an emerald cut emerald rub set to a plain collet, with a scroll frame grain set with rose cut diamonds, with eight cut diamond accents claw set to plain collets. An articulated surmount with a step cut emerald rub set to the centre of similar diamond set frame, and suspending an emerald and diamond drop, to hinged post and hinged omega fittings. Marked 800, Portuguese assay mark for Porto. 51mm long, 14.00g (2)Surface reaching inclusions to the emeralds, and to some of the diamonds.Minor surface marks/scratches to gold, and some tarnish in places.

A pair of emerald and diamond earrings,with a row of three oval mixed cut emeralds, claw set in a diagonal row, with open scrolls and a pair of brilliant cut diamonds, claw set to the centre edge, to post and butterfly fittings. Tested as approximately 14ct gold. Butterflies marked 750. 12.50 x 8.00mm, 3.21g (2)Gemstones bright and lively.Some noticible inclusions.Butterflies not original.

A pair of gold emerald and diamond cluster stud earrings, a pear mixed cut emerald with surround of brilliant cut diamonds, all claw set, to threaded post and screw fittings. Marked 18C, tested as approximately 18ct gold. Cluster 12 x 9mm, 4.48g (2)Surface reaching inclusions to the emeralds.

An 18ct two colour gold ruby and yellow sapphire band ring, an emerald cut ruby, rub set in landscape orientation, with a round mixed cut yellow sapphire at each side, all rub set to the slightly domed white gold band, with yellow gold raised guards, to a pierced finger guard and slightly tapered shank. London 2005. 9.80mm wide, 9.11g.Finger size M LEMinor surface marks/scratches to mount.There are no known weights for the gemstones in this ring. Setting precludes accurate measurement, but approximate dimensions of the ruby - 6.20 x 5.10mm -  depth not obtainable.Sapphires 4.70mm approximately 

A pair of butterscotch amber, diamond and emerald starfish drop earrings,with a relief starfish top. Lines of brilliant cut diamonds, to a pavé emerald set ground. A large amber pippin drop suspended below, with a pavé emerald set cap and trailing coils. Hinged post and omega fittings. All with a black rhodium finish. Tested as approximately sterling silver. 61mm drop, 40.71gSome scratches to the amber.Surface reaching inclusuions and fissures to some emeralds under 10X magnification. It's possible that some may be actual cracks, but they are too small to tell.

An emerald and diamond drawstring cord bracelet,with a 13.50mm bead centrepiece, pavé set with circular faceted emeralds, with a black rhodium finish. A white pavé diamond set roundel to each side, with a woven cord bracelet with semi baroque cultured Tahitian pearls and drawstring adjustable ends. 13.80gOne emerald deficient.Gemstones and diamonds bright and lively.

An emerald and diamond oval cluster ring,with an oval mixed cut emerald, claw set to the centre. A border of old European and cushion cut diamonds, all claw set in a white gallery to a scalloped yellow underbezel, knife edge shoulders and a plain shank. Marked indistinctly 18ct PT. Head 13.40 x 12.50mm, 3.04g.Finger size N¾Crown facet edge wear to the emerald.One diamond with a small chip to the girdle under 10X magnification.The claws have previousley been built up and are very think.Shank worn.

A late Victorian emerald and diamond marquise shaped cluster ring, by Alabaster & Wilson, c.1900,a cushion shaped mixed cut emerald, grain set to the centre, with a border of graduated, old cushion shaped, old Swiss cut and old eight cut diamonds, all claw set to a scalloped gallery, with split shoulders and a plain shank. Marked 18ct. Head 15.81 x 9.20mm, 3.20g.Finger size JUnder 10x magnification - very minor edge wear marks. Some claw tips thin or deficient.

A 14ct gold emerald five stone ring, size M CONDITION REPORT: 2.5g