We found 66009 price guide item(s) matching your search

An 18ct gold emerald and diamond cluster ring, with oval cut emerald 8.6mm x 6.6mm x 3.8mm, totalling approx 1.60cts, in claw setting, surrounded by ten round brilliant cut diamonds, each 3.2mm x 3.2mm x 2.8mm, totalling approx 1.50cts, in white fold basket setting, ring size N, 6.4g all in.

An emerald and diamond daisy style ring, the centre with oval cut emerald, surrounded by old cut diamonds, in floral cluster, with outer row of emeralds, the diamonds totalling approx 0.95cts, the emeralds 1.45cts overall, with three tiny diamond set shoulders, and scroll cast sides, white metal unmarked, platinum, ring size M½, 5.6g all in.

A 9ct gold dress ring, with central green emerald, with three CZ stones to each side, in claw setting, in a pierced open work basket, ring size I½, 1.7g all in.

Emerald set ring in yellow metal mount. Size I.(B.P. 21% + VAT)

18ct gold emerald and diamond cluster ring. Size O. Approximate weight 3.6 grams.(B.P. 21% + VAT)

Yellow metal emerald and diamond three stone ring. Size M. Weight 1.9 grams.(B.P. 21% + VAT)

A 9ct yellow gold and emerald ring, size L 1/2, together wit a 9ct yellow gold Claddagh ring, size M, and a silver gilt and CZ band ring, size N 1/2.

A platinum, diamond, and emerald ring set with a mixed oval-cut emerald of approximately 3.50 carats, flanked with two emerald-cut diamonds of approximately 0.40 carats combined, the shank stamped PLAT, size N 1/2, 7 grams.

A pair of diamond and emerald metamorphic bow earrings, the ribbon-work set with round brilliant cut diamonds within millegrain mounts, the centres with detachable single stone circilar cut emeralds; 1.9cm diam, 7.2 grams

A pair of 18ct yellow gold, diamond, and emerald earrings, of curved design, inset with emeralds and diamonds to centre, stem and clip fastens, 2.1 cm long.Together with copy of insurance valuation dated September 2020, stating retail replacement value as £1925Condition report: 11.8 grams

A pair of diamond and emerald cluster earrings, set with mixed oval-cut emeralds of approximately 5.0 carats combined, within borders of round brilliant-cut diamonds, set in yellow metal (unmarked, test as gold), 1.4 cm long, 6.2 grams.

An 18ct yellow gold, diamond, and emerald band ring enclosed set to centre with round-cut emeralds, between two rows of round-cut diamonds, size M 1/2.Condition report: 4.8 grams

An 18ct yellow gold, diamond, and emerald cluster ring, set with a mixed oval-cut emerald, approximately 6 x 5 mm, within a scalloped border of round-cut diamonds, size N, 3.8 grams.

A yellow metal, diamond, and emerald pendant, set with a mixed pear-cut emerald within a border of rubover set small round-cut diamonds, shank unmarked, 2 cm long, 4.3 grams.

An emerald and diamond cluster ring, the oval cut emerald, in four claw mount within a border of briliant cut diamonds to plain 18ct white gold shank. size J, 6gCondition report: The emerald of good colour, two small chips to the girdle and some surface scratching and scuffling, inclusions throughout

An aquamarine and diamond ring, set with an emerald-cut aquamarine, measuring approximately 9 x 11 mm, flanked with stepped rectangular shoulders inset with round brilliant-cut diamonds, white metal shank unmarked (tests as gold), size O, 6.4 grams.

Three rings, one old cut diamond ring, with diamond set shoulders, mounted in 18 ct and platinum, ring size N, another antique pearl and emerald ring, mount testing as 18 ct and a blue zircon ring, stamped 9 ct, size N 1/2 18 ct gross weight 4.4 grams9 ct weight 1.7 gramsAntique pearl and emerald ring is missing two pearls, two of the emeralds have chips and shank is split with a small section missingzircon ring top facets are rubbed

Six loose emeralds, including emerald cut emerald, estimated weight 1.63 carats, another similar, estimated weight 1.65 carats, a octagonal cut, 0.95 carats and three oval cuts All gemstone have light chips to surfaceOne emerald cut measuring approximately 9.6 x 6.3 x 3.6mmOther emerald cut measuring approximately 7.4 x 5.8 x 5.1mmOctagonal cut emerald 6.3 x 6.s x 3.2 mmOne oval cut measures approximately 8 x 6.9 x 38mm, estimated weight 1.21 caratssecond oval cut measures approximately 8.5 x 6.4 x 4.3mm, estimate weight 1.34 caratsThird oval cut measures approximately 81 x 5.6 x 3.4mm, estimated weight 0.88 carats

Emerald and diamond ring, square step cut emerald set at an angle to form a diamond, weighing an estimated 1.65 carats double claw set at each corner, flanked by four diamonds, engraved leaf detail to shoulders, tests as 9 ct, ring size L 1/2 Gross weight 3.2 gramsOne diamond damaged by claw settingemerald has scratches to top surface and two small chips

Late Victorian old cut diamond and sapphire set ring, hallmarked Birmingham 1899, mounted in 18 ct, ring size N, an oval cut emerald ring, stamped for 14 ct, size M, a blue topaz ring with diamond set shoulders, size O and a sodalite and blue topaz ring, size Q, both in hallmarked 9 ct 18 ct gross weight 2.2 grams. 14 ct gross weight 3.7 grams9 ct gross weight 5.1 gramsOld cut diamond and sapphire ring - some claws worn, other claws have been replaced

Emerald and diamond bangle, comprising a channel set line of graduated emerald cut emeralds, weighing an estimated total of 3.65 carats, bordered by round brilliant cut diamonds, weighing an estimated total of 1.20 carats, with a rectangular pierced under gallery, stamped and tested as 18 ct, hinged bangle with a push-release clasp with figure-of-eight safety catch Gross weight 31.8 gramsClasp and safety catch secure.Internal dimensions 5.8 x 5cm.External dimensions 6.4 x 5.6cmInside circumference approximately 17 cm

Emerald and pearl rectangular cluster ring, baguette cut emerald, weighing an estimated 0.95 carat, surrounded by a border of 2-2.5mm pearls, split shoulders to mount, tests as 14 ct, ring size P Gross weight 4.0 gramsChips to surface of emeraldTop layer of nacre chipped off pearl in one corner

Modern ring, set with an oval cabochon cut emerald, ring size K, stamped 14 ct, with a sapphire and diamond set bracelet, mounted in gilt metal, multi-coloured titanium necklace, a quartz and paste necklace in stamped silver, a multi-stone emerald necklace in silver, labradorite necklaces, a tigers eye necklace, an agate bead necklace and blue hard stone bead bracelet a base metal pendant on cord and a base metal and a green paste ring, size R 1/2 Titanium necklace 42cm in length with 4cm pendant drop. Titanium gross weight 6.1 grams. Silver gross weight 19.2 grams. 14ct gross weight 7.06 grams

Contemporary emerald ring, rub over set rectangular step cut emerald, estimated weight 2.77 carats, mounted in 18 ct yellow gold, ring size P Gross weight 16.6 gramsOne side of shank is slight indentedLight scratches to metals surfaceEmerald measures approximately 10.7 x 7.0 x 4.9 mm

Two smoky quartz cocktail rings, one set with an emerald cut smoky quartz weighing an estimated 31.78 carats, hallmarked London 1971, the other set with an oval smoky quartz weighing an estimated 27.42 carats, hallmarked London 1977, both in 9 ct, both ring size Q Gross weight approximately 22.11 gramsBoth Smokey quartz have scratches to top surface of stones and small chips to girdlesOval Smokey quartz is loose in setting Emerald cut Smokey quartz makers mark SU

Antique diamond, emerald and pearl pendant with central portrait of a Georgian lady, and a diamond set dress stud, both stamped 18 ct, a bar brooch with monogram and crown testing as 18 ct, 1930's ruby and diamond bar brooch testing as 14 ct, and aquamarine and seed pearl brooch stamped 9 ct 18 ct gross weight 14.5 grams. 14 ct gross weight 3.2 grams. 9 ct gross weight 4.0 grams

Loose oval cabochon cut opal, 11 x 9 x 3mm, and oval cut emerald, estimated weight 3.42 carats Emerald measures approximately 10.9 x 8.6 x 6.3mm, has very small chips to surface

A DIAMOND, PEARL, RUBY AND EMERALD COCKTAIL RING, CIRCA 1960 The baroque pearl trapped within three talons of a dragon's claw, entwinned a by a snake decorated with a brilliant-cut diamond body and cabochon rubies for eyes, to a textured gold mount accented with four circular-cut emeralds, mounted in 18K gold, diamonds approximately 0.80ct total, ring size L While the subject is still open for debate, the majority of sources conclude that the 'ball & claw' design first appeared in China. With the expansion of trade during the 17th and 18th centuries, marvels from the east flooded into the European market and many designers assumed artistic affectations in order to emulate Chinese works. Thus, we see the ball and claw being integrated into several facets of European design. In China, the motif is depicted as a dragon gripping a ball derived of crystal, pearl or other precious material. In Chinese mythology, the dragon is symbolic of the emperor, with a ball being representative of purity and wisdom. By grasping these traits in his talons, the emperor swears to uphold these ideals and to protect them from evil forces which would otherwise bring destruction.

A LARGE JADEITE JADE, RUBY AND EMERALD PENDANT Composed of a large engraved colourless jadeite jade with inscriptions, framed by two textured gold dragons with cabochon emeralds for eyes and two cabochon ruby accents, mounted in 18K gold, French assay marks, maker's mark 'BJ', length 7cm Four-word phrases are popular within Chinese culture and have been used for the last three thousand years. With each word carrying just one syllable, there is a delight in conjuring enchanting imagery and complex thoughts in four simple sounds. Inscribed on this pendant are the words 'quang jin pei yu', which literally means 'the clanking of gold and the wearing of jade'. Reading further into this, the phrase denotes wealth and beauty, wishing these attributes on the wearer. This collection of words occurs frequently in the poetry of the Tang and Sung dynasties and is easily recognised by those with an understanding of the language.

A PAIR OF EMERALD AND DIAMOND EARRINGS, CIRCA 1960 Each rectangular-cut emerald within a surround of marquise, tapered baguette and brilliant-cut diamonds, mounted in gold, diamonds approximately 1.70cts total, length 1.8cm

AN EMERALD AND DIAMOND PENDANT ON CHAIN The central square-cut emerald weighing approximately 1.50cts within a brilliant-cut diamond frame, suspending from a cable-link chain with two similarly-cut diamond accents between the pendant, the clasp with heart-shaped plaque pendant on terminal, mounted in 18K gold, chain length 40.8cm

AN EMERALD AND DIAMOND CLUSTER RING The cut-cornered rectangular-cut emerald weighing approximately 2.70cts, within a brilliant-cut diamond surround, mounted in 18K gold, diamonds approximately 1.00ct total, French assay mark, maker's mark, ring size K¾

AN EMERALD AND DIAMOND BRACELET, 1960 Designed as a row of rectangular-cut emeralds, within a geometric surround set with brilliant and baguette-cut diamonds, mounted in platinum, diamonds approximately 10cts total, length 18cm

AN EMERALD AND DIAMOND BALLERINA PENDANT/COCKTAIL RING, CIRCA 1960 The rectangular-cut emerald weighing approximately 2.80cts within a double four-claw setting, framed by brilliant-cut diamonds, to a further undulating surround of tapered baguette-cut diamonds, diamonds approximately 3.00cts, with mechanism to convert into a ring and a pendant, ring band in platinum, pendant length 2cm, ring size M, chain length 41cm

A FINE GEM-SET AND DIAMOND BRACELET, BY FRED PARIS, CIRCA 1970 - 1980 Of articulated design, composed of four large openwork bombé links set with alternating sapphire, ruby and emerald cabochons highlighted with brilliant-cut diamonds throughout with textured gold detail, mounted in 18K gold, diamonds approximately 10.00cts, signed Fred Paris, with maker's mark 'AV' for André Vassort, French assay marks, with maker's case, length 17cm Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. n 1995 FRED joined the Moet Hennessy Louis Vuitton LVMH group. In the secluded streets of Paris, shadowed by the celebrity of the great jewellery maisons of France, work the craftsmen whose talents satisfy the constant appetite for glamour. In December 1955, at 34 rue Sainte Anne, André Vassort registered his atelier and soon became one of the most sought-after jewellers in France. He was quickly employed by names such as Boucheron, Van Cleef and Arpels, Mauboussin and FRED. His work adorned their most discerning clients and he became a favourite in carrying out special commissions. Of particular note was the crown that he created under Van Cleef and Arpels for Empress Farah of Iran. Taking six months to complete, the magnificent piece is iridescent with diamonds, emeralds, rubies and pearls, mounted in white gold and set against a backdrop of forest-green velvet. Vassort specialised in working with gold, drawn to the warmth and texture that could be coaxed from the metal, however, he did not shy away from other materials. His understanding of gemstones allowed him to create bold and colourful pieces, exemplified in this lot. Working anonymously for larger houses, a large portion of Vassort's work is unsigned, but, here, we are gifted with his maker's mark 'AV'. When André Vassort closed his workshop in the early 1990s, his name and work were revered within the jewellery industry and his pieces had become synonymous with enduring quality.

A FINE GEM-SET AND DIAMOND PENDANT/BROOCH, BY FRED PARIS, CIRCA 1975 -1980 Designed as a stylised present bow, centring a ruby cabochon within a surround of brilliant-cut diamonds, the ribbons of openwork decorated with alternating sapphire, emerald and ruby cabochons with brilliant-cut diamond highlights throughout, mounted in 18K gold, diamonds approximately 6.00cts total, signed Fred Paris, with maker's marks for André Vassort (partially rubbed), French assay marks, with brooch and pendant fitting, length 6.4cm Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. n 1995 FRED joined the Moet Hennessy Louis Vuitton LVMH group. In the secluded streets of Paris, shadowed by the celebrity of the great jewellery maisons of France, work the craftsmen whose talents feed the ever-hungry mouths of glamour. In December 1955, at 34 rue Sainte Anne, André Vassort registered his atelier and soon became one of the most sought-after jewellers in France. He was quickly employed by names such as Boucheron, Van Cleef and Arpels, Mauboussin and FRED. His work adorned their most discerning clients and he became a favourite in carrying out special commissions. Of particular note was the crown that he created under Van Cleef and Arpels for Empress Farah of Iran. Taking six months to complete, the magnificent piece is iridescent with diamonds, emeralds, rubies and pearls, mounted in white gold and set against a backdrop of forest-green velvet. Vassort specialised in working with gold, drawn to the warmth and texture that could be coaxed from the metal, however, he did not shy away from other materials. His understanding of gemstones allowed him to create bold and colourful pieces, such as the current lot. Working anonymously for larger houses, a large portion of Vassort's work is unsigned, but, here, we are gifted with his maker's mark 'AV'. When André Vassort closed his workshop in the early 1990s, his name and work were revered within the jewellery industry and his pieces had become synonymous with enduring quality.

AN IMPORTANT EMERALD, CULTURED PEARL, SAPPHIRE AND ONYX SAUTOIR NECKLACE Designed as a cultured pearl tassel highlighted with emerald bead and brilliant-cut diamond terminals, with pierced pavé-set brilliant-cut diamond and onyx cap, surmounted by emerald beads embellished with further similarly-cut diamonds and onyx detail, suspending from a cable-link chain interspersed with further emerald beads and circular-cut colourless sapphires, mounted in 18K gold, pendant length 19.8cm, necklace length 68.4cm

AN EMERALD FIVE-STONE RING Set with a graduated row of oval-shaped emeralds with claw-setting, to a scrollwork gallery, mounted in gold, ring size P½

A LARGE OPAL, EMERALD AND DIAMOND COCKTAIL RING The central oval-shaped opal weighing 29.15cts within collet-setting, pavé-set with brilliant-cut diamonds throughout accented by oval-shaped cabochon emeralds, mounted in 18K gold, diamonds 6.45cts total, emeralds 4.75cts total, ring size P

Suite of silver, emerald and pearl jewellery, to include necklace, earrings and ring (4)

AN EMERALD AND BAROQUE PEARL NECKLACE, designed as a series of alternating graduated emerald beads and baroque pearls, with possibly later clasp stamped '9c', (pearls untested for origin), length 86cm Condition report: A 6cm section of the necklace has broken away to the front of the necklace and will require solder repairs to both ends. The emerald beads vary in shape and are heavily included with multiple fracture, fissure and mineral inclusions, giving a translucent appearance, and some of the fractures are surface-reaching. The emeralds have slightly variable light to mid bluish and yellowish-green hues and vary in size from approximately 10.5mm to 6mm in length. All have surface wear, chips, fractures and scuffs. The baroque pearls are untested as natural/cultured/freshwater and all have an uneven appearance, with ripples, pitting, creases and fractures to the nacre surface. The connecting wirework links are thin and have kinks, occasional solder repairs or breaks. The jump rings are not soldered and the clasp is functioning. Metal standard is untested. Gross weight approx. 21gm.

TWO DIAMOND SET RINGS, the first an emerald and diamond dress ring, 18ct gold mounted, the second a diamond half hoop ring, 9ct gold mounted, both rings size I½ (2)

A COLLECTION OF JEWELLERY, comprising a diamond single stone ring, 9ct gold mounted, an emerald and diamond half hoop ring, 18ct gold mounted, (one white stone later replaced), an amethyst single stone ring, stamped '9ct', two cabochon set rings, a signet ring, a white stone full hoop ring, two locket pendants and a chain, first ring size L (10) Approx. gross weights only: emerald & diamond ring 1.6gm, diamond single stone ring 1.1gm, signet ring 2.7gm, other rings combined 10.1gm

AN EMERALD AND DIAMOND CLUSTER RING, the octagonal step-cut emerald claw set within a border of round brilliant-cut diamonds, two colour precious metal mounted, indistinctly stamped '18ct', total diamond weight approximately 0.40ct, ring size M½ Condition report: The emerald has a light green hue and contains fracture, fissure and needle-like inclusions, with surface wear and small chips to facet edges and the girdle. The emerald measures approx. 7.5mm length x 6.7mm width x 5.2mm depth. Diamonds have variable colour and clarity but give an overall lively appearance, some stones containing dark mineral inclusions, estimated SI1 to P3 clarity and H to K colour, assessed mounted. The ring mount has general surface wear, patchy tarnishing and the shank has been re-sized. Setting measures approx. 1.3cm length x 1.15cm width. Metal standard is untested. Gross weight approx. 4.2gm.

A VARI GEM-SET DRESS RING, modelled as three entwined flowerheads, individually centred with a round brilliant-cut diamond, a circular mixed-cut ruby and a circular mixed-cut emerald, between foliate shoulders, two colour precious metal mounted, stamped '18ct', diamond weight approximately 0.12ct, ring size O

A PAIR OF EMERALD, PEARL AND DIAMOND CLUSTER EAR STUDS, on post fittings, stamped '18ct', (pearls untested for origin), and a pair of cultured pearl and diamond ear studs, on later post fittings, first ear studs length 0.95cm (2)

A DIAMOND AND VARI GEM-SET 'REGARD' LOCKET PENDANT, circa 1830-40, the circular hinged locket applied with a cannetille work panel modelled as a sunburst, highlighted with cushion-shaped gemstones and a central diamond, each in a wirework cluster, to include ruby, emerald and amethyst, opening to reveal a glazed hairwork compartment, on a later fancy-link chain with clasp stamped '15', pendant length 3.7cm, chain length 40cm Condition report: There is a small split to the edge of the locket mount, near to the loop fitting. The emerald is chipped and fractured. Remaining gemstones have surface wear, scuffs and nicks. The beads and mount have areas of porosity and staining/tarnishing, and there are occasional small dark solder joins/repairs to the cannetille decoration. The pendant mount and decoration have surface wear, scuffs, nicks and scratches throughout. Dust and dirt residue is trapped beneath the cannetille decoration and this may require professional cleaning. The locket hinge is functioning and opens/closes fairly tightly. The interior glazed panel has surface wear and dust/dirt residue to the hairwork compartment. Metal standard is untested. The later chain has general surface wear and the clasp is functioning. Gross pendant weight approx. 13.1gm, gross chain weight approx. 4.2gm. 

A DIAMOND HALF HOOP RING, the line of uniform round brilliant-cut diamonds in channel setting, 18ct gold mounted, together with an emerald and diamond three stone ring, also 18ct gold mounted, first ring total diamond weight approximately 0.30ct, size approximately S (2) Condition report - Half hoop ring: Diamonds are mostly well matched, bright and lively to the naked eye, estimated SI1 to P1 clarity and H to J colour, assessed mounted. The ring mount has a split to the back of the shank, general surface wear throughout, and has been enlarged in size. The setting requires a comprehensive clean. Gross weight approx. 3.3gm. Emerald ring: The emerald is heavily included with dark mineral, fracture and fissure inclusions. Some of the fractures are surface-reaching, and the emerald has chips and scuffs to the surface. Diamonds are well matched and fairly bright. The ring mount has a split to the back of the shank, general surface wear throughout, and has been possibly been re-sized. Gross weight approx. 2.3gm.

AN EMERALD AND DIAMOND PANEL RING, the octagonal step-cut emerald millegrain collet set within a border of single-cut diamonds, between similarly cut diamond set tapered shoulders, white precious metal mounted, stamped 'Plat', total diamond weight approximately 0.20ct, ring size P Condition report: The emerald has a mid-green hue and contains a central iridescent fracture inclusion, with further small fissures/fractures and mineral inclusions visible under close inspection. Some of the fractures are surface-reaching and the emerald has multiple small chips, nicks and scuffs to the surface. The emerald measures approx. 5.3mm length x 4.6mm width x 3mm depth. Diamonds are mostly well matched, fairly bright and lively, some stones with chips and fractures, estimated VS2 to P2 clarity and H to J colour, assessed mounted. The mount has surface wear throughout, some thinning to the edges of the setting, and solder joins to the shoulders and back of the shank. The shank has worn thin to the back and may have been replaced. Length of central panel approx. 0.9mm. Metal standard is untested. Gross weight approx. 2.6gm.

THREE DRESS RINGS, comprising an emerald and ruby cluster ring, stamped '18ct', an amethyst single stone ring, 9ct gold mounted, and a panel ring, also 9ct gold mounted, first ring size M (3)

AN EMERALD AND DIAMOND CLUSTER RING, the rectangular step-cut emerald claw set within a border of old-cut diamonds, between pierced and tapered diamond set shoulders, two colour precious metal mounted, total diamond weight approximately 0.60ct, ring size M½ Condition report: The emerald has a light green hue and contains fracture, fissure and small mineral inclusions. Some of the fractures are surface-reaching. The emerald has scuffs and scratches throughout and chips/nicks to facet edges, and measures approx. 6.2cm length x 5.4mm width x 3.2mm depth. The outline of the emerald is slightly irregular. Diamonds are well matched, bright and lively, occasional stones with small surface-reaching fractures, estimated VS2 to SI3 clarity and H to K colour, assessed mounted. The ring mount has surface wear, patchy rubbing to the tips of the claws and some of the claws may require re-tipping. The shoulders and back of the shank have solder joins. The setting measures approx. 12.5mm length x 11.5mm width. Metal standard is untested. Gross weight approx. 3gm.

A SYNTHETIC EMERALD CRYSTAL BROOCH/PENDANT, the abstract navette-shaped panel decorated with pierced hoops and beads, centred with a synthetic emerald crystal cluster, 18ct gold mounted, maker's mark GGM, length 7.7cm Condition report: Scuffs, scratches, nicks and patchy tarnishing to mount, clasp is functioning, marks are clearly struck. Surface wear, fractures and powdered residue to crystals. Gross weight approx. 30.9gm.

AN EMERALD AND DIAMOND THREE STONE RING, the square step-cut emerald claw set between two old brilliant-cut diamonds, two colour precious metal mounted, with scroll pierced gallery, total diamond weight approximately 0.50ct, ring size P Condition report: The emerald has a large chip to one corner and a further chip to another corner. There are smaller chips/nicks to facet edges, surface-reaching fractures and scuffs/scratches to the surface of the stone. The emerald contains natural inclusions that are just visible to the unaided eye but has general good transparency and a mid-green hue, measuring approx. 4.7mm length x 4.5mm width x 3.2mm depth. Diamonds are well matched, bright and lively, but both stones have nicks, chips and naturals to the girdles and surface-reaching fractures. Both diamonds have an off-round outline, each measures approx. 4.4mm in diameter. Estimated P1 to P2 clarity and H to J colour, assessed mounted. The ring mount is heavily worn. Some of the claws have been repaired and others may require re-tipping. The back of the shank is worn thin and has been re-sized. Metal standard is untested. Gross weight approx. 1.8gm.  

A PAIR OF EMERALD SET CUFFLINKS, each oval panel centred with a circular cabochon emerald in collet setting, on chain-link and torpedo fittings, 15ct gold mounted, with Birmingham hallmarks, panel length 1.95cm Condition report: The cufflinks have surface wear, scuffs and nicks throughout, commensurate for use, with heavier scuffs and chips to the chain fittings. One cufflinks is stamped ‘J.F.B’ to the panel and has a rubbed stamp to the torpedo, possibly ‘HH&S’. The torpedos are hollow and have very fine seams to the side. One torpedo has a small shallow dent. Hallmarks have patchy wear. The emerald cabochons ate heavily included with fractures and fissures and have surface wear, each measures approx. 3.5mm in diameter. Gross weight approx. 6gm.  

AN EMERALD AND DIAMOND HALF HOOP RING, the graduated oval mixed-cut emeralds spaced by pairs of single-cut diamonds, above a scrolled gallery, yellow precious metal mounted, stamped '18ct', ring size M Condition report: Emeralds are heavily included with minerals, fractures and fissures and some of the fractures are surface-reaching. The emeralds have numerous chips and scuffs and one of the outer stones has a fracture running across the width of the stone. Diamonds are also chipped and fractured. The mount has general surface wear, chips and scuffs throughout, patchy thinning to the edges of the setting and the shank has been re-sized. Metal standard is untested. Gross weight approx. 6.1gm.  

AN EMERALD AND DIAMOND HALF HOOP RING, designed as two rows of circular mixed-cut emeralds and round brilliant-cut diamonds in claw settings, white precious metal mounted, with Portuguese marks, total diamond weight approximately 0.30ct, ring size P

A COLLECTION OF JEWELLERY, comprising an oval shell cameo ring, 9ct gold mounted, an emerald and diamond half hoop ring, 9ct gold mounted, two 9ct gold wedding bands, a 9ct two colour gold twisted band ring, two white stone set rings, and a pair of ear hoops, first ring size O (8) Approx. gross weights only: cameo ring 5gm, emerald ring 2gm, 9ct wedding bands 7.5gm combined, single stone ring 2.1gm, full hoop ring 1.3gm, twisted band 2.6gm, ear hoops 3.5gm

AN EMERALD AND DIAMOND CLUSTER RING, the pear-shaped mixed-cut emerald collet set within a border of rose-cut diamonds, two colour precious metal mounted, ring size M½

A PAIR OF JADEITE AND AND 'EMERALD' FLOWER EARRINGS, in a 9ct yellow gold setting, another similar pair of jadeite drop earrings and a jadeite pendant (5)

AN 'EMERALD' 9CT YELLOW GOLD RING, and four other dress rings, including a paste half eternity ring (total weight: 19.65 grams) (5)