Gold necklace and pendant, 585/000, with blue topaz and diamond. Fine gourmet necklace with a rectangular contoured pendant with a large blue topaz with an emerald cut. Above and below the blue topaz is a horizontally placed blue topaz and on both sides of the large topaz is an edge with singlecut cut diamonds. Large pendant 12x17.5mm. length necklace 45-50 cm. about 5.3 grams. In good condition
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Silver choker, 925/000, with emerald and marquise. Silver twisted necklace with a silver element in the center decorated with curls and floral decor set with emeralds and marquesite stones. At the bottom of the element hangs a pear-shaped freshwater pearl. length 45 cm. about 10.5 grams. In good condition
A collection of silver jewellery to include a large polished stone cabochon, aa amethyst stone drop pendant, a pendant in the manner of Suarti, a blue faceted stone pendant, a playboy bunny pendant set with white stones and two still rings, one having a green emerald cut stone in a claw setting. Large pendant measures 8cm x 5cm. Rings size L & R. Large agate pendant measures 34.8g. Other pieces measure 28g. Total weight 62.8g.
A 14ct gold sapphire, ruby, emerald and diamond ring. The tutti fruitti ring set with three oval cabochons to the centre with diamond accent stones set to the head and shoulders. Marked 14k. Weight 5.3g. Size O. Emerald measures 5.9 x 4.3 x 3.4mm, ruby measures 5.7 x 3.7 x 2.6mm, sapphire measures 5.3 x 4.1x 2.7mm.
A hallmarked 18ct gold sapphire and diamond cocktail ring. The ring set with an emerald cut sapphire flaked by trefoil of marquise and round brilliant cut diamonds. Sapphire measures approx 11.3 mm x 6mm x 2.8mm. Estimated total diamond weight 0.80ct. Hallmarked London 1992. Sponsor QG. Weight 4.6g. Size Q.5.
A large late 19th / early 20th century Indian ivory figure highly decorated with applied engraved yellow coloured metal set with rose cut and cabochon ruby, emerald, sapphire and other gem stones, mounted on a later plinth, overall 36cms high.Condition ReportSome gemstone losses, two hanging tassels beside her legs are complete but have become detached, very good overall condition
Art Deco vase by CRISTALLERIES DE NANCY; France, ca. 1925.Acid-etched cameo glass.Limited edition, copy 15/100.With mark on the base.Measurements: 34 x 15 cm.Vase of classic profile, with rounded foot, circular and low, stylized flared tank, narrow and high, which opens at the top to form the mouth. It is made using the cameo glass technique, combining an upper layer of shiny emerald glass, for the flower and bird motifs of synthesized design, and a lower layer of white opal glass. Unlike Art Nouveau cameo glass, the motifs are worked on two planes, that is, in silhouette and without details in relief, and are contained in a central strip, flanked by decorative borders, in a classicist, orderly composition, very different from the open and asymmetrical, oriental-influenced, typical of modernism.The cameo glass is a technique known since ancient times, although resumed in Europe in the late nineteenth century. The main innovation will be the use of hydrofluoric acid instead of carving, which will allow a wider dissemination and cheaper production. The technique consists of blowing a bubble of two or more layers of glass of different colors, which are then carved or removed to acid remelting the bottom, thus leaving the motif in relief, in the color of the top layer of glass.
Selection of nine pieces of jewelry. Rome, II-III centuries A.D.In gold and hard stones.Measurements: between 10 x 8 mm (the smallest) and 14 x 16 mm (the largest).Selection of nine pieces of jewelry entirely made of gold. They are decorated with hard stones, filigree and granulated, common techniques in Roman jewelry. Although this selection of jewelry has been made in the Roman period, stylistically they are rooted in Greek jewelry, an important artistic trend that included a large variety of objects within the Greek territory. Greek artisans worked from necklaces, crowns, to rings, diadems, bracelets and, of course, earrings. The stylistic differentiation between these objects allows them to be catalogued according to a period (Bronze Age, Mycenaean Civilization, Minoan Civilization, Dark Ages, Archaic Period, Classical Greece, Hellenistic Period, Roman Greece) or place of origin. The most used material was gold, worked following different techniques (filigree, casting, granulated, chiseled) and the combination of stones such as emerald, garnet, glass or even pearls. Within its ornamentation, the representation of figurative elements related to the plant and floral world, as well as animal and Greek mythological deities stands out.
Emerald and diamond five stone ring, set with five graduated oval cut emeralds and eight single cut diamonds, mounted in 9 ct yellow gold, ring size PCondition Report: 9 ct gross weight 3.4 gramsAll emeralds have small surface reaching fractureslight scratches to gold surfaceevidence of previous ring re-sizing
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